The article explores the rich and varied experiences of a collective writing project, unfolding through an anecdote involving Charlie, a young boy who creatively disrupted conventional photography methods. This incident, during an evening promenade by the sea in Ericeira (Portugal), epitomizes the project's embrace of playfulness and exploration of diverse perspectives–materialized through Charlie's playful insistence on experimenting with different angles. The event embodied the group’s approach to writing, leading to a collective inquiry into the interplay of ages, angles, and other (...) themes like waves, threads, shadows, and liminal spaces. The project, driven by the Between Ages Collective, began with informal gatherings in Plymouth, UK, and expanded into a year-long online reading group. Participants, spanning different generations and academic stages, shared various materials, including films, picture books, and scholarly texts, which inspired individual contributions. Influenced by the Collective's collaborative spirit, these contributions explore the concept of 'between ages' – a metaphorical and literal space of transition and fluidity. Contributors were invited to craft pieces that delve into the 'between ages' theme, often exploring serendipitous moments that transform interactions and experiences. The writing tries to capture a sense of openness and curiosity, embracing the uncertainties and ambiguities inherent in the process. The works do not strictly adhere to conventional academic or narrative forms but rather emerge from the collective's shared experiences, including cooking, eating, swimming and walking together. The article suggests that these writings are not meant to be definitive or conclusive but are explorations that invite readers to engage with the mundane and profound textures of everyday life. The stories and themes explored are marked by their diversity in style, rhythm, and imagery, ranging from reflections on the philosophy of shadows to the profound implications of intergenerational and interspecies relationships. The Collective’s work is presented as an ongoing experiment in thinking and writing together, with each piece offering unique insights into the fluid and often blurred boundaries between different states of being. This openness to the in-between spaces brings into question the notion of fixed identities and experiences, inviting a more nuanced understanding of the relational dynamics that shape existence. The article allows the readers to delve into these narratives and engage with the myriad ways they resonate with broader themes of being, storying, and connecting. (shrink)

Constantin Reliu had been working for twenty years as a cook in Turkey when he returned to his hometown of Barlad, Romania, to discover that, there, he was dead. His former wife had, unbeknownst to him, at some point during his stay in Turkey registered him as deceased in Romania. He has since been living a legal nightmare trying to prove to Romanian authorities that he is, in fact, alive. Reliu is not alone in finding out that the legal system (...) is not as attuned to physiological activity or biological assessment by doctors in determining death as one might think. If one starts with the assumption that death is a purely biological concept, solely the province of doctors, Reliu's story seems entirely unrelated to the concept of death in the medical context. A brain scan would not lead to a reversal of his being assessed as dead. The story is a reminder, however, that how death is used is not just biological, and therefore that the standard of death even in the clinic must answer to cultural considerations. Values, the law, and custom matter a great deal in determining who is alive and who is not, whether in the courtroom, the coroner's office, or the clinic. (shrink)

Este artigo procura investigar um encontro bastante curioso de tradições. Neste caso em particular, sobre como uma paráfrase da obra de Plotino, de autoria atribuída a Aristóteles, poderia ter influenciado na elaboração de um esquema argumentativo que, aparentemente, visava utilizar a Herança grega recebida pelos árabes no século VI, em questões inerentes ao contexto de disputa intelectual do Islã nascente. Mais especificamente, nosso trabalho se aprofunda em algumas relações que se pode levantar entre a obra Teologia de Aristóteles, uma paráfrase (...) das Enéadas de Plotino que circulou entre os árabes do período, e a Filosofia Primeira de Al-Kindi, famosa obra inacabada, cuja primeira parte (texto que nos chegou), se destina a apontar como a investigação dos fundamentos da natureza leva a compreensão do que ele chama de "Um Verdadeiro", o princípio que sustenta todo o Universo como seu fundamento criador. Embora inacabada, a primeira parte desta obra de Al-Kindi já indica sua inclinação em utilizar elementos da Teologia de Aristóteles no sentido de elaborar o que podemos chamar de uma prova da existência de Deus. Palavras-chave: Teologia, Unidade, Multiplicidade, Falsafa, Filosofia primeira. (shrink)

Last year marked the fiftieth anniversary of the inauguration of Brazil’s capital Brasilia. Designed by architects Lúcio Costa and Oscar Niemeyer, it has since become one of the most famous and widely studied urban planning projects. Niemeyer’s cathedral, Catedral Metropolitana Nossa Senhora Aparecida; his building for the national parliament, the Congresso Nacional; and the city’s 707-foot television tower have become icons of twentieth-century architecture. The entire city, marked by its cross-shaped layout and vast open spaces, was named a UNESO World (...) Heritage site in 1987. René Burri, an internationally celebrated Swiss-born photographer and member of the legendary Magnum agency, visited the city for the first time on a long journey around South America in 1958, when most of Brasilia was a vast building site. He returned many times over more than thirty years, documenting the growth and development of this urban utopia. Besides documenting the buildings in various stages of completion, Burri took portraits of Niemeyer and his workers and photographed Brasilia’s street scenes and people: workers with their tools, machinery and building materials, pedestrians on the newly finished streets and squares, and aerial views from the air of the city’s first slums abutting brand-new blocks of residential buildings. His images capture the strong sense of a new era and a vibrant atmosphere of hard work and strain; they reflect the huge dimensions of the landscape and the great scale of this project and its ambition to design and build a new capital—and fill it with life. Complete with an essay by eminent architect and scholar of architectural history Arthur Rüegg, René Burri. Brasilia marks the city’s fiftieth anniversary and allows readers to look at an extraordinary city through the eyes of an exceptional photographer. (shrink)

We prove two theorems which in a certain sense show that the number of normal measures a measurable cardinal κ can carry is independent of a given fixed behavior of the continuum function on any set having measure 1 with respect to every normal measure over κ . First, starting with a model V ⊨ “ZFC + GCH + o = δ*” for δ* ≤ κ+ any finite or infinite cardinal, we force and construct an inner model N ⊆ V (...) [G] so thatN ⊨ “ZF + [DCδ] + ¬ACκ + κ carries exactly δ* normal measures + 2δ = δ++ on a set having measure 1 with respect to every normal measure over κ”.There is nothing special about 2δ = δ here, and other stated values for the continuum function will be possible as well. Then, starting with a modelV ⊨ “ZFC + GCH + κis supercompact”,we force and construct models of AC in which, roughly speaking, regardless of the specified behavior of the continuum function below κ on any set having measure 1 with respect to every normal measure over κ, κ can in essence carry any number of normal measures δ* ≥ κ++. (shrink)

Procuro explorar uma possível base biológica que tenha relevância explicativa entre elementos da ética e o comportamento humano.

Este artigo trata de alguns recentes avanços epistemológicos em filosofia da mente.Particularmente enfoca os modelos de processos mentais e as teorias filosóficas subjacentes.

Translation of William James' "Are ew automaton ?".

Le livre de Magali Delaloye est issu d’une thèse originale « Des moustaches et des jupes : rapport de genre au sein du cercle du Kremlin sous Staline (1928-1953) » dont des publications scientifiques de très grande qualité avaient fait connaître les résultats. Cette fois-ci, l’auteure de l’ouvrage semble s’être fixé un objectif quelque peu différent, celui de les rendre accessibles à un large public. La narration de l’historienne décrit de façon très vivante le milieu entourant le dictateur d...

En retracant l'histoire de cet ecart qui se dissimule dans le rapport entre Blanchot et Levinas, cette etude veut a la fois sonder son origine, interroger son insistance et en degager les termes qui exposent le differend comme une condition ...

La campagne 2012 – qui a vu pratiquement l’achèvement des travaux de sélection et le catalogage des terres cuites figurées, des monnaies et des autres objets recueillis en 1970‑1971 dans le sanctuaire de la colline de Dautë – était la dernière réunissant toute l’équipe au musée de Durrës. Les 11e et 12e campagnes d’étude étaient donc d’importance bien réduite par rapport aux années précédentes : seuls les céramologues, lesquels n’ont commencé leurs travaux qu’en 2006 sur un mobilier surabonda...

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