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John Gibson [65]James J. Gibson [45]James Gibson [16]J. J. Gibson [10]
Joan Mciver Gibson [9]J. Gibson [7]Julia D. Gibson [6]Joan Gibson [4]

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  1. The Ecological Approach to Visual Perception: Classic Edition.James J. Gibson - 1979 - Houghton Mifflin.
    This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do.The basic assumption is that vision depends on the eye which is connected to the brain. The (...)
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  2. The Perception Of The Visual World.James J. Gibson - 1950 - Boston: Houghton Mifflin.
  3.  56
    The Senses Considered as Perceptual Systems.Charles K. West & James J. Gibson - 1969 - Journal of Aesthetic Education 3 (1):142.
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  4.  75
    The Senses Considered as Perceptual Systems.D. W. Hamlyn & James J. Gibson - 1968 - Philosophical Review 77 (3):361.
  5. New reasons for realism.James J. Gibson - 1967 - Synthese 17 (1):162 - 172.
    Both the psychology of perception and the philosophy of perception seem to show a new face when the process is considered at its own level, distinct from that of sensation. Unfamiliar conceptions in physics, anatomy, physiology, psychology, and phenomenology are required to clarify the separation and make it plausible. But there have been so many dead ends in the effort to solve the theoretical problems of perception that radical proposals may now be acceptable. Scientists are often more conservative than philosophers (...)
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  6. Novum Organum.Francis Bacon, Peter Urbach & John Gibson - 1996 - British Journal for the Philosophy of Science 47 (1):125-128.
     
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  7.  65
    Perceptual learning: Differentiation or enrichment?James J. Gibson & Eleanor J. Gibson - 1955 - Psychological Review 62 (1):32-41.
  8.  7
    The concept of the stimulus in psychology.James J. Gibson - 1960 - American Psychologist 15 (11):694-703.
  9.  19
    The Useful Dimensions of Sensitivity.James J. Gibson - 1963 - American Psychologist 18 (1):1-15.
  10.  11
    Visually Controlled Locomotion and Visual Orientation in Animals.James J. Gibson - 1958 - British Journal of Psychology 49 (3):182-194.
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  11. Cognitivism and the arts.John Gibson - 2008 - Philosophy Compass 3 (4):573-589.
    Cognitivism in respect to the arts refers to a constellation of positions that share in common the idea that artworks often bear, in addition to aesthetic value, a significant kind of cognitive value. In this paper I concentrate on three things: (i) the challenge of understanding exactly what one must do if one wishes to defend a cognitivist view of the arts; (ii) common anti-cognitivist arguments; and (iii) promising recent attempts to defend cognitivism.
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  12.  55
    Artificial intelligence for good health: a scoping review of the ethics literature.Jennifer Gibson, Vincci Lui, Nakul Malhotra, Jia Ce Cai, Neha Malhotra, Donald J. Willison, Ross Upshur, Erica Di Ruggiero & Kathleen Murphy - 2021 - BMC Medical Ethics 22 (1):1-17.
    BackgroundArtificial intelligence has been described as the “fourth industrial revolution” with transformative and global implications, including in healthcare, public health, and global health. AI approaches hold promise for improving health systems worldwide, as well as individual and population health outcomes. While AI may have potential for advancing health equity within and between countries, we must consider the ethical implications of its deployment in order to mitigate its potential harms, particularly for the most vulnerable. This scoping review addresses the following question: (...)
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  13.  11
    The Information Available in Pictures.James J. Gibson - 1971 - Leonardo 4 (1):27.
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  14.  40
    Observations on active touch.James J. Gibson - 1962 - Psychological Review 69 (6):477-491.
  15.  43
    Adaptation, after-effect and contrast in the perception of tilted lines. I. Quantitative studies.J. J. Gibson & M. Radner - 1937 - Journal of Experimental Psychology 20 (5):453.
  16.  36
    (1 other version)The visual perception of objective motion and subjective movement.James J. Gibson - 1954 - Psychological Review 61 (5):304-314.
  17.  32
    What gives rise to the perception of motion?James J. Gibson - 1968 - Psychological Review 75 (4):335-346.
  18.  33
    Optical motions and transformations as stimuli for visual perception.James J. Gibson - 1957 - Psychological Review 64 (5):288-295.
  19.  90
    Fiction and the Weave of Life.John Gibson - 2007 - Oxford, GB: Oxford University Press UK.
    Literary fiction is of crucial importance in human life. It is a source of understanding and insight into the nature of the human condition, yet ever since Plato, philosophers have struggled to provide a plausible explanation of how this can be the case. For surely the fictionality - the sheer invented character - of the literary text means that fiction presents not our world, but other worlds? In Fiction and the Weave of Life, John Gibson offers a novel and intriguing (...)
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  20.  49
    The visual field and the visual world: a reply to Professor Boring.James J. Gibson - 1952 - Psychological Review 59 (2):149-151.
  21.  12
    The Ecological Approach to the Visual Perception of Pictures.James J. Gibson - 1978 - Leonardo 11 (3):227.
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  22. A theory of direct visual perception.James J. Gibson - 2002 - In Alva Noë & Evan Thompson, Vision and Mind: Selected Readings in the Philosophy of Perception. MIT Press. pp. 77--89.
  23.  12
    A developmental study of the discrimination of letter-like forms.Eleanor P. Gibson, James J. Gibson, Anne D. Pick & Harry Osser - 1962 - Journal of Comparative and Physiological Psychology 55 (6):897-906.
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  24.  39
    Motion parallax as a determinant of perceived depth.Eleanor J. Gibson, James J. Gibson, Olin W. Smith & Howard Flock - 1959 - Journal of Experimental Psychology 58 (1):40.
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  25. The myth of passive perception: A reply to Richards.James J. Gibson - 1976 - Philosophy and Phenomenological Research 37 (December):234-238.
  26. Lyric Self-Expression.Hannah H. Kim & John Gibson - 2021 - In Sonia Sedivy, Art, Representation, and Make-Believe: Essays on the Philosophy of Kendall L. Walton. New York: Routledge.
    Philosophers ask just whose expression, if anyone’s, we hear in lyric poetry. Walton provides a novel possibility: it’s the reader who “uses” the poem (just as a speech giver uses a speech) who makes the language expressive. But worries arise once we consider poems in particular social or political settings, those which require a strong self-other distinction, or those with expressions that should not be disassociated from the subjects whose experience they draw from. One way to meet this challenge is (...)
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  27.  11
    Direct visual perception: A reply to Gyr.James J. Gibson - 1973 - Psychological Bulletin 79 (6):396-397.
  28.  34
    Continuous perspective transformations and the perception of rigid motion.James J. Gibson & Eleanor J. Gibson - 1957 - Journal of Experimental Psychology 54 (2):129.
  29.  28
    The sensitivity of the eye to two kinds of continuous transformation of a shadow-pattern.Kai Von Fieandt & James J. Gibson - 1959 - Journal of Experimental Psychology 57 (5):344.
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  30. Are there sensory qualities of objects?James J. Gibson - 1969 - Synthese 19:408-409.
  31.  26
    Bilateral transfer of the conditioned knee-jerk.J. J. Gibson & L. Hudson - 1935 - Journal of Experimental Psychology 18 (6):774.
  32.  63
    Bilateral transfer of the conditioned response in the human subject.J. J. Gibson, E. G. Jack & G. Raffel - 1932 - Journal of Experimental Psychology 15 (4):416.
  33.  21
    What is a form?James J. Gibson - 1951 - Psychological Review 58 (6):403-412.
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  34. Between truth and triviality.John Gibson - 2003 - British Journal of Aesthetics 43 (3):224-237.
    A viable theory of literary humanism must do justice to the idea that literature offers cognitive rewards to the careful reader. There are, however, powerful arguments to the effect that literature is at best only capable of offering idle visions of a world already well known. In this essay I argue that there is a form of cognitive awareness left unmentioned in the traditional vocabulary of knowledge acquisition, a form of awareness literature is particularly capable of offering. Thus even if (...)
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  35. Events are perceivable but time is not.James J. Gibson - 1975 - In J. T. Fraser & Nathaniel M. Lawrence, The Study of Time II: Proceedings of the Second Conference of the International Society for the Study of Time Lake Yamanaka-Japan. Springer Verlag. pp. 295-301.
    For centuries psychologists have been trying to explain how a man or an animal could perceive space. They have thought of space as having three dimensions and the difficulty was how an observer could see the third dimension. For depth, as Bishop Berkeley asserted at the outset of the New Theory of Vision (1709), “is a line endwise to the eye which projects only one point in the fund of the eye.” Space was its dimensions. It was empty save for (...)
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  36. The teaching of computer ethics on computer science and related degree programmes. a European survey.Ioannis Stavrakakis, Damian Gordon, Brendan Tierney, Anna Becevel, Emma Murphy, Gordana Dodig-Crnkovic, Radu Dobrin, Viola Schiaffonati, Cristina Pereira, Svetlana Tikhonenko, J. Paul Gibson, Stephane Maag, Francesco Agresta, Andrea Curley, Michael Collins & Dympna O’Sullivan - 2021 - International Journal of Ethics Education 7 (1):101-129.
    Within the Computer Science community, many ethical issues have emerged as significant and critical concerns. Computer ethics is an academic field in its own right and there are unique ethical issues associated with information technology. It encompasses a range of issues and concerns including privacy and agency around personal information, Artificial Intelligence and pervasive technology, the Internet of Things and surveillance applications. As computing technology impacts society at an ever growing pace, there are growing calls for more computer ethics content (...)
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  37.  65
    Adaptation, after-effect and contrast in the perception of curved lines.J. J. Gibson - 1933 - Journal of Experimental Psychology 16 (1):1.
  38. Literature and Knowledge.John Gibson - 2009 - In Richard Thomas Eldridge, The Oxford handbook of philosophy and literature. New York: Oxford University Press.
    What is the relation between works of fiction and the acquisition of knowledge?
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  39. Interpreting words, interpreting worlds.John Gibson - 2006 - Journal of Aesthetics and Art Criticism 64 (4):439–450.
    It is often assumed that literary meaning is essentially linguistic in nature and that literary interpretation is therefore a purely linguistic affair. This essay identifies a variety of literary meaning that cannot be reduced to linguistic meaning. Meaning of this sort is generated not by a communicative act so much as through a creative one: the construction of a fictional world. The way in which a fictional world can bear meaning turns out to be strikingly unlike the way a sentence (...)
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  40.  37
    Literature and Knowledge.John Gibson - 2009 - In Richard Thomas Eldridge, The Oxford handbook of philosophy and literature. New York: Oxford University Press.
    What is the relation between works of fiction and the acquisition of knowledge?
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  41.  43
    Facilitating Medical Ethics Case Review: What Ethics Committees Can Learn from Mediation and Facilitation Techniques.Mary Beth West & Joan McIver Gibson - 1992 - Cambridge Quarterly of Healthcare Ethics 1 (1):63.
    Medical ethics committees are increasingly called on to assist doctors, patients, and families in resolving difficult ethics issues. Although committees are becoming more sophisticated in the substance of medical ethics, little attention has been given to the processes these committees use to facilitate decision-making. In 1990, the National Institute for Dispute Resolution in Washington, D.C., provided a planning grant from its Innovation Fund to the Institute of Public Law of the University of New Mexico School of Law to look at (...)
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  42.  30
    Locke's Theory Knowledge and its Historical Relations.James Gibson - 1917 - Cambridge,: Cambridge University Press.
    John Locke is probably one of the highest-regarded English philosophers, and the first of the British empiricists. His ideas on the mind and consciousness have continued to resonate throughout philosophy and philosophical thought ever since An Essay Concerning Human Understanding first appeared in 1690. James Gibson's Locke's Theory of Knowledge and its Historical Relations was first published in 1917, and saw its fourth reprinting in 1968. Here, it is made available for the first time in paperback. This hugely detailed work (...)
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  43. (1 other version)What Makes a Poem Philosophical?John Gibson - 2017 - In Zumhagen-Yekplé Karen & LeMahieu Michael, Wittgenstein and Modernism. Chicago: University of Chicago Press. pp. 130-152.
  44.  38
    Will the “Conscience of an Institution” Become Society's Servant?Joan McIver Gibson & Thomasine Kimbrough Kushner - 1986 - Hastings Center Report 16 (3):9-11.
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  45. Really Boring Art.Andreas Elpidorou & John Gibson - 2022 - Ergo: An Open Access Journal of Philosophy 8 (30):190-218.
    There is little question as to whether there is good boring art, though its existence raises a number of questions for both the philosophy of art and the philosophy of emotions. How can boredom ever be a desideratum of art? How can our standing commitments concerning the nature of aesthetic experience and artistic value accommodate the existence of boring art? How can being bored constitute an appropriate mode of engagement with a work of art as a work of art? More (...)
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  46.  57
    The Routledge Companion to Philosophy of Literature.Noël Carroll & John Gibson (eds.) - 2015 - New York: Routledge.
    _The Routledge Companion to Philosophy of Literature_ is an in-depth examination of literature through a philosophical lens, written by distinguished figures across the major divisions of philosophy. Its 40 newly-commissioned essays are divided into six sections: historical foundations what is literature? aesthetics & appreciation meaning & interpretation metaphysics & epistemology ethics & political theory _The Companion_ opens with a comprehensive historical overview of the philosophy of literature, including chapters on the study’s ancient origins up to the 18 th -20 th (...)
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  47. On the Analogy between Artworks and Selves.John Gibson - 2024 - East Asian Journal of Philosophy 3 (2):1-13.
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  48. Locke's Theory of Knowledge and its Historical Relations.James Gibson - 1918 - Mind 27 (107):354-360.
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  49.  18
    Mindfulness, Interoception, and the Body: A Contemporary Perspective.Jonathan Gibson - 2019 - Frontiers in Psychology 10.
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  50.  75
    Clinical ethicists' perspectives on organisational ethics in healthcare organisations.D. S. Silva, J. L. Gibson, R. Sibbald, E. Connolly & P. A. Singer - 2008 - Journal of Medical Ethics 34 (5):320-323.
    Background: Demand for organisational ethics capacity is growing in health organisations, particularly among managers. The role of clinical ethicists in, and perspective on, organisational ethics has not been well described or documented in the literature. Objective: To describe clinical ethicists’ perspectives on organisational ethics issues in their hospitals, their institutional role in relation to organisational ethics, and their perceived effectiveness in helping to address organisational ethics issues. Design and Setting: Qualitative case study involving semi-structured interviews with 18 clinical ethicists across (...)
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