Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, a (...) detailed glossary, and a selected bibliography are also included. (shrink)

Several recent papers dealing with Plato's position on the imperfection of the phenomenal world draw heavily on the differences between two kinds of predicates in order to show the following: In the middle dialogues, Plato posits Forms only as referents of what the writers call incomplete predicates. He does not posit Forms as referents for complete predicates. When interpreters ignore the differences between these kinds of predicates, they ascribe too radical a view regarding the imperfection of the phenomenal world to (...) the middle dialogues. The ontology of these dialogues includes sensible particulars which retain their identity over time even though they are continually changing in some respect or other. (shrink)

_Plato's 'Timaeus'_ brings together a number of studies from both leading Plato specialists and up-and-coming researchers from across Europe, opening new perspectives on familiar problems, while shedding light on less well-known passages.

This book focuses on the development of Platonic philosophy at the hands of Roman writers between the first century BCE and the early fifth century CE. It discusses the interpretation of Plato's Timaeus by Cicero, Apuleius, Calcidius, and Augustine, and examines how these authors created new contexts and settings for the intellectual heritage they received and thereby contributed to the construction of the complex and multifaceted genre of Roman Platonism. It takes advantage of the authors' treatment of Plato's (...) class='Hi'>Timaeus as a continuous point of reference to illustrate the individuality and originality of each writer in his engagement with this Greek philosophical text; each chooses a specific vocabulary, methodology, and literary setting for his appropriation of Timaean doctrine. The authors' contributions to the dialogue's history of transmission are shown to have enriched and prolonged the enduring significance of Plato's cosmology. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Plato's Timaeus as Cultural IconGerard NaddafGretchen J. Reydams-Schils, editor. Plato's Timaeus as Cultural Icon. Notre Dame, IN.: University of Notre Dame Press, 2003. Pp. xiv + 334. Cloth, $59.95. Paper, $29.95.This volume emanates from an international conference entitled "Plato's Timaeus as Cultural Icon" held at the University of Notre Dame in 2000. In the introduction, the editor and organizer, Gretchen Reydams-Schils (GRS), contends that the (...) title is meant to communicate the considerable influence of Plato's Timaeus on so many different intellectual traditions and asks "What could account for this philosophical and cultural status?" (1).There are thirteen essays by distinguished specialists in the field. For some reason, a number of the essays do not focus on the general theme of the volume and the question GRS raises, "what could account for this philosophical and cultural status?" is never directly, or even indirectly, addressed. In this short review, I will examine the essays in their order of appearance and make some general comments at the end.Mitchell Miller, in the opening essay, argues that the Timaeus must be understood as addressed to a nonphilosophical audience, although he endeavors to show how the philosophically minded could interpret the Timaeus in light of the god-given method, the longer way, of the Philebus (16c-17a). With this in mind, Miller shows that the constitution of the elements and animals in the Timaeus was in fact determined in light of this method. From this perspective, the Timaeus is addressed not only to a nonphilosophical audience—albeit chiefly to these—but also to a philosophical audience.Kenneth Sayre discusses a number of inconsistencies and incoherences in Plato's description/analysis of the Receptacle and concludes that it is nothing short of a "failed experiment." Personally, I find Plato's analysis rather helpful in a manner analogous to the famous similes he employs in the Republic to help us grasp the Form of the Good. Meanwhile, there is nothing in the essay, as with Miller's essay, to indicate why the Timaeus would constitute a cultural icon (unless as a paradigm for opacity and thus as a catalyst for allegorical interpretation, but again this is not Sayre's intent). [End Page 335]John Dillon, with whom the notion of the Timaeus as a cultural icon begins to emerge, emphasizes that most of the members of the Old Academy, including Speusippus, Xenocrates, and Cantor, maintained (contra Aristotle) that Plato did not hold that the universe was created. While it is true, as he notes, that they were in a better position to interpret the master, the fact remains that they all had different interpretations. There is thus a sense in which Dillon's analysis confirms Miller's position that Plato meant the Timaeus for two very different audiences.Carlos Lévy focuses on the difficulty that Cicero had in translating the Timaeus without reverting to Stoic concepts. He argues that a Latin reader, unfamiliar with the Greek, would assume that transcendence is nonexistent and that mind and matter, as with the Stoics, are one. However, Lévy remains silent on why Cicero would not allow Plato to speak for himself, given that this appears to be the norm with many of his other interlocutors. Moreover, it is difficult again to see why the Timaeus would constitute a "cultural icon."Luc Brisson presents the Timaeus in a radical new light. He shows the extent to which the Timaeus, or more precisely the highly exegetical Middle Platonist interpretation of the work, was the primary reference text for the influential Chaldean Oracles. This is an excellent example of the iconic status of the Timaeus, but it is worth noting that the Chaldean Oracles themselves and their doctrine of salvation may have been historically more influential than the Timaeus itself.David Runia's essay is also an excellent example of the iconic influence of Plato's Timaeus, but unlike Brisson, he focuses on a particular feature of the cosmogonical account rather than the entire treatise: how the Timaeus influenced the debate, including with regard to the opening verses of Genesis, on first principles and the doctrine of creation. Runia... (shrink)

New forms of transnational mobility and diasporic belonging have become emblematic of a supposed global condition of uprootedness. Yet much recent theorizing of our so-called postmodern life emphasizes movement and fluidity without interrogating who and what is on the move. This book examines the interdependence of mobility and belonging by considering how homes are formed in relationship to movement. It suggests that movement does not only happen when one leaves home, and that homes are not always fixed in a single (...) location. Home and belonging may involve attachment and movement, fixation and loss, and the transgression and enforcement of boundaries. (shrink)

Hartshorne and Reese thought that in the Timaeus Plato wasn’t quite a panentheist—though he would have been if he’d been consistent. More recently, Cooper has argued that while Plato’s World Soul may have inspired panentheists, Plato’s text does not itself describe a form of panenetheism. In this paper, I will reconsider this question not only by examining closely the Timaeus but by thinking about which features of current characterizations of panentheism are historically accidental and how the (...) core of the doctrine might most fruitfully be understood. I’ll argue that there is a polytheistic view that deserves to be called panentheistic and that Plato’s Timaeus describes such a view. (shrink)

In _Plato's_ Timaeus _and the Missing Fourth Guest_, Donna M. Altimari Adler offers an original account of Plato's Timaeus from 35a-36d, yielding a new interpretation of the _Timaeus_ scale and cosmic harmony imbedded in the text.

The relationship between mind and necessity is one of the major points of difficulty for the interpretation of Plato’s Timaeus. At times Timaeus seems to say the demiurge is omnipotent in his creation, and at other times seems to say he is limited by pre-existing matter. Most interpretations take one of the two sides, but this paper proposes a novel approach to interpreting this issue which resolves the difficulty. This paper suggests that in his speech Timaeus (...) presents two hypothetical models of creation, one with an omnipotent demiurge and one where he is limited by matter, so as to investigate their theoretical and empirical validity. Further, he shows that each model is ultimately an inadequate explanation of the first principles of the cosmos. Timaeus’ speech is therefore properly understood to be aporetic: it leaves its listeners aware of the difficulties inherent in the two models of creation, but without a more viable alternative. (shrink)

This paper brings Calcidius' 4th. c. AD Latin commentary on Plato's Timaeus into the fold of research on the methodological assumptions and hermeneutical practices of the ancient commentary tradition. The first part deals with the question of how Calcidius sets his role as a commentator in relation to the original text, to his audience, and to the Platonist tradition. The second part examines the organizing principles and structuring devices of the commentary, and what these can tell us about connections (...) between exegesis and worldview. As with many other commentaries, Calcidius' purpose becomes clearer if we approach him from a pedagogical angle. His practice, like most of the content of his commentary, appears to connect him to older layers of Platonism, pre-dating so-called Neoplatonism. It reveals a distinct authorial voice, of someone who is very conscious of his role as a cultural mediator and who has a philosophical line to pursue. (shrink)

Plato's Timaeus is one of the most influential and challenging works of ancient philosophy to have come down to us. Sarah Broadie's rich and compelling study proposes new interpretations of major elements of the Timaeus, including the separate Demiurge, the cosmic 'beginning', the 'second mixing', the Receptacle and the Atlantis story. Broadie shows how Plato deploys the mythic themes of the Timaeus to convey fundamental philosophical insights and examines the profoundly differing methods of interpretation which have been (...) brought to bear on the work. Her book is for everyone interested in Ancient Greek philosophy, cosmology and mythology, whether classicists, philosophers, historians of ideas or historians of science. It offers new findings to scholars familiar with the material, but it is also a clear and reliable resource for anyone coming to it for the first time. (shrink)

Plato used mathematics extensively in his account of the cosmos in the Timaeus, but as he did not use equations, but did use geometry, harmony and according to some, numerology, it has not been clear how or to what effect he used mathematics. This paper argues that the relationship between mathematics and cosmology is not atemporally evident and that Plato’s use of mathematics was an open and rational possibility in his context, though that sort of use of mathematics (...) has subsequently been superseded as science has progressed. I argue that there is a philosophically and historically meaningful space between ‘primitive’ or unreflective uses of mathematics and the modern conception of how mathematics relates to cosmology. Plato’s use of mathematics in the Timaeus enabled the cosmos to be as good as it could be, allowed the demiurge a rational choice and allowed Timaeus to give an account of the cosmos. I also argue that within this space it is both meaningful and important to differentiate between Pythagorean and Platonic uses of number and that we need to reject the idea of ‘Pythagorean/platonic number mysticism’. Plato’s use of number in the Timaeus was not mystical even though it does not match modern usage. (shrink)

This article examines whether vision in Plato’s Timaeus can realize its primary function of permitting humans to stabilize their misaligned orbits of intelligence by getting to know the universe’s orbits as revealed through the heavenly bodies’ movements. I consider a concern that Timaeus, while seemingly requiring nocturnal vision for this purpose, appears to preclude its possibility, thereby threatening the dialogue’s internal coherence. I then argue that Timaeus has the resources to overcome this worry and to provide (...) a philosophically cogent account of nocturnal vision. (shrink)

Plato’s Timaeus gives an account of the creation of the world and of human race. The text suggests that there was a first generation of human beings, and that they were all men. The paper raises difficulties for this traditional view, and considers an alternative, suggested in more recent literature, according to which humans of the first generation were sexually undifferentiated. The paper raises difficulties for the alternative view as well, and examines the third possibility, advocated by some (...) ancient as well as modern interpreters, according to which there were no first humans, strictly speaking. Although the latter view avoids the pitfalls of the former two views, it crucially rests on a metaphorical reading of the creation story in the Timaeus. (shrink)

This is the first study to assess in its entirety the fourth-century Latin commentary on Plato's Timaeus by the otherwise unknown Calcidius, also addressing features of his Latin translation. The first part examines the authorial voice of the commentator and the overall purpose of the work; the second part provides an overview of the key themes; and the third part reassesses the commentary's relation to Stoicism, Aristotle, potential sources, and the Christian tradition. This commentary was one of the main (...) channels through which the legacy of Plato and Greek philosophy was passed on to the Christian Latin West. The text, which also establishes a connection between Plato's cosmology and Genesis, thus represents a distinctive cultural encounter between the Greek and the Roman philosophical traditions, and between non-Christian and Christian currents of thought. (shrink)

Few works of philosophy have enjoyed the prestige of the Timaeus, the dialogue in which Plato set out to provide a rational account, cast in the form of a cosmological "myth," of the universe and humankind. Calcidius translated and commented on Plato's Timaeus. Chronology does little to explain Calcidius' work, which so falls outside the scope of any developmental account of "Middle-" and "Neoplatonism." Calcidius' identification of the Platonic Receptacle with Aristotelian Matter and his various Stoicising impulses reflect (...) traditions that had altered ancient perspectives on the Timaeus, but it is difficult to ascertain the degree to which his philosophical points of reference are Numenius, Alcinous, and Apuleius in the second century CE as opposed to Plotinus, Porphyry, and Iamblichus in the third to fourth. This may have contributed to the later fascination with Calcidius, especially during the "renaissance" of the twelfth century, when his translation and commentary presented themselves as a coalescence of ideas frozen outside of time and space. From Calcidius twelfth-century readers may have learned how ancient opinions on the World Soul, Fate, and Matter lined up conceptually, but they got from him no reliable means of disentangling the historical descent or intersections of those opinions. Yet Calcidius proved to be a fundamental source of inspiration for thinkers such as Bernardus Silvestris, William of Conches, and Alan of Lille, who set out to make new sense of the world, its architecture, the forces that animate it, and our place within it."--Provided by publisher. (shrink)

This paper re-constructs Plato's ‘philosophy of geometry’ by arguing that he uses a geometrical method of hypothesis in his account of the cosmos’ generation in the Timaeus. Commentators on Plato's philosophy of mathematics often start from Aristotle's report in the Metaphysics that Plato admitted the existence of mathematical objects in-between ( metaxu) Forms and sensible particulars ( Meta. 1.6, 987b14–18). I argue, however, that Plato's interest in mathematics was centred on its methodological usefulness for philosophical inquiry, rather than on (...) questions of mathematical ontology. My key passage of interest is Timaeus’ account of the generation of the primary bodies in the cosmos, i.e. fire, air, water and earth ( Tim. 48b–c, 53b–56c). Timaeus explains the primary bodies’ origin by hypothesising two right-angled triangles as their starting-point ( arkhê) and describing their individual geometrical constitution. This hypothetical operation recalls the hypothetical method which Socrates introduces in the Meno (86e–87b), as well as the use of hypotheses by mathematicians which is described in the Republic (510b–c). Throughout the passage, Timaeus is focussed on explicating the bodies in terms of their formal structure, without however considering the ontological status of the triangles in relation to the physical world. (shrink)

This work aims to investigate the occurrences of the female lexicon, in particular γυνή and μήτηρ, in the Timaeus, to bring out Plato's position regarding women that can be deduced from the hermeneutics of the examined passages. It is necessary to consider all the problems related to Plato's writings, including the argumentative structures used and the complexity of some concepts. The occurrences in the Timaeus, although not numerically conspicuous, are significant in terms of content, given the very nature (...) of this dialogue, which aims to identify the position and role of man and his soul in the cosmos. In Timaeus’ Prologue, such as in the Republic, Plato expresses more open positions regarding the social role of women; instead in other passages, such as those dealing with the transmigration of souls, Plato uses images relating to women to help his listeners to understand very complex issues. These images, to be understandable, have to be adequate to the idea about women common to Plato’s time. (shrink)

This is the third of the five volumes projected by Cambridge University Press in its new English translation of Proclus's important commentary on Plato's Timaeus. It contains a translation of about one third of the second volume of Ernst Diehl's critical edition of the Greek text covering Proclus's commentary on Plato's discussion of the world's body at Timaeus 31b–34a. The volume of translation also includes an introduction, notes, glossaries , and a general index. Baltzly's translation is the first (...) English version for approximately two hundred years—and the first based on Diehl's text—and should be compared with A.-J. Festugière's French translation on which it sometimes improves. This translation combines the virtues of being both close to the original Greek and readable in its own right, its value for the more committed scholar being enhanced by the incorporation of transliterated Greek terms into the text at strategic points.Without detracting from the overall value of this translation, a few comments or criticisms should be made. A first principle of translation to be followed in such a case is consistency of terminology. Since Proclus's Greek is rigorously technical in a way that Plato's is. (shrink)

In The Textual Tradition of Plato's Timaeus and Critias, Gijsbert Jonkers presents a new examination of the medieval manuscripts of both Platonic dialogues, an overview of the ancient tradition and a vast collection of ancient testimonia.

Plato’s Timaeus provides a significant, original account of diseases afflicting the body and soul. The causes of disease are explained according to the same physical principles that account for the motion of the four elements in the universe. As a result, medical expertise concerning the microcosm of the human body depends on cosmological expertise concerning the macrocosm of the universe. in addition, the methods of division and collection (diairesis and sunagōgē) that Plato uses in other late dialogues are (...) employed in the Timaeus to classify ailments according to differences in their dunamis. Each of the three main kinds of disease is caused by a unique kind of bodily motion, which explains why the same body parts, humours, and elements are involved in multiple kinds of disease. (shrink)

Plato's account of the making of the world by a supreme divinity has often been felt to foreshadow the natural theology associated with orthodox western religion. This paper examines some significant ways (having more than merely antiquarian interest, it is hoped) in which the Timaeus scheme differs from more familiar orthodoxy.

Reading the Timaeus as an early attempt at mathematizing natural science runs into serious difficulties. The so-called Platonic Solids are five in number, more by one than the traditional 'elements'. Plato provides a proportional ratio for these elements but this ratio fails to tie in with their geometrical features. Appealing to the authority of mathematics appears to be a rhetorical move with no further consequences.

The Timaeus is perhaps the most unusual of Plato’s dialogues. In this paper, I attempt to interpret Timaeus’s strange speech, which makes up most of the dialogue. I argue that Timaeus has grasped the grave challenge posed to philosophic reason by men like Hesiod who claim that mysterious gods are the first causes of the world, and therefore one cannot say that there are any true necessities governing this world. If this is true, then philosophy, as (...) the study of nature, which depends on the existence of necessity, would be impossible. Timaeus articulates two serious attempts to meet this challenge by demonstrating the stability and rational comprehensibility of the world from solid first principles: one according to which mind is the cause of all things; another according to which everything comes to be through mindless necessity. But he ultimately suggests that neither of these attempts have been successful, thereby demonstrating the limits of natural science’s ability to meet the religious challenge. Timaeus’s speech also has a rhetorical purpose related to this failure: insofar as he finds himself unable adequately to meet the religious challenge, and yet is still attracted to and finds worthwhile the pursuit of philosophy, he thinks a rhetorical account of the cosmos is necessary to shore up faith in reason for elite and educated young men who find themselves inclined to natural science. The more rhetorical aspects of Timaeus’s speech, and above all his account of the triangles, serve this purpose. (shrink)

In the present volume Proclus comments on the creation of the body of the universe in Plato's Timaeus.

"This excellent work... deserves the serious consideration of all who are interested in contemporary philosophy as well as those who concern themselves with ancient philosophy, especially Plato." —Review of Metaphysics In Chorology, John Sallis takes up one of the most enigmatic discourses in the history of philosophy. Plato's discourse on the chora—the chorology—forms the pivotal moment in the Timaeus. The implications of the chorology are momentous and communicate with many of the most decisive issues in contemporary philosophical discussions.

In this paper I propose a reconstruction of the onto-cosmological perspective of Plato’s Timaeus and suggest an interpretation of it in the light of some contemporary approaches to ontology and logic, i.e. “ontological sequentialism” and “fuzzy logic”, attempting to use the categories and language of present-day ontology and logic to examine from a different point of view some aspects of the Timaeus onto-cosmology and of its logical scaffolding.

These are inventions of the human mind. The scientific knowledge of the universe is entirely composed in a series of axioms and rules of inference underlying a formalized system.

The central place of Plato’s Timaeus in Plotinus’ Enneads has long been acknowledged. However, the importance of Timaeus 90 a for Plotinus’ psychology and theory of Intellect has not until now been properly recognized. This paper argues that, in Plato’s Timaeus 90 a, Plotinus sees his own distinction between the Hypostasis Intellect and human intellect, that is, our higher soul, which Plato in the Timaeus calls a daimon and which Plotinus takes to remain in (...) the intelligible realm, interpreting it along the same lines as “our allotted guardian spirit” (Ennead III.4). The way Timaeus 90 a is combined with passages drawn from other Platonic dialogues as well as with Peripatetic doctrine provides the framework for a case study on how Plotinus handles and interprets Platonic material. (shrink)

No livro Plato’s Philosophers, Catherine Zuckert olha para o Timeu de Platão de maneira renovada e revive implicitamente a tese de A. E. Taylor, segundo a qual Timeu não fala por Platão. Taylor devotou seu escrupuloso comentário de 1927 para construir esse argumento, o qual, porém, encalhou diante da questão colocada dez anos depois por F. M. Cornford, no livro Plato’s Cosmology : “Qual poderia ter sido o seu motivo?” O motivo de Platão era tanto pedagógico quanto parmenídico: (...) assim como a deusa expõe o peregrino à “Via da Opinião” depois da revelação da “Verdade”, assim também o Timeu de Platão expõe o leitor a um relato poético de uma cosmologia baseada na visão – outro kosmo/j e0pe/wn a0pathlo/j – depois da revelação, feita na República V-VII, da ontologia platônica puramente inteligível. (shrink)

In the present article, we consider the question of the primary elements in Plato’s Timaeus, the components of the whole universe reduced, by an extraordinarily elegant construction, to two right triangles. But how does he reconcile such a model with the infinite diversity of the universe? A large part of this study is devoted to Cornford’s explanation in his commentary of the Timaeus and its shortcomings, in order to finally propose a revised one, which we think to (...) be entirely consistent with Plato’s text. This analysis is an essential step for the understanding of the connection between the sensible world and the mathematical principles that underlies Timaeus’ cosmological account. (shrink)

In this paper I ask how Timaeus explains change within the trianglebased part of his cosmos. Two common views are that change among physical items is somehow caused or enabled by either the forms or the demiurge. I argue for a competing view, on which the physical items are capable of bringing about change by themselves, prior to the intervention of the demiurge, and prior to their being turned into imitations of the forms. I outline three problems for the (...) view that physical things depend on the forms for their causal powers, and show how the view I propose solves each. I then add further arguments for my view, based on (a) statements by Timaeus that seem to favor my view directly, (b) implications of Timaeus’ positions that favor the view, and (c) Timaeus’ explanatory practice in the second half of his speech. (shrink)

In the Timaeus, Plato says that the hypothesis of there being five worlds casts a reasonable doubt. Neither ancient commentators of Plato nor modern scholars have succeeded in unveiling the meaning of this hypothesis. I propose that five is the number of combinations with which the five platonic solids can be arranged in sets of four, each set making up a world. I discuss the question of whether Plato's mathematical skills made him equal to the task of calculating the (...) correct number of combinations, as well as the possible reasons why he rejected the hypothesis of there being five worlds. (shrink)

In this paper I discuss the problem of the meanings of the verb ‘be’ in Plato’s Timaeus. My claim is that, at least in that dialogue, existence emerges as the main and autonomous meaning of the verb ‘be’, contrary to the widespread view first defended in a series of studies by Charles Kahn according to which, in the Greek language and in Plato’s philosophy, the verb ‘be’ basically has a copulative-predicative and, more specifically, a truth-related meaning. I (...) consider and examine some passages from the Timaeus (27d5–28a4, 29b3–c3, 37e3–38b3, 51b7–52a7) where the concept of existence seems to be expressed in a clear and definite way by the use of the verb ‘be.’ I conclude by making some remarks on how we should understand the notion of existence, not least with reference to the problem of truth, within Plato’s philosophy and the Timaeus in particular. (shrink)

This appears in a supplementary issue of the Bulletin of the Institute of Classical Studies, entitled "Ancient Approaches to Plato's Timaeus.".

Plato’s demiurge makes a series of questionable decisions in creating the world. Most notoriously, he endeavors to replicate, to the extent possible, some of the features that his model possesses just insofar as it is a Form. This has provoked the colorful complaint that the demiurge is as raving mad as a general contractor who constructs a house of vellum to better realize the architect’s vellum plans (Keyt 1971). The present paper considers the sanity of the demiurge’s reasoning in (...) light of Timaeus 32c5-33b1, where he invokes considerations of wholeness, completeness, uniqueness, and eternality in deciding to build the body of the world from all of each of the simple bodies. Since the passage makes no appeal to the demiurge’s intelligible model, one can mine it for indications of the value that the demiurge takes those features to have independent of mimetic goals. I argue that, for Plato, those features are intrinsically good-making and, thus, that it is not only appropriate for them to characterize Forms qua Forms but also that it is appropriate for the demiurge to aim at replicating them, to the extent possible, in his creation. In particular, I argue that the demiurge’s success in instilling a circumscribed version of each feature in his creation helps to qualify it as a genuine being despite the fact that it comes to be. (shrink)

Plato tries to explain the becoming of the cosmos by referring to the concepts of order and disorder. Scholars have usually focused on the relationship between the cosmos and the demiurge that Plato puts forward to explain the reasonable development. Along these lines, scholarship has examined the providential role played by both the demiurge and the soul of the world. Yet, an interesting prob­lem still remains open: what exactly is the function of disorder? What is the sense of the concept (...) of a perfectly established order if we do not know the manner in which it is achieved, since we have no understand­ing of the conditions that make it possible? Pursuing this line of thought, one may point to a providential role of the disorder given the balance of forces that operates in Plato’s cosmic becoming. (shrink)