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Ennead VI.8 gives us access to the living mind of a long dead sage as he tries to answer some of the most fundamental questions we in the modern world continue to ask: are we really free when most of the time we are overwhelmed by compulsions, addictions, and necessities, and how can we know that we are free? Can we trace this freedom through our own agency to the gods, to the Soul, Intellect, and the Good? How do we (...) know that the world is meaningful and not simply the result of chance or randomness? Plotinus' On the Voluntary and on the Free Will of the One is a groundbreaking work that provides a new understanding of the importance and nature of free human agency. It articulates a creative idea of agency and radical freedom by showing how such terms as desire, will, self-dependence, and freedom in the human ethical sphere can be genuinely applied to Intellect and the One while preserving the radical inability of all metaphysical language to express anything about God or gods. (shrink)

_"The Essential Plotinus_ is a lifesaver. For many years my students in Greek and Roman Religion have depended on it to understand the transition from antiquity to the Middle Ages. The translation is crisp and clear, and the excerpts are just right for an introduction to Plotionus's many-layered view of the world and humankind’s place in it." --F. E. Romer, University of Arizona.

Part of a series of facsimile reprints chosen and introduced by Jonathan Wordsworth. Taylor's translation of Plotinus was originally published in 1792. Distributed by Books International. Annotation c. by Book News, Inc., Portland, Or.

Filosofische bespiegelingen van de Griekse wijsgeer (c. 204-270), voorafgegaan door een korte levensschets.

"Ennead I.6 is probably the best known and most influential treatise of Plotinus, especially for Renaissance artists and thinkers. Although the title may suggest a work on aesthetics and thus of limited focus, this is far from the case. For it quickly becomes apparent that Plotinus' main interest is in transcendent beauty, which he identifies with the Good, the goal of all philosophical endeavor in the Platonist's search to assimilate himself with the divine. The treatise is at once a philosophical (...) search for the nature of the divine and at the same time an encouragement to the individual to aspire to this goal by taking his start from the beauty which is experienced in this world; for it is an image of transcendent beauty. This upward movement of the treatise reflects throughout the speech of Socrates in Plato's Symposium in which he recounts the exhortation of the priestess Diotima to ascend from earthly to transcendent beauty, which for Plotinus is identified with the divine.". (shrink)

In Ennead I.5 Plotinus attempts to navigate a well-trodden path of inquiry by responding directly to a wide spectrum of popular theories on human flourishing, insisting emphatically that well-being belongs to the present moment. One of his central targets is Aristotle, who insisted that well-being be measured by "a complete life" or a life measured by virtue, a modus vivendi sustained via the development of appropriate habits (hexis) and the avoidance of misfortunes. At the same time the Hellenistic schools-with their (...) insistence that happiness is available to practitioners in the immediacy of the "now"-take pride of place in Plotinus' short screed on the subject. This treatment provides an in-depth analysis of Plotinus' unique conception of the value of the present moment by highlighting Plotinus' dialogue with Aristotle and Hellenistic conceptions of the soul, pleasure and pain, and time and eternity. (shrink)

For Plotinus, the nature and status of the human soul is one of the central problems of philosophy.Ennead IV.3­–4.29 constitutes his most penetrating enquiry into this topic, addressing the issues of the relation of the individual soul to the World Soul, the descent of the soul into body, its relations with that body, problems of personal identity and the nature of memory, sense perception, and the true seat of the emotions —many of which still have a resonance today. The treatise (...) is an excellent example of Plotinus' distinctive method of enquiry: not dogmatic (though he is no sceptic), but worrying away at questions until he has uncovered their complexities to the best of his ability. Such a work requires detailed commentary, such as is provided here, to tease out fully the fascinating convolutions of his thought. (shrink)

Plotinus' Treatise V.1 comes closer than any other to providing an outline of his entire spiritual and metaphysical system, and as such it may serve to some degree as an introduction to his philosophy. It addresses in condensed form a great many topics to which Plotinus elsewhere devotes extended discussion, including the problem of the multiple self; eternity and time; the unity-in-duality of intellect and the intelligible; and the derivation of intelligible being from the One. Above all, it shows that (...) the so-called "three hypostases"--soul, intellect, and the One--are best understood not as a sequence of three things additional to one another, but as three levels of possession of the same content, so that each lower level--soul in relation to intellect and intellect in relation to the One--is an "image" and "expression" of its superior. Plotinus exhorts the human soul to overcome its alienation from its own true nature and its divine origin by first recognizing itself as superior to the body and the same in kind as the animating principle of the entire cosmos, and then discovering within itself the still higher levels of reality from which it derives: intellect and, ultimately, the One or Good, the supreme first principle of all things. To do so the soul must redirect its attention inward and upward to become aware of the divinity which is always within it but from which it is distracted by the clamor of the senses. (shrink)

Les quatre chapitres de cette étude sont intitulés : le système des hypostases; la matière intelligente; la matière sensible; le monde sensible. [SDM].

After concluding in the introduction that different things are beautiful in different ways, the first section of the treatise focuses on sensory beauty or beauty of bodies. Rejecting symmetry as a sufficient criterion for beauty, Plotinus explains that things in this world are beautiful to the extent that they participate in form and to the extent that shapeless matter is dominated by shape and the formative principle. Sensory beauty stirs the soul and helps it to recognise and remember transcendental beauty.

Plotino.--Antologia filosofica; dalle Enneadi.

Ennead I.1 is a succinct and concentrated analysis of key themes in Plotinus' psychology and ethics. It focuses on the soul-body relation, discussing various Platonic, Aristotelian, and Stoic views before arguing that there is only a soul-trace in the body (forming with the body a "compound"), while the reasoning soul itself is impassive and flawless. The soul-trace hypothesis is used to account for human emotions, beliefs, and perceptions, and human fallibility in general. Its problematic relation to our rational powers, as (...) well as the question of moral responsibility, are explored. Plotinus develops his original and characteristic concept of the self or "we," which is so called because it is investigated as something common to all humans (rather than a private individual self), and because it is multiple, referring to the reasoning soul or to the "living thing" composed of soul-trace and body. Plotinus explores the relation between the "we" and consciousness, and also its relation to the higher metaphysical entities, the Good, and Intellect. (shrink)

Teilband 1. Schriften 1-38 -- Teilband 2. Schriften 39-54, Porphyrios: Über Plotins Leben.

L'histoire de la philosophie a toujours vu en Plotin un metaphysicien. Porphyre ne dit-il pas de son maitre qu'il connaissait parfaitement la geometrie, l'arithmetique, la mecanique, l'optique et la musique, mais qu'il n'etait pas enclin a approfondir davantage ces disciplines? Ce peu de gout pour les mathematiques et la physique n'a pourtant pas empeche Plotin de rediger quelques traites exclusivement connsacres a des questions de physique et de cosmologie, traites qui furent les grands oublies des etudes neioplatoniciennes. Parmi ceux-ci, le (...) traite Sur le ciel est d'une importance capitale aussi bien en raison du sujet qu'il aborde que du debat philosophique qu'il engage avec la tradition. La vision plotinienne du monde et du ciel doit en effet trouver sa place au sein des theories cosmologiques dominantes de son epoque: celles transmises par le Timee de Platon, le De Caelo d'Aristote et la vision stoicienne de l'univers. Il va sans dire que Plotin se veut un exegete des doctrines platoniciennes, mais le present traite montre peut-etre plus que tout autre la difficile cohabitation de l'independance d'esprit et de la fidelite aux textes du maitre. Ce qui se presente comme une exegese du Timee devient en fait une trahison des enseignements qui y sont contenus. Le traite II, 1 [40] fut le theatre d'une rebellion, celle d'un interprete platonicinen qui tente de lire dans le Timee une theorie qui ne s'y trouve pas. (shrink)

Le commentaire constitue, outre une synthèse, un éclaircissement méthodique de la métaphysique et de la mystique plotinienne.

Keine ausführliche Beschreibung für "Plotins Schrift "Über den Geist, die Ideen und das Seiende"" verfügbar.