This paper discusses the logical space of alternative conceptual engineering projects, with a specific focus on (1) the processes, (2) the targets and goals, and (3) the methods of such projects. We present an overview of how these three aspects interact in the contemporary literature and discuss those alternative projects that have yet to be explored based on our suggested typology. We show how choices about each element in a conceptual engineering project constrain the possibilities for the others, thereby giving (...) rise to distinct groupings of possible projects under the banner of conceptual engineering. We conclude with a critical reflection on the potential ethical issues that arise as a result of effectively putting conceptual engineering into practice. (shrink)

When two or more (groups of) researchers independently investigating the same domain arrive at the same result, a multiple discovery occurs. The pervasiveness of multiple discoveries in science suggests the intuition that they are in some sense inevitable—that one should view them as results that force themselves upon us, so to speak. We argue that, despite the intuitive force of such an “inevitabilist insight,” one should reject it. More specifically, we distinguish two facets of the insight and argue that: (a) (...) the profusion of multiple discoveries in scientific practice does not support the inevitabilist side of the inevitability/contingency of science controversy; and (b) the crucial role of background knowledge in scientific inquiry complicates the attempt to interpret the pervasiveness of multiple discoveries in realist terms. (shrink)

O conceito de memes surgiu em 1976 com Richard Dawkins, como um análogo cultural dos genes. Deveria ser possível estudar a cultura através do processo de evolução por seleção natural de memes, ou seja, de comportamentos, ideias e conceitos. O filósofo Daniel Dennett utilizou tal conceito como central em sua teoria da consciência e pela primeira vez divulgou para o grande público a possibilidade de uma ciência dos memes chamada "memética". A pesquisadora Susan Blackmore (1999) foi quem mais se aproximou (...) de uma defesa completa de tal teoria. No entanto, a memética sofreu pesadas críticas e ainda não se constituiu como uma ciência, com métodos e uma base empírica bem definida. -/- The concept of memes was created by Richard Dawkins in 1976 as a cultural analogue of genes. It suggests the possibility of studying culture through a process of evolution through natural selection of memes, that is, of behaviors, ideas and concepts. The concept became central for the philosopher Daniel Dennett, who employed it in his theory of consciousness and made the possibility of a science of memes, called "memetics", known to the general public. Susan Blackmore (1999) comes closest to giving a complete defense of such a theory. However, memetics has been the target of heavy criticism, and has still not established itself as a science, with specific methods and a well-defined empirical basis. (shrink)

La presencia del orden se nos impone con singular insistencia. La reflexión sobre el orden, las posibilidades de su emergencia y las condiciones de su articulación y de su crítica, al igual que de su transgresión o transformación, ha constituido un eje central en el pensamiento filosófico y social continental a lo largo del siglo XX. Los trabajos que aparecen en este libro proceden de pensadores provenientes de Alemania, Francia y México y se proponen contribuir a una reflexión amplia, sistemática (...) y a la vez interdisciplinaria sobre este problema a la vez inquietante e inescapable. (shrink)

Proponemos una lectura de la obra de Hobbes como revolución, como ruptura radical con el pensamiento de la tradición dominante: ruptura, que lo es en casi todos los ámbitos, pero sobre todo en el del pensamiento político, moral y jurídico. Sugerimos, además, que esa radical ruptura sigue manteniendo elementos vivos y útiles para pensar la política hoy.

La actividad económica ha existido siempre, la pregunta es ¡qué leyes económicas deben regirla? Curiosamente debemos rescatar valores que hoy las escuelas de negocios dirían "antieconómicos".

La denominada 'estrategia del explanandum dual' ha sido utilizada en el pasado para enfrentar problemas de distinta clase, entre los que se cuentan el debate 'explicación vs. comprensión' y el problema de cómo las razones pueden explicar la conducta. Esta estrategia puede ser descripta someramente como un intento de resolver la rivalidad explicativa entre dos explicaciones por medio de la división del explanandum. En este artículo se analiza el uso que Ausonio Marras ha hecho de ella. Este autor ha sostenido (...) que su utilización permite enfrentar el problema de la ineficacia causal de las propiedades mentales, problema que ha representado una seria amenaza en las últimas dos décadas para el programa del materialismo no reduccionista. Se intentará mostrar que la estrategia sugerida no puede ser exitosa frente a este problema a menos que pueda proveerse de una explicación exitosa de cómo las propiedades mentales pueden mantener su eficacia causal completa, y que la respuesta que se ofrece no satisface esta exigencia. The dual explanandum strategy' has been used in the past to contend some quite different problems, including the 'explanation vs. understanding' debate and the problem of how reasons can explain behavior. This strategy can be roughly described as an intent to solve the explanatory rivalry between two explanations by means of the division of the explanandum. In this paper I want to analyze the use of this strategy by Ausonio Marras, who has claimed that it allows us to face the problem of causal inefficacy of mental properties. This problem has arisen in the last two decades in the context of non reductive materialism and has become a serious menace to this program. I try to show that this strategy can not work out this problem unless it can be provided with a successful account of the way that mental properties can keep their complete causal efficacy, and the answer he offers does not satisfy this demand. (shrink)

This article seeks to contribute to the debate on how political representation can promote democracy by analysing the Chamber in the Square, which is a component of legislative theatre. A set of techniques devised to democratise representative governments, legislative theatre was created by Augusto Boal when he was elected a political representative in 1993. After briefly reviewing Nadia Urbinati’s understanding of democratic representation as a diarchy of will and judgement, I partially endorse Hélène Landemore’s criticism and contend that if representation (...) is to be democratic, citizens’ exchange of opinions in the public sphere should be invested with the power not only to judge, but also to decide political affairs. By opening up a space where the represented can judge, decide, and contest the general terms of the bills representatives present in the assembly, the Chamber in the Square harnesses political representation to democracy. (shrink)

Proponho uma investigação do “debate” Waldron vs. Dworkin, discutindo o problema dos desacordos morais e se o judicial review é, de fato, válido. Na medida que Waldron desferiu severas críticas a Dworkin, defendendo que a “última palavra” deve ser do Legislativo, nesse cenário, apresento uma defesa à concepção de Dworkin. Chego à conclusão de que os autores, na verdade, não possuem uma discordância em si, mas pontos de conexão, segundo a qual somente é possível a deferência aos legisladores quando há (...) uma democracia devidamente sólida e coerente, o que não é o caso da narrativa histórica e contemporânea. Foi utilizado o método dedutivo, conduzido sob uma pesquisa bibliográfica, com o marco teórico a “discussão” travada pelos filósofos para este ensaio. (shrink)

El artículo expone dos visiones acerca de la legitimidad del castigo en contextos de exclusión social. En la primera parte, uno de los autores defiende la idea de que los Estados que incumplen con obligaciones legales previas no pueden inculpar a quienes cometan delitos vinculados con ese incumplimiento. No pueden hacerlo porque no tienen el estatus moral para hacerlo de acuerdo a dos objeciones: la de complicidad y la de hipocresía. En la segunda parte, la segunda autora critica esta solución (...) al sostener que la falta de reciprocidad que caracteriza a la relación política vuelve inaplicables las objeciones de hipocresía y complicidad al ámbito del castigo penal estatal. (shrink)

La presente ponencia trata de esclarecer de qué hablamos cuando hablamos de dominio. Para ello se escrutará la noción hobbesiana de soberanía y su relación con los fundamentos de la política. Hecho esto, se discutirá la vigencia de la misma en la teoría y la praxis políticas contemporáneas.

Un vínculo necesario entre estética y socialización explica la profundidad sensible que debe construir todo cambio de paradigma y toda re-socialización. La democracia no funciona sin una apropiación individual y colectiva del sentir y de la producción de sentir. Es a partir entonces del trabajo artístico y de la instrospección y exteriorización de la dimensión sensible, que toda transformación puede ser aplicada. Se recorren parcialmente los pensamientos de Alain Badiou y Bernard Stiegler. A required link between aesthetic and socialization explains (...) the sensitive depth that all paradigm and re-socialization must build. Democracy does not work without an individual and collective ownership of feeling and feeling's production. It is from the artwork and the introspection and externalization of the sensitive dimension, that any transformation can be applied. The article covers partially the thoughts of Alain Badiou and Bernard Stiegler. (shrink)

RESUMO Esboça-se neste artigo uma possível via de interpretação ao problema ético-estético, ou ainda ético-poiêtico da criação de si, a partir de uma reavaliação da noção de hipocrisia, enquanto arte do engano e arte do ator, reaproximando-a da hypókrisis [ὑπόκρισις] grega. Para tanto, procura-se estabelecer um diálogo, ou mesmo um contraponto, com aqueles pensadores que, nas preleções de Foucault, conformaram na antiguidade clássica e helenística os elementos para se pensar, por meio do discurso parrêsiástico e da prática da áskêsis, a (...) criação de si enquanto estética da existência. O lastro para essa compreensão vem de uma reavaliação das formas de inteligência estocástica e astuciosa que comandam a lida com a inconstância, a multiplicidade e os acasos - formas às quais os gregos atribuíram o nome da deusa Mêtis [Μήτις]. Mais afeitas a estas inconstâncias, práticas tais como: a simulação, a dissimulação e a ênfase - próprias da arte do engano - ganham sob essa ótica uma feição de virtuosidade que o pensamento filosófico hegemônico, afeito à retidão e ao enfrentamento heroico diante do real, dificilmente se disporia a reconhecer. ABSTRACT This paper outlines a possible way of interpreting the ethical-aesthetic or ethical-poiêthical problem of the creation of self, from a re-evaluation of the concept of hypocrisy, while art of deception and the art of the actor, reconnecting it with the greek hypókrisis [ὑπόκρισις]. For it aims to establish a dialogue, or even a counterpoint, with those thinkers who, in Foucault's lectures, conformed in classical and Hellenistic antiquity elements to think, through the parhêsiástic discourse and the practice of áskêsis, the creation of self while an aesthetics of existence. The ballast for this understanding comes from a re-evaluation of forms of stochastic and astute intelligence who command the dealings with the fickleness, the multiplicity and the accidents - which forms the Greeks attributed the name of the goddess Mêtis [Μήτις]. More related to these uncertainties, practices such as: the simulation, dissimulation and the emphasis - related to some art of deception - win under this optics a feature of virtuosity that the hegemonic philosophical thought, wont to the righteousness and the heroic confrontation facing the real, would hardly accept. (shrink)

In Brazilian schools, many teachers do not organize their teaching and students’ tasks and actions in a way that facilitates theoretical thinking based on the abstraction and generalization of the work content. Because many students struggle to accomplish the tasks and actions themselves, teachers guide them. Over time, the students begin to have more autonomy in executing the proposed activities, as they completed mental operations while learning. This article aims to investigate how young people’s and adults’ awareness of the countryside (...) is formed based on visual elements and writing, facilitating an understanding of their reality. A didactic–formative experiment was performed based on the cultural–historical theory. The comic books produced by the participants allowed them to develop their overall thinking, moving from the abstract to the concrete. They also formed an awareness of reality, which allowed them to have greater autonomy in the production of these stories as a means of representation and transformation of reality. (shrink)

This article discusses Axel Honneth’s recent theory of recognition, as exposed in his book Freedom’s Right (2001). The argument defended here is that Honneth’s approach does not apprehend the normative implications of political conflicts, for it relies on what some critics have called normative history. Against that approach, this paper defends a model of social theory that is not committed to normative presuppositions of analysis. Rather, it seeks to understand how political struggles strive for normative authority. As an illustration of (...) forms of recognition that are alternative to the ones Honneth calls normative, the paper builds on an example from Brazilian society. (shrink)

Some initial considerations on film in documentary form are discussed, along with its relationships with reality and fiction in cinema language. Found footage genre is explained, pointing its most important technical and aesthetical characteristics. The text points the importance of the movie camera in documentary and found footage, not only as a technical device that objectivizes the information in a static manner, but also as an axis that configures dynamism and subjectivity on films. Redacted (2007) by Brian De Palma is (...) analyzed as an example of hybrid forms of fiction and reality in cinema. Beyond a traditional analysis of narrative of films, this text emphasizes the forms in which they are developed, which affect and determine the substance of films. (shrink)

O trabalho parte da formulação de um olhar sobre as imagens de games – entendidas como imagens videojográficas - na perspectiva da tecnocultura audiovisual a partir da analítica cultural de Lev Manovich, examinando uma extensiva base de imagens de jogos. Para tanto, iniciamos entendendo que há uma coalescência de diferentes camadas presentes nas imagens técnicas de games, a saber: a) uma tecnocultura do jogo e do jogar, 2) das audiovisualidades enquanto qualidade durante que se atualiza nos diversos produtos culturais e (...) 3) do maquínico, entendido como da ordem das operações do software e das materialidades do hardware. Realiza-se então um acionamento das ferramentas e conceitos da analítica cultural (Cultural Analytics) cuja proposta original busca o cotejamento entre o trabalho quanti e qualitativo para pensar a visualidade dos produtos culturais – gerando diversos imageplots para a discussão das camadas que se atualizam nas imagens videojográficas. (shrink)

In this paper I argue that the way in which we revise and change our beliefs is different from that in which we revise and change our judgments of value; this is due to the fact that judgments of value, unlike beliefs, have no truth-values. Changes of judgments of value do not answer in the same way to the restrictions that apply to changes of beliefs and that are determined by the norms that govern beliefs. I argue that, first when (...) we revise and change our beliefs, we should be in a position to suspend judgments, and when trying to remove doubts, we should try to avoid falsehood and, second when changing beliefs, we should be in a position to assign probabilities to those conjectures we are in suspense about. These two conditions apply to the case of changes of attitudes with truth-values, such as beliefs; I argue that these two characteristics do not apply to cases of changes of judgments of value.Neste artigo eu argumento que o modo pelo qual nós revisamos e mudamos nossas crenças é diferente daquele pelo qual revisamos e mudamos nossos juízos de valor; isto se dá porque juízos de valor, ao contrário de crenças, não possuem nenhum valor de verdade. Mudanças de juízos de valor não estão sujeitas às mesmas restrições que se aplicam às mudanças de crenças e que são determinadas pelas normas que governam estas. Eu argumento que, primeiro, quando revisamos e mudamos nossas crenças, nós deveríamos ser capazes de suspender juízos e, ao tentarmos suprimir dúvidas, deveríamos tentar evitar a falsidade e, segundo, ao mudarmos as crenças, nós deveríamos ser capazes de atribuir probabilidades àquelas conjecturas sobre as quais nós estamos em dúvida. Estas duas condições se aplicam aos casos de mudanças de atitudes com valores de verdade, tais como crenças; eu argumento que estas duas características não se aplicam aos casos de mudanças de juízos de valor. (shrink)

In this paper I argue that the way in which we revise and change our beliefs is different from that in which we revise and change our judgments of value; this is due to the fact that judgments of value, unlike beliefs, have no truth-values. Changes of judgments of value do not answer in the same way to the restrictions that apply to changes of beliefs and that are determined by the norms that govern beliefs. I argue that, first when (...) we revise and change our beliefs, we should be in a posi-tion to suspend judgments, and when trying to remove doubts, we should try to avoid falsehood and, second when changing beliefs, we should be in a position to assign probabilities to those conjectures we are in suspense about. These two conditions apply to the case of changes of attitudes with truth-values, such as beliefs; I argue that these two charac-teristics do not apply to cases of changes of judgments of value. (shrink)

En esta discusión abordo la hermenéutica analógica de Mauricio Beuchot comparándola con la hermenéutica filosófica de Hans-Georg Gadamer. Argumento que Beuchot vuelve a la idea clásica de la hermenéutica como método de interpretación y no la juzga, como Gadamer, como una fenomenología de la comprensión. Sin embargo, Beuchot no atiende las razones de Gadamer en contra de concebir la hermenéutica como una metodología. Si se considera como metodología centrada en la analogía, la hermenéutica analógica deja de lado otros recursos interpretativos (...) importantes. Finalmente, Beuchot adopta una teoría correspondentista de la verdad contra la que argumenta Gadamer y que es incompatible con una hermenéutica filosófica. In this paper I analyze Mauricio Beuchot's analogical hermeneutics by contrasting it with Hans-Georg Gadamer's philosophical hermeneutics. I argue that Beuchot goes back to the classical idea of hermeneutics as a method of interpretation, and does not see it, as Gadamer does, as a phenomenology of understanding. However, Beuchot does not address Gadamer's arguments against using hermeneutics as a methodology. Considered as a methodology centered on analogy, analogical hermeneutics overlooks other important interpretation resources. Finally, Beuchot adopts a correspondence theory of truth, which Gadamer objects and is incompatible with philosophical hermeneutics. (shrink)