James Shelley claims that Hume's principles of taste have value-neutral subjects rather than value-laden ones that, for example, refer to aesthetic properties. I try to rebut his claim. I argue that Hume's essay on taste contains the conceptual means for recognizing the problem of the interaction of aesthetic properties with other properties in artworks, even if he does not explicitly make this point. I also deny Shelley's contention that I claim that principles are used as part of a temporal (...) process to infer evaluational conclusions. Against Shelly's attack, I defend my use of the isolation clause in formulating evaluational principles. Finally, I show a way to formulate evaluational principles without the isolation clause by substituting an interaction clause. (shrink)

The question at issue is whether moral defects of artworks can be aesthetic defects. Noël Carroll claims they can be, Berys Gaut claims they are, and James Anderson and Jeffrey Dean claim they are not. I side with Anderson and Dean and produce additional arguments against Carroll and Gaut. Triumph of the Will serves as an example that all five of us agree is a morally flawed artwork. I argue and conclude that its horrible moral defects are not aesthetic (...) ones. Its triumph is the sum total of its aesthetic merits. (shrink)

George Dickie argues that Hume's principles of taste have value-laden properties as their subjects, including those properties we now refer to as ‘aesthetic’. I counter that Hume's principles have value-neutral properties as their subjects, and so exclude those properties we now refer to as ‘aesthetic’. Dickie also argues that Hume's essay on taste provides ‘the conceptual means for recognizing the problem of the interaction of aesthetic properties with other properties of artworks’. I counter that the very passages (...) class='Hi'>Dickie takes to provide these conceptual means in fact suggest that Hume recognizes no such problem. (shrink)

, George Dickie offers an account of artistic principles comprising both a description of their character and a description of the role they play in the evaluation of artworks. According to the former, artistic principles state that certain individual properties of artworks, in isolation from other properties, are always artistic merits; according to the latter, artistic principles serve as premises from which we infer that artworks have artistic merit. I argue not merely that Dickie 's account fails, but (...) that any account comprising either component of Dickie's account fails. Because not every account of artistic principles need comprise either of Dickie's components, the success of my argument will not rule out every possible account. But it will rule out many, and it will place tight constraints on the rest—tight enough, I believe, to raise worries about whether principles play any role in the evaluation of art. (shrink)

What is involved in having a singular thought about an ordinary object? On the leading epistemic view, one has this capacity if and only if one has belief-forming dispositions which would reliably enable one to get its properties right (Dickie, 2015). I first argue that Dickie’s official view entails surprising and unpalatable claims about either rationality or singular thought, before offering a precisification. Once we have reached that level of abstraction, it becomes difficult to see what is distinctively (...) epistemic about the framework. If we are to tease out the delicate connection between singular thought and knowledge, we should suspend the assumption that there is a homogeneous core, present in all cases of such thought, and that it is from there that its (univocal) epistemic character derives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Introducing AestheticsJames McRaeIntroducing Aesthetics. By David E. W. Fenner. Westport, CT: Praeger, 2003. Pp. 170.David E. W. Fenner's Introducing Aesthetics offers a comprehensive introduction to the major traditions of Western aesthetics. Fenner confines his study to Western aesthetics and does not address the aesthetic traditions of Asian philosophy. This is not, by any means, a limitation, as this restriction of scope makes Fenner's work more concise and readily (...) accessible to those unfamiliar with aesthetics.Fenner divides his book into four parts: "Experiences," "Objects and Events," "Meaning," and "Judgment." Part 1 discusses the meaning and scope of the term "aesthetic" and analyzes the significance of "aesthetic experiences" and "aesthetic properties." Here, Fenner also explains the notion of aesthetic attitude as it is understood from the traditional perspective of disinterest (which includes thinkers such as Kant, Schopenhauer, and Stolnitz) and from modern points of view (such as Bullough's psychical distance and Aldrich's impressionistic vision).Part 2 contains three chapters, which discuss the nature of aesthetic objects, the definition of "art," and the concept of creation and re-creation. The chapter that explores the definition of "art" provides a succinct explanation of the major traditions of aesthetics and art criticism: the Greek notions of imitation and representation (with sections on Plato and Aristotle), Romanticism (including Schopenhauer and Nietzsche), Expressionism (focusing on Tolstoy, Croce, and Collingwood), Formalism (particularly Moore and Bell), Anti-Essentialism (which includes Wittgenstein and Weitz), and a final section concerning perspectives on the art world (from theorists such as Danto and Dickie). The final chapter, on creation and re-creation, discusses the nature of creativity and the essential differences between fakes, forgeries, and reproductions.Part 3 is devoted to an exploration of the meaning of art. The first chapter of this section concerns the problem of art interpretation and discusses such issues as the educated viewer, the intentional fallacy, and the possibility of a pluralism of artistic interpretations. The second chapter deals with censorship and examines various approaches to balancing the freedom of artistic expression with the moral concerns of society.In Part 4, Fenner examines the theme of artistic judgment. The first chapter of this section analyzes three traditional approaches to defining the term "beauty": formalism, subjectivism, and naturalism. This chapter includes summaries of the aesthetic theories of thinkers such as Plato, Aristotle, Hume, Kant, and Dewey, to name but a few. The final chapter is devoted to a discussion of art criticism. Here, Fenner gives a detailed description of the four aspects of critical review (description, information, interpretation, evaluation) and explores the various challenges raised against the very possibility of criticism (such as emotivism). [End Page 515]Because of the clarity of its presentation and the quality of its scholarship, this book would serve well as a text for either introductory or upper-division undergraduate philosophy classes. One of the more useful features of Fenner's book is an extensive appendix that presents the history of Western aesthetics in outline form. Here, the ideas of the most important movements and philosophers of Western aesthetics are neatly summarized and presented in a chronology that clearly illustrates the historical shift in trends of thought and patterns of influence. This appendix would be an indispensable study guide for graduate students who are preparing for comprehensive examinations in the history of aesthetics. [End Page 516]Copyright © 2006 University of Hawai'i Press... (shrink)

Consider the skeptic about the external world. Let’s straightaway concede to such a skeptic that perception gives us no conclusive or certain knowledge about our surroundings. Our perceptual justification for beliefs about our surroundings is always defeasible—there are always possible improvements in our epistemic state which would no longer support those beliefs. Let’s also concede to the skeptic that it’s metaphysically possible for us to have all the experiences we’re now having while all those experiences are false. Some philosophers dispute (...) this, but I do not. The skeptic I want to consider goes beyond these familiar points to the much more radical conclusion that our perceptual experiences can’t give us any knowledge or even justification for believing that our surroundings are one way rather than another. (shrink)

Attention is essential to the life of the mind, a central topic in cognitive science, neuroscience, and psychology. Traditional debates in philosophy stand to benefit from greater understanding of the phenomenon, whether on the nature of the self, the foundation of knowledge, the natural basis of consciousness, or the origins of action and responsibility. This book is at the crossroads of philosophy of mind and cognitive science, offering a new theoretical stance on the concept of attention and how it intersects (...) with other functions of the mind, such as perception, consciousness, and action. It presents attention as directed by a subject, essential for perception, but not consciousness or action. By taking seriously the existence of a subject it stands against current trends in philosophy and cognitive science. This book offers an account of the subject and its role in attention that will both help motivate a subject-centered account and avoid some of the common criticisms regarding its existence. It engages with work by many philosophers, psychologists, and neuroscientists, including Block, Campbell, Dickie, Husserl, James, Koch, Mack and Rock, Merleau-Ponty, Treisman, and Wu. (shrink)

Issues concerning scientific explanation have been a focus of philosophical attention from Pre- Socratic times through the modern period. However, recent discussion really begins with the development of the Deductive-Nomological (DN) model. This model has had many advocates (including Popper 1935, 1959, Braithwaite 1953, Gardiner, 1959, Nagel 1961) but unquestionably the most detailed and influential statement is due to Carl Hempel (Hempel 1942, 1965, and Hempel & Oppenheim 1948). These papers and the reaction to them have structured subsequent discussion concerning (...) scientific explanation to an extraordinary degree. After some general remarks by way of background and orientation (Section 1), this entry describes the DN model and its extensions, and then turns to some well-known objections (Section 2). It next describes a variety of subsequent attempts to develop alternative models of explanation, including Wesley Salmon's Statistical Relevance (Section 3) and Causal Mechanical (Section 4) models and the Unificationist models due to Michael Friedman and Philip Kitcher (Section 5). Section 6 provides a summary and discusses directions for future work. (shrink)

Attention has a long history in philosophy, despite its near absence in the twentieth century. This chapter provides an overview of philosophical research on attention. It begins by explaining the concept of "selection from limitation," contrasting it with the more recent "selection for action." It reviews historical texts that discuss attention, focusing on those in the Western canon whose understanding of "attention" aligns with contemporary usage. It then describes the differential treatment of attention in phenomenology and behaviorism in the last (...) century. Finally, it discusses contemporary research by topic: attention, perception, and knowledge; attention and consciousness; attention and action; and attention and the self. It includes work by Allport,Aristotle, Astell, Augustine, Bergson, Berkeley, Block, Bradley, Buddhaghosa, Campbell, Cherry, De Brigard, Dehaene and Naccache, Descartes, Dickie, Du Bois, Ganeri, Hegel, Heidegger, James, Kant, Koch and Tsuchiya, LaBerge, Locke, Mack and Rock, Malebranche, Merleau-Ponty, Mole, Montemayor and Haladjian, Neumann, Pashler, Posner, Prinz, Reid, Rensink, Reynolds and Heeger, Treisman, Watzl, Wittgenstein, Wollstonecraft, and Wu. (shrink)

This article defends the use of interventionist counterfactuals to elucidate causal and explanatory claims against criticisms advanced by James Bogen and Peter Machamer. Against Bogen, I argue that counterfactual claims concerning what would happen under interventions are meaningful and have determinate truth values, even in a deterministic world. I also argue, against both Machamer and Bogen, that we need to appeal to counterfactuals to capture the notions like causal relevance and causal mechanism. Contrary to what both authors suppose, counterfactuals (...) are not "unscientific" - a substantial tradition within statistics and the causal modelling literature makes heavy use of them. (shrink)

In a penetrating investigation of the relationship between belief and quantitative degrees of confidence (or degrees of belief) Richard Foley (1992) suggests the following thesis: ... it is epistemically rational for us to believe a proposition just in case it is epistemically rational for us to have a sufficiently high degree of confidence in it, sufficiently high to make our attitude towards it one of belief. Foley goes on to suggest that rational belief may be just rational degree of confidence (...) above some threshold level that the agent deems sufficient for belief. He finds hints of this view in Locke’s discussion of probability and degrees of assent, so he calls it the Lockean Thesis.1 The Lockean Thesis has important implications for the logic of belief. Most prominently, it implies that even a logically ideal agent whose degrees of confidence satisfy the axioms of probability theory may quite rationally believe each of a large body of propositions that are jointly inconsistent. For example, an agent may legitimately believe that on each given occasion her well-maintained car will start, but nevertheless believe that she will eventually encounter a.. (shrink)

This paper defends a counterfactual account of explanation, according to which successful explanation requires tracing patterns of counterfactual dependence of a special sort, involving what I call active counterfactuals. Explanations having this feature must appeal to generalizations that are invariant--stable under certain sorts of changes. These ideas are illustrated by examples drawn from physics and econometrics.

Wittgenstein is usually taken to have held that the use of a term is not mentally constrained. That is utterly wrong. A use of language unconstrained by meaning is attributed by him to "meaning-blind" or "aspect-blind" creatures, not to us. We observe meaning when an aspect dawns on us; meaning is the impression (Eindruck) of a term as fitting something; hence, unlike pain, it cannot stand alone. That is a mentalistic theory of meaning: use is determined by images (Vorstellungen) that (...) play semantic roles in virtue of their aesthetic properties. Although a term may be arbitrarily interpreted, aesthetic reasons determine which interpretation be seen as right for it. (shrink)

This paper explores how data serve as evidence for phenomena. In contrast to standard philosophical models which invite us to think of evidential relationships as logical relationships, I argue that evidential relationships in the context of data-to-phenomena reasoning are empirical relationships that depend on holding the right sort of pattern of counterfactual dependence between the data and the conclusions investigators reach on the phenomena themselves.

This paper is about Truth Minimalism, Norm Expressivism, and the relation between them. In particular, it is about whether Truth Minimalism can help to solve a problem thought to plague Norm Expressivism. To start with, let me explain what I mean by 'Truth Minimalism' and 'Norm Expressivism.'.

Confirmation theory is the study of the logic by which scientific hypotheses may be confirmed or disconfirmed, or even refuted by evidence. A specific theory of confirmation is a proposal for such a logic. Presumably the epistemic evaluation of scientific hypotheses should largely depend on their empirical content – on what they say the evidentially accessible parts of the world are like, and on the extent to which they turn out to be right about that. Thus, all theories of confirmation (...) rely on measures of how well various alternative hypotheses account for the evidence.1 Most contemporary confirmation theories employ probability functions to provide such a measure. They measure how well the evidence fits what the hypothesis says about the world in terms of how likely it is that the evidence should occur were the hypothesis true. Such hypothesis-based probabilities of evidence claims are called likelihoods. Clearly, when the evidence is more likely according to one hypothesis than according to an alternative, that should redound to the credit of the former hypothesis and the discredit of the later. But various theories of confirmation diverge on precisely how this credit is to be measured? (shrink)

In this paper I critically examine the Generality Problem and argue that it does not succeed as an objection to reliabilism. Although those who urge the Generality Problem are correct in claiming that any process token can be given indefinitely many descriptions that pick out indefinitely many process types, they are mistaken in thinking that reliabilists have no principled way to distinguish between relevant and irrelevant process types.

The logical interpretation of probability, or "objective Bayesianism'' – the theory that (some) probabilities are strictly logical degrees of partial implication – is defended. The main argument against it is that it requires the assignment of prior probabilities, and that any attempt to determine them by symmetry via a "principle of insufficient reason" inevitably leads to paradox. Three replies are advanced: that priors are imprecise or of little weight, so that disagreement about them does not matter, within limits; that it (...) is possible to distinguish reasonable from unreasonable priors on logical grounds; and that in real cases disagreement about priors can usually be explained by differences in the background information. It is argued also that proponents of alternative conceptions of probability, such as frequentists, Bayesians and Popperians, are unable to avoid committing themselves to the basic principles of logical probability. (shrink)

What are reasons? For example, if you’re aware that your secretary plans to expose you, and you resign to avoid a scandal, what is your reason for resigning? Is your reason the fact that your secretary plans to expose you? If so, what kinds of facts are eligible to be reasons? Can merely possible facts be reasons (for actual subjects)? Can merely apparent facts? Or are reasons rather attitudes? Are your reasons for resigning your belief that your secretary plans to (...) expose you, and your desire to avoid a scandal? Or are reasons propositions? If so, which propositions? Only propositions that the subject believes and desires? Only propositions that are true? (On some views, those will be facts; on other views, not.). (shrink)

The thesis is that Adorno has a normative ethics, albeit a minimal and negative ethics of resistance. However Adorno’s ethical theory faces two problems: the problem of the availability of the good and the problem of whether a normative ethics is consistent with philosophical negativism. The author argues that a correct of understanding the role of the ineffable in Adorno’s Negative Dialectics solves both problems: it provides an account of the availability of the good that is consistent with his philosophical (...) negativism. The author counters the prevalent objection that Adorno’s aporetic philosophy, like some negative theology, leads to irrationalism and mysticism. The parallel with negative theology is developed by means of a comparison with Nicholas of Cusa. Drawing on Wittgentstein’s saying/showing distinction and Adrian Moore’s work the author argues that Nicholas and Adorno can be seen to share a philosophically defensible notion of ineffable knowledge. (shrink)

This paper explores the idea that laws express relationships between properties or universals as defended in Michael Tooley's recent book Causation: A Realist Approach. I suggest that the most plausible version of realism will take a different form than that advocated by Tooley. According to this alternative, laws are grounded in facts about the capacities and powers of particular systems, rather than facts about relations between universals. The notion of lawfulness is linked to the notion of invariance, rather than to (...) the metaphysical notion of a necessary connection. (shrink)

In Vagueness and Contradiction (2001), Roy Sorensen defends and extends his epistemic account of vagueness. In the process, he appeals to connections between vagueness and semantic paradox. These appeals come mainly in Chapter 11, where Sorensen offers a solution to what he calls the no-no paradox—a “neglected cousin” of the more famous liar—and attempts to use this solution as a precedent for an epistemic account of the sorites paradox. This strategy is problematic for Sorensen’s project, however, since, as we establish, (...) he fails to resolve the semantic pathology of the no-no paradox. (shrink)

An approach to inference to the best explanation integrating a Popperianconception of natural laws together with a modified Hempelian account of explanation, one the one hand, and Hacking's law of likelihood (in its nomicguise), on the other, which provides a robust abductivist model of sciencethat appears to overcome the obstacles that confront its inductivist,deductivist, and hypothetico-deductivist alternatives.This philosophy of scienceclarifies and illuminates some fundamental aspects of ontology and epistemology, especially concerning the relations between frequencies and propensities. Among the most important (...) elements of this conception is thecentral role of degrees of nomic expectability in explanation, prediction,and inference, for which this investigation provides a theoretical defense. (shrink)

The central terms of certain theories which were valued highly in the past, such as the phlogiston theory, are now believed by realists not to refer. Laudan and others have claimed that, in the light of the existence of such theories, scientific realism is untenable. This paper argues in response that realism is consistent with — and indeed is able to explain — such theories' having been highly valued and yet not being close to the truth. It follows that the (...) set of highly-valued past theories cited by Laudan, presumed to militate against realism, is in fact innocuous to the doctrine. The argument hinges largely on identifying the grounds on which theory-adoption is actually performed. (shrink)

Transcendental arguments offer a particularlypowerful strategy for combating skepticism. Such arguments, after all, attempt to show thata particular skepticism is not simply mistakenbut inconsistent or self-refuting. Whilethus tempting to philosophers struggling withskepticism of various sorts, the boldconclusions of these arguments have longrendered them suspicious in the eyes of many. In fact, in a famous paper from 1968 BarryStroud develops what is often taken to be adecisive case against transcendental argumentsin general.Recent work in the area of practical reason,however, suggests that such (...) arguments stillhave their defenders. Theorists such as JamesDreier and Christine Korsgaard have reliedexplicitly on transcendental arguments tojustify certain principles of practical reason. Can such arguments overcome Stroud's objection? In what follows, I argue that they can. However effective Stroud's general criticismmay be in other areas, it does not apply in therealm of practical reason. Nevertheless, thereare strict limits on how far transcendentalarguments can take us. In particular, despiteKorsgaard's efforts, they cannot succeed inestablishing a rational foundation formorality. (shrink)

This paper examines a recent attempt by Evan Jobe to account for the asymmetric character of many scientific explanations. It is argued that a purported counterexample to Jobe's account, from Clark Glymour, is inconclusive, but that the account faces independent objections. It is also suggested, contrary to Jobe, that the explanatory relation is not always asymmetric. Sometimes a singular sentence C can figure in a DN derivation of another singular sentence E and E can also figure in a DN derivation (...) of C. Yet while we are inclined to regard the first derivation as an explanation of E, we are not inclined to regard the second derivation as an explanation of C. As Sylvain Bromberger pointed out in a now classic article (1966), one can explain the period of a pendulum by reference to its length and yet, although one can give a DN derivation of the length of a pendulum by reference to its period, this derivation does not seem to represent an explanation. Evan Jobe has recently offered an interesting account of such explanatory asymmetries and Clark Glymour has in turn proposed a counterexample which seems to show that Jobe's account is defective. The aim of this paper is two-fold. I shall attempt to show that (a) Glymour's proposed counterexample can be rejected on the grounds that it violates an independently plausible restriction on the role that equalities may play in DN explanation, and that (b) although Glymour's counterexample can be avoided in this way, Jobe's account is defective in several other respects. (shrink)

Der Band gibt einen Überblick über die anglo-amerikanische Ästhetik des 20. Jahrhunderts. In sieben Originalbeiträgen werden Klassiker des Pragmatismus (James, Dewey) und der analytischen Ästhetik (Wittgenstein, Macdonald, Sibley) sowie zentrale Positionen des Neo-Pragmatismus (Shusterman, Rorty) und der post-analytischen Philosophie (Dickie, Danto, Goodman) vorgestellt. Der Band beleuchtet damit eine in Deutschland bis heute unterschätzte, sehr facettenreiche Tradition ästhetischen Denkens. Da manche der behandelten Autoren (z.B. George Dickie) im deutschen Sprachraum kaum und andere (z.B. Richard Rorty) nicht als Ästhetiker (...) bekannt sind, sind die Beiträge als Einführungen in das ästhetische Denken jeweils eines Autors angelegt. (shrink)

The classical arguments for scepticism about the external world are defended, especially the symmetry argument: that there is no reason to prefer the realist hypothesis to, say, the deceitful demon hypothesis. This argument is defended against the various standard objections, such as that the demon hypothesis is only a bare possibility, does not lead to pragmatic success, lacks coherence or simplicity, is ad hoc or parasitic, makes impossible demands for certainty, or contravenes some basic standards for a conceptual or linguistic (...) scheme. Since the conclusion of the sceptical argument is not true, it is concluded that one can only escape the force of the argument through some large premise, such as an aptitude of the intellect for truth, if necessary divinely supported. (shrink)

Conservative thinkers such as Francis Fukuyama have produced a battery of objections to the transhumanist project of fundamentally enhancing human capacities. This article examines one of these objections, namely that by allowing some to greatly extend their capacities, we will undermine the fundamental moral equality of human beings. I argue that this objection is groundless: once we understand the basis for human equality, it is clear that anyone who now has sufficient capacities to count as a person from the moral (...) point of view will continue to count as one even if others are fundamentally enhanced; and it is mistaken to think that a creature which had even far greater capacities than an unenhanced human being should count as more than an equal from the moral point of view. (shrink)

abstract In a number of contexts one comes across the suggestion that cultures are collective owners of cultural property, such as particularly significant works of art. Indigenous peoples are often held to be collective owners of cultural property, but they are not the only ones. Icelandic culture is said to have a claim on the Flatejarbók and Greek culture is held to own the Parthenon Marbles. In this paper I investigate the conditions under which a culture is the rightful owner (...) of cultural property. I argue against the claims that cultures inherit cultural property. I also argue that a culture's claim to own cultural property is seldom, if ever, founded on either practices employed in the culture or collective production of cultural property. I maintain, however, that the very value of cultural property for some culture can, in some instances, provide the basis for the culture's claim on the property. (shrink)

Cultural theories of art were developed to account for the arthood of nonaesthetic and nonimitative artworks. Historical theories such as those proposed by Jerrold Levinson, James Carney, and Noël Carroll fail to account for the arthood of first art and ethnological objects, as does the disjunctive theory of Stephen Davies. An institutional (artworld-based) theory, such as George Dickie’s 1977 version, can account for the arthood of art made within the context of an artworld. But what of objects that (...) are art now but were not made in an artworld context? I add a supplement to Dickie’s institutional theory: the concept of art by proxy. (shrink)

This essay is concerned with the processes of idealization as described by Husserl in his last work, "The Crisis of European Sciences and Transcendental Phenomenology". Central as the processes of idealization are to Husserl's reflections on the origin of natural scientific knowledge and his attempt to reground that knowledge in the "forgotten meaning-fundament of natural science," they have not always been well understood. One reason for this is the lack of concrete historical examples. The main purpose of this paper is (...) to correct this deficit. The paper is comprised of four sections. The first distinguishes two separate processes of idealization, one ascending from the life-world and the other descending and applying to it. The interaction of the two is then considered. The second section takes up Husserl's own discussion of Galileo's employment of idealization in his original mathematization of nature. The third section examines Galileo's analysis of freefall as a historical example of the processes of idealization. Here it is seen that the evidence clearly justifies Husserl's claims regarding the role of idealization in the origins of modern natural science. The conclusion employs the insights gained in the previous sections to exhibit the importance of understanding the processes of idealization as propaedeutic to the appreciation of the role and importance of the phenomenological methods of epoché and reduction to restoring lost layers of meaning by nullifying the idealizations which cover the life world. (shrink)

David Hume's relatively short essay 'Of the Standard of Taste' deals with some of the most difficult issues in aesthetic theory. Apart from giving a few pregnant remarks, near the end of his discussion, on the role of morality in aesthetic evaluation, Hume tries to reconcile the idea that tastes are subjective (in the sense of not being answerable to the facts) with the idea that some objects of taste are better than others. 'Tastes', in this context, are the pleasures (...) or displeasures that a person can take in the beauties of poems, paintings, and other artistic compositions (though Hume also wants to stress the continuities between tastes, so understood, and the bodily sense of taste). The position at which Hume arrives in the essay (despite some dialectical unclarity) is that some people – the 'true judges'– determine by their 'joint verdict' which works are meritorious. This solution continues to exercise a fascination, as does Hume's complicated route to it. Author Recommends: Paul Guyer, 'The Standard of Taste and the "Most Ardent Desire of Society" ', Values of Beauty (Cambridge: Cambridge University Press, 2005), 37–76. This paper places 'Of the Standard of Taste' in an especially rich context, and asks why Hume concentrates on true judges instead of the improvement of one's own taste. Mary Mothersill, 'Hume: "Of the Standard of Taste" ', Beauty Restored (Oxford: Clarendon Press, 1984), 177–208. This chapter, embedded in an exposition of Mothersill's 'First Thesis' (the denial that there are principles of taste) and 'Second Thesis' (the affirmation that some judgments of taste are genuine judgments), gives a detailed running commentary on Hume's essay. A shorter self-contained version of the chapter appeared as 'Hume and the Paradox of Taste' in Aesthetics: A Critical Anthology , 2nd ed., eds. George Dickie, Richard Sclafani, and Ronald Roblin (New York, NY: St. Martin's Press, 1989, 269–86). Jerrold Levinson, 'Hume's Standard of Taste: The Real Problem', Journal of Aesthetics and Art Criticism (2002): 227–38. An importance recent article, Levinson's piece argues that the 'real' difficulty with Hume's essay has gone unnoticed: why should I care about what Hume's true judges think? Christopher Williams, 'Some Questions in Hume's Aesthetics', Philosophy Compass 2/2 (2007). This article provides a brief overview of the topics discussed under weeks 3–5 in the sample syllabus below. It is intended to provide a roadmap for the particular set of readings listed there. David Wiggins, 'A Sensible Subjectivism?', Needs, Values, and Truth , 3rd ed. (Oxford: Clarendon Press, 1998), 185–214. This is a stimulating paper in moral philosophy that treats Hume's essay on taste as a model for a serious subjectivism. Wiggins then presents his own brand of subjectivism as an alternative to Hume's. Online Materials: Hume's Aesthetics (Ted Gracyk): http://plato.stanford.edu/entries/hume-aesthetics/ Sample Syllabus: Recommended background reading on Hume's historical context: Peter Kivy, The Seventh Sense: Francis Hutcheson and Eighteenth-Century British Aesthetics , 2nd ed. (Oxford: Oxford University Press, 2003), especially Part III. Recommended background reading on the general topic of taste: David A. Whewell, 'Taste', Blackwell Companion to Aesthetics (Oxford: Blackwell, 1992), 415–18. Dabney Townsend and Carolyn Korsmeyer, 'Taste', Encyclopedia of Aesthetics , ed. Michael Kelly (New York, NY and Oxford: Oxford University Press, 1998), 4:355–62. Ted Cohen, 'The Philosophy of Taste: Thoughts on the Idea', Blackwell Guide to Aesthetics , ed. Peter Kivy (Oxford: Blackwell, 2004), 167–73. Week 1: Hume on beauty, art, and aesthetic judgment in the Treatise of Human Nature and the Enquiry Concerning the Principles of Morals The following references are usable for any complete edition of the Treatise or Enquiry Treatise , 2.1.8 ('Of Beauty and Deformity') Treatise , 2.2.5 ('Of Our Esteem for the Rich and Powerful') Treatise , 2.2.8 ('Of Malice and Envy'), final three paragraphs Treatise , 2.2.11 ('Of the Amorous Passion, or Love Betwixt the Sexes') Treatise , 3.1.2 ('Moral Distinctions Deriv'd from a Moral Sense') Treatise , 3.3.1 ('Of the Origin of the Natural Virtues') Treatise , 3.3.5 ('Some Farther Reflexions Concerning the Natural Virtues') Enquiry , Appendix 1 ('Of moral sentiment') Week 2: Hume's essays Essays Moral, Political, and Literary , ed. Eugene Miller (Indianapolis, IN: LibertyClassics, 1985) is the most commonly used edition today. 'Of the Delicacy of Taste and Passion' 'Of Eloquence' 'Of the Rise and Progress of the Arts and Sciences' 'Of Simplicity and Refinement in Writing' 'Of Tragedy' 'Of the Standard of Taste' Week 3: Circularity–Virtuous or Vicious? Peter Kivy, 'Hume's Standard of Taste: Breaking the Circle', British Journal of Aesthetics (1967): 57–66. David Wiggins, 'A Sensible Subjectivism?', Needs, Values, and Truth , 3rd ed. (Oxford: Clarendon Press, 1998), 185–214. Week 4: Rules of Art Mary Mothersill, 'Hume: "Of the Standard of Taste" ', Beauty Restored (Oxford: Clarendon, 1984), 177–208. James Shelley, 'Hume's Double Standard of Taste', Journal of Aesthetics and Art Criticism (1994): 437–45. Nick Zangwill, 'Hume, Taste, and Teleology', The Metaphysics of Beauty (Ithaca, NY: Cornell University Press, 2001), 149–65. Week 5: The True Judge Malcolm Budd, 'Hume and Kant', 'Hume's Standard of Taste', 'Hume and Human Nature', Values of Art (London: Allen Lane, 1995), 16–24 . Paul Guyer, 'The Standard of Taste and the "Most Ardent Desire of Society" ', Values of Beauty (Cambridge: Cambridge University Press, 2005), 37–76. Jerrold Levinson, 'Hume's Standard of Taste: The Real Problem', Journal of Aesthetics and Art Criticism (2002): 227–38. Week 6: Moralism in Aesthetic Judgment: Hume and Beyond Kendall Walton, 'Morals in Fiction and Fictional Morality', Proceedings of the Aristotelian Society (1994): 27–50. Richard Moran, 'The Expression of Feeling in Imagination', Philosophical Review (1994): 75–106. Tamar Szabo-Gendler, 'The Puzzle of Imaginative Resistance', Journal of Philosophy (2000): 55–81. Focus Questions 1. How does Hume distinguish between matters of 'fact' and 'sentiment'? 2. What is a 'rule of art', and are there any rules? 3. Can a bad critic be 'silenced'? 4. What are the characteristics of good critics? 5. Should we expect good critics to agree on the merits of a work, and should I care about becoming a good critic myself? 6. Is it possible to distinguish variations in taste for which we should expect a standard and variations for which it is 'vain' to have such an expectation? 7. How is the excellence of a work related to the exercise of taste? 8. If a work of literature has a moral outlook that differs from our own, should we consider the work defective on literary grounds? (shrink)

Why does one theory "succeed" while another, possibly clearer interpretation, fails? By exploring two observationally equivalent yet conceptually incompatible views of quantum mechanics, James T. Cushing shows how historical contingency can be crucial to determining a theory's construction and its position among competing views. Since the late 1920s, the theory formulated by Niels Bohr and his colleagues at Copenhagen has been the dominant interpretation of quantum mechanics. Yet an alternative interpretation, rooted in the work of Louis de Broglie in (...) the early 1920s and reformulated and extended by David Bohm in the 1950s, equally well explains the observational data. Through a detailed historical and sociological study of the physicists who developed different theories of quantum mechanics, the debates within and between opposing camps, and the receptions given to each theory, Cushing shows that despite the preeminence of the Copenhagen view, the Bohm interpretation cannot be ignored. Cushing contends that the Copenhagen interpretation became widely accepted not because it is a better explanation of subatomic phenomena than is Bohm's, but because it happened to appear first. Focusing on the philosophical, social, and cultural forces that shaped one of the most important developments in modern physics, this provocative book examines the role that timing can play in the establishment of theory and explanation. (shrink)

Abstract: According to Laurence BonJour, the problem of induction can be solved by recognizing the a priori necessity that inductive conclusions constitute the best explanations of inductive premises. I defend an interpretation of the key probability claims BonJour makes about inductive premises and show that they are not susceptible to many of the objections that have been lodged against them. I then argue that these purportedly necessary probability claims nevertheless remain deeply problematic and that, as a result, BonJour's proposal fails (...) to provide a satisfactory resolution of the problem of induction. (shrink)

This paper is a critique of a project, outlined by Laudan et al. (1986) recently in this journal, for empirically testing philosophical models of change in science by comparing them against the historical record of actual scientific practice. While the basic idea of testing such models of change in the arena of science is itself an appealing one, serious questions can be raised about the suitability of seeking confirmation or disconfirmation for large numbers of specific theses drawn from a massive (...) list of claims abstracted from the writings of a few philosophers of science. The present paper discusses what one might reasonably expect from a model of change in science and then compares some clusters of theses from Laudan et al. with developments in recent theoretical physics. The results suggest that such straightforward testing of theses may be largely inconclusive. (shrink)

In summary, many extant definitions of the niche concept are based on the geometric metaphor which represents the niche as an object embedded in a geometric space. There are several difficulties with this approach; the activities of organisms are not fully described, certain attributes of the functional aspect of the niche are not represented, the life cycles of organisms are not described, and the heuristic value of the concept diminishes with increasing dimensionality.An alternative and complementary approach to the niche is (...) the linguistic metaphor. This approach is based on the explanatory objective to explain the assembly of the ecosystems of successional seres from species pools and abiotic environmental factors. The linguistic metaphor suggests that a theory of ecosystem assembly is a generative grammar that associates particular species with environmental features. The niche of a particular species is defined in terms of the rules of a generative-transformational grammar used to derive an hierarchically organized description of that species. This approach also has conceptual difficulties: (1) empirically testing competence theories and distinguishing possible and impossible objects (e.g. species and ecosystems) are difficult, (2) evolutionary processes are difficult to incorporate, (3) the mathematical tools associated with grammars do not have the range of applicability of the mathematical tools associated with the geometric metaphor, and (4) the productions (hierarchical trees) of a grammar are not easily visualized.The geometric and linguistic metaphors of the niche should be viewed as complementary pictures of the same object. The geometric representation is most adept at describing community dynamics and stability, niche overlap, and organism response to abiotic environments. The linguistic metaphor represents well organism activities, niche dynamics, and ecosystem assembly. (shrink)

Naturalists seek continuity between epistemology and science. Critics argue this illegitimately expands science into epistemology and commits the fallacy of scientism. Must naturalists commit this fallacy? I defend a conception of naturalized epistemology which upholds the non-identity of epistemic ends, norms, and concepts with scientific evidential ends, norms, and concepts. I argue it enables naturalists to avoid three leading scientistic fallacies: dogmatism, one dimensionalism, and granting science an epistemic monopoly.