Name der Zeitschrift: Naharaim Jahrgang: 10 Heft: 2 Seiten: 175-194.

Name der Zeitschrift: Naharaim Jahrgang: 10 Heft: 2 Seiten: 195-213.

Yizkor books are memorial books commemorating Jewish communities destroyed in the Holocaust, which are also the result of communal activity. The books have been published since 1943, mostly in Israel. Based on a qualitative and quantitative survey of 613 books, the largest survey of Yizkor books done to date, this article repositions the books linguistically and geographically. It demonstrates that contrary to previous research, Yizkor books are a significantly more heterogeneous phenomenon that began in the Yiddish­-speaking world but quickly (...) changed into an Israeli­- and Hebrew­-based phenomenon, which also included Jews from non­-Yiddish­-speaking Ashkenazi, and even Sephardic, communities. Especially since the 1980s, the phenomenon further evolved to include more English­-language books, published in the USA. Against this geographical and linguistic backdrop, I also show that the producers of the books were a diverse array of groups and individuals from varying backgrounds. The publishers were not only Yiddish­-speaking landsmanschaftn (Jewish mutual­-aid societies consisting of individuals originating from a particular place and their descendants) but a variety of organizations of different kinds, individuals, and even schoolchildren. Finally, I present examples of Yizkor books that were presented in previous research as landsmanschaft literature produced by Holocaust survivors and show that these assumptions regarding the authors are partially or wholly erroneous and that those books were, in fact, produced by a different set of actors. (shrink)

While Hermann Levin Goldschmidt didn’t read Yiddish anarchists, there seems to have been a convergent evolution in their thinking. Goldschmidt’s looking up to Jewish lore as a source of liberating creativity is commonly encountered in Yiddish anarchist texts. His view of action as a constant response to internal and external challenges in the struggle for an open future is developed by Isaac Nachman Steinberg on the basis of nineteenth-century vitalism. Goldschmidt’s theory of anarchist individualism as willed self-limiting solidarity (...) has a compelling parallel in Hillel Solotaroff’s view of history. His use of impressionism and photography to eternalize the immediacy of human actuality is akin to Rudolf Rocker’s championing of decadent literature. In both cases, the goal of anarchism is not a dictatorship of the former downtrodden, but a continuous and contradictory evolution of freedom in ever-changing contexts. (shrink)

ArgumentThe Argentine-based Yiddish philosophical journal Davke functioned as a mediator between general European philosophy and Jewish philosophy. Its editor Shlomo Suskovich wished to introduce readers of Yiddish to the western tradition of philosophy and, at the same time, to show how Jewish thought contributed to abstract thinking. Through topical issues dedicated to central ideas or to giants among Jewish philosophers, particular knowledge could be successfully transmitted to the reading public. Sigmund Freud was honored with such a topical issue. (...) In it the editor wished to show this Jew's contribution to basic philosophical contemplation rather than limit the discussion to his contributions in the field of psychology. In the central article of the issue on Freud, the editor emphasizes that all the articles in the issue, including those which deal with psychoanalysis, focus on Freud's importance to the world of ideas rather than just the world of medicine. (shrink)

TRYING to trace the ancient roots of a modern language is always a maddeningly ambiguous and uncertain enterprise. With Yiddish, the language of the Ashkenazic Jews of Central and Eastern Europe, the task is even harder because of the horrifying fact that most of the speakers were exterminated in the Holocaust.

ArgumentSeveral Yiddish medical publications of various profiles appeared in independent Poland until 1939. These print media were associated with OZE and TOZ organizational structures and aimed to promote modern concepts of health and healthcare among the Jewish population in its native tongue. Some of these magazines offered space for direct consultations, which took the form of a correspondence corner. Questions sent in by readers ranged from apparently neutral topics, such as a healthy diet or hygiene, to controversial matters tormenting (...) individuals in provincial milieus. The correspondence gives us an insight into popular ways of thinking about health and disease and indicates issues of high importance for a society in the process of modernization. The present paper discusses the questions and answers as they appeared in the Yiddish medical press (particularly in theFolksgezuntandDer Doktor), and presents the most crucial aspects of Jewish life they shed light on, including the historical and cultural background. (shrink)

The trilingual author Mikhah Yosef Berdichevsky is widely known as a literary modernist and a rebel against Jewish socio-religious conventions. Yet he also developed an original dialectical way of thinking about Jewish tradition. Berdichevsky’s theory of tradition is partly elaborated in his undeservedly obscure Yiddish stories. In order to reconstruct this theory, we undertake a typology and thematic analysis of their signature literary trope: the unrealized wedding.

This article focuses on the cultural world of Jewish women in Eastern Europe between the 16th century and the beginning of the 19th century. It reveals the extent to which Yiddish language and literature were a means of gaining knowledge for such women. This is because Yiddish - a Jewish language that developed around 1000 years ago among the Jews living in Ashkenaz - was the language of the people, of ordinary life, of business and social relations, and (...) also of the home and the kitchen. It was the language of female spaces, stigmatized by its ‘humble’ associations with women and uncultivated persons. In turn, Yiddish literature was closely associated with women and a female readership. (shrink)

The focus of my article is a unique place, the Yiddish Book Center in Amherst, Massachusetts, which connects Yiddish culture with the American one, the experience of the Holocaust with the descendants of the survivors, and a modern idea of Jewishness with the context of American postmodernity. Created in the 1980s, in the mind of a young and enthusiastic student Aaron Lansky, the Yiddish Book Center throughout the years has become a unique place on the American cultural (...) map. Traversing the continents and crossing borders, Lansky and his co-workers for over thirty years have been saving Yiddish language books from extinction. The Center, however, has long stopped to be merely a storage house for the collection, but instead has grown into a vibrant hub of Yiddishkeit in the United States. Its employees do not only collect, distribute, digitalize and post online the forgotten volumes, but also engage in diverse activities, scholarly and cultural, that promote the survival of the tradition connected with Yiddish culture. They educate, offering internships and fellowships to students interested in learning Yiddish from across the world, translate, publish, and exhibit Yiddish language materials, in this way finding new users for the language whose speakers were virtually annihilated by the Holocaust. To honour their legacy, a separate project is aimed at conducting video interviews that record life testimonies of the speakers of Yiddish. Aaron Lansky’s 2004 memoir, Outwitting History, provides an interesting insight into the complexities of his arduous life mission. Today, the Center lives its own unique life, serving the world of academia and Yiddishkeit enthusiasts alike. (shrink)

ArgumentThis article discusses a number of heterogeneous Yiddish monographs on Einstein's theory of relativity. It presents background information on Einstein's relationship with the Yiddish language, with the cultural movement, Yiddishism, and with its leading institution, YIVO. Although Einstein avoided taking sides in the conflict between Yiddishism and its rival Zionism, his Zionist friends were successful in establishing at least a “primacy of palestinocentric Zionism” in his thinking. Of special interest are two books by philosophic writers and one by (...) an author trained in mathematics and physics, Tuvia Schalit, an acquaintance of Einstein's assistant Jacob Grommer. This article describes the underlying motivations and the philosophical horizon of these authors, in particular with respect to their view on the relationship between Kantianism and the theory of relativity. In contrast to many German academic philosophers, the Yiddish authors thought it possible to reconcile Kantianism with the new physics. (shrink)

Leon Pinsker’s pamphlet Autoemancipation! (1882), a seminal text of early Jewish nationalism, arguably established Zionism as a movement functioning in the German language. Soon after its publication, the renowned Yiddish writer Sh. Y. Abramovitch produced a Yiddish language version (1884). Abramovitsh’s rendering is above all an adaptation of German or Western European political and cultural concepts and vocabulary to the Jewish, Eastern European Yiddish-speaking milieu, with changes in vocabulary, rhetorical strategies, and cultural references. Abramovitsh reworked the pamphlet (...) according to his own thinking on the plight of Jews in the Russian Empire and a possible nationalist solution, as exemplified in his contemporary novels. In the article, I compare the language in which several socio-political concepts are expressed in the two texts in order to determine whether Abramovitsh, in his ideological skepticism, also subtly adapts the content of the nationalist thesis. (shrink)

ArgumentBer Borochov, the Marxist Zionist revolutionary who founded the political party Poyle Tsien, was also one of the key theoreticians of Yiddish scholarship. His landmark 1913 essay, “The Tasks of Yiddish Philology,” was his first contribution to the field and crowned him as its chief ideologue. Modeled after late nineteenth-century European movements of linguistic nationalism, “The Tasks” was the first articulation of Yiddish scholarship as a discrete field of scientific research. His tasks ranged from the practical: creating (...) a standardized dictionary and grammar, researching the origins and development of the language, and establishing a language institute; to the overtly ideological: the “nationalizing and humanizing” of the Yiddish language and its speakers. The essay brought a new level of sophistication to the field, established several of its ideological pillars, and linked Yiddish scholarship to the material needs of the Jewish people. Although “The Tasks” was greeted with a great deal of skepticism upon its publication, after his death, Borochov became widely accepted as the “founder” of modern Yiddish studies. (shrink)

The paper investigates a light verb construction in Yiddish in which the light verb combines with a verbal stem to produce a special aspectual meaning, the exact nature of which depends on the event type denoted by the stem. Though the specific interpretations associated with the stem construction vary, I show that they have in common the property of denoting an event which is minimized in time. I analyze the semantics of the stem construction in terms of an aspectual (...) operator (located in an inflectional head) which modifies the properties of the event argument of the stem, yielding an appropriately truncated event in each case. (shrink)

Name der Zeitschrift: Naharaim Jahrgang: 10 Heft: 2 Seiten: 215-244.

I Westjuden, Ostjuden, and the Place of Yiddish During the First World War, the young Gershom Scholem published a typically forceful critique of three recent works of translation from Yiddish into German. His article, “Zum Problem der Übersetzung aus dem Jidischen [sic]” [On the Problem of Translating from Yiddish], reveals important dimensions of the cultural place of Yiddish in this period. Of general importance for understanding the development of Scholem's conception of language, the article and the (...) exchange that it inspired also show in particular how, even within the camp of those sympathetic or devoting themselves to greater understanding of the Ostjuden, in some cases also converting their sympathy into practical action, there were widely differing approaches to the correct means and method by which this should be achieved. (shrink)

When introducing a collection of essays on Yiddish, Joseph Sherman asserted, among other things, that: Although the Nazi Holocaust effectively destroyed Yiddish together with the Jews of Eastern Europe for whom it was a lingua franca, the Yiddish language, its literature and culture have proven remarkably resilient. Against all odds, Yiddish has survived to become a focus of serious intellectual, artistic and scholarly activity in the sixty-odd years that have passed since the end of World War (...) II. From linguistic and literary research in the leading universities of the world to the dedicated creativity of contemporary novelists and poets in Israel and America, from the adaptation of Yiddish words and phrases to the uses of daily newspapers in English to the elevation of Yiddish as a new loshn koydesh by Hasidic sects, from the publication of new writing to the translation of its established canonical works into modern European languages, Yiddish is continually reminding the world of its vibrancy, relevance and importance as a marker of Jewish identity and survival. (shrink)

Judeo-German developed, like any popular dialect, according to unconscious and natural laws. No gardener nursed and tended it, nobody cut back its wild shoots.

Unlike Yiddish (_fargin_) and Sanskrit (_muditā_), English has no single word to describe the practice of sharing someone else’s joy at their success. Sympathetic joy has also escaped attention in philosophy. We are familiar with schadenfreude, begrudging, envy, jealousy, and other terms describing either (a) pleasure at someone else’s misfortune or (b) displeasure at someone else’s good fortune. But what, exactly, is sympathetic joy? I argue that it is a short-term or long-term feeling of great delight at another’s good (...) fortune, requiring no more than minimal understanding of the relevant person and event. It is intensified relative to understanding, sharing, and positive disposal. It is importantly different from empathetic emotions and also from vicarious pride. It may be group-directed. Empirical research suggests it occurs fairly often, activates the brain in the same way as does sympathetic sadness, and may increase our well-being. It is primarily not a reactive attitude (an emotional reaction to good or bad will), but, rather, a sign of good will toward another. (shrink)

An interesting asymmetry in syntactic change is that OV base order is commonly replaced by VO, whereas the reverse development is quite rare in languages.1 A shift to VO has taken place in several branches of the Indo-European family, as well as in Finno-Ugric. The Germanic languages conform to this trend in that the original OV order seen in its older representatives, and (in more rigid form) in modern German, Dutch, and Frisian, has given way to a consistently head-initial syntax (...) in English, Scandinavian, and Yiddish. (shrink)

Applying an ecocritical lens to Holocaust literature, this paper explores the connection between the natural world and the seemingly unnatural machinations of the Holocaust by placing two writers in conversation: Abraham Sutzkever and Vasily Grossman. For Sutzkever, the famed Yiddish poet of Vilna, poetry was linked to survival and to the environment, sometimes emerging from a bog, wilderness, or mutilated landscape but shining all the more brightly for its mired origins. Grossman, another important documenter of the Holocaust, was a (...) Soviet-Jewish writer known for his reportage, fiction, and compilations of Jewish documents from the Second World War. Like Sutzkever, Grossman was occupied in his work with the earth and its animate and inanimate inhabitants, from the crying stones and soil of Treblinka to the red sunset of a humanity ravaged by genocide. When faced with the almost unnarratable desolation and loss encountered during the Holocaust, both authors turned to their environment as a literary tool, a means of conveying that which could not be conveyed through traditional or accepted language. Nature and the nonhuman world became vehicles for an exploration of trauma and violence that in many ways extended beyond human comprehension, and therefore required a mode of imagining that similarly extended beyond human experience alone. At the same time, both Sutzkever and Grossman can be seen attempting to allow nonhuman nature to speak in its own voice, however inflected by human perspectives the hearing and translation of that voice may be. This paper therefore reveals and highlights the importance of addressing the interactions between human and nonhuman nature in Holocaust literature. (shrink)

Before Joel and Ethan Coen’s 2009 production A Serious Man, Jewish motifs have consistently appeared in their cinematic output. However, the Jewish characters functioned in an ethnically diverse setting and rarely took centre stage, with the notable exception of the eponymous struggling leftist playwright in Barton Fink. Nevertheless, even here the Jewishness seemed to be universalized into “humanity.” Elsewhere, through their accessory characters, the Coens primarily offered a nod to the illustrious and/or notorious Jewish presence in various spheres of American (...) society. In addition, steadfast religious observance has been an object of affable ridicule. A Serious Man, however, reveals an unprecedented strategy. Described by the Coens as their most autobiographical film to date, it has a predominantly Jewish cast, deals almost exclusively with a Jewish community in the Midwest, and is heavily steeped in themes which have long been the staple of the Jewish literary tradition. Most evident is the familiar figure of the schlemiel, the eternal loser, embodied in the protagonist Larry Gopnik, whose seemingly endless predicaments form the spine of the plot. Marketed as a comedy, A Serious Man nevertheless consistently exhibits a dark, existential undercurrent, which renders its decidedly grim ending a rather logical payoff. Drawing on the research of seminal scholars on the subject of schlemiel narratives, the essay is an attempt to situate the film within this tradition. Furthermore, I argue that the Coens reinvest the figure of the schlemiel with a philosophical charge that it possessed in folk legends and Yiddish literature; at the same time, they adapt the schlemiel to the postmodern condition. This allows them to address the fundamental uncertainty of our age, signalled in the film through the formulae of Heisenberg and Schrödinger. (shrink)

Hertz, J. H. Saadya gaon.--Altmann, A. Saadya's theory of revelation.--Herzog, D. The polemic treatise against Saadya.--Krauss, S. Saadya's Tafsir of the seventy hapax legomena explained and continued.--Leveen, J. Saadya's lost commentary on Leviticus.--Markon, I. explained by Saadya and his successors.--Marmorstein, A. The doctrine of redemption in Saadya's theological system.--Mittwoch, E. An unknown fragment by Gaon Saadya.--Rabin, C. Saadya gaon's Hebrew prose style.--Rawidowicz, S. Saadya's purification of the idea of God.-- Robertson, E. The relationship of the Arabic translation of the Samaritan (...) Pentateuch to that of Saadya.--Rosenthal, E. I. J. Saadya's exegesis of the Book of Job.--Stein, S. Saadya's Piyyuṭ of the alphabet.--Weis, P. R. The anti-Ḳaraite tendency of R. Saadya gaon's Arabic version of the Pentateuch.--Wieder, N. Fourteen new Genizah-fragments of Saadya's Siddur together with a reproduction of a missing part. (shrink)

The study addresses the issue of the Christian scholarly interest in the Hebrew language since the rise of Humanism. Though the main focus of that interest in Hebrew grammar and vocabulary was to get a better understanding of the “Old Testament”, the subsequent reformation fostered the notion that a better knowledge of both the Hebrew language and the Jewish culture, can promote the conversion of Jews to Christianity. The article inspects possible other underlying motives and discourses behind the translation of (...) Hebrew and Old Yiddish blessings into Latin as the most important lingua sacra, taking into account twentieth century theories about power and hegemony by Michel Foucault and Antonio Gramsci. The study examines the chapter about Jewish greetings and blessings in the original dictionary Šemot Devarim – Nomenclatura Hebraica Autore Helia Levita (Isny, 1542) and the revised translation as Nomenclator Eliae Levitae Germani by Johannes Drusius and son (Franeker, 1652). Also included are transliterated editions of both texts, with translations. (shrink)

This article reports a study conducted with a rarely studied minority group, the Jewish ultra-Orthodox community in Jerusalem, Israel, an extremely religious group that endorses patterns of voluntary segregation. The segregation of the group explored in the present study involves also a linguistic component: this group uses only Yiddish for daily communication and relates to Hebrew, Israel’s official language, mainly as a sacred tongue. The sample consisted of 56 girls, 20 4th graders and 36 7th graders, who were asked (...) to write a story in Hebrew about a good thing that had happened to them. Analysis revealed developmental changes in most of the linguistic measures examined — text length, language productivity measures, and lexicon. In contrast to baseline studies on mainstream L1 groups, Optional Bound Morphology usage also increased with age. Global structure analysis shows that, beside canonic narratives, the girls’ stories also include script-like reports, eventive narratives, and retellings of traditional Hasidic stories. These findings intertwine in interesting ways with the linguistic and socio-cultural findings of the study to reveal how lexical and syntactic categories develop in a second language in the context of narrative text production. (shrink)

The subject of our article is the identification of cultural codes of Eastern European shtetl towns in the play by Grigory Gorin "Memorial Prayer", the libretto of which was written by the author based on the works of the famous Yiddish writer Sholom Aleichem. The author of the article describes the history and conditions of localization of Jewish culture in Eastern Europe and the Russian Empire, the peculiarities of its transformation, the tragic history of the Jewish theater in the (...) first third of the twentieth century. After the disappearance of the towns and the disuse of the Yiddish language, the preservation of the history of the characteristic everyday and philosophical way of life of the shtetls became the goal of museum figures, historians, writers, playwrights, and artists. In the work, using the example of Tevye the milkman, his family and environment, characteristic images of the inhabitants of small towns, their habitat, types of thinking and actions are revealed. The article uses the methods of historicism in the retrospective of the culture of Shtetl towns, the method of analysis in the identification of Shtetl archetypes, the method of synthesis in the generalization of a set of characteristic cultural codes. The main conclusions of the study are: 1. Eastern European Jewish shtetl towns are small urban-type settlements with a predominantly Jewish population, whose unique culture was determined by the Jewish faith, everyday and religious traditions, the Yiddish language, as well as the localization of residence in a small area. 2. During the period of large-scale social upheavals of the early twentieth century and the subsequent expansion beyond the boundaries of the towns, their unique culture became a mythologeme, the foundation for writers, artists, musicians, and theater figures who emerged from it. One of the milestones in the preservation of this culture was the Jewish theater GOSET, whose existence was tragically cut short in the middle of the twentieth century. 3. The play "Memorial Prayer", written by Grigory Gorin based on the works of Sholem Aleichem and staged at the Lenkom Theater by Mark Zakharov, became the quintessence of the characteristic images of the shtetl, and at the same time the revival of authentic Jewish culture. The author's special contribution is to highlight in the play the images-the archetypes of the Shtetl, which have become cultural markers, or codes of Jewish Yiddish culture. (shrink)

A recurrent issue in linguistic theory and psychology concerns the cognitive status of memorized lists and their internal structure. In morphological theory, the collections of inflected forms of a given noun, verb, or adjective into inflectional paradigms are thought to constitute one such type of list. This book focuses on the question of which elements in a paradigm can stand in a relation of partial or total phonological identity. Leading scholars consider inflectional identity from a variety of theoretical perspectives, with (...) an emphasis on both case studies and predictive theories of where syncretism and other "paradigmatic pressures" will occur in natural language. The authors consider phenomena such as allomorphy and syncretism while exploring questions of underlying representations, the formal properties of markedness, and the featural representation of conjugation and declension classes. They do so from the perspective of contemporary theories of morphology and phonology, including Distributed Morphology and Optimality Theory, and in the context of a wide range of languages, among them Amharic, Greek, Romanian, Russian, Saami, and Yiddish. The subjects addressed in the book include the role of featural decomposition of morphosyntactic features, the status of paradigms as the unit of syncretism, asymmetric effects in identity-dependence, and the selection of a base-of-derivation. The Bases of Inflectional Identity will interest linguists and cognitive scientists, especially students and scholars of phonological theory and the phonology-morphology and mind-language interfaces at graduate level and above. (shrink)

ArgumentJacob Lestschinsky emerged as the leading social scientist in pre-1917 circles of Yiddishist Marxist nationalists, most notably the Territorialists, who sought to create Jewish statehood outside Palestine. Lestschinsky played a central role in Jewish institutions formed in Ukraine in 1918–1920. A convinced anti-Bolshevik, he lived in Germany, then in Poland, America, and eventually in Israel. He combined two careers: a popular Yiddish journalist and an influential scholar. He conducted demographic and statistical studies under the auspices of the Yiddish (...) Scientific Institute whose headquarters were in Vilna until the beginning of World War II and were later moved to New York. Lestschinsky was one of the fathers of YIVO and was associated with the organization until the 1950s. In January 1945, during a YIVO conference in New York, he was the first to estimate the number of Holocaust victims as six million. This article analyzes Lestschinsky's theoretical outlook and its transformation under the influence of the vicissitudes of Jewish life. (shrink)

In the summer of 1991, the first issue of the Israeli journal Teoria Ubikoret published an essay of mine on Anton Shammas, a Palestinian citizen of Israel, who wrote the Hebrew novel Arabeskot .1 In this essay I traced Shammas's subversion of the Jewish ethnocentrism of the Hebrew literary canon.2 Shammas's novel reveals how the Hebrew canon in Israel, in the guise of the apparently neutral term Hebrew Literature, which only apparently bases itself on the Hebrew language as the common (...) literary language of Jews and Arabs, has in fact imposed an exclusionary policy. That is, in order to enter its realm, those who write in Hebrew must be Jewish. Shammas, I argued, sought to de-Judaize the Hebrew language and turn it into a language shared by all Israelis, Jews and Arabs alike.Now, twenty years later, Teoria Ubikoret has published a different essay of mine, this time on Tuvya haholev , Dan Miron's Hebrew translation of the great Yiddish writer Shalom Aleichem's novel Tevye der Milhiker. I claim that while Miron's Hebrew indeed Hebraicizes Aleichem's Yiddish, it also moves in the opposite direction; it Yiddishizes Hebrew, giving Yiddish a prominent presence in the Hebrew translation and thus decentering Israeli subjectivity and undermining the cohesive force of Hebrew.3 · 1. See Anton Shammas, Arabeskot ; trans.Vivien Eden under the title Arabesques.· 2. See Hannan Hever, “Ivrit be-eto shel aravi,” Teoria Ubikoret 1 : 23–38, “Hebrew in an Israeli Arab Hand: Six Miniatures on Anton Shammas's Arabesques,” The Nature and Context of Minority Discourse, ed. Abdul R. JanMohamed and David Lloyd , pp. 264–93, andProducing the Modern Hebrew Canon: Nation Building and Minority Discourse , pp. 175–204.· 3. See Hever, “Tuvia haholev beivrit,” review of Tuvya Haholev by Shalom Aleichem, trans. Dan Miron,Teoria Ubikoret 36 : 227–30. (shrink)

The article offers a panoramic view of the tropes of “space” and “place” in the poetry of Avot Yeshurun, and explores the radical transformation they underwent throughout the years – from the early poems of the 1930s, to the last volume of poems published before the poet’s death in 1992. I contend that the shift in the nature of the Yeshurunian space, caused by the catastrophe of the Shoah, the foundation of the State of Israel, and the Palestinian Nakba that (...) proceeded it, can be viewed through the prism of what I call “the problem of transference”. Struggling to re-connect the now insurmountably severed worlds – the pre-catastrophe world of the golah, and the new, post-catastrophe, Israeli world – Yeshurun’s poetry exhibits an ever-growing tendency to transfer language-materials from one side of the abyss to the other, desperately attempting to both salvage the remains of the ruined home, and establish the new world as a proper dwelling place. This back-and-forth movement of traumatic transference, I argue, is a powerful interpretive tool by which to understand the poet’s entire poetic project and to account for its peculiarities, and above all - its famous “clash of languages” which consists of Hebrew, Yiddish, and Arabic. (shrink)

The volume starts with the paper of Lynn Maurice Ferguson Arnold, former Premier of South Australia and former Minister of Education of Australia, concerning the Exposition Internationale des Arts et Techniques dans la Vie Moderne (International Exposition of Art and Technology in Modern Life) that was held from 25 May to 25 November 1937 in Paris, France. The organization of the world exhibition had placed the Nazi German and the Soviet pavilions directly across from each other. Many papers are devoted (...) to the interpretation of this opposition. Arnold’s paper considers the differences in the two totalitarian states’ architectural and design discourse styles. Although each of them communicated a totalitarian language of purposes, permissions, and boundaries, they essentially differed in the styles of discourse represented by the architecture and design of their respective pavilions. They were opposites of each other and the liberal ideals they contested. The internationalist viewpoint reflecting the multi-ethnic mix of the USSR is contrasted to the ein Volk homogeneity represented in the German pavilion. The Soviet pavilion opted for a utopian future to be arrived at by “benign” leadership, whereas the German pavilion anchored itself in the myth of Teutonic history with the nostalgic pride protected by the swastika-bearing eagle. Jean-Yves Béziau is best known as a logician and founder of Universal Logic. However, in this paper, he poses a new philosophical question: why philosophical discourse does not use images? The paper begins with a general analysis of different types of philosophical discourses. Then, he focuses on why images have been and are still rejected in philosophical discourse. He explains various ways to use images in a fruitful way to develop philosophical thinking and discourse and illustrates his view by providing several examples. He concludes with a promising programmatic declaration about founding a new journal entitled World Journal of Pictorial Philosophy to stimulate the usage of images for developing philosophical thinking. Although complaints about the obscurity of many philosophers’ discourse are widespread, Tatiana Denisova, ex-professor of the Surgut University and a research associate of the University of the Aegean undertakes a positive attitude to this problem. She explains that the reasons for the obscurity of philosophical texts, the subsequent complexity in communicating philosophers’ meanings and their eventual incomplete understanding is not a sign of their inferiority. On the contrary, it is a sign of the fruitfulness of philosophical discourse, which can generate new meanings. Thus, the darkness of philosophical discourse is like the life-giving chaos, and the obscurity that it inevitably contains can be the keeper of implicit meanings and even their generator. Katarzyna Gan-Krzywoszyńska and Piotr Leśniewski, authors of a monograph on Polish philosopher Kazimierz Ajdukiewicz (1890 – 1963), make a comparative analysis of his educational style with that of Paulo Reglus Neves Freire (1921 – 1997). The authors highlight that these scholars have distinctly different backgrounds. The former was an educator, philosopher and a leading advocate of critical pedagogy connected with the dialogical Latin-American tradition. The latter was a philosopher and logician, a notable representative of the Lwów–Warsaw school of logic with significant contributions to semantics, model theory and the philosophy of science. Despite their apparent difference, the authors identify some striking similarities regarding their attitudes towards education; notably, their approaches are essentially dialogical. Gilah Yelin Hirsch is a multidisciplinary artist who works as a painter, writer, curator, educator, and filmmaker. In her experiential paper, he explains how and why she uses four channels of communication in her creative expression: writing, painting, filmmaking, and teaching, as dialogic inquiry. She considers that these channels compose a continuum of discourse styles, each reaching a different facet of kaleidoscopic consciousness. She claims that her choice of medium is prompted by a need to communicate her insights profoundly. Thus, for instance, she created painted allegories to express narratives based on dreams and visions emerging from her subconscious. Art and healing is another Tibetan-rooted type of discourse practised by the author. Creating and observing a healing image produces a positive psychophysiological change in both the artist and the viewer. The discourse here is tripartite between creator, image, and viewer. Filmmaking is another type of discourse she practices between the filmmaker/artist as shaman or healer and the viewer as respondent or participant. These films are meant to be experienced frame by frame, physically and emotionally in both the body and mind. Jocelyn Ireson-Paine is a cartoonist and programmer. His paper offers an original attempt to use category theory in cartooning. Category theory is a branch of mathematics that provides concepts and methods to describe general abstract structures in terms of a labelled directed graph called category, whose nodes are called objects, and whose labelled directed edges are called arrows (or morphisms or transformations or mappings). The author explores different ways to define “style” in art using category theory and a relational view of art. Moreover, he examines how “translation” (transformation) between styles could be defined and reveals the difficulties of how it could be implemented in a computer using special software. Jens Lemanski is a philosopher who has revived research in Arthur Schopenhauer’s legacy by exploring his work on mathematical evidence, logic diagrams, and problems of semantics. In this paper, he advances a new approach to eristic as an art of protecting oneself from the one who deliberately violates norms of discourse ethics to win an argument. The author attributes the origins of this view to Schopenhauer, suggesting a new reading of his work. According to the author, eristic is a prohibitive technique that takes effect when the norms of discourse ethics are transgressed and violated. Thus, eristic is viewed as a discipline of Enlightenment philosophy and a correlate of discourse ethics. Roshdi Rashed is an authority on the history of Arabic mathematical sciences. Proceeding from Gilles-Gaston Granger’s definition of mathematical style, he studies the question of whether a mathematical work can be characterized by a single style or by a multitude of styles. This question is explored within the style of a single work, namely Menelaus’s Sphaerica, and through the study of the development of a single problem over time, namely the isoperimetric problem. He indicates Menelaus’s divergence from the Euclidean style of (plane and stereometric) geometry caused by the drop of the Parallel Postulate, which associated it with hyperbolic geometry. Hence, the author concludes that Menelaus’s Sphaerica incorporates the well-known Euclidean style with a variation of the non-Euclidean one. On the other hand, examining the isoperimetric problem reveals another interesting historical picture. A succession of different styles (cosmological, geometric, infinitesimalistic, style of the calculus of variations, of synthetic geometry) can be observed due to the transformation of the research object over time. Boris Shalyutin, a Russian social philosopher, and Ombudsman for Human Rights in the Kurgan Region, explores the origins of discourse in combination with the birth of society and law. He claims that legal discourse marks the historical emergence of discourse in general. Homo Juridicus generated Homo Sapiens, which have created new spheres of discourse, notably moral discourse and further philosophical, political, and scientific discourse. Petros Stefaneas, a logician, computer scientist and novelist, suggests an alternative to the traditional narratology approach for studying (interactive) social media discourse. He claims that style describes how the parts of a narrative are blended into a whole. The author relies upon Goguen’s and Harrel’s concept of style as a choice of blending principles and transfers to the study of the social media narratives elements from the methodology of studying Web-based collaborative search for mathematical proofs like those implemented within the Polymath project. The last paper belongs to Ghil‘ad Zuckermann, a linguist, language revivalist, and proponent of a model of the emergence of Israeli Hebrew, according to which Hebrew and Yiddish were the primary sources of Modern Hebrew. This paper explores the fascinating and multifaceted Yiddish language and its survival in Israeli. Yiddish is characterized by a unique style that embeds psycho-ostensive expressions throughout its discourse. The author highlights the cross-fertilization between Hebrew and Yiddish as it manifests itself in any aspect of the Israeli language. He claims that Yiddish survives beneath Israeli phonetics, phonology, discourse, syntax, semantics, lexis, and even morphology, although traditional and institutional linguists have been most reluctant to admit it. (shrink)

This article offers a preliminary analysis of Vygotsky’s theatrical reviews from his Gomel period against the background of Russian theatrical history. For several years Vygotsky published theater reviews of performances by local and travelling companies in the local newspaper. His writings show him to have been a very knowledgeable and demanding theater critic who knew both the Russian-language and the Yiddish theater perfectly well. Some parallels with his later psychological works are suggested.

Isaac Bashevis Singer’s short story “Yentl the Yeshiva Boy”.) needs to be read in the light of traditional Jewish sources. The question is, how does it stand up to modern hypotheses of gender construction? Yentl was originally published in Yiddish and was translated to English in the latter half of the twentieth century. We will see that the context within which to understand the story properly is encoded in the story itself, as Umberto Eco explains in his The Role (...) of the Reader and The Limits of Interpretation. We will see how the concept of a person’s gender, as a construction by social norms, is viewed within mainstream Jewish thought. Some textual issues and contemporary ideas of gender are applied to the story. Finally, the feature film Yentl. 1983. Yentl [film]. Los Angeles: United Artists Films.) is also compared the short story on which it was based as an example of translation and re-interpretation. (shrink)

ArgumentThe Ashkenazi grammars of Hebrew written between roughly 1600 and 1800 fill a modest and largely forgotten shelf in the Jewish scholarly library. At first sight, especially when compared with the medieval Jewish and contemporary Christian Hebrew traditions, they seem to lack technical sophistication. As this paper hopes to demonstrate, however, this apparent lack of sophistication was not so much an intrinsic flaw as a deliberate choice. For the earliest Ashkenazi textbooks were not about studying grammar, but about teaching Hebrew. (...) By adapting the existing descriptive models to the needs of the classroom and the gemeyne leytn, Jewish scholars and teachers in such cities as Prague, Wilhelmsdorff, and Amsterdam hoped to find and instruct new audiences. Depending on context and target audience, they either relied on Hebrew, Yiddish, or on an intricate interplay of the two for maximum success and efficiency. It was this innovative combination of didactic simplification and functional bilingualism that allowed them not only to reach a new readership, but also to equip that readership to henceforth read their Bible and prayers with unprecedented autonomy. (shrink)

On Marcuse's Jewish Identity Discussing the identity of his father, Herbert, and the family, Peter Marcuse says: "We were certainly Jewish; we would never have been in the US otherwise. My father was bar mitzvah'd, and to my knowledge his parents were relatively observant. But he himself was strictly secular. I remember at home hearing Jewish jokes, a smattering of Yiddish, Jewish friends, a Jewish intellectual circle—no doubt we were Jewish; but I remember no religious observance, no going to (...) schul or services, even on the High Holy Days.1" This testament indeed seems to reflect…. (shrink)

Volume Three, “The Crisis of Humanism,” commences with an important essay on the challenge to the humanist tradition posed in the late 19th century by historical materialism, existentialism and positivism. These Jewish thinkers of the late 19th and early 20th century addressed the general European value crisis while laying foundations for Jewish renewal: Hess, Lazarus, Cohen, Ahad Ha-Am, Dubnow, Berdiczewski, and the theorists of Yiddishism and Labor Zionism.

ArgumentIn the 1920s the Soviet Union invested a group of talented, mostly socialist, occasionally Communist, Jewish writers and thinkers to use the power of the state to remake Jewish culture and identity. The Communist state had inherited a multiethnic empire from its tsarist predecessors and supported the creation of secular cultures for each ethnicity. These cultures would be based not on religion, but on language and culture. Soviet Jews had many languages from which to choose to be their official Soviet (...) language, but Yiddish, the vernacular of eastern European Jewry, won the battle and served as the basis of secular Soviet Jewish culture. Soviet Jewish scholars, writers, and other cultural activists remade Jewish culture by creating a usable Jewish past that fit the socialist present, reforming the “wild” vernacular of Yiddish into a modern language worthy of high culture, and transforming Jews into secular Soviet citizens. (shrink)

This essay connects Kafka's German and his Jewish linguistic sources, and explores the trans-national perspective on literary tradition they helped him create. I begin with a critique of Deleuze and Guattari's view of Kafka as a minority writer, showing how their cold war nationalism scants the positive contributions that Yiddish and Hebrew made to his work. I continue with an examination of the "twilight of containment," when this postcontemporary Kafka began to break through his cold war canonization after 1989. (...) Other sections include: "German-Jewish Traditions: The Echoes of Yiddish," on Kafka's cultural politics; "Hebrew: Zionism in a Transnational Key"; and "Goethe's Jewish Voices," on Yiddish as a model for Kafka's new conception of national writing. I conclude by considering the Jewish and other sources of Kafka's "linguistic turn," and the general, transnational focus on tradition that Jewish languages brought to his classic texts. (shrink)