This is arguably the seminal work in historical andphilosophical analysis of the twentieth century.

JAAKKO HINTIKKA GAPS IN THE GREAT CHAIN OF BEING: AN EXERCISE IN THE METHODOLOGY OF THE HISTORY OF IDEAS* For some historians, to understand everything is to pardon everything. For others, like Lord Acton, history is not only a judge, ...

The Great Chain of Being has been recognized for fifty years as the masterpiece of the History of Ideas movement in America. Lovejoy's work stimulated deeper research into our heritage, which has demonstrated that the idea of the chain of being has not lost its vitality. However, Lovejoy would probably be surprised that hierarchy is now defended in philosophy of science, in ontology and metaphysics, in ethics and aesthetics, and in philosophical anthropology. This volume presents (...) concepts of hierarchy and the great chain of being from Plato, Aristotle, Plotinus, medieval and Renaissance thinkers, Hindu philosophy, and authors of the twentieth century. This volume represents the ideas of twenty scholars, among whom are Dominic O'Meara, Ronald Hathaway, Ewert Cousins, John Sommerfeldt, Lewis Ford, David Blumenthal, and Marion and Paul Kuntz. The editors have compiled a bibliography of four hundred and fifty items and an index of names, places, and concepts which allow the reader immediate access to the variety as well as the unity of ideas. (shrink)

Nach Leibniz ist der Schliissel zu metaphysischer Wahrheit Gottes ontologische und moralische Perfektion. In Übereinstimmung mit seiner unendlichen Güte erschafft Gott eine maximal perfekte Welt. Diese maximale Perfektion beinhaltet, daß alle Aspekte der Erschaffungen Gottes einem Gesetz der Kontinuität gehorchen – "die Natur macht keine Sprünge", und daher beinhaltet jeder Übergang Kontinuität. Die unendliche Güte Gottes beinhaltet auch unendliche Gerechtigkeit. Für Leibniz verlangt die Gerechtigkeit Gottes aber, daß die Kreaturen, die für ihre Handlungen verantwortlich sind, besonderer Art sein müssen: sie (...) wurden im Bilde Gottes erschaffen; das heißt, daß sie selbst rationale Schöpfer sind. Dies scheint einen grundsätzlichen Unterschied von alien anderen Kreaturen vorauszusetzen, was aber augenscheinlich einen Verstoß gegen das Gesetz der Kontinuität wäre. Die Autoren behandeln die Frage, ob Leibniz tatsächlich beide Prinzipien benutzt und ob – und wenn ja wie – er das folgegerecht tun kann. (shrink)

The nature of the relationship between mind and body is one of the greatest remaining mysteries. As such, the historical origin of the current dominant belief that mind is a function of the brain takes on especial significance. In this article I aim to explore and explain how and why this belief emerged in early 19th-century Britain. Between 1815 and 1819 two brain-based physiologies of mind were the subject of controversy and debate in Britain: the system of phrenology devised by (...) Franz Joseph Gall, and William Lawrence’s lectures at the Royal College of Surgeons. Both owed a profound intellectual debt to continental comparative anatomy. In the final quarter of the 18th-century, Johann Friedrich Blumenbach, Petrus Camper and Johann Gottfried von Herder had broken away from the traditional doctrine of the Great Chain of Being by allowing for a clear anatomical distinction between ‘man’ and beast based on the morphology of the skull. This reconceptualization of man as an anatomically distinct being gave Gall and Lawrence grounds to propose that the peculiarities of the human mind were dependent on mankind’s unique cerebral size and structure. (shrink)

Some philosophical theories of consciousness imply consciousness in things we would never intuitively think are conscious—most notably, panpsychism implies that consciousness is pervasive, even outside complex brains. Is this a reductio ab absurdum for such theories, or does it show that we should reject our original intuitions? To understand the stakes of this question as clearly as possible, we analyse the structured pattern of intuitions that panpsychism conflicts with. We consider a variety of ways that the tension between this intuition (...) and panpsychism could be resolved, ranging from complete rejection of the theory to complete dismissal of the intuition, but argue in favour of more nuanced approaches which try to reconcile the two. (shrink)

It is said an attempt to reconcile Heidegger's ontology with the position of deep ecology finds the going rugged. Yet, I believe it is worth hiking this path once again to reexamine the connections between deep ecology and the philosophy of Martin Heidegger. Significantly, we will see the importance of Heidegger's critique of the idea of the great chain of being.Taking the perspective of deep ecology requires us to consider whether Heidegger's being-centered approach can indeed justify (...) “the equality of right to live and blossom.” Heidegger's philosophy strongly supports such an egalitarian concept since he rejects the idea of the great chain of being and shows that being does not have.. (shrink)

Although primarily known as a portrait painter, Charles Willson Peale also possessed a profound interest in natural history. Indeed, Peale eventually founded the first natural history museum in the United States, and, during the end of the eighteenth century, he began to overlap his two great interests: art and nature. The event Peale chronicled in his 1804 painting The Exhumation of the Mastodon caused an extreme stir within the intellectual and religious circles of its time, and brought about, at (...) the very least, a serious questioning in the deeply held notion of the Great Chain of Being. Although now largely discredited, this religious conviction postulated two concepts that Peale’s Exhumation of the Mastodon seemingly contradicts. The first was the belief that no animals since creation had suffered the fate of extinction. The second was a lack of belief in geological time. Indeed, one Irish clergyman calculated the actual date of creation to 4004 BCE. In this paper, I explore Peale’s monumental painting, a work that is many things, a self-portrait and history painting among others. Indeed, in this painting, Peale was responding to science, religion, and their shifting positions within early-nineteenth-century America. When viewed together, Peale’s The Exhumation of the Mastodon is not merely a record of an event that occurred in New York during the early nineteenth century, and instead is a document of Peale and the interaction of science and religion in early-Federal America. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Feminist Studies 46, no. 2. © 2020 by Dana Sonnenschein 495 Dana Sonnenschein A History of Lace Textile Research Centre, Leiden, NL Lace is the creation of a series of holes to form a design. Categorized as looping, interlacing, circular in definition and sometimes in the making. In Europe, in the late Middle Ages, women began filling in cutwork or drawn threads with nets of stars and flowers in (...) colored silks and silver-gilt. Needle lace is like embroidery in the air. * Later, bobbin lace. Mathematical, precise. Each bobbin a wooden handle like a flower bulb sending up a stalk ending in a spool instead of petals. Lace was brought to Zurich from Italy in about 1536. The whole history of lace-making is women. Men sold it and made the profit. * 496 Dana Sonnenschein Afloat on a round, midnight-blue velvet pillow, a half-finished lace collar, one side a ring of flowers radiating thread to a couple dozen bobbins around the rim, the other side dots and dashes on sky-blue paper— An old lace-maker has died, and her family has given her things to the research center. * Has anyone here made lace before? Once, Eefe says, her forearms crossing back and forth like a girl slowly twirling jump-ropes for Double Dutch. She smiles at the memory, shakes her head, afraid to touch the wooden handles now. Lace is the history of women, a series of holes that make a design. * Leaning in, I remember my grandmother’s eyes blurred behind glasses and wonder how this old woman did such fine work. Perhaps someone else set the pins, and she read them with her fingertips, whispering the Dutch words for anemone, meadow-flax, tulips, humming a bobbin tell, a song to remind her what to do with her hands, another kind of dance in another kind of Netherland. Dana Sonnenschein 497 Or perhaps she stopped making lace when memory grew clearer than sight but kept this cushion as a place she could still touch her past though the blooms lie flat and pale. * Irish lace is three-dimensional— a corner garden of cornflowers displayed near rows of fine Belgian trim arched like church windows— so many hours, panes, blooms, tendrils, we are speechless and so is the teacher. She calls Marika out of the office— You make lace, explain. * She shows us her tiny circlet of blue Torchon. I touch two loose threads, ask if that’s where she began. And finished, she says; It is hard to make the connection. Lace is the history of women. You always have a pattern, Marika says. Honiton lace is strict, every pin mapped out. With Belgian, you can be more free, fill in a shape with fantasy—I like this kind. You can move from this bloom to that leaf or fern spiral next with a little bridge called a bride. 498 Dana Sonnenschein She points to a zigzag. Fan here. We stare at the mark, mystified. You are always working with only four; it’s very logical, she says. Eefe adds, The threads and bobbins will show you the way. What’s missing is the knowledge of when to pass over or under when you want a rose or lily. Marika’s grandmother taught her lace thirty years ago. She’s learning again now. It’s nice to do. But you need a teacher. It’s a complicated subject. She makes a few passes with pairs of bobbins then undoes her work, looks up, smiles. She doesn’t know how to say what she means in English and might not say more in Dutch. Even when it’s on the table in front of us, lace is what’s missing, the art of making something of absences, of what is felt more than known, the history of women. There is no grandmother among us. Note The italicized passages in the first two sections and the query about whether anyone has made lace are drawn from my notes on Dr. Gillian Vogelsang-Eastwood ’s lecture during the Intensive Textile Course, September 19–23, 2016. Dana Sonnenschein 499 The Great Chain of Being is one loop pulled through another in... (shrink)

L'une des applications de la de Leibniz aboutit à la thèse que toutes les substances créées forment une hiérarchie continue selon leur degré de perfection. Des critiques ont soutenu que cette thèse est contradictoire à l'affirmation de Leibniz que les êtres rationnels, étant des images de la divinité et constituant ainsi une classe distincte d'êtres créés, sont plus près de la perfection que tous les autres. L'objection est que cette affirmation crée une lacune entre les êtres rationnels et les êtres (...) nonrationnels qu'aucune ordonnance continue en fonction de degré de perfection ne saurait combler. Dans la présente étude, je pose que la métaphysique de Leibniz satisfait les deux exigences: d'une part, l'exigence que tous les êtres peuvent être rangés en ligne continue selon leur degré de perfection, et d'autre part, l'exigence que les êtres rationnels constituent une classe à part parmi les êtres créés. (shrink)

Catharine Trotter Cockburn’s metaphysics dissolves the necessary relationship between immateriality, immortality and thought. While in her youth this leads her to admit the possibility of thinking matter, in her mature work, it allows her to conceive space as non-thinking immaterial substance that links non-thinking material substance and thinking immaterial substance. To ground this conception of space, she draws on the thesis of the great chain of being. However, the possibility of thinking matter is not consistent with the (...) hierarchy of beings, because within this frame matter occupies the lowest place. My aim is to evaluate whether there is any alternative within Trotter's philosophy to solve this contradiction. -/- La metafísica de Catharine Trotter Cockburn disuelve la relación necesaria entre inmaterialidad, inmortalidad y pensamiento. Mientras que en su juventud esto la lleva a admitir la posibilidad de la materia pensante, en su madurez le permite concebir al espacio como sustancia inmaterial no pensante que oficia como eslabón entre la sustancia material no pensante y la sustancia inmaterial pensante. Para ello, apela también a la tesis de la gran cadena del ser. Sin embargo, la posibilidad de la materia pensante no es consistente con la tesis de la jerarquía de seres, porque en ella la materia ocupa el lugar más bajo. Me propongo estudiar si existe alguna alternativa dentro de la filosofía de Trotter que permita resolver esta contradicción. (shrink)

Paul Scheerbart (1863–1915) is rarely referred to as a philosopher. He is known as the author of Glasarchitektur (1914), and of numerous books, essays, and stories of “fantasy” and anti-militarism. As a follower of Berkeley’s skepticism, he proposed an aesthetic of the fantastic, an art program in contrast to current realism and impressionism. Studying technical and scientific progress, he developed alternative ideas, in a unique blend of fiction and science. His “astro-” or “cosmopsychology” is a variant of ancient panpsychism or, (...) as Jan Assmann calls it, cosmotheism, which was suppressed by the “Mosaic distinction,” the introduction of true and false in things religious. Exponents of this dualism are the supporters of the “Great chain of being” (Lovejoy): Plato, Nicholas of Cusa, and Kant in his refutation of hylozoism. The late Kant, however, comes close to Scheerbart in calling planet Earth an “organic,” though not “living” body. Fechner and, after him, Scheerbart overcome such hesitation. In Lovelock’s Gaia hypothesis, scrutinized by Bruno Latour, the old intuition of a non-dualistic eco-holism takes on its actual form. (shrink)

Within the political lexicon of the European Middle Ages, tyranny (along with related terms such as tyrant and tyrannical) constituted one of its most ubiquitous and flexibly applied discursive fields. Moreover, once Aristotle’s Ethics and Politics began to circulate in the West after their translation into Latin in the mid-1200s, a closely related term for tyranny emerged: despotism. Yet when we turn to Marsiglio of Padua, the fourteenth-century political theorist who is often regarded to be the quintessential medieval exponent of (...) Aristotelian political ideas, we find remarkably few references to either tyranny or despotism. The present article examines how Marsiglio deploys the languages of tyranny and despotism in his major work, the Defensor pacis (completed in 1324). Three intertwined theses are proposed. First, the occasions on which Marsiglio invokes tyranny and despotism reveal a great deal about his intellectual connection to his supposed source, Aristotle. Second, unacknowledged dimensions of Marsiglio’s highly critical attitude toward the papacy, especially the doctrine of the papal plenitude of power (plenitudo potestatas), may be illuminated. Third, examination of the languages of tyranny and despotism reveals additional insights into Marsiglio’s signature theory of political consent espoused in the first discourse of the Defensor pacis. (shrink)

With the increasing interest in Islam and evolution, some Islamic thinkers have vehemently rejected evolution, while others have eagerly embraced it. However, those seeking to embrace evolution sometimes err in their interpretation of historical writings. Indeed, there are texts written by famous historical scholars of Islam who seem to suggest that humans have evolved from lower forms of species. These include Ibn Khaldūn, Jalāl ad‐Dīn Rūmī, al‐Jāhiz, and The Brethren of Purity (Ikhwān al Safā). Although this may be true, such (...) readings are a mistaken interpretation of the aforementioned authors who are actually referring to some form of the scalae naturae (the Great Chain of Being). This reference to the Great Chain of Being is unknown to some contemporary readers who mistakenly believe these writers to be discussing an evolutionary or a proto‐evolutionary theory. This article demonstrates how and why these historical records do not actually represent any notion of evolution as it is currently understood, in the hope of avoiding any further erroneous claims that seem to be proliferating among modern thinkers. (shrink)

This chapter contains sections titled: Ecce Homo The Great Chain of Being The Absent Soul The Tree of Life The Kind that Counts.

Il est aisé de repérer dans la pensée de Ruyer la réactivation d'un motif philosophique ancien, celui de la « grande chaîne de l'être », dont Arthur Lovejoy avait donné une étude mémorable. On étudie ici comment un certain nombre de faits scientifiques contemporains, aussi bien dans la physique que dans la biologie, ainsi que la réflexion de Ruyer en théologie rationnelle, sont venus justifier sa réécriture. It is easy to locate in Ruyer's thought the reactivation of an old philosophical (...) idea, that of the "Great Chain of Being", which had been masterfully studied by Arthur Lovejoy. We study here how a few contemporary scientific facts, both in physics and biology, as well as Ruyer's thought on rational theology, came to justify its revival. (shrink)

'Chains of Being' argues that there can be infinite chains of dependence or grounding. Cameron also defends the view that there can be circular relations of ontological dependence or grounding, and uses these claims to explore issues in logic and ontology.

The so-called Principle of Plenitude was ascribed to Leibniz by A. O. Lovejoy in The Great Chain of Being: A Study of the History of an Idea (1936). Its temporal version states that what holds always, holds necessarily (or that no genuine possibility can remain unfulfilled). This temporal formulation is the subject of the current paper. Lovejoy’s idea was criticised by Hintikka. The latter supported his criticisms by referring to specific Leibnizian notions of absolute and hypothetical necessities (...) interpreted in a possible-worlds semantics. In the paper, Hintikka’s interpretative suggestions are developed and enriched with a temporal component that is present in the characteristics of the real world given by Leibniz. We use in our approach the Leibnizian idea that change is primary to time and the idea that there are possible laws that characterize worlds other than the real one. We formulate a modal propositional logic with three primitive operators for change, temporal constancy, and possible lawlikeness. We give its axiomatics and show that our logic is complete with respect to the given semantics of possible worlds. Finally, we show that the counterparts of the considered versions of the Principle of Plenitude are falsified in this semantics and the same applies to the counterpart of Leibnizian necessarianism. (shrink)

Locke and Leibniz deny that there are any such beings as ‘monsters’ (anomalies, natural curiosities, wonders, and marvels), for two very different reasons. For Locke, monsters are not ‘natural kinds’: the word ‘monster’ does not individuate any specific class of beings ‘out there’ in the natural world. Monsters depend on our subjective viewpoint. For Leibniz, there are no monsters because we are all parts of the Great Chain of Being. Everything that happens, happens for a reason, including (...) a monstrous birth. But what about materialism? Well, beginning with the anatomical interest into ‘monstrous births’ in the French Académie des Sciences in the first three decades of the eighteenth century, there is a shift away from ‘imaginationist’ claims such as those of Malebranche, that if a woman gives birth to a monstrous child it is a consequence of something she imagined. Anatomists such as Lemery and Winslow try to formulate a strictly mechanical explanation for such events, rejecting moral and metaphysical explanations. Picking up on this work, materialist thinkers like Diderot are compelled to reject the very idea of monsters. We are all material beings produced according to the same mechanisms or laws, some of us are more ‘successful’ products than others, i.e. some live longer than others. In his late Eléments de physiologie he says “L’homme est un effet commun, le monstre un effet rare.” Ultimately he arrives at a materialist version of Leibniz’s position: there are no monsters, we are all monsters in each other’s eyes, at one time or another. This conclusion is a pregnant one in light of twentieth century interest in the problem of ‘the normal and the pathological’ (Canguilhem), and the broader question of how materialism relates to the biological world. (shrink)

Consider the idea of God in classical philosophical theology. God is a personal being perfect in every way: absolutely independent of everything, such that nothing exists apart from God's willing it to be so; unlimited in power and knowledge; perfectly blissful, lacking in nothing needed or desired; morally perfect. If such a being were to create, on what basis would He choose? Let us assume (as perfect being theologians generally do) that there is an objective, degreed property (...) of intrinsic goodness, such that every possible object is intrinsically good to some degree. We need not assume that this property is 'well ordered' in the sense that every object is comparable to every other, only that it is 'partially ordered' in the sense that every object belongs to one or another well ordered set of objects and has less goodness than God Himself. We thus replace the image of a linear 'great chain of being' with that of a branching structure whose branches reconnect only at their limit, which is God. And let us further suppose that whole systems of objects and their total histories -- possible worlds -- are likewise partially ordered by their intrinsic goodness. Now, if one or more of these creative options on each of the branches are of maximal overall value, is it inevitable that He would choose one of those? It seems passing strange that God would opt for less than the best when creating the best involves no cost at all. Yet supposing the choice of the best is inevitable for a perfect Creator seems at odds with the common assumption that God is perfectly free in choosing what He will. Perhaps, though, there is no set of one or more best creative choices. For every option, there is a better, with no finite upper bound on the ranked series. Here, matters are more puzzling. It appears that no matter which option God might choose, He must do so in the knowledge that there are options of arbitrarily greater value. It seems an odd constraint for a perfect being to have to live with.. (shrink)

This study was an attempt to investigate the nature of metaphor by doing a cross-cultural comparison of metaphor in 2 typologically different languages-English and Persian. For this purpose, animal metaphors were taken for comparison. The "GREAT CHAIN OF BEING" metaphor (Lakoff & Turner, 1989), along with the principle of metaphorical highlighting (Kovecses, 2002), were used as a framework in comparing different aspects of animal metaphors as interpreted by native speakers of the 2 languages. The results showed that (...) although animal metaphors in English and Persian are similar to a certain extent, many aspects of them are culture-specific. The similarities and differences among 44 animal metaphors in these 2 languages are shown and some possible explanations are put forward. (shrink)