The question of whether individuals retain interests or can be harmed after death is highly contentious, particularly within the context of deceased organ retrieval, retention and use. This paper argues that posthumous interests and/or harms can and do exist in the Konkomba traditional setting through the concept of ancestorship, a reputational concept of immense cultural and existential significance in this setting. I adopt Joel Feinberg’s account of harms as a setback to interests. The paper argues that a socio-culturally sensitive regulatory (...) framework does not necessarily exclude the donation of human biomaterials for transplant and science research. Indeed, when customary values are explored with open-mindedness and sensitivity it may be shown that such donation can form part of the important customs of some communities in this jurisdiction. Accordingly, a context-appropriate governance framework could utilise the cultural value of ancestorship as an incentive to encourage organ donation in the Ghanaian traditional setting. (shrink)

Denying Divinity: Apophasis in the Patristic Christian and Soto Zen Buddhist Traditions. Janet P. Williams. Oxford University Press, Oxford 2000. 249 pp. £40. ISBN 0 19 826999 4.

This volume argues that in order to understand divine action, one must begin with the array of specific actions predicated of God in the Christian tradition.

The questions "What is the purpose of religious ethics?" and "What is the rationale behind the field?" are addressed in this research study. The aim of research is determining the ethics and divinity the research study also explain the moral philosophy through the lens of religious traditions in the European context. It first illustrates how Christian ethicists have provided justifications for conducting research in the area to pinpoint an Anti-Reductive Paradigm that an Egalitarian Imperative informs. The work in the (...) sector is guided by that imperative, which serves as a thin, minimal morality of equality and inclusivity. Second, the essay examines the goals of the field. Here, the emphasis moves from values that influence the field's practices to values that can characterize the goals of the field. The research study based on philosophical theories also that explain the traditions context related to religious. This change necessitates that we consider a thick morality rather than a thin one that prioritizes substantive virtues over procedural ones. Within the framework of Critical Humanism, the essay presents a practical, significant idea. The study of religious ethics is justified by critical humanism as an endeavour to broaden one's moral imagination by exposing oneself to diversity. Four ideals influence it: environmental responsibility, social critique, post-critical thinking, and cross-cultural fluency. Third, the paper explains how to relate these goals to the flimsy morality of equality and inclusion, unifying the argument's two halves. The research study goal is to make us consider the power of scholarship in the guild and morals, which is why it focuses on the politics and ethics of religious ethics. (shrink)

A critique of J. L. Schellenberg's argument from Divine Hiddenness: Schellenberg's conclusion that since apparently there are 'capable inculpable non-believers in God' the cognitive problem of divine hiddenness is actually an argument for the non-existence of God. Schellenberg's conclusion seems at least partly based on his misunderstanding or disregard of significant aspects of the Judeo-Christian tradition and certain assumptions, especially regarding nature of religious belief as well as primacy and instrumentality of reason. I suggest that given the kind (...) of God proposed by the Judeo-Christian tradition it is not necessary that reasonable non-belief in His existence be impossible; moreover it may even be the case that possibility of reasonable non-belief is necessary given the nature and purposes of God as proposed by the Judeo-Christian tradition. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Denying Divinity: Apophasis in the Patristic Christian and Soto Zen Buddhist TraditionsJoseph S. O'LearyDenying Divinity: Apophasis in the Patristic Christian and Soto Zen Buddhist Traditions. By J. P. Williams. Oxford: Oxford University Press, 2000. Pp. 249. $65.00.Janet Williams studied patristic theology at Oxford and Soto Zen in Tokyo, in the circle of Nishijima Zenji. In Denying Divinity: Apophasis in the Patristic Christian and Soto Zen Buddhist (...) class='Hi'>Traditions, her excellent account of negation and silence in Pseudo-Dionysius and Maximus the Confessor (pp. 64-126) and in Dogen (pp. 126-179) is preceded by surveys of apophasis in earlier Christianity and Buddhism and followed by an eloquent defense of the importance of the twofold apophatic tradition for contemporary theology (pp. 180-228).The initial surveys show a sure-footed scholarly competence that may owe something to the author's experience as an investment banker. Her writing often exhibits a concentrated justesse, as in the two paragraphs on Origen (pp. 26-27). The temptation to forced comparisons between the two traditions is avoided until the concluding chapter, apart from a few unconvincing touches such as this remark: "How similar all this sounds to the 'unsupported thought' and the 'absence of thought-coverings' in the Prajñaparamita literature!"—in reference to Gregory of Nyssa on Abraham's faith, which was "unmixed and pure of any concept" (p. 29). Similarly, to speak of Plotinus' "recoil from—or transcendence of—ontological views" (p. 18) is inappropriately Nāgārjunian; Plotinus held firm, dogmatic views and entertained a host of speculative ones. (Incidentally, it is probably wrong to identify the experience recounted in Enneads IV.8—the relatively frequent ascent of the soul to contemplate the intelligible realm—with the union with the One, evoked in Porphyry, Life of Plotinus 23, a much rarer event [p. 21].)Gregory of Nyssa is nudged in the direction of Buddhism when Williams talks of "the inchoate undermining of the realist ontology he inherited from Plato and Aristotle" (pp. 32-33) and suggests that "the hesitation between ontology and 'disontology,' if it were a little more developed, would become the kind of recoil from [End Page 370] ontological views which we see as characteristic of apophasis" (p. 36). As a very kataphatic theologian in dogmatic debate, Gregory has no aversion to views; his apophasis applies only to certain views of the divine, especially heretical ones that he sees as hubristic. In Mādhyamaka Buddhism, one transcends "views" about anything, but in the Greek Fathers it is only views concerning God that are problematized. The Buddhist transcending of views is oriented to a nondual experience of everyday reality, but in the Fathers it concerns only the divine simplicity, infinity, and transcendence and the mysteries of the eternal generation of the Son and the Incarnation. It is untrue that "there is no explicit apophasis in Gregory" (p. 35): there is plenty of it in Contra Eunomium II, albeit of a simple kind. Nonetheless, Gregory's ontology remains realistic even at the level of divine being. One might query the view expressed by Rowan Williams that, for Gregory, the divine essence becomes "an abstraction and, in a sense, a fantasy" (p. 34).Dionysius is presented as a mobile and open-ended thinker who has been underestimated. He "negates both affirmation and negation, but by offering no third alternative, in a sense affirms them too as the only usable theological resources" (p. 121). Maximus accords with this, although attaining "a finer balance of incarnational christo-centrism over Neoplatonism" (p. 124). The claim that Dionysius "is at pains to distance himself from the Neoplatonist tradition of making transcendence prior or superior to immanence" (p. 216) is overstated, and it misses the degree to which Proclus had already seen the cosmos as pervaded by divine eros (as pointed out long ago by Anders Nygren).The emphasis on a nonduality of transcendence and immanence brings Dionysius into a rapprochement with more of the this-worldly Zen vision. Similarly, the stress on a "shocking activity of emptiness" (p. 141) in Dogen hints at a parallel with the divine ekstasis in Dionysius. But the latter is merely a variant of the Neoplatonic... (shrink)

Given the religious appeal of divine command theories of morality (DCM), and given that these theories are found in both Christianity and Islam, we could expect DCM to be represented in Judaism, too. In this essay, however, we show that hardly any echoes of support for this thesis can be found in Jewish texts. We analyze texts that appear to support DCM and show they do not. We then present a number of sources clearly opposed to DCM. Finally, we (...) offer a theory to explain the absence of DCM in Judaism, claiming that the rational character of "Halakha", as well as the moral and rational character of God, does not provide suitable ground for the growth of DCM theses. (shrink)

To scholars of ancient philosophy, theoria denotes abstract thinking, with both Plato and Aristotle employing the term to signify philosophical contemplation. Yet it is surprising for some to find an earlier, traditional meaning referring to travel to festivals and shrines. In an attempt to dissolve the problem of equivocal reference, Julie Ward's book seeks to illuminate the nature of traditional theoria as ancient festival-attendance as well as the philosophical account developed in Plato and Aristotle. First, she examines the traditional use (...) referring to periodic festivals, including their complex social and political arrangements, then she considers the subsequent use by Plato and Aristotle. Broadly speaking, she discerns a common thread running throughout both uses: namely, the notion of having a visual experience of the sacred or divine. Thus her book aims to illuminate the nature of philosophical theoria described by Plato and Aristotle in light of traditional, festival theoria. (shrink)

The article examines the ideas of divine command and divine law in their Quranic and Muslim legal contexts. It suggests a strong connection between western and Muslim values based on linkages developed in medieval times through Latin appropriation of Arabic studies of Classical philosophy. It also traces the need to address common, contemporary concerns such as poverty, through a shared ethical stance.

In this discussion, we ponder the discourse about the ‘body of the Divine’ in the Indian tradition. Beginning with the Vedas, we survey the major eras and thinkers of that tradition, considering various notions of the Supreme Divine Being it produced. For each, we ask: is the Divine embodied? If so, then in what way? What is the nature of the body of the Divine, and what is its relationship to human bodies? What is the value (...) of the body of the Divine to the spiritual aspirant? We consider, where relevant, which views are pantheistic and which might be considered panentheistic. Panentheism is connected with discourse on the world as the body of God. It has origins in medieval Christian theology with anticipatory traces in Plato’s Timeaus. Under pantheism, were the world to end—were it to collapse or disappear irreversibly, perhaps, into a huge black hole—then God would disintegrate without a remainder as well; for in this view the Divine Spirit is the universe. The same is not true under panentheism which posits a more complex relationship between the Divine and the world. According to panentheism, God pervades the world—God is in the world—and at the same time, God sustains the world—the world is in God. This allows that God be greater than, transcendent of and independent of the world. In our conclusion we remark on how the views we have surveyed link to, resonate with, or dis-compare with the current—should one say revivified—interest in intellectual quarters with panentheism. (shrink)

"Divination and Human Nature" casts a new perspective on the rich tradition of ancient divination--the reading of divine signs in oracles, omens, and dreams. Popular attitudes during classical antiquity saw these readings as signs from the gods while modern scholars have treated such beliefs as primitive superstitions. In this book, Peter Struck reveals instead that such phenomena provoked an entirely different accounting from the ancient philosophers. These philosophers produced subtle studies into what was an odd but observable fact--that humans (...) could sometimes have uncanny insights--and their work signifies an early chapter in the cognitive history of intuition. Examining the writings of Plato, Aristotle, the Stoics, and the Neoplatonists, Struck demonstrates that they all observed how, setting aside the charlatans and swindlers, some people had premonitions defying the typical bounds of rationality. Given the wide differences among these ancient thinkers, Struck notes that they converged on seeing this surplus insight as an artifact of human nature, projections produced under specific conditions by our physiology. For the philosophers, such unexplained insights invited a speculative search for an alternative and more naturalistic system of cognition. Recovering a lost piece of an ancient tradition, "Divination and Human Nature" illustrates how philosophers of the classical era interpreted the phenomena of divination as a practice closer to intuition and instinct than magic. (shrink)

There is as yet... no unanimity among New Testament scholars as to the extent to which, or even whether at all, the category of divine man played a part in the interpretation of Jesus in the early Christian traditions.

Christians traditionally hold that we know God as God is revealed to us, but that we do not know God in essence, as God is in himself. But that raises the question of whether God as revealed accurately represents God’s essence. Perhaps, given our cognitive limitations, God logically cannot reveal the divine essence to us. Or perhaps God knows that it would not be good for us were he to do so. Descartes raised the possibility that God is an (...) Evil Genius who systematically misleads us. This paper explores several attempts to build a bridge from GR to GE. All appear to have serious limitations. It concludes that, contrary to much of the tradition, GR does reveal God’s essence to us. (shrink)

This article explores the paradox between the classical doctrine of divine aseity and the notion of divine self-limitation. Drawing from biblical narratives and theological concepts such as divine accommodation and kenosis, the article shows that God’s choice to enter into a temporal and relational interaction with creation affects God in such a way that God would not have been affected without the creation. Given the foregoing, open and relational theists conceptualised the notion of divine self-limitation in (...) which, as a result of the creation and human libertarian freedom, God cannot maximally exemplify his great-making properties upheld in traditional theism. I argued in this article that although God seems to become vulnerable because of the act of creation, He nevertheless remains a se because He is not only the source of his existence, but the creation of significant others could not cause God to lose his essential attribute of independence. Therefore, God is still omnipotent, omniscient, eternal, immutable and the like because the possession of these divine attributes does not rule out the possibility that God can enter into a temporal relationship with the creatures. Divine self-limitation predicates real limitations of God contrary to the negating language of the Scripture and, therefore, undermines God’s Almightiness.Contribution: It is argued in this article that although it may be possible to speak about God’s vulnerability because of his act of creation, which seems like a hard choice because He is omniscient, a weaker version of divine aseity that ascribes real limitations to God is not viable. (shrink)

Pierre Teilhard de Chardin's spiritual masterpiece, The Divine Milieu, in a newly-revised translation by Siôn Cowell, is addressed to those who have lost faith in conventional religion but who still have a sense of the divine at the heart of the cosmos. "The heavens declare the glory of God," sings the Psalmist. Teilhard would agree. "We are surrounded," he says, "by a certain sort of pessimist who tells us continually that our world is foundering in atheism. But should (...) we not say rather that what it is suffering from is unsatisfied theism?" He sees a universe in movement where progress is the spiritualisation of matter and its opposite is the materialisation of spirit. Teilhard opts for progress. The Divine Milieu is both the divine centre and the divine circle, the divine heart and the divine sphere. The Divine Milieu is an essay on the notion of grace. It is written for those who listen primarily to the voices of the Earth: its purpose is to provide a link to traditional Christianity (as expressed in Baptism, Cross and Eucharist) in order to demonstrate that the fears prevalent in contemporary world society as it abuses its very foundation - Mother Earth - may be better understood by the Gospel path. Teilhard's primary purpose is to show a way forward which he sees as the "Christian religious ideal". (shrink)

Analytical philosophers of religion widely assume that God is a person, albeit immaterial and of unique status, and the divine attributes are thus understood as attributes of this supreme personal being. Our main aim is to consider how traditional divine attributes may be understood on a non-personal conception of God. We propose that foundational theist claims make an all-of-Reality reference, yet retain God’s status as transcendent Creator. We flesh out this proposal by outlining a specific non-personal, monist and (...) ‘naturalist’ conception of God, which we call the ‘euteleological’ conception of God, and then considering euteleological interpretations of omnipotence, omniscience and divine goodness. (shrink)

In recent years, scholars have shown renewed interest about the ways in which Paul’s letters utilize divine conflict traditions. In Romans 5–8 and 16:20a Paul frames the human predicament in terms of cosmic conflict and adapts divine conflict traditions, but other passages also reflect the apostle’s adaptations of these motifs. This essay will first consider the broad contours of portrayals of God as warrior in Israel’s Scriptures. Discussion will then focus on vocabulary and themes in Rom (...) 1:18–32 and 11:25–32 to demonstrate that in these texts Paul also works with images related to divine conflict. Considering these passages from Romans alongside the divine conflict traditions of earlier voices–especially the Israelite prophets–assists in understanding Paul’s comments on wrath and judgment and assists in understanding Paul’s comments on wrath, judgment, and deliverance. (shrink)

Divine Providence and Human Agency develops an understanding of God and God's relation to creation that perceives God as sovereign over creation while, at the same time, allowing for a meaningful notion of human freedom. This book provides a bridge between contemporary approaches that emphasise human freedom, such as process theology and those influenced by it, and traditional theologies that stress divine omnipotence. This volume offers an important contribution to the debate of the doctrine of God in the (...) context of an evolutionary universe. (shrink)

Divine immutability, the claim that God is immutable, is a central part of traditional Christianity, though it has come under sustained attack in the last two hundred years. This article first catalogues the historical precedent for and against this claim, then discusses different answers to the question, “What is it to be immutable?” Two definitions of divine immutability receive careful attention. The first is that for God to be immutable is for God to have a constant character and (...) to be faithful in divine promises; this is a definition of “weak immutability.” The second, “strong immutability,” is that for God to be immutable is for God to be wholly unchanging. After showing some implications of the definitions, the article focuses on strong immutability and provides some common arguments against the claim that God is immutable, understood in that way. While most of the historical evidence discussed in this article is from Christian sources, the core discussion of what it is to be strongly immutable, and the arguments against it, are not particular to Christianity. (shrink)

the midrash, the advisability of staying at home during this festival is promoted through the dictum, “When you bind your lulav, bind your feet (restrain ...

Divine Nature and Human Language is a collection of twelve essays in philosophical theology by William P. Alston, one of the leading figures in the current renaissance in the philosophy of religion. Using the equipment of contemporary analytical philosophy, Alston explores, partly refashions, and defends a largely traditional conception of God and His work in the world a conception that finds its origins in medieval philosophical theology. These essays fall into two groups: those concerned with theological language and those (...) that deal with the nature, status, and activity of God. In Part 1, Alston develops a conceptual scheme for discussing the topic of theological language. He also argues that there is a core of literal talk about God and even a core of predicates univocally applicable to God and creatures. Furthermore, he shows that God can be referred to directly as well as descriptively. In Parts II and III, the author sketches out a middle way between a classical conception of God exemplified by Aquinas and the more recent “process” or “panentheist” conception exemplified by Hartshorne. Alston argues that such a God can act so as to have real effects in the world and can enter into genuine dialogue and otherwise interact with human beings. In addition, he defends the idea that God provides a foundation for morality. The first collection of Alston's ground breaking work in the philosophy of religion, Divine Nature and Human Language will be welcomed by scholars and students of the philosophy of religion, metaphysics, theology, and religious studies. (shrink)

Divine Revelation in Pali Buddhism. Peter Masefield. George Allen & Uwin, London / The Sri Lanka Institute of Traditional Studies, Colombo 1986. xx, 187pp. £18.00.

In lieu of an abstract, here is a brief excerpt of the content:The Divine and Artistic Ideal:Ideas and Insights for Cross-Cultural Aesthetic EducationMing Dong Gu (bio)IntroductionPeople in different cultural traditions would praise an excellent work of art as a masterpiece that has attained the status of the divine. This is a practice inherited from the ancient past. In high antiquity, when people did not have sufficient knowledge of artistic creation, they attributed creative inspirations and superb art to (...) gods. In ancient Greece people believed that all the arts were created by the Muses, daughters of the supreme god Zeus.1 Accordingly, they viewed divine creation as the highest order of representation and used the divine as the yardstick to measure artistic excellence. In early Greek thought Plato, through the mouth of Socrates, praised Homer as "the best and most divine of all."2 Citing the exquisite lyric poetry by Tynnnichs of Chalcis as evidence, he declared, "the god would show us, lest we doubt, that these lovely poems are not of man or human workmanship, but are divine and from the gods, and that the poets are nothing but interpreters of the gods, each one possessed by the divinity to whom he is in bondage."3In the Chinese tradition similar ideas existed from high antiquity. In early Chinese thought there is a parable in Zhuangzi's (369–286 BC) philosophical writing. It narrates how a skillful carpenter was commissioned by a king to make an ornate music stand. When the stand was finished, people, struck by the life likeness of the carved birds and animals on the stand, believed that he was able to make such superb art work because he was endowed with the divine power of gods.4 In literary criticism Yan Yu (fl. 1180-1235), a literary theorist whose views have exerted a lasting impact on Chinese poetry and poetics, proclaimed the divine to be the ultimate standard for [End Page 88] the poetic art: "There is only one ultimate achievement in poetry: it is called 'entering the divine.' When poetry enters the domain of the divine, it has reached its perfection and limit. Nothing can be added to it!"5 In other traditions, if people want to pass the highest praise for an excellent work of art, a simple exclamation, "That is divine!" would be sufficient.Thus, across cultures art has been related to the divine. Without reference to it, aesthetic conceptions of art and artistic creation would not be what they are today. This is because in many traditions the divine used to be viewed as the ultimate aesthetic ideal, and aesthetics is full of notions, ideas, and concepts related to it, without which artistic criticism and aesthetic education would be in a much impoverished state. The divine in art, however, is a slippery category in aesthetics that has been intuitively explored since high antiquity. In this article I will examine some critical and theoretical data on the divine, divine creation, and divine spirit in artistic representation from the Chinese and Western traditions and explore how the Chinese and Western traditions employ ideas of the divine for artistic conceptions and aesthetic education. On the basis of comparison and contrast, I will try to obtain some rational insights into the relationship between artistic creation and the divine in terms of logical analysis. Finally, I will make some efforts to reconceptualize the insights drawn from both traditions and explore to what extent the divine is still relevant to present-day aesthetics, how an aesthetic ideal may be conceived according to ideas of the divine in artistic representation, and in what ways an artwork may be considered to have entered the divine realm of the artistic ideal.God, Nature, and the Artistic IdealDespite vast differences in aesthetic conceptions, we can observe a discernable movement in the Chinese and Western notions of the divine in art from theistic and intuitive characterization to rational and logical conceptualization. This movement is characterized by a shift in emphasis from a personal god to impersonal nature, and from divine creator to human creator. Chinese and Western traditions started with a similar concern: What is the aesthetic ideal in artistic representation? Both traditions believe that the artistic ideal is... (shrink)

This article argues that Clauberg defends the theory of concurrentism concerning the relationship between divine and secondary causality. It does so by examining Clauberg's theory of corporeal causation in light of his doctrines of cause in general and of corporeal substance. Clauberg's work represents one of the first attempts to reconcile Cartesian physics with the traditional doctrine in theology, according to which both God and created substances are true and immediate causes of all natural effects, in opposition to the (...) occasionalist trend which would soon develop in the Cartesian school as well as to the conservationist alternative of Durand de Saint-Pourçain. -/- Cet article soutient que Clauberg défend la théorie du concurrentisme sur la relation entre la causalité divine et la causalité seconde. Il le fait en examinant la théorie de la causalité corporelle de Clauberg à la lumière de ses doctrines de la cause en général et de la substance corporelle. L'œuvre de Clauberg représente l’une des premières tentatives de réconcilier la physique cartésienne avec la doctrine théologique traditionelle, selon laquelle Dieu et les substances créées sont des causes vrais et immédiates de tout effet naturel, en opposition au courant occasionnaliste qui se développera bientôt dans l'école cartésienne ainsi qu'à l'alternative conservationniste de Durand de Saint-Pourçain. (shrink)

Evidence of the intimate linkage of the shaman's song and divinatory procedures may be viewed in the ancient epics. These narrative poems contain structural and thematic elements recognizable from the shaman's song—in particular his or her voyage to the Otherworld and the guidance of oracular powers. In this paper, The Epic of Gilgamesh, Euripedes' Ion, and The Ozidi Saga (a living epic from West Africa) are examined as recuperations of the orally composed and transmitted song of the shaman. I argue (...) that the epics—the origins of which predate their composition in literary form—bear witness to these most ancient and mysterious forms of linguistic expression. As depictions of Otherwordly journeys, they can be viewed through a metaphysic outside of time, rendering divination not only possible but inevitable, and necessitating a language of abstraction, allusion, and ambiguity. Today's experimental poetries may not all partake of a conscious recuperation of shamanic themes and forms, but they share an imaginary (yet not imagined) repositioning of reality, an open questioning of consensus forms of awareness, and an aesthetic shaping of what Jean Gebser calls “Integral Consciousness” (15), the simultaneous integration-disintegration of archaic, mythic, magic, and mental paradigms in an intensification of awareness which sees time as diaphanous, and Mind as a doorway between possibilities. (shrink)

The following is a synopsis of the paper presented by Alvin Plantinga at the RATIO conference on The Meaning of Theism held in April 2005 at the University of Reading. The synopsis has been prepared by the Editor, with the author’s approval, from a handout provided by the author at the conference. The paper reflects on whether religious belief of a traditional Christian kind can be maintained consistently with accepting our modern scientific worldview. Many theologians, and also many scientists, maintain (...) that the idea of divine intervention is at odds with the framework of natural laws disclosed by science. The paper argues that this notion of a ”religion/science problem’ is misguided. When properly understood, neither the classical (Newtonian) picture of natural laws, nor the more recent quantum mechanical picture, rules out divine intervention. There is nothing in science, under either the old or the new picture, that conflicts with, or even calls in to question, special divine action, including miracles. (shrink)

Działanie Boga a prawa przyrody: odpowiedź Łukasiewiczowi W odpowiedzi Łukasiewiczowi na Opatrzność Boża a przypadek w świecie bronię trzech wniosków. Po pierwsze, stanowisko nazwane przez niego „deizmem epistemicznym” staje przed wyzwaniami ze strony fizyki, których często się nie zauważa. Po drugie, jeśli teiści opowiadający się za argumentem celowościowym opartym na tzw. delikatnym dostrojeniu nie mają racji, to nie ma jej również większość fizyków, która uważa, że delikatne dostrojenie wymaga wyjaśnienia. Po trzecie, nie wszystkie prawa przyrody są warunkowe w takim sensie, (...) jaki przyjmuje Łukasiewicz. Na szczęście rozróżnienie między prawami a nienomologiczną informacją pozwala na rozszerzenie jego modelu działania Boga. (shrink)

The Divine Attributes explores the traditional theistic concept of God as the most perfect being possible, discussing the main divine attributes which flow from this understanding - personhood, transcendence, immanence, omnipresence, omniscience, omnipotence, perfect goodness, unity, simplicity and necessity. It argues that the atemporalist's conception of God is to be preferred over the temporalist's on the grounds of perfect being theology, but that, if it were to be the case that the temporal God existed, rather than the atemporal (...) God, He'd still be 'perfect enough' to count as the God of Theism. (shrink)

Prominent in the canonical texts and traditions of Judaism, Christianity, and Islam is the claim that God speaks. Nicholas Wolterstorff argues that contemporary speech-action theory, when appropriately expanded, offers us a fascinating way of interpreting this claim and showing its intelligibility. He develops an innovative theory of double-hermeneutics - along the way opposing the current near-consensus led by Ricoeur and Derrida that there is something wrong-headed about interpreting a text to find out what its author said. Wolterstorff argues that (...) at least some of us are entitled to believe that God has spoken. Philosophers have never before, in any sustained fashion, reflected on these matters, mainly because they have mistakenly treated speech as revelation. (shrink)

There’s been a recent surge of interest among analytic philosophers of religion in divine ineffability. However, divine ineffability is part of a traditional conception of God that has been widely rejected among analytic philosophers of religion for the past few decades. One of the main reasons that the traditional conception of God has been rejected is because it allegedly makes God too remote, unknowable, and impersonal. In this paper, I present an account of divine ineffability that directly (...) addresses this concern by arguing that the deepest knowledge of God’s nature that we can attain is personal, rather than propositional. On this view, it is precisely because knowledge of God’s nature is personal that it cannot be linguistically expressed and communicated. (shrink)

The paper discusses the unique approach to the problem of evil employed by the Wittgensteinian philosophy of religion and ethics that is primarily represented by D. Z. Phillips. Unlike traditional solutions to the problem, Phillips’ solution consists in questioning its meaningfulness—he attacks the very ideas of God’s omnipotence, of His perfect goodness and of the need to ‘calculate’ God’s goodness against the evil within the world. A possible weakness of Phillips’ approach is his unreflected use of what he calls ‘our (...) religious language’, against which he measures the meaningfulness of theodical conceptions. He apparently underestimates both the heterogeneity of the ‘ours’ and how philosophical ideas pervade and inform the actual practice. On the other hand, Phillips rightly identifies the fact that some theodical conceptions, if understood as general doctrines, commit the sin of insensitivity and do not pay appropriate respect to human suffering. The reason is that they neglect the seriousness and importance of the difference between issuing the theodical accounts in the first person and in the third person. He may, however, thereby accuse theodicies of failing in a task that theodicists never intended to undertake. Possible problems are also involved in Phillips’ use of the Holocaust as the central discussion example. (shrink)

Leibniz maintains that even though God’s intellect contains all possibles, some of these possibles are not compossible. This incompossibility of some possibles is supposed to explain which collections of possibles are possible worlds and why God does not actualize the collection of all possibles. In order to fully understand how this works, we need to establish what precisely Leibniz takes to be the source of incompossibility, that is, which divine attribute or faculty gives rise to the incompossibility of certain (...) possibles. Different interpretations answer this question in different ways. This chapter explores the role that God’s faculties play on some of the standard interpretations of Leibniz’s notion of incompossibility and argues that we are faced with a dilemma: even though incompossibility must somehow arise from God’s faculties, none of the faculties usually distinguished seems up to the task. To escape this dilemma, we need to revise the traditional understanding of the divine faculties. More specifically, we need to recognize wisdom as an attribute that is distinct from intellect, power, and will and that is the source of incompossibility. (shrink)