Results for 'Latin Prose Rhythm'

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  1.  44
    Latin Prose Rhythm Latin Prose Rhythm. By H. D. Broadhead. Pp. 137. Cambridge : Deighton, Bell and Co., 1922. 15s.Albert C. Clark - 1923 - The Classical Review 37 (7-8):178-181.
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  2.  53
    (1 other version)Latin Prose Rhythm État actuel des etudes sur le rythme de la prose latine. by Fr. Novotny, Professor at the University of Brno, Czecho-Slovakia. Pp. vii + 95. (Eus Supplementa, Vol. 5.) Published at Lwów (and Paris, Bd. Raspail 95), 1929. Paper, 10 fr. [REVIEW]H. D. Broadhead - 1929 - The Classical Review 43 (06):226-227.
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  3.  49
    Prose Rhythm in Welsh and English: with Special Reference to the Latin Cursus.W. Rhys Roberts - 1914 - The Classical Review 28 (05):151-156.
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  4.  33
    Rhythm in Greek and Latin Prose.J. E. Sandys - 1907 - The Classical Review 21 (03):85-88.
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  5.  41
    Internal clausulae in Late Latin Prose as Evidence for the Displacement of Metre by Word-Stress.Ralph G. Hall & Steven M. Oberhelman - 1986 - Classical Quarterly 36 (02):508-.
    In several recent studies we have developed precise statistical methodologies which have demonstrated that the cursus mixtus was the dominant rhythmical system for final clausulae in Latin prose from the third century a.d. to the fifth. The cursus mixtus consisted of four standard metrical forms derived from the richer variety of Cicero's Asiatic tradition – cretic-spondee, dicretic, cretic-tribrach and ditrochee –, which were structured according to three accentual patterns – planus, tardus and velox. The latter are differentiated by (...)
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  6.  26
    The History and Development of the Cursus Mixtus in Latin Literature.Steven M. Oberhelman - 1988 - Classical Quarterly 38 (01):228-.
    In 1984 and 1985 Ralph Hall and I presented statistical methodologies, based on inductive statistics and the comparative method, to determine the rhythmical qualities of Latin prose from the third to early sixth century A.D. We continued our work with the publication of articles on the final clausulae in the legal codes and Augustine's letters and on rhythms in internal positions, while I produced studies of the clausulae in the Pseudo-Sallustiana and Ammianus.
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  7.  33
    Appian the artist: Rhythmic prose and its literary implications.G. O. Hutchinson - 2015 - Classical Quarterly 65 (2):788-806.
    If we had no idea which parts of Greek literature in a certain period were poetry or prose, we would regard it as our first job to find out. How much of the Greek prose of the Imperial period is rhythmic has excited less attention; and yet the question should greatly affect both our reading of specific texts and our understanding of the whole literary scene. By ‘rhythmic’ prose, this article means only prose that follows the (...)
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  8.  18
    Eurhythmia in Isocrates.Greek Prose Rhythm - 2010 - Classical Quarterly 60:82-95.
  9.  35
    Rhythmical clausulae in the Codex Theodosianus and the Leges Novellae Ad Theodosianum Pertinentes.Ralph G. Hall & Steven M. Oberhelman - 1985 - Classical Quarterly 35 (01):201-.
    In two recent studies we have examined the prose rhythms in the clausulae of late imperial Latin authors. We found two clausular systems to be prevalent, the cursus and the cursus mixtus. The cursus involves the use of accentual rhythms and consists of three basic cadences: planus, tardus, and velox. The cursus mixtus has been defined by modern scholars as a type of prose rhythm in which the clausula is structured along both accentual and metrical lines, (...)
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  10.  7
    Formen und Funktionen des ciceronianischen Prosarhythmus.Sven Komenda - 2021 - Nomos Verlagsgesellschaft mbH & Co. KG.
    The book deals primarily with the prose rhythm in Cicero’s orations by performing a colometric analysis and draws on prose rhythm for continuous text interpretation. The core thesis is that Latin word accent already has a constitutive function in respect to prose rhythm of classical Latin. Even in the case of Cicero, a set of five so-called “clausulas” is proven to be essentially sufficient for a rhythmic analysis (in the context of the (...)
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  11.  34
    Prose-Rhythm: An Apologia.W. H. Shewring - 1933 - Classical Quarterly 27 (01):46-.
    In C.Q. XXVI, pp. 35 sqq., Mr. H. D. Broadhead comments unfavourably on my essay, ‘Prose-Rhythm and the Comparative Method’ . I wish my reply to be explanatory rather than controversial. In a few places Mr. Broadhead has mistaken my wording, and he has, I fear, a poor opinion of my aesthetics. But those are personal matters; I will try in this article to defend my position generally, illustrating my remarks on the classical languages with some English analogies, (...)
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  12.  13
    Ein ungebildeter Bischof oder ein unterschätzter Gelehrter? Prämissen, Probleme und Perspektiven einer neuen Edition der Historien des Gregor von Tours.Rebekka Schirner - 2023 - Millennium 20 (1):255-286.
    The Histories of Gregory of Tours are among the most important literary testimonies for the transition period from Late Antiquity to the early Middle Ages. The verdict on the Latin literature and language of the first centuries of the Frankish Empire has often been very negative. Krusch and Levison, who published today’s still authoritative critical edition of the Histories, also assumed that Gregory’s original text could only have been written in poor Merovingian Latin. This paper presents arguments for (...)
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  13.  37
    Prose-Rhythm and Prose-Metre.H. D. Broadhead - 1932 - Classical Quarterly 26 (01):35-.
    Mr. Shewring's recent articles on ‘Prose-rhythm and the Comparative Method’ are gratifying in that they betoken a growing interest in the problems of a comparatively modern and fascinating study, and also an appreciation of the methods followed by different investigators. His estimate, however, of De Groot's services seems to me somewhat extravagant; his estimate of Zielinski's contributions unduly belittling ; while his references to my own work cause me to doubt whether he has grasped even the main contention (...)
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  14.  11
    Prose Rhythm: An Analysis for Instruction.Timothy M. B. O'Callaghan - 1984 - Journal of Aesthetic Education 18 (3):101.
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  15.  30
    Almost-Poetics: Prose Rhythm in George Berkeley’s Siris.Chris Townsend - 2019 - Philosophy and Literature 43 (2):336-349.
    Did George Berkeley think about the sounds of words? In his extraordinary 1912 work A History of English Prose Rhythm, the literary critic and prosodist George Saintsbury implies that such was indeed the case.1 Berkeley, more familiar to us as an idealist philosopher and as Bishop of Cloyne from 1734 to 1753, was also the author of a number of strange and often surprising texts. Saintsbury quotes, and metrically scans, one such work in his History.Saintsbury’s approach here, as (...)
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  16.  42
    Prose Rhythm.A. E. Douglas - 1960 - The Classical Review 10 (02):131-.
  17.  51
    Prose Rhythm and the Comparative Method.H. Rackham - 1931 - Classical Quarterly 25 (3-4):211-.
    Mr Shewring, C.Q. XXV. 14, gives statistics of the clausulae favoured in Aristotle's Ethics. I have applied them to test a few conjectural emendations that I happen to have published, with the following encouraging results: Emendations that substitute a good clausula for a bad one: 96a 18 στερον λγομεν for στερον λγομεν κb, στερον λεγον cet. 09b 5 αυτος φλκειν [δεν]. 48a 14 κλαστον τθεμεν [κα γκρατ κα σφρονα]. 63b 13 τν φιλαν [καθπερ ερηται]. 71a 35 ατν <δον εναι . (...)
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  18.  57
    Prose-Rhythm and the Comparative Method.W. H. Shewring - 1930 - Classical Quarterly 24 (3-4):164-.
    In writing on a subject in which the most significant words have been used in quite different senses by modern authors, I think it most prudent to begin by defining my terms. By rhythmical prose I mean all prose in which the writer consciously follows a definite scheme in order to obtain particular cadences at the close of the period or within it, and this whether the favoured cadences are marked by quantity or by accent. I subdivide rhythmical (...)
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  19.  12
    An Anthology of Latin Prose.D. A. Russell (ed.) - 1990 - Oxford University Press UK.
    This anthology gives students the opportunity of sampling a wide variety of Latin prose texts in a single volume. Each of the passages, from Cicero, Livy, and Tacitus to Seneca and Pliny is accompanied by a short introduction. Selections range from the second century BC to the fifth century AD.
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  20.  36
    Prose Rhythm Walter Schmid: Über die klassische Theorie und Praxis des antiken Prosarhythmus. (Hermes Einzelschriften, Heft 12.) Pp. vii + 203. Wiesbaden: Steiner, 1959. Paper, 20 DM. [REVIEW]A. E. Douglas - 1960 - The Classical Review 10 (02):131-132.
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  21.  50
    Latin Prose Composition. By G. G. Ramsay, M.A., LL.D. Vol. I Third edition, 4s. 6d.E. N. J. - 1893 - The Classical Review 7 (08):367-.
  22.  51
    Greek Prose Rhythm Stanislaw Skimina: État actuel des études sur le rythme de la prose grecque. I. Pp. iv + 213. Cracow: Imprimerie de l'Université, 1937. Paper. [REVIEW]W. H. Shewring - 1938 - The Classical Review 52 (04):123-124.
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  23.  31
    Latin Prose Composition for college use, by Walter Miller: Part I. based upon Livy xxi. and xxii.; Part II. based upon Cicero, Cato Maior and Laelius. Boston: Leach, Shewell, and Sanborn. [REVIEW]Edward Capps - 1892 - The Classical Review 6 (1-2):71-72.
  24.  59
    Antique Prose-Rhythm - Handbook of Antique Prose - Rhythm. By A. W. de Groot. Pp. 1–228. Groningen, 1918. De numero oratorio Latino. Pp. 1–52. Groningen, 1919. [REVIEW]Albert C. Clark - 1920 - The Classical Review 34 (1-2):42-45.
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  25.  48
    Latin Prose - D. A. Russell: An Anthology of Latin Prose. Compiled and edited with an Introduction. Pp. xxxiv + 251. Oxford: Clarendon Press, 1990. £30. [REVIEW]J. G. F. Powell - 1991 - The Classical Review 41 (2):348-349.
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  26.  7
    Poetic Quotations in Latin Prose Works of Philosophy.Daniela Dueck - 2009 - Hermes 137 (3):314-334.
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  27.  20
    Notes on Latin Prose Authors.David Kovacs - 1989 - American Journal of Philology 110 (2).
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  28.  21
    John Henry Newman on Latin Prose Style: A Critical Edition of His Hints on Latin Composition.Vincent Ferrer Blehl - 2022 - Newman Studies Journal 19 (1):37-48.
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  29.  12
    Poetic Citations in Latin Prose Works of Historiography and Biography.Daniela Dueck - 2009 - Hermes 137 (2):170-189.
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  30.  14
    The Teaching of Latin Prose Composition in the Secondary School.B. W. Mitchell - 1912 - Classical Weekly 6:26-29.
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  31.  22
    Elision and Hiatus in Latin Prose.Andrew M. Riggsby - 1991 - Classical Antiquity 10 (2):328-343.
  32.  33
    The Colometry of Latin Prose[REVIEW]J. G. F. Powell - 1987 - The Classical Review 37 (1):105-106.
  33.  73
    A Book of Latin Prose and Latin Verse A Book of Latin Prose and Latin Verse, from Cato and Plautus to Bacon and Milton. Selected by F. A. Wright. London : Routledge, 1929. 5s. net. [REVIEW]W. E. P. Pantin - 1929 - The Classical Review 43 (06):232-.
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  34.  42
    Shall we drop Latin Prose?W. H. D. Rouse - 1910 - The Classical Review 24 (03):73-76.
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  35.  39
    Passages for Translation into Latin Prose. With an introduction by H. Nettleship, M.A., Corpus Professor of Latin in the University of Oxford. Bell & Sons. 1887. 3s. [REVIEW]C. C. - 1887 - The Classical Review 1 (09):279-280.
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  36.  37
    Latin Prose Composition. By the Rev . J. A. Nairn, Litt.D. Cambridge: University Press, 1926. Price 6s. (Library edition, containing the Versions, 7s. 6d.). [REVIEW]E. H. Blakeney & J. R. Cullen - 1927 - The Classical Review 41 (2):86-86.
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  37. Aspects of the Language of Latin Prose.Tobias Reinhardt, Michael Lapidge & J. N. Adams - unknown - Proceedings of the British Academy 129.
    J. N. Adams, Michael Lapidge, and Tobias Reinhardt: IntroductionJ. H. W. Penney: Connections in Archaic Latin ProseJ. Briscoe: Language and Style of the Fragmentary Republican HistoriansJ. N. Adams: The Bellum AfricumChristina Shuttleworth Kraus: Hair, Hegemony, and Historiography: Caesar's Style and its Earliest CriticsJ. G. F. Powell: Cicero's Adaptation of Legal Latin in the De legibusTobias Reinhardt: Language of Epicureanism in Cicero: The Case of AtomismG. O. Hutchinson: Pope's Spider and Cicero's WritingR. G. Mayer: The Impracticability of 'Kunstprosa'H. M. (...)
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  38.  19
    The Vernacular Proverb in Mediaeval Latin Prose.Arpad Steiner - 1944 - American Journal of Philology 65 (1):37.
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  39.  13
    The Arts of Imitation in Latin Prose: Pliny’s Epistles/Quintilian in Brief by Christopher Whitton.Scott J. Digiulio - 2020 - Classical World: A Quarterly Journal on Antiquity 114 (1):100-101.
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  40. Aspects of the Language of Latin Prose.D. R. Langslow - 2005
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  41.  31
    Revision Sentences for Latin Prose[REVIEW]H. Lister - 1933 - The Classical Review 47 (1):30-30.
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  42.  23
    Atkinson, JE, ed. Curtius Rufus: Histories of Alexander the Great, Book 10. With intro. and comm. Trans. by JC Yardley. Clarendon Ancient History Series. Oxford: Oxford University Press, 2009. xiv+ 274 pp. Cloth, $140; paper, $55. Beyer, Brian. War with Hannibal: Authentic Latin Prose for the Beginning Student. New Haven, Conn.: Yale University Press, 2009. xx+ 102 pp. 4 black-and-white. [REVIEW]Alberto Camerotto & Neil Coffee - 2009 - American Journal of Philology 130:641-643.
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  43.  25
    Beyond the Libri catoniani: models of latin prose style at Oxford university CA. 1400.Martin Camargo - 1994 - Mediaeval Studies 56 (1):165-187.
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  44.  37
    Discite … Agricolae’: Modes of instruction in latin prose agricultural writing from Cato to pliny the Elder.H. M. Hine - 2011 - Classical Quarterly 61 (2):624-654.
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  45.  64
    Steven M. Oberhelman: Rhetoric and Homiletics in Fourth-Century Christian Literature. Prose Rhythm, Oratorical Style, and Preaching in the Works of Ambrose, Jerome, and Augustine. Pp. v + 199; 4 tables. Atlanta, GA: Scholars Press, 1991. $29.95. [REVIEW]Ivor J. Davidson - 1992 - The Classical Review 42 (2):450-450.
  46. Toward Beauty and Joy in Latin Prose Composition.Jerise Fogel - 2002 - Classical World: A Quarterly Journal on Antiquity 96 (1).
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  47.  15
    Gender Terms, Social Status and Moral Character in Latin Prose[REVIEW]Jonathan Walters - 1994 - The Chesterton Review 44 (1):96-97.
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  48. Grande Sertão: Veredas by João Guimarães Rosa.Felipe W. Martinez, Nancy Fumero & Ben Segal - 2013 - Continent 3 (1):27-43.
    INTRODUCTION BY NANCY FUMERO What is a translation that stalls comprehension? That, when read, parsed, obfuscates comprehension through any language – English, Portuguese. It is inevitable that readers expect fidelity from translations. That language mirror with a sort of precision that enables the reader to become of another location, condition, to grasp in English in a similar vein as readers of Portuguese might from João Guimarães Rosa’s GRANDE SERTÃO: VEREDAS. There is the expectation that translations enable mobility. That what was (...)
     
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  49.  38
    Gender Terms, Social Status and Moral Character in Latin Prose Francesca Santoro Ľhoir: The Rhetoric of Gender Terms: 'Man', 'Woman', and the Portrayal of Character in Latin Prose. (Mnemosyne Supplement 120.) Pp. x+216. Leiden: E. J. Brill, 1992. Cased, $63. [REVIEW]Jonathan Walters - 1994 - The Classical Review 44 (01):96-97.
  50.  7
    Pliny and Imitatio- (c.) Whitton the arts of imitation in latin prose. Pliny's Epistles/quintilian in brief. Pp. XVIII + 557, ill. Cambridge: Cambridge university press, 2019. Cased, £110, us$140. Isbn: 978-1-108-47657-7. [REVIEW]Victoria Rimell - 2020 - The Classical Review 70 (1):124-126.
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