Thierry de Duve’s essay is anchored to the one and perhaps only hard fact that we possess regarding the story of Fountain: its photo in The Blind Man No. 2, triply captioned “Fountain by R. Mutt,” “Photograph by Alfred Stieglitz,” and “THE EXHIBIT REFUSED BY THE INDEPENDENTS,” and the editorial on the facing page, titled “The Richard Mutt Case.” He examines what kind of agency is involved in that triple “by,” and revisits Duchamp’s intentions and motivations when he created (...) the fictitious R. Mutt, manipulated Stieglitz, and set a trap to the Independents. De Duve concludes with an invitation to art historians to abandon the “by” questions and to focus on the “from” questions that arise when Fountain is not seen as a work of art so much as the bearer of the news that the art world has radically changed. (shrink)

A modern classic, this powerful and sophisticated account of embodiment was first published in German in 1928 and now appears in English for the first time. With reference simultaneously to science, social theory, and philosophy, Plessner shows how life can be seen on its own terms to establish its own boundaries. Plessner's account of how the human establishes itself in relation to the nonhuman will invigorate a range of current conversations around the animal, posthumanism, the material turn, and the biology (...) and sociology of cognition. (shrink)

Frontmatter -- VORWORT ZUR ERSTEN AUFLAGE -- VORWORT ZUR ZWEITEN AUFLAGE -- INHALT -- Erstes Kapitel. ZIEL UND GEGENSTAND DER UNTERSUCHUNG -- Zweites Kapitel. DER CARTESIANISCHE EINWAND UND DIE PROBLEMSTELLUNG -- Drittes Kapitel. DIE THESE -- Viertes Kapitel. DIE DASEINSWEISEN DER LEBENDIGKEIT -- Fünftes Kapitel. DIE ORGANISATIONSWEISEN DES LEBENDIGEN DASEINS. PFLANZE UND TIER -- Sechstes Kapitel. DIE SPHÄRE DES TIERES -- Siebentes Kapitel: Die Sphaere des Menschen -- NACHTRAG -- SACHREGISTER -- NAMENSREGISTER -- Backmatter.

Recent brain imaging points to differences in brain structure that relate to intelligence, but how do we model their causal relationship within a coherent framework that circumvents classic dualist traps? A bottom-level nonlinear, dynamic, multifactor, multiplicative, multidimensional, molecular (ND4M) trait-covariance time-space model may accomplish this better than traditional approaches.

Immanuel Kant’s Critique of Judgment, Thierry de Duve argues in the first volume of Aesthetics at Large, is as relevant to the appreciation of art today as it was to the enjoyment of beautiful nature in 1790. Going against the grain of all aesthetic theories situated in the Hegelian tradition, this provocative thesis, which already guided de Duve’s groundbreaking book Kant After Duchamp (1996), is here pursued in order to demonstrate that far from confining aesthetics to a stifling (...) formalism isolated from all worldly concerns, Kant’s guidance urgently opens the understanding of art onto ethics and politics. Central to de Duve’s re-reading of the Critique of Judgment is Kant’s idea of sensus communis, ultimately interpreted as the mere yet necessary idea that human beings are capable of living in peace with one another. De Duve pushes Kant’s skepticism to its limits by submitting the idea of sensus communis to various tests leading to questions such as: Do artists speak on behalf of all of us? Is art the transcendental ground of democracy? Or, Was Adorno right when he claimed that no poetry could be written after Auschwitz? Loaded with de Duve’s trademark blend of wit and erudition and written without jargon, these essays radically renew current approaches to some of the most burning issues raised by modern and contemporary art. They are indispensable reading for anyone with a deep interest in art, art history, or philosophical aesthetics. (shrink)

A contemporary of Martin Heidegger and Edmund Husserl, Helmuth Plessner achieved recognition as a social philosopher during the three decades following World War II. He is best known for helping to establish philosophical anthropology as a discipline, which arose under his and Max Scheler's tutelage during the Weimar Republic and continues to exert influence over German thought. In The Limits of Community, Plessner presents the appeal and the dangers of rejecting modern society for the sake of the ideal of (...) community. The appeal, he suggests, is to escape the anonymity of mass society; the danger is the eventual loss of human dignity and the rise of an authoritarian politics based on violence and fanaticism. Social radicalism is born from the underside of modern society. It takes root among the disenfranchised and, especially, among the young. Attuned to the political undercurrents of his own society, Plessner anticipated the rise of German fascism nine years before its fateful emergence onto the world stage. Now that dissatisfaction with modern society is prevalent in the United States and elsewhere, appeals to the ideal of community can be heard once again in the communitarian critique of liberalism and in the politics of identity. What de Tocqueville identified as the tyranny of the majority represents an ever-present danger to the individual today. Written in 1924, The Limits of Community remains relevant today and will be of interest to scholars and students of German intellectual history and of political and social theory. (shrink)

The invention of the laser in 1960 and the innovation process of laser technology during the following years coincided with the dramatic increase of the East-West-conflict during the 1960s – the peak of the so-called Cold War after the erection of the Berlin Wall in 1961. The predictable features of the new device, not only for experimental sciences, but also for technical and military applications, led instantly to a laser hype all over the world. Military funding and research played a (...) major part in this development. Especially in the United States military laser research and development played an important role in the formation of Cold War sciences. The European allies followed this example to a certain degree, but their specific national environments led to quite different solutions and results. This article describes and analyzes the special features and background of this development for the Federal Republic of Germany in the area of conflict between science, politics and industry from 1960 to the early 1970s. (shrink)

Au paragraphe 59 de la Critique de la faculté de juger, juste avant de se lancer dans la Critique du jugement téléologique, Kant écrit une phase que rien dans la Critique du jugement esthétique, qu’il s’apprête à conclure, n’annonçait : “Je dis maintenant que le beau est le symbole du bien moral”. Il fait toutefois précéder cette ligne d’une explication de ce qu’il entend par “symbole”, qu’il illustre par un exemple qui semble aussi abrupt et hors contexte que la phrase (...) sur le symbolisme moral du beau lui-même : “Ainsi représente-t-on un état monarchique apr un corps animé s’il est gouverné selon des lois internes du peuple, mais par une simple machine (comme, par exemple, un moulin à bras) s’il est gouverné par une volonté singulière absolue.” Le présent article prend son départ dans la précipitation quasi-freudienne de Kant, qui concerne tant la phrase sur le symbolisme que l’exemple étrangement politique illustrant ce qu’il entend par “symbole”, afin de mettre à jour la validité de son affirmation sur le symbolisme moral du beau pour notre époque. (shrink)

Leben Totgesagte langer? Manche sicher, aber immer nur selektiv - Friedrich Carl von Savigny, dieser unser deutscher Starjurist vom Ursprung unserer juristischen Moderne, so global geworden wie kaum ein anderer, war gewiss so ein Fall von immer neuen Selektionen. Nur, so ist die Frage, wie selektiv, wann und wo? In diesem Band wird untersucht, welche seiner Denk-Stucke man verstand und wie oder ob doch gar nicht, in Frankreich, Italien, Spanien, Brasilien, England, U.S.A., Danemark, Schweden, Norwegen, Finnland, Russland, Japan und China. (...) 'Nicht- verstehen' konnte leicht geschehen an so ungleichen Zeiten, Orten, Politiken und Denkkontexten und geschah durchaus. Man kennt bisher nur diese und jene "Einflusse". Nun kommen ganze Denkweisen und Rezeptions-Bilder zur Sprache. Beide Aspekte werden in profunder Quellenbeherrschung erschlossen und analysiert. Und dies geschieht konsequent an bestimmten Schlusseltexten und Savigny-Bildern. So fliessen die Studien einmal nicht auseinander, sondern zeigen zum einen die Denk-Stucke selbst, dann ihre vielfaltigen Verwendungen in anderen Kontexten und schliesslich die Metamorphosen der Savigny-Bilder. Die Differenzierungen losen sich nicht irgendwohin auf, sondern sie werden zu sprechenden Gemeinsamkeiten und Unterschieden, Tendenzen und Strukturen. Eine summierende Schlussbetrachtung und eine erstmals umfassende Bibliographie der Ubersetzungen, systematisch nach Sprachen und chronologisch nach Werken geordnet, schliesst den Band ab. Nun kann man also sehen, wie man selektierte und selektiert. (shrink)

Keine ausführliche Beschreibung für "Versicherung für Rechnung wen es angeht" verfügbar.

-Grenzen und Spielraume des Menschen in der anthropologischen Diskussion-. Internationale Berliner Konferenz aus Anlass des 100. Geburtstages von Helmuth Plessner. Philosophie- und wissenschaftsgeschichtliche Analysen sowie systematisch orientierte Darstellungen sind wichtige Beitrage zur weiteren Erschliessung des Denkens von Plessner. Seine anthropologische Konzeption, seine Auffassung der geschichtlich-gesellschaftlichen Situation des Menschen in der Moderne gehoren zu den grossen philosophischen Entwurfen unseres Jahrhunderts.".

In 2000, when atmospheric chemist Paul J. Crutzen and limnologist Eugene F. Stoermer proposed to introduce a new geological era, the Anthropocene, they could not have foreseen the remarkable career of the new term. Within a few years, the geological community began to investigate the scientific evidence for the concept and established the Anthropocene Working Group. While the Working Group has started to examine possible markers and periodizations of the new epoch, scholars from numerous other disciplines have taken up the (...) Anthropocene as a cultural concept. In addition, the media have developed a deep interest in the Anthropocene’s broader societal ramifications. The article sheds light on the controversial debate about the Anthropocene and discusses its inextricably linked dual careers, first as a geological term and second as a cultural term. Third, it argues that the debate about the “Age of Humans” is a timely opportunity both to rethink the nature-culture relation and to re-assess the narratives that historians of science, technology, and the environment have written until now. Specifically, it examines both the heuristic and analytical power of the concept. It discusses new histories, new ideas to understand historical change, and new temporalities shaped by scholars who have taken up the challenge of the Anthropocene as a cultural concept that has the ability to question established stories and narratives. Fourth, it ends by stressing the potential of the Anthropocene concept to blur established epistemological boundaries and to stimulate cross-disciplinary collaborations between the sciences and the humanities. (shrink)

Mazur & Booth (1998) (M&B) suggested that high testosterone (T) relates to status, dominance, and (anti-) social behaviour. However, low T also relates to status and to formal dominance. The General Trait Covariance (GTC) model predicts both relations under the assumption that high and low T modulates the genotype in ways that enforce the development of almost polar covariant patterns of body, brain, intellectual, and personality traits, irrespective of race. The precise modelling of these dose-dependent molecular body-intelligence-personality-behaviour relations requires that (...) causes, mechanisms, and effects enjoy equal operational standing. (shrink)

The purpose of this paper is to offer some theoretical clarification of the word art in the wake of the reception of Duchamp's readymades and their acknowledgment by art history.It became clear in the sixties that it is now both technically possible and institutionally legitimate to make art from absolutely anything whatever.To this a priori possibility would like to give the term art in general. After which shall define three other terms which may help clarify our usage of the word (...) art in the post-Duchamp situation: art, period; art altogether; and art itself. Their articulation is intended to lay the ground for an aesthetic theory of art adapted to our times. (shrink)

No detailed description available for "I gradi dell'organico e l'uomo".