This book presents an original theory of the nature of pictorial representation. The most influential recent theory of depiction, put forward by Nelson Goodman, holds that the relation between depictions and what they represent is entirely conventional. Flint Schier argues to the contrary that depiction involves resemblance to the things depicted, providing a sophisticated defence of our basic intuitions on the subject. Canvassing an attractive theory of 'generativity' rather than resemblance, Dr Schier provides a detailed account of depiction, showing (...) how it illuminates and resolves many of the enigmas of pictorial representation while remaining true to our basic intuitions on the subject. Philosophers, psychologists and art theorists will find this a sophisticated and stimulating treatment of one of the central topics in aesthetics. (shrink)

Philosophical theology is aimed primarily at theoretical understanding of the nature and attributes of God and of God's relationship to the world and its inhabitants. During the twentieth century, much of the philosophical community had grave doubts about our ability to attain any such understanding. In recent years the analytic tradition in particular has moved beyond the biases that placed obstacles in the way of the pursuing questions located on the interface of philosophy and religion. The result has been a (...) rebirth of serious, widely-discussed work in philosophical theology. The Oxford Handbook of Philosophical Theology attempts both to familiarize readers with the directions in which this scholarship has gone and to pursue the discussion into hitherto under-examined areas. Written by some of the leading scholars in the field, the essays in the Handbook are grouped in five sections. In the first, articles focus on the authority of scripture and tradition, on the nature and mechanisms of divine revelation, on the relation between religion and science, and on theology and mystery. The next section focuses on philosophical problems connected with the central divine attributes: aseity, omnipotence, omniscience, and the like. In Section Three, essays explore theories of divine action and divine providence, questions about petitionary prayer, problems about divine authority and God's relationship to morality and moral standards, and various formulations of and responses to the problem of evil. The fourth section examines philosophical problems that arise in connection with such central Christian doctrines as the trinity, the incarnation, the atonement, original sin, resurrection, and the Eucharist. Finally, Section Five introduces readers to work that is being done in Jewish, Islamic, and Chinese philosophical theology. (shrink)

Christian Philosophy contains seven essays that provide evidence of the diversity of subjects considered to be part of Christian philosophy today. Originally presented at a Conference on Christian and Theistic Philosophy (sponsored by the Notre Dame Center for Philosophy of Religion and held at the University of Notre Dame in 1988), these essays represent the efforts of seven of the major thinkers in the field to reflect upon and/or exhibit what they take to be Christian philosophy.

The Oxford Handbook of Philosophical Theology attempts both to familiarize readers with the directions in which the scholarship of this discipline has gone and to pursue the discussion into hitherto under-examined areas. Philosophical theology is aimed primarily at theoretical understanding of the nature and attributes of God and of God's relationship to the world and its inhabitants. During the twentieth century, much of the philosophical community (both in the Anglo-American analytic tradition and in Continental circles) had grave doubts about our (...) ability to attain any such understanding. In recent years the analytic tradition in particular has moved beyond the biases that placed obstacles in the way of the pursuing questions located at the interface of philosophy and religion. Written by some of the leading scholars in the field, the articles in the book are grouped into five sections. In the first section, articles focus on the authority of scripture and tradition, on the nature and mechanisms of divine revelation, on the relation between religion and science, and on theology and mystery. The next section focuses on philosophical problems connected with the central divine attributes: aseity, omnipotence, omniscience, and the like. In the third section, articles explore theories of divine action and divine providence, questions about petitionary prayer, problems about divine authority and God's relationship to morality and moral standards, and various formulations of and responses to the problem of evil. The fourth section examines philosophical problems that arise in connection with such central Christian doctrines as the trinity, the incarnation, the atonement, original sin, resurrection, and the Eucharist. Finally, the fifth section introduces readers to current work in Jewish, Islamic, and Chinese philosophical theology. (shrink)

This paper locates a source of contingency for Leibniz in the fact that God can do otherwise, absolutely speaking. This interpretative line has been previously thought to be a dead-end because it appears inconsistent with Leibniz’s own conception of God, as the ens perfectissimum, or the most perfect being (Adams, 1994). This paper points out that the best argument on offer which seeks to demonstrate this inconsistency fails. The paper then argues that the supposition that God does otherwise implies for (...) Leibniz (at least) that God would not be praiseworthy, which is an absurd implication—or a violation of the principle of sufficient reason (PSR)—but that this is not, strictly speaking, an inconsistency—or a violation of the principle of contradiction (POC). While praiseworthiness is a perfection—and is compossible with God’s other perfections—and so God must instantiate it, this paper argues that, given the nature of praiseworthiness for Leibniz, it in fact makes sense to say that praiseworthiness is merely a contingent perfection of God. (shrink)

Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.

Originally published in 1913. Author: Henri Lichtenberger Language: English Keywords: History Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.Keywords: English Keywords 1900s Language English Artwork.

This book utilizes various frameworks to explore race, language, gender, discrimination, identity, immigration, poverty, social justice, and pedagogy. The contributors highlight the importance of using critical perspectives in contemporary discussions about education in the Southern United States.

The contributors to this volume move through time and space--from prehistoric Europe to the Enlightenment, and from industrial Victorian England to Aboriginal Australia--to compare the ways in which the environment is constructed in different ways across cultures.

Rethinking Practice, Research and Education brings together philosophy with traditional methodological discourse, and opens a space for critical thinking in social and educational research. Drawing on the work of Heidegger, Derrida, Foucault and their descendants, this engaging critical examination of practice applies a deconstructive reading to the practices of research.Where is justice in the practice of research? How do paradigms for the production of knowledge shape what is given in the practice of research? What are the key issues involved in (...) developing an ethos for the practice of research in the light of society's complex relationship with essential forms of technology? Each of these dimensions are explored, drawing on the traditions of research and their interplay with researchers' responsibilities to work towards justice in research.A must-read for researchers, bringing the language of philosophy to the current debate about the impact of social and educational research in practice. (shrink)

Flint Schier; VIII*—Hume and the Aesthetics of Agency, Proceedings of the Aristotelian Society, Volume 87, Issue 1, 1 June 1987, Pages 121–136, https://doi.org/.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Philosophical interest in beautiful moral agency can be traced back at least to Plato. It is an insistent theme of his writings that a virtuous soul is one in which the functions of its various parts are properly discharged, just as in the healthy body all the organs must perform their proper tasks. As health in the body is beautiful (kalon), so is the health of the soul. We here discern the first inkling of a thought which has engrossed the (...) moral and aesthetic imagination ever since: that moral nobility and artistic beauty consist in 'organic unity'. The idea reappears in both the Ethics and Poetics of Aristotle; a good man is a perfectly functioning hierarchy of goals in which his projects co-operate harmoniously under the direction of more general, overarching goods. Just as the most excellent knowledge is of theories which subsume the most diverse instances, so the most excellent goal is one which subsumes many subsidiary projects.' Analogously, the plot of a good tragedy depicts a single action, and all of its parts are contoured to the shape of this one great event. The plot of a well-written tragedy is thus a formal emblem of the wellplanned life. Work and life are noble to the extent that they manifest the handiwork of a virtuous practical intelligence. The most highly realized life is the most beautiful one, and the most excellent artwork is a formal microcosm of the most highly realized life. (shrink)