Plato's account of an important dialogue on the nature of love between Phaedrus, Pausanias, Eryximachus, Aristophanes, Agathon, Socrates and Alcibiades. English translation with notes and introduction.

This translation of four of Plato's dialogues brings these classic texts alive for modern readers. Allen introduces and comments on the dialogues in an accessible way, inviting the reader to re-examine the issues Plato continually raises.

The dramatic nature of Plato’s dialogues is delightfully evident in the Symposium. The marriage between character and thought bursts forth as the guests gather at Agathon’s house to celebrate the success of his first tragedy. With wit and insight, they each present their ideas about love—from Erixymachus’s scientific naturalism to Aristophanes’ comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima’s ethereal climb up the staircase of love to beauty itself. Ecstasy and intoxication clash as (...) Plato concludes with one of his most skillful displays of dialectic. (shrink)

A superb example of the bookmaker's and translator's art, this new edition of Plato's "Symposium" exhibits aesthetic, literary, and intellectual excellences rarely found together in a single volume.Tom Griffith's translation of this foundation work of Western culture is unsurpassed for the balance it achieves between readability and fidelity to Plato's Greek. For felicity of phrasing, freshness, care to match the sense of the Greek rather than its wording, and for its idiomatic rendering of the spoken word, it (...) has no peer.Originally published in a limited edition with facing Greek and color wood engravings, Griffith's translation is here presented in reduced format that retains the aesthetic quality of the original version at an affordable price. (shrink)

A new and accessible translation of Plato's Symposium with a substantial introduction.

The dramatic nature of Plato’s dialogues is delightfully evident in the Symposium. The marriage between character and thought bursts forth as the guests gather at Agathon’s house to celebrate the success of his first tragedy. With wit and insight, they each present their ideas about love—from Erixymachus’s scientific naturalism to Aristophanes’ comic fantasy. The unexpected arrival of Alcibiades breaks the spell cast by Diotima’s ethereal climb up the staircase of love to beauty itself. Ecstasy and intoxication clash as (...) Plato concludes with one of his most skillful displays of dialectic. (shrink)

Journal Name: Philologus Issue: Ahead of print.

A new translation of selections from one of the great philosophical works about love, Plato's Symposium.

Near the climax of the ascent passage of the Symposium, Plato describes how the lover turns to gaze at the great sea of the beautiful and. While the phrase has been variously interpreted by commentators and translators, none has regarded it as particularly significant. In what follows we examine the contribution that the immediate context makes to the meaning of the phrase and take note of the link between the adjective φθονος and two subsequent uses of φθονω, both (...) with reference to Alcibiades. We conclude that in the two final scenes of the dialogue the repetition of φθονος and φθονω has the same effect as the repetition of the well-studied adverb ξαφνης. By virtue of these contextual associations, we suggest, the prepositional phrase acquires a new significance. Furthermore, on the interpretation developed here the dialogue's two final scenes encapsulate the view of the incompatibility of jealousy and philosophy that Plato sets forth more explicitly and at greater length in the Phaedrus and Republic. (shrink)

Contains Plato's famous philosophic dialogues with an introduction on their contemporary implications.

In his celebrated masterpiece, Symposium, Plato imagines a high-society dinner-party in Athens in 416 BC at which the guests - including the comic poet Aristophanes and, of course, Plato's mentor Socrates - each deliver a short speech in praise of love. The sequence of dazzling speeches culminates in Socrates' famous account of the views of Diotima, a prophetess who taught him that love is our means of trying to attain goodness. And then into the party bursts the (...) drunken Alcibiades, the most popular and notorious Athenian of the time, who insists on praising Socrates himself rather than love, and gives us a brilliant sketch of this enigmatic character. The power, humour, and pathos of Plato's creation engages the reader on every page. This new translation is complemented by full explanatory notes and an illuminating introduction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

Ion -- Meno (Menon) -- Symposium (The banquet) -- The republic -- The apology (The defence of Socrates) -- Crito (Criton) -- Phaedo (Phaidon) -- The Greek alphabet -- Pronouncing index.

"Symposium" gives an account of the sparkling society that was Athens at the height of her empire. The other dialogues collected here under the title "The Death of Socrates" tell the tale of how Socrates was put on trial for impiety, found guilty and sentenced to death.

"Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Plato's retelling of the discourses between Socrates and his friends on such (...) subjects as love and desire, truth and illusion, spiritual transcendence and the qualities of a good ruler, profoundly affected the ways in which we view human relationships, society and leadership - and shaped the whole tradition of Western philosophy."--Publisher's website. (shrink)

Name der Zeitschrift: Philologus Heft: Ahead of print.

Euthuphro.--Apology.--Crito.--Phaedo.--Symposium.--Phaedrus.--Republic.--Cratyius.--Parmendies.--Thaetetus.--Sophist.--Timaeus.--Laws, book x.--The myth of Er (from the Republic).

This new edition of Plato's_ Symposium_ provides beginning readers and scholars alike with a solid, reliable translation that is both faithful to the original text and accessible to contemporary readers. In addition, the volume offers a number of aids to help the reader make his or her way through this remarkable work: A concise introduction sets the scene, conveys the tenor of the dialogue, and introduces the reader to the main characters with a gloss on their backgrounds and a (...) comment on their roles in the dialogue. It also provides a list of basic points for readers to keep in mind as they read the work. A thought-provoking interpretive essay offers reflections on the themes of the dialogue, focusing especially on the dialogue as drama. A select bibliography points to works, both classic and contemporary, that are especially relevant to readers of the Symposium. Two appendices consist of a line drawing that depicts the spacial layout and positioning of characters in the Symposium, and a chart that shows the relation of the first six speeches to number, age, parentage and the function of Eros. (shrink)

Introduction.--The Phaedo myth.--The Gorgias myth.--The myth of Er.--The Politicus myth.--The Protagorus myth.--The Timaeus.--The Phaedrus myth.--The two Symposium myths. I. The myth told by Aristophanes. II. The discourse of Diotima.--General observations on myths which set forth the nation's, as distinguished from the individual's, ideals and categories.--The Atlantis myth.--The myth of the earth-born.--Conclusion: The mythology and metaphysics of the Cambridge Platonists.

In this celebrated masterpiece Plato imagines a high-society dinner party in Athens in 416 B.C. at which the guests each deliver a short speech in praise of love.

Translated by Jordan Stump, introduction by Caleb Carr and original illustrations by Jules Ferat.

Benjamin Jowett's translations of Plato have long been classics in their own right. In this volume, Professor Hayden Pelliccia has revised Jowett's renderings of five key dialogues, giving us a modern Plato faithful to both Jowett's best features and Plato's own masterly style. Gathered here are many of Plato's liveliest and richest texts. Ion takes up the question of poetry and introduces the Socratic method. Protagoras discusses poetic interpretation and shows why cross-examination is the best way (...) to get at the truth. Phaedrus takes on the nature of rhetoric, psychology, and love, as does the famous Symposium. Finally, Apology gives us Socrates' art of persuasion put to the ultimate test--defending his own life. Pelliccia's new Introduction to this volume clarifies its contents and addresses the challenges of translating Plato freshly and accurately. In its combination of accessibility and depth, Selected Dialogues of Plato is the ideal introduction to one of the key thinkers of all time. (shrink)

Plato's Lysis, Symposium, and Phaedrus were written at different periods of his long productive life, ranging from his early period to the late middle, roughly the late 390s/early 380s to the 370s BC. Although differing widely from each other in setting and approach, the works are grouped together here by virtue of their principal subject matter, a study of the relationship between two people known as love (erōs) or friendship (philia). As with almost all of Plato's works, (...) they are in dialogue form, the central character in all three being Socrates. They are set (one might say 'staged') during the last period of Socrates' life, ca. 416-399. (shrink)

Plato, the great philosopher of Athens, was born in 427 BCE. In early manhood an admirer of Socrates, he later founded the famous school of philosophy in the grove Academus. Much else recorded of his life is uncertain; that he left Athens for a time after Socrates' execution is probable; that later he went to Cyrene, Egypt, and Sicily is possible; that he was wealthy is likely; that he was critical of 'advanced' democracy is obvious. He lived to be (...) 80 years old. Linguistic tests including those of computer science still try to establish the order of his extant philosophical dialogues, written in splendid prose and revealing Socrates' mind fused with Plato's thought. In Laches, Charmides, and Lysis, Socrates and others discuss separate ethical conceptions. Protagoras, Ion, and Meno discuss whether righteousness can be taught. In Gorgias, Socrates is estranged from his city's thought, and his fate is impending. The Apology, Crito, Euthyphro, and the unforgettable Phaedo relate the trial and death of Socrates and propound the immortality of the soul. In the famous Symposium and Phaedrus, written when Socrates was still alive, we find the origin and meaning of love. Cratylus discusses the nature of language. The great masterpiece in ten books, the Republic, concerns righteousness. Of the six so-called dialectical dialogues Euthydemus deals with philosophy; metaphysical Parmenides is about general concepts and absolute being; Theaetetus reasons about the theory of knowledge. Of its sequels, Sophist deals with not-being; Politicus with good and bad statesmanship and governments; Philebus with what is good. The Timaeus seeks the origin of the visible universe out of abstract geometrical elements. The unfinished Critias treats of lost Atlantis. Unfinished also is Plato's last work of the twelve books of Laws, a critical discussion of principles of law which Plato thought the Greeks might accept. The Loeb Classical Library edition of Plato is in twelve volumes. (shrink)

A compilation of the essential works of Plato in one paperback volume: The Republic, The Symposium, Parmenides, Euthyphro, Apology, Crito, and Phaedo.

Apology -- Crito -- Phaedo -- Symposium -- Republic.

The form of beauty is the ultimate correlate of love in Socrates' account of Diotima's teaching in the Symposium . To arrive at this insight, Socrates aims to show the `absurdity' of adopting any more specific correlate as a definition of the very nature of love. Were love defined as love `for a father or a mother', we could never love anyone who was not our father or our mother. An obvious absurdity.

Hator 1. Apologia --- Kritōn -- Phaidō -- Symposium --.

Complete texts of the Republic, Apology, Crito, Phaedo, Ion, Meno, Symposium.

The origin of virtue (Protagoras 320c-323a) -- The judgement of souls (Gorgias 523a-527a) -- The androgyne (Symposium 189c-193e) -- The birth of love (Symposium 201d-212c) -- The other world (Phaedo 107c-115a) -- The cave (Republic 514a-517a) -- ER's journey into the other world (Republic 614b-621d) -- The winged soul (Phaedrus 246a-257a) -- The two cosmic eras (Statesman 268d-274e) -- Atlantis and the ancient city of Athens (Timaeus 20d-25d; Critias 108e-121c).

The _Symposium_ is one of Plato’s most accessible dialogues, an engrossing historical document as well as an entertaining literary masterpiece. By uncovering the structural design of the dialogue, _Plato’s Dialectic at Play _aims at revealing a Plato for whom the dialogical form was not merely ornamentation or philosophical methodology but the essence of philosophical exploration: his dialectic is not only argument, it is also play. Careful analysis of each layer of the text leads cumulatively to a picture of (...) the dialogue’s underlying structure, related to both argument and myth, and shows that a dynamic link exists between Diotima’s higher mysteries and the organization of the dialogue as a whole. On this basis the authors argue that the _Symposium_, with its positive theory of art contained in the ascent to the Beautiful, may be viewed as a companion piece to the Republic, with its negative critique of the role of art in the context of the Good. Following Nietzsche’s suggestion and applying criteria developed by Mikhail Bakhtin, they further argue for seeing the _Symposium_ as the first novel. The book concludes with a comprehensive reevaluation of the significance of the _Symposium_ and its place in Plato’s thought generally, touching on major issues in Platonic scholarship: the nature of art, the body-soul connection, the problem of identity, the relationship between _mythos_ and logos, Platonic love, and the question of authorial writing and the vanishing signature of the absent Plato himself. (shrink)

"The articles in this volume are a selection of the papers presented at the Sixth Symposium Platonicum of the International Plato Society, under the auspices of the Israel Academy of Sciences and Humanities and of the Faculty of Humanities of The Hebrew University of Jerusalem. They reflect the breadth of topics and the range of problems present in Plato's Laws : problems of editing and literary form, rhetoric and style, Homeric quotations ; the Socratic influence ; soul (...) and motion ; pleasure, virtue and happiness, ethics and education, gender ; public offices, economics, and philosophy of history ; political philosophy and religion. Addressed are also the historical and literary contexts of the Laws and its later repercussions."--taken from back cover. (shrink)

Plato's Symposium, written in the early part of the 4th century BC, is set at a drinking party attended by some of the leading intellectuals of the day, including Aristophanes, the comic dramatist, Socrates, Plato's mentor, and Alcibiades, the brilliant but treacherous politician. Each guest gives a speech in praise of the benefits of desire and its role in the good and happy human life. At the core of the work stands Socrates' praise of philosophical desire, and (...) an argument for the superiority of the philosophical life as the best route to happiness. This edition provides an accessible and engaging new translation by M. C. Howatson, and a substantial introduction, by Frisbee C. C. Sheffield, which guides the reader through the various parts of the dialogue and reflects on its central arguments. A chronology and detailed notes on the participants help to set this enduring work in context. (shrink)

By comparing the role of harmony in Eryximachus’ discourse with other Platonic passages, especially from the Timaeus, this article aims to provide textual evidence concerning Plato’s conception of cosmological medicine as “harmonic techne”. The comparison with other dialogues will enable us to demonstrate how Eryximachus’ thesis is consistent with Plato’s cosmology — a cosmology which cannot be reduced to a physical conception of reality but represents the expression of a dialectical, and erotic cosmos, characterized by the agreement of (...) parts. Arguably, Eryximachus’ discourse is expression of the Platonic tendency to translate onto the philosophical plane the implications of a model peri physeos. Harmonic techne is thus always linked to the theme of moral responsibility: the philosopher is also doctor, musician and demiurges in his harmonizing activity. The speech of Eryximachus can be approached as a Platonic step which is fundamental for establishing the need for a “medicine” to cure disorder, with a view to obtaining a cosmos ordered according to the harmonic principle. (shrink)