ON DECEMBER 10, 1991 Charles Shonubi, a Nigerian citizen but a resident of the USA, was arrested at John F. Kennedy International Airport for the importation of heroin into the United States.1 Shonubi's modus operandi was ``balloon swallowing.'' That is, heroin was mixed with another substance to form a paste and this paste was sealed in balloons which were then swallowed. The idea was that once the illegal substance was safely inside the USA, the smuggler would pass the balloons and (...) recover the heroin. On the date of his arrest, Shonubi was found to have swallowed 103 balloons containing a total of 427.4 grams of heroin. There was little doubt about Shonubi's guilt. In fact, there was considerable evidence that he had made at least seven prior heroin-smuggling trips to the USA (although he was not tried for these). In October 1992 Shonubi was convicted in a United States District Court for possessing and importing heroin. Although the conviction was only for crimes associated with Shonubi's arrest date of December 10, 1991, the sentencing judge, Jack B. Weinstein, also made a ®nding that Shonubi had indeed made seven prior drug-smuggling trips to the USA. The interesting part of this case was in the sentencing. According to the federal sentencing guidelines, the sentence in cases such as this should depend on the total quantity of heroin involved. This instruction was interpreted rather broadly.. (shrink)

ARCHAEOLOGYTHE Classical Spartans were noted for their austerity, which seemed already ancient to writers of the fifth century B.C. The early poetry and art of their country show a considerable aesthetic sense. This apparent contradiction has caused some students to conclude that the strict Lycurgan regimen was not introduced till the middle or even the end of the sixth century and that before that date Sparta had culturally been developing in much the same way as other important Greek states. The (...) argument is unsound. (shrink)

In his histories of political discourse, Pocock has construed political economy as a prime site for hostile responses to the dilapidating effects of commerce on the virtue of citizens. In this paper, I dispute two aspects of Pocock's treatment of this terrain. The first is the criteria he uses to identify the constitution of political economy, which are vague and make no reference to the emergence of ‘the economy’ as a sphere distinct from the state. The second, and closely related (...) complaint, is that by conscripting earlier writings on trade as anticipations of political economy their historical specificity is effaced, resulting in anachronism of the very kind Pocock has typically tried to correct. I conclude by drawing out some general implications for the historiography of political economy. Copyright © 2007 Elsevier Ltd All rights reserved. (shrink)

How can we know what really happened in the distant past in places like ancient Egypt, Mesopotamia, Palestine, Greece, and Rome, especially since the evidence is fragmentary and ancient cultures are so different from our own frame of reference? Scholars may examine historical documents and archaeological artifacts, and then make reasonable inferences. But in the final analysis there can be no absolute certainty about events far removed from present reality, and the past must be reconstructed by means of hypotheses that (...) coherently organize all available data. Knowledge claims about the past, and about many areas of science as well, rest on a network of interdependence between theory and evidence, and between interpretation and data. In this fascinating study of epistemology, philosopher Peter Kosso argues for a coherence model of epistemic justification. In the first part, the conceptual argument, he proposes a model of knowledge of the past. In the second part he presents three detailed case studies drawn from the work of historians and archaeologists. These studies are used to support and fine-tune the model outlined in the first part. Kosso presents many insights into the limits of knowledge and our ability to know the mental as well as the physical past. Historians, archaeologists, philosophers, and students interested in epistemology will find this accessible work to be of great value. (shrink)

Proceedings of an International Conference held in Trondheim, Norway, 10th-12th October 2008, arranged by the Institute of Archaeology and Religious Studies, and the SAK department of the Museum of Natural History and Archaeology of the Norwegian University of Science and Technology (NTNU) A volume dedicated to the achievements of Norwegian archaeologist Gutorm Gjessing (1906-1979).

Augustine in Iconography: History and Legend has a threefold design: exploration of literary sources; reviews of pertinent archeology; and accounts of individual and cyclical illustrations. One hundred and thirty-two topics in the iconography of the bishop of ancient Hippo, both historical and legendary, are ascertained and analyzed; the historical and archeological background of Augustine's career, cult, and monastic influence are surveyed; four Augustinian cycles are examined; and various individual portraits of Augustine are studied.

The relationship between theory and reality in archeology is a classic example that illustrates the significance and diversity of the main problem of philosophy of science. From the epistemological point of view, the problem of the status of archaeological data is one of the examples of the problem of the theory-ladenness of observations within the corresponding naturalistic perspective. Trying to solve the problem of epistemic independence of the data, which corroborates the justification of the statements about the past, Peter Kosso (...) offers a concept of «weighted coherence». Reflections on the book: Kosso P. Knowing the Past: Philosophical Issues of History and Archaeology. Amherst, New York: Humanity Books, 2001. (shrink)

Despite the growing body of excavation finds and the steady publication of museum collections, the numismatic evidence remains an underutilized historical source. Historians who study Late Antiquity rely on archaeological evidence but tend to ignore coin finds, partly because numismatics developed as an independent field with its own set of specialized tools and research questions. Insufficient dialogue between the disciplines has delayed a proper appreciation of Early Byzantine coins as historical source and the development of a clear methodology for their (...) use in conjunction with the literary and archaeological evidence. In order to overcome such disciplinary divides, this paper proposes several research directions by highlighting the main benefits of integrating the numismatic evidence more fully into the historical narrative. These research directions include a greater emphasis on bronze coinage, the study of the long-distance circulation of people and goods, and distinctions between urban, rural, and fortified contexts. This methodological discussion is followed by a case study from Byzantium’s Lower Danube frontier. (shrink)

This book presents selected academic papers addressing five key research areas – archaeology, history, language, culture and arts – related to the Malay Civilisation. It outlines new findings, interpretations, policies, methodologies and theories that were presented at the International Seminar on Archaeology, History, and Language in the Malay Civilisation in 2016. Further, it provides new perspectives and serves as a vital point of reference for all researchers, students, policymakers and legislators who have an interest in the (...) Malay Civilisation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Amazons: Lives and Legends of Warrior Women across the Ancient World by Adrienne MayorAlison KeithAdrienne Mayor. The Amazons: Lives and Legends of Warrior Women across the Ancient World. Princeton: Princeton University Press, 2014. xiv + 519 pp. Cloth, $29.95.Adrienne Mayor is a historian of classical folklore and ancient science and the author of several books whose subjects lie at the intersection of classical myth and ancient (...) class='Hi'>history with archaeology and the history of science: an exploration of monsters and heroes in the repertoire of classical myth as a response to the discovery of fossils in The First Fossil Hunters (Princeton 2000); a wide-ranging collection of evidence for biological and chemical warfare in the ancient world, Greek Fire, Poison Arrows, and Scorpion Bombs (New York: Overlook Press, 2003); and a sympathetic biography of Mithradates VI Eupator of Pontus in The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy (Princeton 2009); as well as an investigation of indigenous North Americans’ accounts of fossils, in Fossil Legends of the First Americans (Princeton 2005). Like her earlier volumes, The Amazons brings together an extraordinarily wide array of evidence, uncovered through prodigious research across such diverse fields as classical mythology, ancient history, and contemporary archaeology of the central Asian steppes, and the results are presented with her trademark narrative brio. As with these earlier volumes, moreover, Mayor has an agenda in The [End Page 174] Amazons: here she seeks the historical reality that lies behind the ancient Greek myths of barbarian warrior women; and she finds it in the recent archaeological discoveries of female warriors interred on the central Asian steppes from the Caucasus to western China.Mayor sets out her premise in a prologue that takes its bearing from the myth of Atalanta, whom she dubs “the Greek Amazon” (1–13): her project is to investigate where the Greeks might have encountered real women warriors like Atalanta, capable of besting men in footraces, on the battlefield, and in the hunt. Her study falls into four parts: Part 1 (17–59) asks, “Who were the Amazons?” and identifies ancient Scythia, with its many horse-riding and horse-herding nomadic tribes, as the homeland of the Amazons. Part 2 (63–246) surveys the archaeological and scientific evidence for female warriors among the nomadic tribes of the central Asian steppes in prehistoric and historic times. In this section, Mayor considers the evidence afforded by the bones of buried nomad warriors misidentified as male (because of the weaponry and horses accompanying the burial) when they were originally excavated but recently recognized as female as a result of newer scientific techniques of examination (chap. 4); the body armor found in the steppe graves, in a discussion which has recourse to comparative ethnography, yielding a rich history of breast suppression (chap. 5); the tattooing practices of the historical nomadic tribes of the steppes in relation to the iconography of Amazons’ tunics and leggings on classical vase paintings (chap. 6); ancient accounts of Amazons’ dress (chap. 7), including their partiality for trousers (chap. 12), sexuality and reproduction (chap. 8), drugs, dance and music (chap. 9), hunting technologies (chap. 11), weapons and warfare (chap. 13), all in relation to the archaeological and historical evidence of steppe women’s practices in these arenas. She even presses into service ethnolinguistics in order to argue that the names of the Amazons can be traced back to a common origin in the Eurasian steppes (chap. 14; cf. Appendix of Names of Amazons and Warrior Women in Ancient Literature and Art from the Mediterranean to China). In Part 3 (249–353), Mayor turns back to “Amazons in Greek and Roman Myth, Legend, and History.” Here she retells the most famous Amazon myths, of Hippolyte and Heracles [sic] (chap. 15), Antiope and Theseus (chap. 16), Penthesilea and Achilles (chap. 18), and the Athenian Amazonomachy (chaps. 17, 19); and classical accounts of their historical counterparts—the dalliance of Thalestris and Alexander the Great (chap. 20) and the love of Hypsicratea and Mithradates (chap. 21). Part 4 (358–429) abandons the Hellenocentric perspective of Part 3 to investigate the evidence for Amazonian women “Beyond the Greek World... (shrink)

Review of Le Wen zi à la lumière de l'histoire et de l'archéologie (The Wenzi in the Light of History and Archaeology), by Charles Le Blanc.

Khorasan, Lands of the East, refers to the northeastern region of Iran. In the early Islamic period, the term Khorasan came to be used for a much larger area, reaching into Central Asia well beyond the Oxus river, encompassing large parts of northern Afghanistan, and even extending to southeastern Iran. This volume brings together state-of-the art research on the history, geography, archaeology, and the material culture of this vast region.".

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 124.2 (2003) 306-309 [Access article in PDF] Philippe Rouet. Approaches to the Study of Attic Vases: Beazley and Pottier. Trans. Liz Nash. Oxford Monographs on Classical Archaeology. Oxford: Oxford University Press, 2001. xiii + 167 pp. 21 black and white plates. Cloth, $74. This monograph examines the development of two major approaches in the study of Greek vase painting by focusing on a comparison (...) of the work of Sir John D. Beazley with that of Edmond Pottier. Beazley, an English scholar, spent his scholarly life attributing vases to various formerly unnamed artists based on [End Page 306] their style of drawing, thereby ascertaining for the first time the artistic history and stylistic development of Attic black-figure and red-figure vase painting. Pottier, a French scholar, founded the Corpus Vasorum Antiquorum, an international series whose original goal was to publish all ancient clay vases. Each scholar's interests contrasted with the other's in many ways. Beazley's work focused more on the object and Athens, while Pottier was opposed to the study of individual artists and was particularly interested in the relationship of the origins of Greek civilization to the East and the broader context of the vessels.The book's introduction sets the historical and intellectual background of Beazley and Pottier. Areas covered include the early history of collecting, initial attempts at defining the works of individual Greek vase painters, some influential early catalogues of Greek vases (e.g., those of Hamilton's collection), and the role that the copying of motifs from ancient pottery had in spreading the interest in Greek vase painting in the late eighteenth and early nineteenth centuries, particularly the part played by the Wedgwood workshop. I miss here any reference to the fine work of Brian A. Sparkes on these subjects (The Red and the Black: Studies in Greek Pottery[London and New York, 1996] 34-63).The first chapter considers the most influential, immediate predecessors of Beazley and shows how their work formed the intellectual framework for his accomplishment. They are Wilhelm Klein, whose important study of and signatures on Attic vases still serves as the basis for our interpretation of them; Paul Hartwig, who was the first to attribute vases to an anonymous master; and Adolph Furtwängler, who in collaboration with Karl Reichhold initiated the monumental three-volume work, Griechische Vasenmalerei, which featured exceptionally accurate drawings of vase paintings. The author astutely notes that Furtwängler's work on attributing Roman copies of Greek sculpture to artists was likewise influential in augmenting the interest in style and artistic personalities. The intertwined relationship between connoisseurship, collectors, and the art market is touched on briefly in the discussions of Hartwig and Edward Warren. It might also have been noted here that the wording and style of Beazley's earliest work on the Kleophrades Painter clearly owes its inspiration to Hartwig.Pottier's early life and career are the focus of the next chapter. This was the time when museum catalogues and encyclopedic dictionaries were for many the signs of significant national scholarship. Indeed, after France's loss in 1870 in the Franco-Prussian War, Pottier and many of his contemporary compatriots sought to affirm the intellectual vitality of their nation by initiating and completing such projects. Pottier's contribution was to publish Vases antiques du Louvre, in which photography was used for the first time on a large scale to illustrate the vases, and to serve as one of the editors of the Dictionnaire des antiquités grecques et romaines, in which he was also responsible for many of the entries on vases.Chapter 3 returns to the subject of connoisseurship and the two non-classical archaeologists whose methodology bear clear resemblances to Beazley's. The first of them, Giovanni Morelli, was the first to attempt a scientific methodology for attributing paintings to unknown artists by examining the minor details [End Page 307] of drawings in order to discover the artistic language of the painters. Rouet concludes that Morelli paved the way for Beazley's work, for... (shrink)

This article provides a substantive discussion of the relevance of the history of archeology to the history of science. At the same time, the article introduces the papers contained in this special issue as exemplars of this relevance. To make its case, the article moves through various themes in the history of archeology that overlap with key issues in the history of science. The article discusses the role and tension of regimes of science in antiquarian and (...) archeological practices, and also considers issues of scale and place, particularly in relation to the field. Additionally, the piece attends to issues of professionalization and the constitution of an archeological public, at the same time as discussing issues of empire, colonialism, and the circulation of knowledge. Meanwhile, enriching discussions within and beyond the history of science, the article discusses the history of archeology and its relationship with museums, collecting, and material culture and materiality. Finally, the piece discusses the relationship of the history of archeology with wider discussions about scientific ethics. In conclusion, the article questions whether we should speak of ‘the history of archeology’ at all. (shrink)

EDITORS' INTRODUCTION Perhaps the single most broadly unifying feature of the early new archaeology was the demand that archaeologists not take the aims and ...

In his introduction to this extraordinarily important and useful volume, Herman Geertman (G.) points out that the editions of the Liber Pontificalis produced around a century ago by Theodor Mommsen and Louis Duchesne made the Liber more an instrument, than an object, of research. For some years an international group of scholars under the leadership of Girolamo Arnaldi, François Bougard, Paolo Delogu, and G. himself, have been conducting a collaborative project on “The Liber Pontificalis as Source for the History (...) and Material Culture of Late Antiquity and the Early Middle Ages: A Collective Research Project on the Biographies from 314 to 891.” This book arises out of that project. But the present study, reflecting in particular G.'s interests, does not confine itself to “history” and “material culture.” Although the volume contains many valuable contributions on these important subjects, it also emphasizes the nature of the text of the Liber Pontificalis, the intentions of its redactors, and the accessibility of the text in terms of its language, contents, and conceptual underpinnings. G. notes that the project and the book also attempt a systematic updating of Duchesne's historical and archaeological material. The volume under review contains excellent papers that do indeed update DUCHESNE, but it cannot be said that this volume is “systematic” if by that word one understands comprehensive and exhaustive. I am not, be it emphasized, criticizing G. and his collaborators for failing to accomplish the impossible. It is important to say, however, that G.'s approach makes the Liber Pontificalis once again an object as well as an instrument of research. (shrink)

Through photographs we preserve the past, and looking for the past is the very job of the archaeologist. But what are we looking at in an archaeological photograph? Archaeological photography is often largely deserted, to be scanned with a forensic gaze, towards finding evidence of what once took place. At the same time, photographs of excavated sites and artefacts have revealed stunning ancient works, shot as works of art. In Photography and Archaeology, Frederick Bohrer examines some of history’s (...) most famous archaeological excavations, as well as lesser-known and previously unpublished finds, from the Mediterranean, Middle East, Asia, Europe and the Americas, and the ways these sites have been represented in photographs. Bohrer shows how the development of photography in the nineteenth century made archaeology available to a much wider audience, and he discusses how these images revealed the material traces of the past, as well as their meaning and use today. Spanning the dual histories of both photography and archaeology, the book makes evident how what we know of the archaeological past has always been related to how it has been photographically represented and circulated: in scholarly papers, popular accounts, scientific archives, museum catalogues and numerous other formats. Bohrer concludes that such images possess contending, if not mutually exclusive, properties. While photography seems to guarantee documentary objectivity, at the same time it also fundamentally alters the archaeological object, transforming it into a work of art. Along the way, he discusses archaeological examples and images by photographers including Maxime du Camp, Francis Frith, John Beazley Greene, Ernst Herzfeld and others, to more contemporary photographers such as Aaron Levin, Roger Wood and Marilyn Bridges. Beautifully illustrated with fine archaeological images, many published here for the first time, Photography and Archaeologywill be of interest to archaeologists, art historians and photographers, as well as anyone concerned with, or captivated by, archaeology’s ongoing engagement with the past. (shrink)

A History of Women Philosophers, Volume I: Ancient Women Philoophers, 600 B.C. - 500 A.D., edited by Mary Ellen Waithe, is an important but somewhat frustrating book. It is filled with tantalizing glimpses into the lives and thoughts of some of our earliest philosophical foremothers. Yet it lacks a clear unifying theme, and the abrupt transitions from one philosopher and period to the next are sometimes disconcerting. The overall effect is not unlike that of viewing an expansive landscape, illuminated (...) only by a few tiny spotlights. (shrink)

An epochal archaeology of the labor power that has been cultivated in the human body over the last two thousand years. If Marx's opus Capital provided the foundational account of the forces of production in all of their objective, machine formats, what happens when the concepts of political economy are applied not to dead labor, but to its living counterpart, the human subject? The result is Alexander Kluge and Oskar Negt's History and Obstinacy, a groundbreaking archaeology of (...) the labor power that has been cultivated in the human body over the last two thousand years. Supplementing classical political economy with the insights of fields ranging from psychoanalysis and phenomenology to evolutionary anthropology and systems theory, History and Obstinacy reaches down into the deepest strata of unconscious thought, genetic memory, and cellular life to examine the complex ecology of expropriation and resistance. First published in German 1981, and never before translated into English, this epochal collaboration between Kluge and Negt has now been edited, expanded, and updated by the authors in response to global developments of the last decade to create an entirely new analysis of "the capitalism within us.". (shrink)