This is the second of a projected trilogy of dialogues, in which an unnamed stranger sets out to satisfy Socrates' desire for an account of sophist, statesman, and philosopher. Focus Philosohpical Library’s _Statesman _includes a faithful, clear, and consistent translation to English, with notes. It also includes an exploratory essay, glossary of crucial Greek terms, supplemental diagrams illustrating diairesis, and an appendix on the paradigm of weaving.

An annotated and modified version of the translation published by Aris and Phillips Ltd. A model of accuracy and fluency, Christopher Rowe's translation of Statesman--as modified for publication in Plato, Complete Works (Hackett Publishing Co., 1997)--is now available in a student edition, with a brief introduction, notes, and a select bibliography.

Author of "Kubla Khan" and the epic "The Rime of the Ancient Mariner," Samuel Taylor Coleridge is remembered principally for his contributions as a romantic poet. This innovative reconsideration of Coleridge's thought and career not only demonstrates his importance as a philosopher but also recovers romanticism as both an aesthetic and a political movement. Pamela Edwards radically departs from classic theories of Coleridge's development and reads his writing within the framework of a constantly shifting political and social landscape. Drawing on (...) the ideology, rhetoric, and institutional theory at the turn of the late British Enlightenment, Edwards unearths the fundamental continuities in Coleridge's writing during the revolutionary period of 1794 to 1834, paying particular attention to the rhetoric of Coleridge's pamphlet and miscellaneous writings, the journalism of the Napoleonic years, his philosophical and ultimately political treatises within the contexts of his notebooks and letters, and his readings and intellectual friendships. What emerges is a clearer understanding of Coleridge's political philosophy and his contributions to the origins and ideology of British Liberalism. Coleridge's interest in history, nature, and law as inherently interconnected projects producing an ideal or scientific reading of society reveals a developed progressive social and cultural state theory anchored in individual conscience, moral autonomy, and a civic and participatory human agency. If the Statesman could understand and finally master this scientific view of the world, he would be able not only to adjust political and social institutions to comprehend the historical contingencies of the moment but to see through the problem of the moment to the dynamic of change itself. (shrink)

In his dialogueStatesman(=Plt.), Plato first sets out one way of thinking of the statesperson, on the model of a nurturer of a herd such as a shepherd; then he sets out a very different way of thinking of him, on the model of a weaver of a social fabric. Critics have long been wondering whether Plato wants to combine the two models or, on the contrary, to abandon the nurturing model in favour of the weaving model.This article shows that a (...) particular passage in the dialogue, 275d8–e1, is crucial for this question. As this passage is understood by all commentators and translators, it says that the statesperson is not a nurturer. This ought to have settled the question. But the article argues that we cannot read the passage like that. For an adjacent passage, 275b1–7, says that the statesperson is a nurturer. There is no way out of this contradiction, unless we reconsider the traditional reading of 275d8–e1.The article defends a different reading of 275d8–e1, which avoids the contradiction. On this new reading, the passage does not say that the statesperson is not a nurturer, it says that her/his being a nurturer is not the grounds for her/him deserving the title ‘statesperson’. (shrink)

(1999). The Statesman and the Ophthalmologist: Gladstone and Magnus on the Evolution of Human Colour Vision, One Small Episode of the Nineteenth-century Darwinian Debate. Annals of Science: Vol. 56, No. 1, pp. 25-45.

Halfway down one wall of the Wren Chapel at the College of William and Mary in Williamsburg, Virginia, is a plaque in honor of Bishop James Madison, who is often confused with his more famous cousin, James Madison, author of the U.S. Constitution, co-author of the Federalist Papers, and the fourth President of the United States. Though they pursued separate careers—Bishop Madison as an Anglican minister, a leading scientist, and an extraordinary academic administrator, and Founder Madison as a secular reformer, (...) a superb statesman, and one of the most sophisticated democratic theorists in history—the plaque could hardly honor one without the other, so interlinked were both their legacies to the College, religious freedom, and American democracy. (shrink)

In Visions of Statesmanship: A Statesman's Imagination and Autonomy, I provide a critical examination of the figure of the statesman as it has been presented in the philosophical reflections of three key thinkers: Plato, Yannis Markrygiannis, and Cornelius Castoriadis.

In the Statesman (287c3-5), Plato proposes that the philosophical divider should divide analogously to how the butcher divides a sacrificial animal. According to the common interpretation, the example of animal sacrifice illustrates that we should “cut off limbs” (kata mele), that is, divide non-dichotomously into functional parts of a living whole. We argue that this interpretation is historically inaccurate and philosophically problematic: it relies on an inaccurate understanding of sacrificial butchery and leads to textual puzzles. Against the common interpretation, (...) we argue that the example of animal sacrifice illustrates that correct division minimizes (it cuts into the smallest number possible) by first dividing dichotomously and then dividing non-dichotomously into “parts,” not “limbs.” We will show that both the philosophical divider and sacrificial butcher proceed exactly in this way. By taking Plato’s comparison to the historical practice of animal sacrifice seriously, our interpretation provides better solutions to the textual puzzles than the common interpretation. (shrink)

The political genius of Abraham Lincoln remains unequivocal. As a great leader, he saved the Union, presided over the end of slavery, and helped to pave the way for an interracial democracy. In his speeches and letters, he offered enduring wisdom about human equality, democracy, free labor, and free society. This rare combination of theory and practice in politics cemented Lincoln’s legacy as one of the most talented statesmen in American history. Providing an accessible framework for understanding Lincoln’s statesmanship, this (...) thoughtful study examines Lincoln’s political intellect in terms of the traditional moral vision of statecraft as understood by the political philosophers Aristotle and St. Thomas Aquinas. The enduring wisdom and timeless teachings of these great thinkers, author Joseph R. Fornieri shows, can lead to a deeper appreciation of statesmanship and of its embodiment in Abraham Lincoln. Statesmanship, Fornieri posits, is a moral greatness that stems from six virtues: wisdom, prudence, duty, magnanimity, rhetoric, and patriotism. Drawing on insights from history, politics, and philosophy, Fornieri tackles the question of how Lincoln evidenced each of these virtues. Through close textual analysis of Lincoln’s speeches and writings and careful consideration of relevant secondary literature, Fornieri reveals Lincoln to be a _philosopher statesman_ in whom political thought and action were united. Lincoln’s character is best understood, he contends, in terms of Aquinas’s understanding of magnanimity or greatness of soul, the crowning virtue of statesmanship. True political greatness, as evidenced by Lincoln, involves both humility and sacrifice for the common good. With the great philosophers and books of western civilization as his guide, Fornieri demonstrates the important contribution of normative political philosophy to an understanding of our sixteenth president. Informed by political theory that draws on the classics in revealing the timelessness of Lincoln’s example, his interdisciplinary study offers profound insights for anyone interested in the nature of leadership, statesmanship, political ethics, political history, and constitutional law. (shrink)

This posthumous book represents the first publication of one of the seminars of Cornelius Castoriadis, a renowned and influential figure in twentieth-century thought. A close reading of Plato’s Statesman, it is an exemplary instance of Castoriadis’s pragmatic, pertinent, and discriminating approach to thinking and reading a great work: “I mean really reading it, by respecting it without respecting it, by going into the recesses and details without having decided in advance that everything it contains is coherent, homogeneous, makes sense, (...) and is true.” Castoriadis brings out what he calls The Statesman’s “quirky structure,” with its three digressions, its eight incidental points, and its two definitions, neither of which is deemed good. He does not hesitate to differ with the text, to show that what is, in appearance, secondary is really essential, and that the denunciation of the Sophists accommodates itself quite well to the use of sophistical procedures. Castoriadis shows how The Statesman takes us into the heart of what is distinctive in the late Plato: blending, acceptance of the mixed, of the intermediate. These transcriptions of Cornelius’s afford the reader an opportunity to discover his trenchant, convincing, energetic, provocative, and often droll voice. Here is a hitherto unknown Castoriadis, who reflects as he speaks, collects himself, corrects himself, and doesn’t hesitate to revisit key points. In short, this is Castoriadis’s thinking in action. (shrink)

At Statesman (Plt.) 291a–c and 303c–d, Plato compares the so-called statesmen of all existing constitutions to a motley crew of lions, centaurs, satyrs, and other beasts, and the entire section of the Statesman devoted to law and constitutions (291c–303c) to a satyr-play of sorts. This paper argues that these thought-provoking images are best understood as literary devices which, in addition to other dramatic elements in the Theaetetus and Sophist, help to bolster the unity of the Theaetetus-Sophist-Statesman trilogy (...) and its apologetic agenda concerning Socrates. (shrink)

There are three major themes in the dialogue thought to be Plato’s Statesman: the nature of statesmanship, the difference between perfect and less than perfect regimes and the method of division. In this paper I focus on the first two themes. I argue, first, that the dialogue makes a plausible case for what it takes to be a wise statesman. In doing so, I play down the importance of the second theme: the difference between regimes. In fact, I (...) consider this discussion to be deeply flawed and even irrelevant to the argument of the first. My main purpose is to provide a critical analysis of the political theory articulated in the dialogue. My analysis is made plausible by abandoning the traditional view that the Statesman was written Plato in its entirety as a unified whole. In my view, a close reading of the text supports the hypothesis that it is, at best, semi-authentic; namely, that it is most likely a collage of fragments written at different times by Plato and other members of the Academy. (shrink)

Remarks made by the Eleatic Visitor at Statesman 293a-300e are often read as implying that laws are hopelessly defective in comparison with expert political knowledge. Specifically, laws seem inadequate to the task of capturing the variability, mutability, and finely-grained detail of human life (294a6-b7). On the other hand, the Visitor endorses a strict form of law-abidingness for non-ideal constitutions. The tension between these positions has greatly exercised scholars. In this paper, I argue for a reading on which (1) the (...) political expert, no less than laws, must rely on “rougher methods,” i.e. generalizations across individual cases; (2) law-making is a constitutive part of the statesman’s expertise; (3) laws are necessary for political communities and their value exceeds the merely instrumental or heuristic. (shrink)

In this book an eminent scholar presents a rich and penetrating analysis of the _Statesman_, perhaps Plato's most challenging work. Stanley Rosen contends that the main theme of this dialogue is a definition of the art of politics and the degree to which political experience is subject either to the rule of sound judgment or to technical construction. The _Statesman_, like Plato's earlier _Sophist_, features a Stranger who tries to refute Socrates. Much of his conversation is devoted to a minute (...) analysis of the art of weaving, selected by the Stranger as a paradigm of the royal art of politics, for he conceives of the city as an artifact. But the Stranger's successive efforts to find a method for defining the art of politics are failures, because there is no fitting model or technique of measurement by which to grasp politics that includes within its scope the totality of human existence—there is, suggests Plato, no technical construction of politics. Rosen reflects on the relevance of Plato to contemporary debates about political reconstruction on the one hand and about the deeper issue of the supposed end of modernity on the other. He argues that, far from being the father of essentialism and the reification of human nature, as others have suggested, Plato elaborates a rhetoric of politics as self-defense against nature. Just as weaving produces clothing to protect the body against the elements, so the statesman must produce myths or local models to protect the soul against the body. (shrink)

Plato’s Sophist and Statesman stand out from many other Platonic dialogues by at least two features. First, they do not raise a ti esti question about a single virtue or feature of something, but raise the questions what sophist, statesman, and philosopher are, how they differ from each other, and what worth each should be accorded. Second, a visitor from Elea, rather than Socrates, seeks to addressed these questions and does so by employing what is commonly referred to (...) as the method of collection and division. Some scholars have argued that this so-called method is value neutral and therefore unable to address the question how philosophy differs from sophistry and statesmanship according to worth. This article contends that the procedures of collection and division does not preclude the visitor from taking considerations of worth into account, but rather helps establish an objective basis for settling the main questions of the dialogue. (shrink)

This edition of Martin Ostwald's revised version of J. B. Skemp's 1952 translation of _Statesman_ includes a new selected bibliography, as well as Ostwald's interpretive introduction, which traces the evolution in Plato's political philosophy from _Republic_ to _Statesman to Laws_--from philosopher-king to royal statesman.

Among Plato's works, the Statesman is usually seen as transitional between the Republic and the Laws. This book argues that the dialogue deserves a special place of its own. Whereas Plato is usually thought of as defending unchanging knowledge, Dr Lane demonstrates how, by placing change at the heart of political affairs, Plato reconceives the link between knowledge and authority. The statesman is shown to master the timing of affairs of state, and to use this expertise in managing (...) the conflict of opposed civic factions. To this political argument corresponds a methodological approach which is seen to rely not only on the familiar method of 'division', but equally on the unfamiliar centrality of the use of 'example'. The demonstration that method and politics are interrelated transforms our understanding of the Statesman and its fellow dialogues. (shrink)

This paper examines the relationship between the political thought of Plato and Xenophon, by positioning both as post-Socratic political theorists. It seeks to show that Xenophon and Plato examine similar themes and participate in a shared discourse in their later political thought, and in particular, that Plato is responding to Xenophon, with the Statesman exploring similar themes to Xenophon’s Cyropaedia, which itself responds to sections of Plato’s Republic. Both writers explore the themes of the shepherd king and the kairos (...) as attributes of the excellent leader, and both use temporality and political ontology to do so. (shrink)

The Law Most Beautiful and Best: Medical Argument and Magical Rhetoric in Plato’s Laws. By Randall Baldwin Clark (Lanham, MD: Lexington Books, 2003), xiv + 178 pp. $55.00 cloth.

This paper explores privation in the Statesman, first from a methodological point of view, and then politically. I begin (§1) with the Rule of Bisection (262a–e): classes should be bifurcated by form, which apparently excludes division by positive and negative terms (e.g. human and non-human). The significance of the restriction is debated. I argue that the correct interpretation must take into account the preponderance of privative terms in the subsequent divisions of animals. According to one definition, humans are two-footed, (...) non- interbreeding, hornless land animals; according to another, they are featherless, two-footed land animals (264d–266e). On my reading of the rule, classes should be bifurcated with reference to constitutive features of the resulting subclasses; while negative properties never satisfy this requirement, privations are in some cases partly constitutive of the target class in division. This insight allows me to offer a charitable reading of the Eleatic Stranger’s definitions of the human herd, which others have disparaged, as relevant for political theory (§2) and tightly linked with the Myth of the Ages (268e–274d) that follows these divisions (§3). In the final section, I sketch a unified outlook on the dialogue as concerned with effective political collaboration, under the supervision of a statesman who expertly integrates each member into the self-protective fabric of society (§4). (shrink)

"Plato's Statesman reconsiders many questions familiar to readers of the Republic: questions in political theory - such as the qualifications for the leadership of a state and the best from of constitution (politeia) - as well as questions of philosophical methodology and epistemology. Instead of the theory of Forms that is the centrepiece of the epistemology of the Republic, the emphasis here is on the dialectical practice of collection and division (diairesis), in whose service the interlocutors also deploy the (...) ancillary methods of myth and of models (paradeigmata). Plato here introduces the doctrine of due measure (to metrion) and a conception of statecraft (politikē) as an architectonic expertise that governs subordinate disciplines such as rhetoric and the military - doctrines later developed by Aristotle. Readers will find a sustained defence of the importance of expertise (technē or epistēmē) in the conduct of affairs of state, a robust (although not unqualified) defence of the rule of law, and an unsparing but nuanced critique of democratic government. The chapters in this volume provide a comprehensive and detailed philosophical engagement with the entirety of Plato's wide-ranging dialogue, with successive chapters devoted to the sections of the dialogue as it unfolds, and an introduction that places the dialogue in the context of Plato's philosophy as a whole. While not a commentary in the traditional sense, the volume engages with Plato's Statesman in its entirety" -- Publisher's description. (shrink)

"Plato's Statesman reconsiders many questions familiar to readers of the Republic: questions in political theory - such as the qualifications for the leadership of a state and the best from of constitution (politeia) - as well as questions of philosophical methodology and epistemology. Instead of the theory of Forms that is the centrepiece of the epistemology of the Republic, the emphasis here is on the dialectical practice of collection and division (diairesis), in whose service the interlocutors also deploy the (...) ancillary methods of myth and of models (paradeigmata). Plato here introduces the doctrine of due measure (to metrion) and a conception of statecraft (politikē) as an architectonic expertise that governs subordinate disciplines such as rhetoric and the military - doctrines later developed by Aristotle. Readers will find a sustained defence of the importance of expertise (technē or epistēmē) in the conduct of affairs of state, a robust (although not unqualified) defence of the rule of law, and an unsparing but nuanced critique of democratic government. The chapters in this volume provide a comprehensive and detailed philosophical engagement with the entirety of Plato's wide-ranging dialogue, with successive chapters devoted to the sections of the dialogue as it unfolds, and an introduction that places the dialogue in the context of Plato's philosophy as a whole. While not a commentary in the traditional sense, the volume engages with Plato's Statesman in its entirety" -- Publisher's description. (shrink)

Don Isaac Abravanel (1437-1508) was a major historical figure during the waning of the Middle Ages. Statesman, diplomat, courtier, and financier, he was, at the same time, a scholar of encyclopedic learning, a philosopher, an exegete, a prolific author, a mystic, and an apocalyptist. In Abravanel, B. Netanyahu suggests, two long lines of tradition met and concluded: that of medieval Jewish statesmen and that of medieval Jewish philosophers. In what is both a biography and an exploration of Abravanel's thought (...) and influence, Netanyahu describes how Abravanel illuminated the grave crisis and profound transformation experienced by the Jewish people after the Spanish expulsion. First published in 1953, Don Isaac Abravanel has been out of print for several years. This new edition includes revisions in the text, notes, and bibliography. (shrink)

Two dialogues explore a vital concern of a democratic society: how to define the qualities of a genuine statesman as well as the distinction between an authentic statesman and a sophist.

The Passionate Statesman explores the intersection of passion and politics in Plutarch's Parallel Lives, with special emphasis on how he represents the influence of erõs, or erotic desire, on the careers of some of the most prominent statesmen from Greco-Roman antiquity.

The Visitor’s inquiry into the expertise of statesmanship in Plato’s Statesman consistently privileges knowledge as the sole source from which to derive legitimate authority to command. And yet the section of the dialogue to which he refers as a “play” (δρᾶμα, 303c8) of satyrs and centaurs (291a–303d) complicates matters significantly by spelling out the difficulty of identifying a true statesman and the dangers of thinking ourselves able to do so. Reading the account of human community provided in the (...) myth of the cosmos together with the “good imitation” of knowledge in the satyr play, a limited notion of properly human wisdom comes into view as the horizon within which to interpret knowledge and dialectical division in the dialogue. I conclude that the education of the dialectician is connected to the problem of the absence of the true statesman, and that the Statesman is prescribing ways in which members of the philosophical community ought to understand themselves in dialogue with the written word. (shrink)

In this paper I argue that, according to Plato’s Statesman, true statesmen directly control, administer, or govern none of the affairs of the city. Rather, administration and governance belong entirely to the citizens. Instead of governing the city, the task of the statesman is to facilitate the citizens’ successful self-governance or self-rule. And true statesmen do this through legislation, by means of which they inculcate in the citizens true opinions about the just, the good, the fine, and the (...) opposites of these. (shrink)

Plato's paradigm for statesmanship in the Statesman, the weaving of temperate and courageous properties, provides the contemporary business ethics theorist with an aid for determining certain problems and solutions with regard to business leadership. The history of American business values manifests the destructive, and especially unethical, effects of deviating from this paradigm by over-emphasizing one or the other of the above types of qualities. However, with the aid of Plato's model for leadership in the Statesman and suggestions from (...) Peters and Waterman's In Search of Excellence, progress can be made towards constructing an adequate model for corporate leadership, especially from an ethical standpoint. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:PLATO'S STATESMAN STORY: THE BIRTH OF FICTION RECONCEIVED by John Tomasi In "Plato's Atlantis Story and the Birth of Fiction," Christopher Gill wants to distinguish the story ofAdantis in the Critias from Plato's earlier stories—like diat in the Statesman.1 These stories, Gill claims, belong to different literary genres. While the Statesman story is but another example of fable, the Adantis story of the Critias represents the (...) first example—the first in Plato and indeed the earliest in all Western written culture—of an exciting new literary genre: narrative fiction. Gill describes narrative fiction as a kind ofgame into which the author invites his audience to join. The invitation to play the game of fiction is an invitation "to share in the willing and conscious acceptance of the false as true" (p. 65). The audience is provided the opportunity to become "willfully self-deceived" about the story's truth. Perhaps the main constraint on a story's belonging to the genre of fiction is the author's ability to transmit this special invitation to his reader. Gill says one major way to do this is by a framework of introductory signals which are mixed in a certain way. The Adantis story, as Gill claims, seems to be framed with signals that a self-deception game is about to begin. Socrates says Critias is like a playwright competing in front of an audience (108a). Gill reads line 107 to mean that Critias is concerned direcdy with "the problem of giving his narrative the illusory realism which he says audiences require." Also, Gill says, "the fact that it is a game is signalled by the overt claim to historical truth in a context in which we are not disposed to accept the claim" (p. 72). Plato thus introduces the Adantis story with a delicate mixture ofconflictingclaims about the story's factual status. Gill suggests the reader should interpret this special mixture of signals as being a Philosophy and Literature, © 1990, 14: 348-358 John Tomasi349 sort of invitation to "make pretend," to play a pleasant game, to allow die reader to become willfully self-deceived. Within die Adantis story itself diere are further marks of die fiction genre. Narrative fiction can be a compelling game, and good fiction writers often slip into the game themselves, writing with a concern for detail and with a word choice so sensitive that the reader may feel that die writer too must believe in this fictional world. The Adantis story certainly exhibits this mark of fiction. As Gill puts it, in writing about Adantis Plato seems at times to have become "momentarily infatuated with the world he is creating."2 Such infatuation, exhibited especially perhaps in the detailed descriptions in the Critias of the splendors of the Adantean city and in the passionate portrayal of the growth of hubris in the citizens' hearts, is perhaps what gives the Adantis story some of its special potency, what makes it especially gripping to us (116c—ll7e; 121a-c). Clearly, it is a story with which writer as well as reader might develop an intimate relationship. In Plato's Atlantis story the framing signals are mixed with a deliberate subtlety, and the reader at times senses the writer's infatuation with his own tale. The Adantis story is thus crafted to get from the reader what Plato is after: "a willed self-deception, a chosen suspension ofincredulity for the duration of the story." Gill concludes, "This new element of intended complicity in the fictional game makes his work the first piece of deliberately fictional narrative in Greek literature" (p. 76). Gill's argumentthat the Adantis story belongs to the genre ofnarrative fiction is provocative and on the whole convincing. But is the Adantis story really the first Western instance of that genre? Is it even Plato's first attempt at fiction? I think it is not. I would like now to examine the storywithin the Statesman, a storywhich Gill says was probablywritten before the Adantis story. Might the Statesman story be a still earlier instance of narrative fiction? The signals framing the Statesman story are mixed indeed. At first, the Stranger tells young Socrates that... (shrink)