Although most scholars agree that the lexicon of Sophist 232b1-236d4 is similar to that of Republic X, they leave undetermined whether they are theoretically compatible. Notably, both dialogues elucidate the art of imitation through the metaphor of the painter who deceives his pupils through φαντάσματα. I argue that Plato’s conception of imitation of the Republic is not only consistent with that presented in the Sophist, but also importantly integrates it.

There has been much discussion as to what, in Republic X, Plato took to be the true nature of the soul. My justification for extending the discussion is the continued popularity of the view that the true soul is incomposite. What I add to the discussion is a different perspective, one which sheds new light on the problem. Commentators have paid little or no attention to the role that order plays in this issue. By giving order its due, it becomes (...) apparent not only that Plato was not stating that the true soul was incomposite, but also that, as he almost certainly realized, such a view would be inconsistent with other claims made in the dialogue. (shrink)

It is well known that in the Republic, Socrates presents a view of the soul or the psyche according to which it has three distinct parts or aspects, which he calls the reasoning, spirited, and appetitive parts. Socrates’ clearest characterization of these parts of the soul occurs in Republic IX, where he suggests that they should be understood in terms of the various goals or ends that give rise to the particular desires that motivate our actions. In Republic X, however, (...) Socrates uses the phenomenon of cognitive conflict about matters of fact to show that the soul has only two parts, the rational and the irrational. Moreover, he characterizes these parts in terms of cognitive tendencies, such as forming beliefs on the basis of reason versus forming beliefs on the basis of perceptual appearances. In this chapter, I explain how these divergent accounts of the soul and its parts are legitimate alternative characterizations. A consequence of my argument is that we should not think of the divided soul as primarily a division of desires, but rather as a division of cognitive attitudes towards the world, each of which yields different sorts of desires. (shrink)

The discussion of immortality in Republic X is a much-maligned text whose function in the dialogue has frequently been drawn into question. This paper argues that the discussion addresses the insufficiency of the analogy between vice and disease that is established in Book IV and is challenged in Book IX by an account of tyranny which attributes to the tyrant a viciousness defying reduction to disease. It also argues that the discussion’s demonstration of immortality on the grounds of the soul’s (...) capacity for viciousness must be read in light of its attention to the political life of the person. In its adoption of a political perspective, the discussion is designed to speak specifically to the concerns about justice thatGlaucon andAdeimantus voice in Book II. (shrink)

Abstractabstract:Plato's Republic X attack on imitative poetry is based in the metaphysics of appearance, since appearances are the objects and products of imitation. I offer a new reading, showing that Plato's account coherently introduces appearances as a new type of item, distinct from Forms and sensible particulars, and applies beyond imitation to a broad range of appearances. Focusing on the importance of perspective to Plato's reasoning, I argue that an appearance is a relation that comes about between a material particular (...) and an apprehending subject. Ordinarily, appearances are transparent: they confer determinate awareness on the subject, but are not the objects of our awareness insofar as we are appeared to. This reading resolves longstanding obscurities, grounds an improved account of imitation, and shows that Plato here presents the cornerstone of a general theory of appearance. (shrink)

Plato imputes an important form of understanding to Cephalus in Book I of the Republic and revisits it at the end of Book X. Plato's astute observations of mental life in old age tie Cephalus’ conversation to the concept of “life review” in contemporary geriatric psychology. This provides the basis for an argument that Cephalus exemplifies the indispensable teacher described in Book X, and this raises interesting new epistemological and ethical issues. Finally, I ask why commentaries on the Republic have (...) overlooked this theme, and argue that an ageist bias against Cephalus has distorted commentators’ reading of the text. (shrink)

Plato imputes an important form of understanding to Cephalus in Book I of the Republic and revisits it at the end of Book X. Plato's astute observations of mental life in old age tie Cephalus’ conversation to the concept of “life review” in contemporary geriatric psychology. This provides the basis for an argument that Cephalus exemplifies the indispensable teacher described in Book X, and this raises interesting new epistemological and ethical issues. Finally, I ask why commentaries on the Republic have (...) overlooked this theme, and argue that an ageist bias against Cephalus has distorted commentators’ reading of the text. (shrink)

The usual interpretation of Republic 10 takes it as Socrates’ multilevel philosophical demonstration of the untruth and dangerousness of mimesis and its required excision from a well ordered polity. Such readings miss the play of the Platonic mimesis which has within it precisely ordered antistrophes which turn its oft remarked strophes perfectly around. First, this argument, famously concluding to the unreliability of image-makers for producing knowledge begins with two images—the mirror (596e) and the painter. I will show both undercut the (...) argument they introduce. Secondly, Socrates repeats the “three removes” argument three times. Each has its own object and philosophical axis. The “bed” argument (596a-598d) concerns the ontological status of images vis-à-vis human makers and the divine idea. The bit and bridle,” 601b-601d) emphasizes the epistemological status of image-making as beneath the human maker of bridles (having correct opinion) and the human user, who knows. This second takes away the ontological distinction which was the point of the first. Thus, any human being could be in any of the three positions—user, maker, imitator. This dance might bring one to doubt the conclusion that the imitator has “neither knowledge nor right opinion” (602a). Plato leads into his concluding psychological and moral argument (602c-605c) after a third variation of the 3 removes. This last gives us the image of the flute player (601d-602) as the one who knows and so can order the flute maker. We will conclude by considering what it is this flutist could know, and given that his art is itself a mimesis, who the imitator of this imitative artist could be. Thus attention to the differences among these examples opens a defense of the arts, which reverses many of the claims made against the arts within the ostensible “Platonic” argument. (shrink)

Conspiracies are, by definition, a group activity; to conspire requires two or more people working together towards some end, typically in secret. Conspirators have intentions; this is borne out by the fact they want some end and are willing to engage in action to achieve. Of course, what these intentions are can be hard to fathom: historians have written a lot about the intentions of the assassins of Julius Caesar, for example; did they want to restore the Republic; was Marcus (...) Brutus lusting after power; was it an attempt to curb the ambitions of the plebeian class, who saw in Caesar someone not unlike themselves? If intentions can be hard to infer, who is a knowing conspirator and who is a dupe is almost as tricky to parse. Not all purported members of a conspiracy are conspirators, even if they aid and abet the conspiracy. Take, for example, the notorious lax engineer who the conspirators know will sign off on substandard building compliance measures, making it all the easier for them to plant their controlled demolitions. On some account of causal or even moral responsibility the lax engineer would then be responsible for the subsequent event, the one the conspirators desired. Yet it also seems clear that even if she is responsible in some sense for the culminating event of the conspiracy, it is clear that they did not conspire. Or, at least, we would like to think so, although should the authorities find out about the lax engineer’s involvement, they may well be considered part of the conspiracy, especially if the conspirators do their best to hide their own involvement or identities. (shrink)

Despite the bad press, Plato has a valid argument for immortality from three premises: (1) if the natural evil of a thing cannot destroy it, then it is indestructible; (2) the natural evil of the soul is vice; and (3) vice cannot destroy the soul. These premises are contestable, of course, but Plato has some good reasons for advancing them.

James Adam was a Scottish classics scholar who taught at Emmanuel College, Cambridge. A strong defender of the importance of Greek philosophy in a well-rounded education, Adam published a number of Plato's works including Protagoras and Crito. This two-volume critical edition of the Republic was another major contribution to the field. Though his preface claims 'an editor cannot pretend to have exhausted its significance by means of a commentary,' Adam's depth of knowledge and erudite analysis of the Greek text ensured (...) that his edition remained the standard reference for decades to follow, and it remains a thought-provoking evaluation of one of the great works of Western thought. Volume 2 examines Books 6–10, which discuss the place of the philosopher and questions of governance. (shrink)

Jian Zhou,* Weiqiang Ju,* Xiaopeng Yuan, Xiaofeng Zhu, Dongping Wang, Xiaoshun HeOrgan Transplant Center, First Affiliated Hospital, Sun Yat-sen University, Guangzhou, People's Republic of China *These authors contributed equally to this work: Hyperosmolar nonketotic hyperglycemic coma is a serious, rare complication induced by methylprednisolone pulse therapy for acute rejection after orthotopic liver transplantation. Herein, we report an unusual case of a 58-year-old woman who experienced acute rejection at 30 months after OLT, only one case in which HNKHC resulted in MP (...) pulse therapy for acute rejection in all 913 recipients in our center. The general morbidity of HNKHC was 1.09‰ in this study. HNKHC is characterized by rapid onset, rapid progression, and a lack of specific clinical manifestations. High-dose MP management was a clear risk factor. The principle of treatment included rapid rehydration, low-dose insulin infusion, and correcting disorders of electrolytes and acidosis. In conclusion, clinicians considering MP pulse therapy after OLT should be alert to the occurrence of HNKHC. Keywords: liver transplantation, complications, hyperosmolar nonketotic hyperglycemic coma, methylprednisolone pulse therapy, principle of treatment. (shrink)

In Republic X, the “problem of the irrational part” is this: Greek tragedy interacts with non-reasoning elements of the soul, affecting audiences in ways that undermine their reasoned views about virtue and value. I suggest that the common construal of Socrates’s critique of Greek tragedy is inadequate, in that it belies key elements of Plato’s audience psychology; specifically, the crucial role of the spirited part and the audience’s cognitive contribution to spectatorship. I argue that Socrates’s emphasis on the audience’s cognitive (...) contribution to spectatorship allows him to anticipate a non-authoritarian solution to the problem of the irrational part. (shrink)

Este trabalho tece algumas considerações concernentes a metáforas pictóricas na República de Platão, especialmente nos livros VI e X. Na primeira parte, se estabelece o conceito de metafórica da pintura, a fim de propor uma metodologia de abordagem das metáforas propriamente ditas. Na segunda parta, situa-se a aparição do pintor na cidade ideal, a fim de mostrar um caso em que a pintura tem um uso imagético, mas que não é metafórico. Na terceira, analisa-se a metafórica da pintura no livro (...) VI,relacionada à filosofia, e na quarta, no livro X, relacionada à poesia. Finalmente, apontam-se outras questões pertinentes à metafórica da pintura na República, ligadas à sombra e ao desejo. (shrink)

Modern virtue ethics is commonly presented as an alternative to Kantian and utilitarian views—to ethics focused on action and obligations—and it invokes Aristotle as a predecessor. This paper argues that the Nichomachean Ethics does not represent virtue ethics thus conceived, because the discussion of the virtues of character there serves a quasi-Platonic psychology: it is an account of how to tame the unruly (non-rational) elements of the human soul so that they can be ruled by reason and the laws it (...) imposes. This is explicitly stated in Book X, where it is also affirmed that the question of which laws reason should impose is addressed in The Politics. The Ethics and Politics can therefore be seen as a unity—as Aristotle's version of Plato's Republic—and it is the failure to recognize this that explains Aristotle's misappropriation by the modern virtue ethicists. (shrink)

This chapter contains section titled: On What the Forms Are: the Present State of the Question Sketch of the View to be Offered Here Plan of this Discussion of the Forms The Republic's Project as a Whole The First Group of Passages on the Forms (V.472b—e with 454a–456c) The Second Group of Passages (X.596a–602b) The Third Group of Passages on the Forms (V.475e–480b, VI.484b–485b, 486d‐e, 490a—b, 493e–494a, 500b–502d) The Fourth Group of Passages (VI.502c‐VII.541b: Sun, Line, and Cave) as Describing the (...) “Longer Road”: Plato's Identification of the Good with the Form of the Good The Anti‐reductionism of the Sun, Line, and Cave about the Real Natures of Things that Structure the Universe Conclusion. (shrink)