In recent decades, memory has become one of the major concepts and a dominant topic in philosophy, sociology, politics, history, science, cultural studies, literary theory, and the discussions of trauma and the Holocaust. In contemporary debates, the concept of memory is often used rather broadly and thus not always unambiguously. For this reason, the clarification of the range of the historical meaning of the concept of memory is a very important and urgent task. This volume shows how the concept of (...) memory has been used and appropriated in different historical circumstances and how it has changed throughout the history of philosophy. In ancient philosophy, memory was considered a repository of sensible and mental impressions and was complemented by recollection-the process of recovering the content of past thoughts and perceptions. Such an understanding of memory led to the development both of mnemotechnics and the attempts to locate memory within the structure of cognitive faculties. In contemporary philosophical and historical debates, memory frequently substitutes for reason by becoming a predominant capacity to which one refers when one wants to explain not only the personal identity but also a historical, political, or social phenomenon. In contemporary interpretation, it is memory, and not reason, that acts in and through human actions and history, which is a critical reaction to the overly rationalized and simplified concept of reason in the Enlightenment. Moreover, in modernity memory has taken on one of the most distinctive features of reason: it is thought of as capable not only of recollecting past events and meanings, but also itself. In this respect, the volume can be also taken as a reflective philosophical attempt by memory to recall itself, its functioning and transformations throughout its own history. (shrink)

This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.“Bakhtin’s statement on the dialogical nature of artistic creation, and his differentiation of this from a history of monological commentary, is profoundly original and illuminating. This is a classic work on Dostoevsky and a statement of importance to critical theory.” Edward Wasiolek“Concentrating on the (...) particular features of ‘Dostoevskian discourse,’ how Dostoevsky structures a hero and a plot, and what it means to write dialogically, Bakhtin concludes with a major theoretical statement on dialogue as a category of language. One of the most important theories of the novel in this century.” The Bloomsbury Review. (shrink)

Zipf's law states that if words of language are ranked in the order of decreasing frequency in texts, the frequency of a word is inversely proportional to its rank. It is very reliably observed in the data, but to date it escaped satisfactory theoretical explanation. This article suggests that Zipf's law may result from a hierarchical organization of word meanings over the semantic space, which in turn is generated by the evolution of word semantics dominated by expansion of meanings and (...) competition of synonyms. A study of the frequency of partial synonyms in Russian provides experimental evidence for the hypothesis that word frequency is determined by semantics. (shrink)

Throughout the 20th century, the theory and history of performing arts repeatedly attempted to systematize various phenomena in the field of interpretation of works of academic music. The number of performing styles and types in various researches has risen dramatically, until the beginning of this century when it was reduced to a single concept - to the category of an individual style. This topic was discussed mainly in research papers devoted to the theory of pianism. The results of their observations (...) and conclusions can be applied to the performing arts in general. The article mentions the works of K.A. Martinsen, D.A. Rabinovich, V.P. Chinaeva, A.V. Malinkovskaya and others. The topic of musical perception is addressed both in musicology and in musical psychology. This research offers a new vector for studying of musical perception, linking the features of musical imagery created by the performer and the nature of perception. The following aspects are revelated: patterns that allow us to talk about the types of musical image, the principles of its construction and the types of perception. This is an affective image created on the principle of contrast. It corresponds to the psychophysical type of perception. The contextual image is guided by the principle of connections. It corresponds to the aesthetic type of perception. The integrative image is formed, focusing on the principle of the whole. It corresponds to the symbolic type of perception. A hermetic system of typology is considered to be impossible; artistic practice will largely oppose it. However, these tendencies are able to shed light on the nature of musical perception and allow to continue the scientific discussion of the current topic of musical performance. (shrink)

The purpose of this article is to consider critically the humanistic potential of Olympism. We consider the concepts ‘human’ and ‘humanism’ from an existential perspective. Existentialism argues that human beings exist in a state of freedom. Freedom, as the basis of being human, holds a human fully responsible for his or her own existence. This responsibility assumes an active mode of behaviour, predicated on human effort. It can also include the making of specific artifacts such as creating creations. According to (...) Mamardashvili, creating creations are unique cultural mechanisms that remain in the boundaries of morality, beauty, thought and so on, adding quality to human existence. The article argues that the desire to be fulfilled as a human being is the moral basis to which Olympism directs Olympic athletes. Moreover, Olympism expresses the human’s need of self-overcoming, constant self-perfection which is necessary aspect of the humanity. Thus, the humanistic potential of Olympism lies in the fact that it allows for the creative space in sport which is itself a place for human realization. Therefore, Olympism can be characterized as opera operans, creating creation. (shrink)

We argue that the most‐promising area of clinical application of microarrays in the foreseeable future is the diagnostics and monitoring of infectious diseases. Microarrays for the detection and characterization of human pathogens have already found their way into clinical practice in some countries. After discussing the persistent, yet often underestimated, importance of infectious diseases for public health, we consider the technologies that are best suited for the detection and clinical investigation of pathogens. Clinical application of microarray technologies for the detection (...) of mycobacteria, Bacillus anthracis, HIV, hepatitis and influenza viruses, and other major pathogens, as well as the analysis of their drug‐resistance patterns, illustrate our main thesis. BioEssays 30:673–682, 2008. © 2008 Wiley Periodicals, Inc. (shrink)

The object of the research of this article is the modern philosophical discourse on the problem of identity of personality. The subject of the study is the substantial approach of R. Swinburne and his place in this discourse. The author analyzes R. Swinburne's approach and, in particular, its main advantages – the ability to solve the problem of personality reduplication. However, as the author of the article shows, the substantive approach itself is not devoid of vulnerabilities. First of all, he (...) is vulnerable to criticism using the verification principle. Swinburne believes that his approach is not consistent only with a strong version of the verification principle. However, as the author of this article shows, even a weak version of the verification principle is a problem for Swinburne's substantive approach. The author presents his own alternative to the substantial approach for overcoming the reduplication argument and interpreting hypothetical situations associated with it. Such an alternative is the perdurant theory of personality. The article presents a study in the field of the history of modern analytical philosophy. Therefore, the key research method used is historical and philosophical. In particular, the study used a textual analysis of the works of philosophers, first of all, R. Swinburne, according to several sources, a reconstruction of his views was carried out. The article also uses the method of comparative analysis, in particular, a comparison of empiricist approaches and a substantive approach to the problem of identity of personality is made. The article is devoted to the substantial concept of identity of R. Swinburne's personality. Despite the fact that this concept represents an important alternative to solving the problem of identity, it has not been studied much, especially in the Russian history of philosophy. The novelty of the article also lies in a detailed analysis of the verification counterargument in relation to the substantive approach. The author of the article also presents his own alternative to the substantial approach, which allows overcoming the indicated difficulties. As a result of the research, the author comes to the conclusion that the substantial approach only partially solves the problem of asynchronous identity of personality, and is most vulnerable to criticism with the help of the verification argument. (shrink)

Rescued in 1972 from a storeroom in which rats and seeping water had severely damaged the fifty-year-old manuscript, this text is the earliest major work (1919-1921) of the great Russian philosopher M. M. Bakhtin. Toward a Philosophy of the Act contains the first occurrences of themes that occupied Bakhtin throughout his long career. The topics of authoring, responsibility, self and other, the moral significance of "outsideness," participatory thinking, the implications for the individual subject of having "no-alibi in existence," the difference (...) between the world as experienced in actions and the world as represented in discourse--all are broached here in the heat of discovery. This is the "heart of the heart" of Bakhtin, the center of the dialogue between being and language, the world and mind, "the given" and "the created" that forms the core of Bakhtin's distinctive dialogism. A special feature of this work is Bakhtin's struggle with the philosophy of Immanuel Kant. Put very simply, this text is an attempt to go beyond Kant's formulation of the ethical imperative. Toward a Philosophy of the Act will be important for scholars across the humanities as they grapple with the increasingly vexed relationship between aesthetics and ethics. (shrink)

Drawing from the works of Plato and more contemporary philosophers such as Bakhtin, Buber, Taylor, and Gadamer, On Dialogue explores the necessity of dialogue to being. Author Dmitri Nikulin argues that dialogue is not just a form of communication, but it is the very conditio humana. Nikulin provides a systematic account of dialogue and its role in philosophy, literature, and oral discourse.

ch. 1. Vnitri cheloveka -- ch. 2. Vne cheloveka.

From the editors of Voprosy filosofii:From August 17 to 22, the Eighth International Congress on the Logic. Methodology, and Philosophy of Science will convene in Moscow. The theme of this congress is "Man, Science, Humanism."The work of the congress will be organized in the following sections: 1. Foundations of mathematical reasoning. 2. The theory of models. 3. Foundations of calculability and recursion theory. 4. The theory of sets. 5. General logic. 6. The general methodology of science. 7. Foundations of probability (...) and statistical inference. 8. Foundations of the physical sciences. 9. Foundations of the biological sciences. 10. Foundations of psychology and the cognitive sciences. 11. Foundations of the social sciences. 12. Foundations and philosophy of linguistics. 13. The history of logic, methodology, and the philosophy of science.Two symposia are planned for the congress: "Science and Ethics" and "The New Style of Scientific Thinking in Natural Science." In addition to the main sections, several round tables will be organized at the congress on the following topics: J. The methodology of solving global problems of the modern epoch: a systems approach. 2. Methodological and social problems of computerization. 3. Factors in the development of modern scientific knowledge. 4. Methodological problems in the all-around development of man.The journal Voprosy filosofii has published a number of articles related to these problems over the past year . Soviet scholars are taking an active part in the preparation and organization of this congress. The journal plans in subsequent issues to publish materials for the congress under the most varied rubrics. In this issue, with D. P. Gorskii's article "The Concept of Real and Ideal Types," we are opening a special section in which we shall publish basic materials devoted to the Eighth International Congress on the Logic, Methodology, and Philosophy of Science. (shrink)

The article is devoted to the study of the history of the "innovation ecosystem" concept formation and provides a simplified schematic representation of the system as five interacting modules. Innovations are assumed by national governments and companies as a source of long-term sustainability. In the past decade, there has been an increased interest in identifying approaches that would accelerate the development and deployment of innovations. The attention of the academic and business communities representatives to the innovation ecosystems underlines the fact (...) that it is ecosystems and IT platforms that implement them that are the most promising candidates for the role of an organizational structure for the accumulation and scaling of new knowledge in the era of the industrial revolution. (shrink)

Стаття актуалізує проблему антропологічних вимірів музичного мистецтва на основі впливу естетичної емоції. Робоча гіпотеза розвідки ґрунтується на трьох позиціях: генезис звукоемоційних комплексів убачається в емоційному тлумаченні; модусом антропології музики є феномени, що закладені як глибинна структура в розвитку європейської культури в історичній перспективі та в сьогоденні; музичне мистецтво моделює за допомогою інтонаційної мови ціннісне багатство, логіку й динаміку людського світовідношення, організує духовне спілкування між людьми й поколіннями.

This paper focuses on the analysis of contemporary theories of culture and cognition in cultural sociology. It identifies two major research traditions within cognitivist cultural sociology, based on micro-individualist and collectivist modes of sociological explanation respectively. Two prominent theoretical frameworks within the "micro-individualist" tradition are then critically examined: Stephen Vaisey's dual-process models of culture in action and Omar Lizardo's typology of cultural kinds. It is argued that both frameworks, although well-defined and theoretically insightful, are prone to unwarranted microfoundationalist reductionism. The (...) paper then proceeds to evaluate the presuppositions of the explicitly "collectivist" Zeru-bavelian paradigm of cultural sociology, as well as a series of recent contributions to the field by scholars representing the neo-Durkheimian "strong program". Both are argued to contain problematic assumptions about the location and means of transmission of cultural content. It is concluded that neither "micro-individualist" nor "collectivist" theories of culture and cognition can provide an adequate account of how culture and cognition interrelate since both frameworks are based on explicitly reductionist social ontologies. The article then calls for the adoption of Tuukka Kaidesoja's "naturalized critical realist" social ontology that seeks to overcome these philosophical biases. The paper examines two major sources of Kaidesoja's ontological doctrine, namely Mario Bunge's systemic materialist ontology and the "distributed cognition" perspective. The article then seeks to outline a preliminary sketch of an alternative account of culture that involves the generation, transmission, and transformation of representational states across different media within distributed cognitive systems. (shrink)