This chapter contains sections titled: The Nature of Schopenhauer's Platonic Ideas and Their Relation to Individuals The Exclusion of Mathematical Ideas The Exclusion of Value Ideas Schopenhauer's Justification of His Restriction of Ideas to Ideas in Nature Schopenhauer's Theory of Art Considered in Itself Irresoluble Conflicts between Plato and Schopenhauer Notes References Further Reading.

In the late nineteenth and early twentieth centuries the need to rethink the status of space and time which Kant considered to be a priori forms of sensibility was prompted by the emergence of new approaches to the methodology of scientific cognition. In neo-Kantian interpretation these cognitive forms acquire a special epistemological status, manifesting themselves in theoretical research as “pre-given” foundations of knowledge. It seems necessary to conduct a comparative analysis of two interconnected neo-Kantian (...) concepts, of Hermann Cohen and Ivan Lapshin. Studying Kant’s philosophy since his student days, Lapshin gradually came to the conclusion that the need to clarify and develop Kant’s transcendental method was dictated by the development of scientific knowledge. Indeed, the works of the Russian neo-Kantian contain echoes and polemical adjustments of Cohen’s spatio-temporal ideas. Our study has revealed common epistemological attitudes in Cohen and Lapshin: the wish to improve elements of Kantian philosophy, adjusting them to prove the possibility of scientific-theoretical cognition and of overcoming psychologism and developing the logicistic approach to the critique of cognition. Each of the two authors developed their own “mechanism” of reducing space and time to a range of intellectual procedures for the construction of the object of knowledge. In Cohen’s account space and time pre-establish the language of observation and found all scientific-theoretical work. Lapshin, on the other hand, in discussing the formal and substantive features of these categories (the introduction of “axioms” of time, the need to specify the concepts of time and space through other categories), notes that their use in scientific judgment implies an epistemological givenness of the concept of the object. This I see as a variant of solving one and the same epistemological task. I submit that Lapshin worked out an independent concept of space and time as cognitive forms that are congruent with the spirit of European neo-Kantianism and contemporary science. (shrink)

In the Critique of Pure Reason Kant appears to make incompatible claims regarding the unitary natures of what he takes to be our a priori representations of space and time. I argue that these representations are unitary independently of all synthesis and explain how this avoids problems encountered by other positions regarding the Transcendental Deduction and its relation to the Transcendental Aesthetic in that work. Central is the claim that these representations (1) contain, when characterized as intuitions and considered (...) as prior to any affections of sensibility, only an infinitude of merely possible finite spatial and temporal representations, and (2) are representations that are merely transcendental grounds for the possibilities for receiving or generating finite representations in sensibility that are determined (immediately, in the case of reception) by means of syntheses that accord with the categories. (shrink)

Husserl’s lifelong interest in Kant eventually becomes a preoccupation in his later years when he finds his phenomenology in competition with Neokantianism for the title of transcendental philosophy. Some issues that Husserl is concerned with in Kant are bound up with the works of Lambert. Kant believed that the role played by principles of sensibility in metaphysics should be determined by a “general phenomenology” on which Lambert had written. Kant initially believed that man is capable only of symbolic cognition, (...) not intellectual intuition. Lambert saw an increasing need in mathematics for symbolic cognition as exemplified in his proofs of the irrationality of π and e. Kant takes from Leibniz and Lambert an unrestricted notion of construction, allowing him to view mathematics as constructing its concepts in intuition, while Lambert’s proofs convince him that all mathematical problems are eventually solvable. Husserl criticizes Kant’s intuitionism for its inadequate accommodation of meaning to intuition, which he redresses with his theory of categorial intuition. This may improve on Kant’s intuition of the axiom of parallels but not so clearly on his spatial intuition. Husserl opposes Kant’s view of space as the form of outer intuition with his own view of it as the form of things. Husserl’s exploration of the geometry of visual space, which involves his earliest uses of epoché and reduction, converges however with Hilbert’s logical analysis of Kantian spatial intuition in leading to Euclidean spatial judgments. Hilbert’s analysis leads him to affirm the solvability of all well posed mathematical problems, a thesis complicated by the outbreak of logical paradoxes. Untroubled by such paradoxes, Husserl develops a supramathematics of all possible deductive systems whose completeness implicitly would also provide solutions of all such problems. Husserl’s full transcendental turn coincides with his realization that in effecting his Copernican turn, Kant was really the first to detect the “secret longing” of modern philosophy for a phenomenological clarification of being. Husserl now finds that Kant’s transcendental deductions presuppose a pure ego not adequately analyzed by Kant that survives the phenomenological reduction. Husserl’s idealism leads him to develop his own intuitionism, which adds to Kant’s, a “method of clarification” of mathematical concepts intended to clarify difficult impossibility proofs, but neither Husserl nor Kant base arithmetic on time. Husserl’s critique of the room left in Kant’s idealism, for things in themselves, leads to his own monadological solution of the problem of intersubjectivity. Husserl’s final judgment on Kant is that his form of transcendental idealism did not enable him to achieve absolute subjectivity through a genuine transcendental reduction. (shrink)

To advance a successful reading of Kant's theory of motivation, his interpreter must have a carefully developed position on the relation between our rational and sensible capacities of mind. Unfortunately, many of Kant's commentators hold an untenably dualistic conception, understanding reason and sensibility to be necessarily conflicting aspects of human nature that saddle Kant with a rigoristic and fundamentally divided moral psychology. Against these interpreters, I argue for a reading that maintains a unified conception, claiming that we must think (...) of reason and sensibility as interdependent capacities, which stand to one another as form to matter. Our sensible nature thus does not stand opposed to reason; its fundamental character is determined by reason's activity. I take Kant's account of moral motivation and the feeling of respect to represent the lynchpin of this unified account. Against interpreters who would emphasize either the intellectual or affective nature of respect, I claim that it should be understood as the formal element of moral sensibility, the result of practical reason determining the capacity to feel and fundamentally transforming its character. To make this argument, I draw on Kant's account of sensibility in the Critique of Pure Reason, claiming that space, time, and respect for the moral law are analogous formal elements of sensibility. (shrink)

In this paper, I focus on Kant’s doctrine of figurative synthesis. Figurative synthesis is the result of the activity of productive transcendental imagination. This is the chief problem of the so-called “second proof step” in Kant’s deduction of the categories according to the second edition of the Critique of Pure Reason. The pure original synthetic apperception forms in the inner and outer sense - i. e. in time and space - by self-affection structures of order that make (...) it possible to cognize empirical objects. The order of space and time through figurative syntheses must be distinguished on the one hand from space and time as forms of intuition and on the other hand from the order of the manifold given in space and time. This clarifies the differences and relations between the constitutive noetic faculties of our knowledge apparatus. (shrink)

The author examines Kant’s transcendental doctrine of space and time in order to find out possible anthropological connotations of the German philosopher’s topology. The analysis allows us to draw the following conclusions: 1) the anthropological features of space and time significantly correct the transcendental understanding of space and time as forms of sensual intuition; 2) the anthropological connotations of the forms of space and time make it impossible to have both noumenal, intellectual intuition of (...) things and intuition based on a different topology, on configurations of the world that are different from those familiar to humans; 3) Kant’s achievement is his work «Metaphysical Foundations of Natural Science» (1786), which demonstrates the effectiveness of the transcendental method, in particular transcendental aesthetics, in substantiating the natural sciences (physics) of the time, which made it possible to prove the close connection of the natural sciences with the transcendental conditions of experience. (shrink)

Kant’s Third Analogy of Experience seeks to establish the mutual interaction of all objects of experience as a transcendental condition on the possibility of our experience of coexistence, and by extension of any cohesive or unified experience. Of Kant’s three Analogies, the Third has received both the least attention and the most criticism. I present an analysis of the Third Analogy focussing on the spatial aspect of Kant’s argument. I examine the interrelated nature of the forms of inner (...) and outer sense in the Third Analogy, linking this to their function in the Transcendental Deduction and subsequently turning to look at the problem posed by Kant’s argument regarding empty space in the Third Analogy. I present a tentative interpretation whereby the Third Analogy establishes a mutual dependence between space as a singular pure intuition, and the instantiation of the category of community in experience. (shrink)

In this paper, I try to refute the Kantian a priorism. At the same time, I try to explain the existence of an a priori concerning space and time on the basis of contemporary neuro-physiology. This a priori is the opposite of the a-historical a priori of Kant. Concerning space and time, I argue that relativity concords with the philosophical thesis that space and time are forms of existence of matter. On the basis of this (...) ontological principle, I support that by accepting the existence of local absolute systems of reference, it is possible to explain some paradoxes of special relativity and at the same time to refute the relativism related to the theory of Einstein. (shrink)

On one reading of Kant’s account of our original representations of space and time, they are, in part, products of the understanding or imagination. On another, they are brute, sensible givens, entirely independent of the understanding. In this article, while I agree with the latter interpretation, I argue for a version of it that does more justice to the insights of the former than others currently available. I claim that Kant’s Transcendental Deduction turns on the representations of space (...) and time as determinate, enduring particulars, whose unity is both given and a product of synthesis. (shrink)

Experience of matter can be described in the context of time and space, whereas, some people say, experience of mind may be described according to time only. Accordingly, though time and space together are regarded as objective forms, one may have a propensity for treating time alone as a particular form of the subjective consciousness. For space is indeed referred to the self-evidence of being, while time is thought to belong rather to the self-evidence of our (...) own consciousness. According to my opinion, however, even the spatial description is indispensable for the state of “mind”. For instance, the contents of our consciousness can be described only in terms of the localized phases of their images. Contrary to Kant, who regarded time and space together as forms of the outer intuition (i.e. as conditions of sensation), and time alone as form of the inner sense, I have a firm intention to assert them both as two forms of objective being because it is the being itself that can be the ultimate object of any of our cognitive powers — sensation, understanding and reason. Time and space are not forms proper to a particular “being” such as conscious existence like ours; they are also, nay, above all, two objective forms of being in general that transcends all such limited existences. It follows that these forms themselves, once abstracted in our mind, must, first of all, be valid for material beings; after that, i.e. derivatively and analogically, they may also be valid for mind-beings. The main aim of this paper is “dialectically” to elucidate that fact on the subject of time in particular. (shrink)

The report is dedicated to modern understanding of the correlation between science and religion that is based on the analysis of certain ideas formulated by Newton, Berkeley and Mach. Newton proceeded from the existence of infinite (absolute) Space that he interpreted as the Sensory of the intelligent omnipresent Being (God) who sees things themselves intimately, and throughly perceives and comprehends them. Human being also has his little “Sensoriums” perceiving the images of things, the Order and the Beauty of their (...) arrangement. Mach emphasized that since Newton’s period space and time have become “immaterial substances that form the most important basis of our sensual world outlook”. Apparently, this “immateriality of substances” manifests itself in the way Machinterprets our perceptions, conceptions, will, feelings, i.e. all inner and outer world, which he understands as small number of homogeneous elements called sensations (Empfindungen). These sensations are compared in the report to what Berkeley called ideas while he denied the existence of the real absolute noncreated space that is part, or attribute, of God. If we accept the idea that beside space and time inseparable from matter as it is scientifically comprehended, there exist absolute space and time as Newton interpreted them, then these space and time must exist outside our universe or parallel to it. This brings us to the panentheistic model (Eduard I. Sorkin, ХХIst World Congress of philosophy, Abstracts 2003, pp. 374‐375). According to Mach the law of causality is separated from space and time while the laws of nature are just limitations that our experience dictates to our expectations. The report shows that if the Mach’s concept had been supplemented by the “idealistic” views of Newton and Berkeley, it would have been more convincing – something contrary to fideism. (shrink)

This book studies various perspectives in the history of European philosophy on the relationship between time and movement. Ever since the pre-Socratic thinker Zeno of Elea linked time and space to understand bodily movement, his so-called paradoxes of motion have remained unsolved. One of his most important critics, the French philosopher Henri Bergson, criticized the usual connection between time and space and established a new way of understanding time as duration (durée). Whereas Zeno presented an objectivist understanding of (...) time, Bergson emphasized its subjectivist meaning. Both contradictory positions seem incompatible, referring to pure intellect (Zeno) on the one hand or pure sensation (Bergson) on the other. Looking at Hegel's Phenomenology, this book shows that the outer and inner consciousness of time became crucial to his principle of movement and change. In his view, time is an integral part of dialectical processes that are historically substantiated. Hegel sought to subordinate pure concepts and ideas so that they would become indispensable moments of the self knowing spirit. Cassirer appreciated the idealism of coming into being but rejected Hegel's concept of the absolute. Instead, he established his philosophy of symbolic forms, in which the development of different perceptions and conceptions of time - from situational affective experience to the mathematical system of relations - determines the direction of the symbolic formation process. In the end, the sensitive concept of time is replaced by the relational concept of natural numbers, in which all here-and-now experiences are embedded. Finally, Bourdieu attempts to reintegrate symbolic forms into social processes. The book reflects on the concepts mentioned here by discussing their pros and cons in order to shed more light on the relationship between time and movement in European thought. (shrink)

The paper is devoted to the role (function) of reflection in cognition and its modes (types) as part of the cognitive ability. Along with logical and transcendental reflection, Kant's transcendental shift (turn) is discussed, as well as the role of reflection in Kant's schematism (the ability to judge) and the formation of schemas. Particular attention is paid to another mode of reflection – reflexive switching, which underlies not only the formation of pure rational concepts and schemes (Kant's concept of epigenesis; (...) metaphysical deduction of categories), but the epigenesis of a priori forms of sensibility of space and (especially) time, connected with the Kantian synthesis of apprehension in the intuition. The article proposes an original conception of time, the so-called onion model of time, which is based on a reflexive (iterative) apperceptive ladder. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume on Space (and Time) BEN MIJUSKOVIC HUME'S LABYRINTHINE ANALYSES of our ideas of space and time, textually occuring so early in the Treatise, 1clearly testify to his conviction of their central role in the physical sciences, then making such fantastic progress. Furthermore, quite early in the Treatise, Hume indicates his ambition to effect a revolution in the mental sciences comparable to the one Newton had achieved (...) in the physical disciplines, through the latter's conception of the force and effects of gravity. Accordingly, Hume regards the three principles or laws of the association of ideas as a "kind of ATTRACTION, which in the mental world will be found to have as extraordinary effects as in the natural" (T, 12-13). In pursuit of his investigations Hume commences, in the first part of the Treatise, by insisting on the principle that all our simple ideas are derived from simple impressions and that impressions always precede their correspondent ideas (T, 4, 7). This being firmly established, Hume nevertheless immediately proceeds in the very next part of the work to declare, paradoxically enough, that our ideas of space and time are complex ideas that lie beyond the nature of each and all of our simple impressions. Differently put, Hume is insisting that our ideas of space and time, unlike our idea of, say, a shade of blue, are not derived unproblematically from a precedent, simple mental impression (or physiological sensation, ~ la Locke). Thus, according to Hume, our idea of space is not sensationally given; it is not traceable to an antecedent extended impression as our idea of blue is derived from a precedent impression of blue. Hume's insistence that our conception of space is nonsensational has perplexed competent commentators on Hume. Consequently, even so able an interpreteter as Kemp Smith has been puzzled "why it was that [Hume] did not take the more easy line of allowing 'extensity' to the sensations of sight and touch. ''2 Or again, "How is it that [Hume] has not taken what would seem to be for him the easier and more obvious course, at least as regards space--the course usually taken by those who hold a sensationalist theory of knowledge--that extensity is a feature of certain of our sensations (those given through the senses of touch and sight), and in consequence sensibly imaged?" (PDH, 280). Of this simpler solution both Hobbes (Leviathan, Pt. I, 1; De Corpore, Pt. II, 7, 8) and Locke (Essay, II, 8) had availed themselves prior to Hume. Hence, Kemp Smith has found the section to be tough going indeed and has contented himself, to a great extent, in simply offering a number of historical appendices, suggesting lines of influence on Hume, through passages discovered in the works of Pierre Bayle, Nicholas de Malezieu, and Isaac Barrow. Now, without denying that Hume studied and was influenced in part by the ' A Treatise of Hurnan Nature, ed. L. A. Selby-Bigge (Oxford, 1888); hereafter cited as T. 2 The Philosophy of David Hume (New York, 1964), p. 277; hereafter cited as PDH. [3871 388 HISTORY OF PHILOSOPHY thinking of these authors (as well as by Francis Hutcheson), I wish to take up and develop in this paper a "historical" suggestion first offered by a student of Kemp Smith's, Charles Hendel; and I shall extend Hendel's point and try to argue a "theoretic" one, namely, that Hume's phenomenalism in the section devoted to space and time is derived from, and closely akin to, a form of Leibnizian idealism. In 1925, Hendel argued that Hume was directly influenced by the Leibniz-Clarke debate over the ontological and epistemological status of space and time; and he held that for Hume space and time, as appearances, were ultimately grounded in the associative power of the imagination.' Thirty years later, in a second edition, Hendel disavowed his earlier claim concerning the imagination and avoided discussion of his prior view that Hume was influenced by the Leibniz-Clarke correspondence (1963 edition, pp. 501, 503). In Hume's Philosophy of Human Nature, which first appeared in 1932 (reissued by Archon, 1967; see pp. 64-65, 67, 73, 77), John Laird also intimated that... (shrink)

Our aim in this chapter is to shed light on Kant’s account of the pure forms of sensibility by focusing on a somewhat neglected issue: Kant’s restriction of his claims about space and time to the case of human sensibility. Kant argues that space and time are the pure forms of sensibility for human cognizers. But he also says that we cannot know whether space and time are likewise the pure forms (...) of sensibility for all discursive cognizers. A great deal of attention has focused on the first of these claims, both on how Kant argues for it and how it relates to transcendental idealism. But a satisfactory interpretation must also account for the second claim, and it must account for the fact that Kant endorses both of them. What we need is an explanation of why Kant thinks our knowledge that space and time are the pure forms of sensibility extends to all human beings but no further. (shrink)

My aim is to demonstrate the specificities and differences between transcendental deduction of concepts and deduction of the fundamental principles of pure practical reason in Kant’s metaphysics. First of all it is necessary to examine Kant’s attitude to the metaphysics of his time and the problem of its new justification. Kant in his philosophy explicated not only the theoretical world of cognition, but also the practical world of freedom. Accordingly, the fundamental means of proving metaphysics’ claims are the deduction of (...) pure concepts of understanding and the deduction of the principles of pure practical reason. The underlying premises of the Kantian project of reviving metaphysics, “the Copernican Turn”, the critical methods and basic principles of transcendental idealism also provide the methodological basis of transcendental deduction, a new method of proving the claims of metaphysics in various spheres of human being. Proceeding from the above, I analyse the essence, structure and the peculiarities as well as the differences between the deduction of experience and the deduction of freedom. I single out the following features of the two types of deduction. First, theoretical use of reason is aimed at objects while practical reason is aimed at noumena, the foundations of will and freedom. Second, the transcendental deduction of space and time, as well as the deduction of categories, is preceded by transcendental reduction, which is absent in the deduction of freedom. Third, Kant orients the methodological movement of deductions in opposite directions. Theoretical deduction proceeds from pure forms of sensible intuition to concepts of understanding and thence to fundamental principles. Practical deduction proceeds from a priori principles to the concepts of the metaphysics of morals and thence to moral feelings. Fourth, deduction in the theoretical sphere forbids speculative reason to go beyond experience. Practical deduction has pointed to the intelligible world and has proved its “legitimacy”. (shrink)

In the visual system, the represented features of individual objects (shape, colour, movement, and so on) are distributed both in space and time within the brain. Representations of inner and outer event sequences arrive through different sense organs at different times, and are likewise distributed. Objects are nevertheless perceived as integrated wholes - and event sequences are experienced to form a coherent "consciousness stream." In their thoughtful article, Dennett & Kinsbourne ask how this is achieved.

The current technoscientific progress has led to a sectorization in the philosophy of science. Today the philosophy of science isn't is informal interested in studying old problems about the general characteristics of scientific practice. The interest of the philosopher of science is the study of concepts, problems and riddles of particular disciplines. Then, within this progress of philosophy of science, neuroscientific research stands out, because it invades issues traditionally addressed by the humanities, such as the nature of consciousness, action, knowledge, (...) normativity, etc. As a result, the new area of interdisciplinary study of neuroscience and philosophy arises: neurophilosophy. This emerging area applies neuroscientific concepts to traditional philosophical questions, limiting their responses to neuroscientific revelations about nervous systems. Neurophilosophy research focuses on problems related to the indirect nature of mind and brain, computational or representative analysis of brain process, relationships between psychological and neuroscientific research, adequate adaptations of physical and philosophical concepts in neuroscience and the place of cognitive functions. Now, the temporal representation of conscious experience and the types of the neural architecture to represent objects in time have aroused scientific interest. Under these interests, we focus on the studies on the temporary triadic structure of phenomenological consciousness in Dan Lloyd and Rick Grush. From Grush’s studies, the importance of Kantian ideas for cognitive neuroscience emerges, due to the active way in which Kant conceived space and time as forms of intuition, within which the mind interprets its experience. Under this perspective, the theoretical arguments of Dennett-Kinsbourne and Eagleman-Sejnowski represent winks in the direction of Kant-Husserl within the neuroscientific goal while considering that the contents provided by the mind included space, objects and perception of causal relationships. Then, theories of cognitive neuroscience are beginning to suggest that these elements are also, as Kant argued, interpretative elaborations provided by mind / brain, and not only content received from outside. In other words, current cognitive neuroscientific theories try to pass from its Humean phase to a Kantian phase. So, the challenge has been to explain that these elements are provided by the mind and the world itself, and how they have the content they have come from. These are lacking in current studies. Filling this gap helps to involve the analysis of the scientist’s experience in his theoretical attitude. In this sense, an investigation under the Kantian-Husserlian approach that involves pure intuitions a priori with the experience of the scientific and neuroscientific concepts represents a ground-breaking. At present, a neurophilosophical study about this does not exist. In this sense, one feasible proposal for research would be based on the application of neuroscientific results of Moser-Britt to philosophical problems of foundational notions in relativistic physics: space, time, space-time, field, etc., under the Kantian-Husserlian approach, which allows to demonstrate the multidisciplinary link between neurophilosophy and physics. This represents a ground-breaking area in current interests in scientific research, with a positive impact in the field of neuroscience, and contributing to the study of abstraction emphasizing the importance of Kant’s Copernican turn and Husserl’s phenomenological ideas in the construction of physical theories. -/- . (shrink)

For Kant, the human cognitive faculty has two sub-faculties: sensibility and the understanding. Each has pure forms which are necessary to us as humans: space and time for sensibility; the categories for the understanding. But Kant is careful to leave open the possibility of there being creatures like us, with both sensibility and understanding, who nevertheless have different pure forms of sensibility. They would be finite rational beings and discursive cognizers. But they would (...) not be human. And this raises a question about the pure forms of the understanding. Does Kant leave open the possibility of discursive cognizers who have different categories? Even if other discursive cognizers might not sense like us, must they at least think like us? We argue that textual and systematic considerations do not determine the answers to these questions and examine whether Kant thinks that the issue cannot be decided. Consideration of his wider views on the nature and limits of our knowledge of mind shows that Kant could indeed remain neutral on the issue but that the exact form his neutrality can take is subject to unexpected constraints. The result would be an important difference between what Kant says about discursive cognizers with other forms of sensibility and what he is in a position to say about discursive cognizers with other forms of understanding. Kantian humility here takes on a distinctive character. (shrink)

As a result of the increasing economical exploitation of outer space, humanity faces a new challenge that, as well as having economic advantages, also entails a great many ecological hazards. At present, the human race is encroaching on outer space, particularly in the form of almost 5000 active satellites and the corresponding space debris they produce. For the large part, this debris burns up on entering the Earth’s atmosphere, yet time and again it still does cause damage. (...) However, this could change dramatically if, as is now foreseeable, further uses of outer space, such as tourism, so-called satellite mega-constellations, regular transport flights to the moon or even Mars and the extraction of water and valuable rocks from celestial bodies, are expanded. There is a danger that ecological damage like that of the earlier phases of economic development will become externalised and ultimately pose a threat to the whole of humanity. Sautter’s ‘global “sustainability trilemma”’ remains unresolved. This trilemma consists in the fact that, in political resolutions, ‘the growth of resource-intensive prosperity is weighted far more highly than the conservation of functioning ecosystems and the implementation of inter- and intragenerational “justice”’ and that there are ‘up until now no efficient and ethically acceptable solutions’ for this problem. In this situation, it is therefore more important that rules for the sustainable use of outer space be established and enshrined as legally binding so that it becomes possible to minimise or even to preclude negative ecological consequences.Contribution: Although the commercial use of outer space does not seem to be a crucial point, it marks a new step of the dynamics of modern economics that has to be identified as an important ethical challenge. The article discusses aspects of ethics, law, religion and economy in a multidisciplinary way. (shrink)

I The Kantian notion of ‘affection’ is indeed problematic and obscure. In so far as the subject is finite and does not create the object of knowledge, the latter must always be somehow given. The passive faculty of sensibility makes it possible for the object to appear. But this receptive character of the subject correlates to some affection. Something affects us, and our sensibility receives this affection under the pure forms of space and time. The (...) question that immediately arises is what performs the action of affecting. And any answer, in the theoretical framework of the transcendental idealism, is always troubling. If we say that the thing in itself affects us, we are speaking about something that is not cognoscible. If we say that the object performs the action of affecting, we are considering that the sensation that is involved in every experience is, at the same time, a result of an affection produced by the object of experience. (shrink)

In the present paper I aim to discuss the philosophical foundations of the early correspondence principle, by comparing the conceptual structure underlying the first correspondence principle with the procedure of analogy that Immanuel Kant introduced in the Critique of Judgment from 1790. On such a comparison, I will seek to demonstrate the consistency of the conceptual ratio according to which the correspondence principle is to the classical "concepts" of space and time, as these a priori forms of intuition, (...) in Kant, are related to the separate faculty of pure intuition. As a result, it will turn out that the conceptual structure of the correspondence principle suits to the Kantian doctrine of a separate faculty of pure intuition, which is divided from the faculty of understanding. The aim is to shed new light on the line of reasoning underlying Niels Bohr's analogical thinking in quantum physics. (shrink)

Could each and every one of us, instead of interacting with actual objects, really be brains in a vat? In the first chapter of his new book, Reason, Truth and History, Professor Putnam raises this and related questions with the aim of undermining what he calls the “metaphysical realist” or “externalist” conception of reality. Putnam describes metaphysical realism as a view which holds that the world consists in “some fixed totality of mind-independent objects”; truth on this view amounts to a (...) correspondence between words or thoughts and these objects. Putnam contrasts metaphysical realism with a doctrine which he names “internalism” and calls on Kant to explicate its basic ideas. Putnam claims that Kant was the first philosopher to see clearly the difficulties inherent in metaphysical realism. The doctrine of transcendental idealism, says Putnam, represents Kant’s attempt to avoid externalism. But is Kant’s doctrine really just an early version of Putnam’s internalism? In this paper I shall argue that it is not. Although Kant obviously rejects the position Putnam calls “externalism,” I shall try to show that Kant’s metaphysical theory is distinct from internalism. Kant couples transcendental idealism with a second doctrine of empirical realism, and this enables Kant to circumvent both the internalist’s coherence theory of truth as well as a simple-minded correspondence theory. To be sure, one of Kant’s major concerns is to argue against the possibility of knowing things-in-themselves; Kant thus maintains, as Putnam correctly points out, that the nature of perceivers must figure in the nature of what is perceived. But this is not to say, as Putnam implies, that there is no mind-independent reality in Kant’s theory. On the contrary, Kant’s Refutation of Idealism—an argument that strikingly resembles the first horn of Putnam’s brain-in-a-vat dilemma—is designed to establish the existence of “matter,” which is Kant’s general term for what we might call the “external” or the “mind-independent.” Kant does argue that the perception of matter must accord with space and time, the two forms of sensibility, and this is the source of his transcendental idealism. But if we take this to mean that there cannot be anything independent of our minds or of our conceptual schemes, then we miss the point of Kant’s double doctrine of transcendental idealism and empirical realism, which is intended to avoid a coherence-only theory of truth while yet affirming that objects are knowable only as appearances. Putnam, by running together a number of Kantian notions, misrepresents Kant’s position and thus fails to see that Kant does offer an alternative to both metaphysical realism and internalism. I shall begin my defense of the claim that Kant does provide a third alternative by exploring more fully the debate between Putnam and the externalist concerning the BV dilemma. I shall then explore the Refutation of Idealism to support my claim that Putnam’s internalism is distinct from transcendental idealism. We shall see in section IV that in interpreting Kant on transcendental idealism Putnam makes two crucial mistakes which lead him to equate internalism with transcendental idealism. The result of these mistakes is discussed in section V. (shrink)

This paper defends Kant against a neo‐Hegelian line of criticism, recently advanced by John McDowell, Robert Pippin, and Sebastian Rödl, targeting Kant's alleged claim that forms of sensibility other than space and time are possible. If correct, the criticism identifies a deep problem in Kant's position and points toward Hegel's position and method as its natural solution. I show that Kant has the philosophical resources to respond effectively to the criticism, notably including the set of claims about (...) the limits of meaningful thought that P. F. Strawson calls Kant's “principle of significance.” By Kant's lights, first, the concept “non‐spatio‐temporal form of sensibility” is meaningless, so he cannot meaningfully grant that such a form is possible; and second, there is no need to prove (e.g., from reflection on pure intellect) that non‐spatio‐temporal forms of sensibility are impossible, because insofar as the concept “knowing” means anything, that meaning is provided by our own always‐already‐spatio‐temporal case. An upshot of the argument is that Kant's two “stems” of knowledge or cognition, sensibility and understanding, are merely aspects of a single epistemic capacity rather than each a separate capacity in its own right. Many today are unwilling to take Kant's claims about the limits of meaningful thought at face value, notwithstanding their ubiquity and explicitness. This paper is therefore an indirect argument on behalf of that dimension of Kant's position: We have something significant to lose in not taking it seriously. (shrink)

The paper focuses on a discussion about McDowell’s "conceptualist" interpretation of Kant’s theory of experience, as one in which all representational content is identified with conceptual content. Both in Mind and WorldM and in his Woodbridge Lectures, McDowell furthers a reading on which the "picture of visual experiences as conceptual shapings of visual consciousness is already deeply Kantian", supporting it with Kant’s famous claim from the A51/ B75 passage of the Critique of Pure Reason, which can be called a (...) Cooperation Thesis. However, much indicates that McDowell’s reading is, if not altogether false, then at least one-sided. In the "Transcendental Aesthetic", as well as in some of the pre-Critical writings , Kant presented a range of arguments for a subjective, non-discursive character of space and time, i.e. the forms of sensible intuition and pure intuitions themselves, underlying all conceptual cognition, and providing a non-conceptual basis for a special kind of synthetic a priori cognition . This allows us to conclude that he would rather take the side of the contemporary “nonconceptualists”, and could be regarded as their predecessor, to use R. Hanna’s formulation. On this reading of the Kantian theory of empirical cognition, intentionality is independent of and prior to any application of concepts to the objects of experience. (shrink)

The essays in this volume explore those aspects of Kant’s writings which concern issues in the philosophy of mind. These issues are central to any understanding of Kant’s critical philosophy and they bear upon contemporary discussions in the philosophy of mind. Fourteen specially written essays address such questions as: What role does mental processing play in Kant’s account of intuition? What kinds of empirical models can be given of these operations? In what sense, and in what ways, are intuitions object-dependent? (...) How should we understand the nature of the imagination? What is inner sense, and what does it mean to say that time is the form of inner sense? Can we cognize ourselves through inner sense? How do we self-ascribe our beliefs and what role does self-consciousness play in our judgments? Is the will involved in judging? What kind of knowledge can we have of the self ? And what kind of knowledge of the self does Kant proscribe? These essays showcase the depth of Kant’s writings in the philosophy of mind, and the centrality of those writings to his wider philosophical project. Moreover, they show the continued relevance of Kant’s writings to contemporary debates about the nature of mind and self. Contents: 0. Introduction Anil Gomes and Andrew Stephenson 1. Kant, The Philosophy Of Mind, And Twentieth Century Analytic Philosophy Anil Gomes 2. Synthesis And Binding Lucy Allais 3. Understanding Non-Conceptual Representation Of Objects: Empirical Models Of Sensibility’s Operation Katherine Dunlop 4. Are Kantian Intuitions Object-Dependent? Stefanie Grüne 5. Intuition And Presence Colin McLear 6. Imagination And Inner Intuition Andrew Stephenson 7. Inner Sense And Time Ralf M. Bader 8. Can’t Kant Cognize Himself? Or, A Problem For (Almost) Every Interpretation Of The Refutation Of Idealism Andrew Chignell 9. A Kantian Critique Of Transparency Patricia Kitcher 10. Judging For Reasons: On Kant And The Modalities Of Judgment Jessica Leech 11. Kant On Judging And The Will Jill Vance Buroker 12. Self and Selves Ralph C. S. Walker 13. Subjects Of Kant’s First Paralogism Tobias Rosefeldt 14. The Lessons Of Kant’s Paralogisms Paul Snowdon. (shrink)

There May Be No Succinct Way to articulate Kant’s doctrine of transcendental idealism without begging certain interpretive questions. Roughly, however, it is the tripartite doctrine that The objects of outer sense, along with those of inner sense, are mere appearances, not things in themselves. Space and time are merely forms of these appearances, and thus things in themselves are neither spatial nor temporal. We can have no cognition (Erkenntnis) of things in themselves. One’s understanding of these claims (...) turns mostly on how one understands the distinction between things in themselves and appearances. And this distinction is where much of the interpretive controversy lies. In this paper .. (shrink)

What can we say of space and time when we consider them as attributes of nature and as attributes of nature in the context of experience? The following is an examination of this question in the light of those portions of the writings of Locke and Kant which were concerned with it. Since men have no difficulty in speaking about and utilizing the familiar spatial and temporal relations of things, we begin with these and shall avoid definition and debate (...) except insofar as it is pertinent to the present inquiry. Nor shall we consider it necessary to examine space and time in any other context as, for example, that of modern physics. The familiar world is the necessary condition for the conception of any intellectual development of it, and to begin with the intellectual development is to render it unintelligible. This is evidenced in several ways. When we begin with physics and mathematics, we cannot account for the world within which we live and consequently end in scepticism about it, whereas this is not the case when we begin with the actual world itself. Furthermore, the manifestly perceptible is indispensible to scientific enquiry for we must employ instruments and objects directly accessible to experience. Without these there would be neither experiment, observation nor inference. Communication would be impossible without it as well as discussion about subject matters such as logic and esthetics. It is for these reasons, therefore, that we begin with the familiar spatial and temporal relations of things. (shrink)

While sharing some features in common with presentist accounts of time, Hegel’s theory of time fundamentally offers an alternative to standard A-Theories, B-Theories, and C-Theories of time. While compatible with Kantian ideality of time on the one hand and spacetime in the theory of general relativity on the other, Hegel’s theory of time reaches beyond both a transcendental form of sensibility on the one hand and a paradigm for material motion in physics, on the other. Further, while Hegel’s (...) theory of time provides reason to reject such theories of time as the Moving Spotlight, Growing and Shrinking Block, and a range of others, my interest here is in making comprehensible Hegel’s theory of time itself. I will argue that according to Hegel’s theory, the past and the future exist as constitutive of the now, and the now is not separable from space, but rather is itself spatial becoming. Stemming from his underlying logic of actuality and becoming, Hegel espouses the view that history (the past) and future possibility are present and constitutive of the “now.” Understanding his theory of time will also help shed some light on a systematic feature found across his philosophy of nature and mind. Additionally, while his theory presents an elegant notion of time within his philosophy, it also offers an intuitive and productive solution for a traditional identity problem of concrete particulars across time and intervenes in contemporary philosophy of time. (shrink)

This paper compares Cohen’s Logic of Pure Knowledge and Cassirer’s Substance and Function in order to evaluate how in these works Cohen and Cassirer go beyond the limits established by Kantian philosophy. In his Logic, Cohen seeks to ground in pure thought all the elements which Kant distinguishes in empirical intuition: its matter (sensation) as well as its form (time and space). In this way, Cohen tries to provide an account of knowledge without appealing to any receptivity. In (...) accordance with Cohen’s project of reformulating the Kantian theory of sensibility, Cassirer undertakes in Substance and Function the task of developing an alternative doctrine of pure and empirical manifolds. But whereas Cohen analyzes the laws of pure thought, Cassirer aims to highlight the functional character of concepts in the development of modern mathematics and physics. I will discuss these two different approaches to the problems raised by Kantian philosophy and I will argue that Cassirer went further than Cohen in the project of critical idealism. (shrink)

Heidegger’s reading of Kant is deciphered to have illuminated his own project concerning the basic question of Ontology, Time, Space and History [Temporality, Spatiality and Historicity] embodying the novel description of Human reality in terms of Mit-Dasein and Mit-welt [Subjectivity with the public face]. Kant’s Critique of Pure Reason led Heidegger develop his own project of Existential Phenomenology contrary to Husserilian Phenomenology. We will discuss the Kantian Heidegger following the two main issues: one, Heidegger appreciates Kant on his (...) identifying and exploring the difference of ontic/ontological. Two, Kant prioritizes time over space. Heidegger would explore the subject of ontic/ontological difference in the sense that ontic knowledge is the knowledge of particular beings, whereas ontological knowledge is described as the a priori condition inferring the ontic knowledge. In this sense ontological knowledge pertains to question of being rather than beings. This is how Heidegger’s Kant interpretation would differ from the Neo-Kantianism of Marburg School which argued that Critique of Pure Reason is a work of epistemology. In contrast to this position, Heidegger held that Critique is a unique work of transcendental philosophy; it is theory of ontological knowledge but not ontic knowledge. Ontic knowledge of beings must conform to Being of beings [ontological foundation]. Heidegger holds that this should be Kant’s “Copernican Revolution”. However, Heidegger would appropriate the Kantian notion of time in the form of temporality of Dasein. Being manifests itself on beings through Being-there [Human reality] who purely understands Being. For Heidegger, temporality of Dasein is the foundation of ontological knowledge indeed. (shrink)

At various times in his "Pre-critical" and "Critical" periods, Kant presented an argument about the nature of space that has come to be called the "Incongruous Counterparts" argument. First presented in his 1768 essay, Concerning the Ultimate Foundation for the Differentiation of Regions in Space, the argument holds that two objects, such as two human hands, might be exact counterparts, that is, identical in "size and proportion and... the situation of the parts relative to each other," and yet (...) might be still "incongruent," that there is no continuous rigid motion which brings them into coincidence in space; or, that they are, though counterparts, incongruently left and right hands. This argument appears in 1768, in the Dissertation of 1770, the Prolegomena of 1783 and the Metaphysical Foundations of Natural Science in 1786. Unfortunately, while the details of the argument are virtually the same, the conclusions are not. Kant seems to have claimed that the argument shows: that a Leibnizean, relational theory of space was wrong; that a theory of absolute space was correct; that space was a pure form of sensibility and that space was transcendentally ideal, i.e., that space was not and could not be a feature of things in themselves. In the secondary literature, commentators who have dealt with this issue have simply noted the odd history of the argument and lamented it. Buroker's ambitious and interesting thesis in this book is not only that Kant's use of the argument is consistent and interconnected, but that the argument can be seen as the "origin" of Kant's idealism. She argues both of these points by arguing, in the great majority of cases, more for a logical than an actual or historical connection among the conclusions Kant drew from the argument; i.e., that she can illuminate the reasoning that led Kant from a rejection of Leibniz's relational view to his radical separation between sensibility and understanding, and then to his view that things in themselves are both unknowable and non-spatial. (shrink)

Transpersonal psychology: Dean, S. R. The ultraconscious mind. Arasteh, A. R. Final integration in the adult personality.--The nature of madness: First, E. Visions, voyages, and new interpretations of madness. Van Dusen, W. Hallucinations as the world of spirits.--Biofeedback: White, J. The yogi in the lab. Kiefer, D. EEG alpha feedback and subjective states of consciousness.--Meditation research: Griffith, F. F. Meditation research: its personal and social implications. Kiefer, D. Intermeditation notes: reports from inner space.--Psychic research: Honorton, C. Tracing ESP (...) through altered states of consciousness. Johnson, C. W. Unexplored areas of parapsychology.--Paraphysics: White, J. Plants, polygraphs, and paraphysics. Reiser, O. L. Messages to and from the galaxy.--Biotechnology: Beal, J. B. The new biotechnology. Tiller, W. A. Energy fields and the human body.--The neurosciences: Conway, H. Life, death, and antimatter. Floyd, K. Of time and mind: from paradox to paradigm.--Ecological consciousness: Smith, R. A. Our passport to evolutionary awareness. Esser, A. H. Synergy and social pollution in the communal imagery of mankind.--Space travel and extraterrestrial life: Mitchell, E. D. Global consciousness and the view from space. White, J. Exobiology--where science fiction meets science fact.--Death as an altered state of consciousness: Tietze, T. R. Some perspectives on survival. Noyes, R. Dying and mystical consciousness. (shrink)

continent. 1.1 : 3-13. / 0/ – Introduction I want to propose, as a trajectory into the philosophically weird, an absurd theoretical claim and pursue it, or perhaps more accurately, construct it as I point to it, collecting the ground work behind me like the Perpetual Train from China Mieville's Iron Council which puts down track as it moves reclaiming it along the way. The strange trajectory is the following: Kant's critical philosophy and much of continental philosophy which has followed, (...) has been a defense against horror and madness. Kant's prohibition on speculative metaphysics such as dogmatic metaphysics and transcendental realism, on thinking beyond the imposition of transcendental and moral constraints, has been challenged by numerous figures proceeding him. One of the more interesting critiques of Kant comes from the mad black Deleuzianism of Nick Land stating, “Kant’s critical philosophy is the most elaborate fit of panic in the history of the Earth.” And while Alain Badiou would certainly be opposed to the libidinal investments of Land's Deleuzo-Guattarian thought, he is likewise critical of Kant's normative thought-bureaucracies: Kant is the one author for whom I cannot feel any kinship. Everything in him exasperates me, above all his legalism—always asking Quid Juris? Or ‘Haven’t you crossed the limit?’—combined, as in today’s United States, with a religiosity that is all the more dismal in that it is both omnipresent and vague. The critical machinery he set up has enduringly poisoned philosophy, while giving great succour to the academy, which loves nothing more than to rap the knuckles of the overambitious [….] That is how I understand the truth of Monique David-Menard’s reflections on the properly psychotic origins of Kantianism. I am persuaded that the whole of the critical enterprise is set up to to shield against the tempting symptom represented by the seer Swedenborg, or against ‘diseases of the head’, as Kant puts it. An entire nexus of the limits of reason and philosophy are set up here, namely that the critical philosophy not only defends thought from madness, philosophy from madness, and philosophy from itself, but that philosophy following the advent of the critical enterprise philosophy becomes auto-vampiric; feeding on itself to support the academy. Following Francois Laruelle's non-philosophical indictment of philosophy, we could go one step further and say that philosophy operates on the material of what is philosophizable and not the material of the external world. [1] Beyond this, the Kantian scheme of nestling human thinking between our limited empirical powers and transcendental guarantees of categorical coherence, forms of thinking which stretch beyond either appear illegitimate, thereby liquefying both pre-critical metaphysics and the ravings of the mad in the same critical acid. In rejecting the Kantian apparatus we are left with two entities – an unsure relation of thought to reality where thought is susceptible to internal and external breakdown and a reality with an uncertain sense of stability. These two strands will be pursued, against the sane-seal of post-Kantian philosophy by engaging the work of weird fiction authors H.P. Lovecraft and Thomas Ligotti. The absolute inhumanism of the formers universe will be used to describe a Shoggothic Materialism while the dream worlds of the latter will articulate the mad speculation of a Ventriloquil Idealism. But first we must address the relation of philosophy to madness as well as philosophy to weird fiction. /1/ – Philosophy and Madness There is nothing that the madness of men invents which is not either nature made manifest or nature restored. Michel Foucault. Madness and Civilization. The moment I doubt whether an event that I recall actually took place, I bring the suspicion of madness upon myself: unless I am uncertain as to whether it was not a mere dream. Arthur Schopenhauer. The World as Will and Idea, Vol. 3. Madness is commonly thought of as moving through several well known cultural-historical shifts from madness as a demonic or otherwise theological force, to rationalization, to medicalization psychiatric and otherwise. Foucault's Madness and Civilization is well known for orientating madness as a form of exclusionary social control which operated by demarcating madness from reason. Yet Foucault points to the possibility of madness as the necessity of nature at least prior to the crushing weight of the church. Kant’s philosophy as a response to madness is grounded by his humanizing of madness itself. As Adrian Johnston points out in the early pages of Time Driven pre-Kantian madness meant humans were seized by demonic or angelic forces whereas Kantian madness became one of being too human. Madness becomes internalized, the external demonic forces become flaws of the individual mind. Foucault argues that, while madness is de-demonized it is also dehumanized during the Renaissance, as madmen become creatures neither diabolic nor totally human reduced to the zero degree of humanity. It is immediately clear why for Kant, speculative metaphysics must be curbed – with the problem of internal madness and without the external safeguards of transcendental conditions, there is nothing to formally separate the speculative capacities for metaphysical diagnosis from the mad ramblings of the insane mind – both equally fall outside the realm of practicality and quotidian experience. David-Menard's work is particularly useful in diagnosing the relation of thought and madness in Kant's texts. David-Menard argues that in Kant's relatively unknown “An Essay on the Maladies of the Mind” as well as his later discussion of the Seer of Swedenborg, that Kant formulates madness primarily in terms of sensory upheaval or other hallucinatory theaters. She writes: “madness is an organization of thought. It is made possible by the ambiguity of the normal relation between the imaginary and the perceived, whether this pertains to the order of sensation or to the relations between our ideas” Kant's fascination with the Seer forces Kant between the pincers of “aesthetic reconciliation” – namely melancholic withdrawal – and “a philosophical invention” – namely the critical project. Deleuze and Guattari's schizoanalysis is a combination and reversal of Kant's split, where an aesthetic over engagement with the world entails prolific conceptual invention. Their embrace of madness, however, is of course itself conceptual despite all their rhizomatic maneuvers. Though they move with the energy of madness, Deleuze and Guattari save the capacity of thought from the fangs of insanity by imbuing materiality itself with the capacity for thought. Or, as Ray Brassier puts it, “Deleuze insists, it is necessary to absolutize the immanence of this world in such a way as to dissolve the transcendent disjunction between things as we know them and as they are in themselves”. That is, whereas Kant relied on the faculty of judgment to divide representation from objectivity Deleuze attempts to flatten the whole economy beneath the juggernaut of ontological univocity. Speculation, as a particularly useful form of madness, might fall close to Deleuze and Guattari’s shaping of philosophy into a concept producing machine but is different in that it is potentially self destructive – less reliant on the stability of its own concepts and more adherent to exposing a particular horrifying swath of reality. Speculative madness is always a potential disaster in that it acknowledges little more than its own speculative power with the hope that the gibbering of at least a handful of hysterical brains will be useful. Pre-critical metaphysics amounts to madness, though this may be because the world itself is mad while new attempts at speculative metaphysics, at post-Kantian pre-critical metaphysics, are well aware of our own madness. Without the sobriety of the principle of sufficient reason we have a world of neon madness: “we would have to conceive what our life would be if all the movements of the earth, all the noises of the earth, all the smells, the tastes, all the light – of the earth and elsewhere, came to us in a moment, in an instant – like an atrocious screaming tumult of things”. Speculative thought may be participatory in the screaming tumult of the world or, worse yet, may produce its spectral double. Against theology or reason or simply commonsense, the speculative becomes heretical. Speculation, as the cognitive extension of the horrorific sublime should be met with melancholic detachment. Whereas Kant's theoretical invention, or productivity of thought, is self -sabotaging, since the advent of the critical project is a productivity of thought which then delimits the engine of thought at large either in dogmatic gestures or non-systematizable empirical wondrousness. The former is celebrated by the fiction of Thomas Ligotti whereas the latter is espoused by the tales of H.P. Lovecraft. /2/ – Weird Fiction and Philosophy. Supernatural horror, in all its eerie constructions, enables a reader to taste treats inconsistent with his personal welfare. Thomas Ligotti Songs of a Dead Dreamer. I choose weird stories because they suit my inclination best—one of my strongest and most persistent wishes being to achieve,momentarily, the illusion of some strange suspension or violation of the galling limitations of time, space, and natural law which forever imprison us and frustrate our curiosity about the infinite cosmic spaces beyond the radius of our sight and analysis H.P. Lovecraft. “Notes on Writing Weird Fiction” Lovecraft states that his creation of a story is to suspend natural law yet, at the same time, he indexes the tenuousness of such laws, suggesting the vast possibilities of the cosmic. The tension that Lovecraft sets up between his own fictions and the universe or nature is reproduced within his fictions in the common theme of the unreliable narrator; unreliable precisely because they are either mad or what they have witnessed questions the bounds of material reality. In “The Call of Cthulhu” Lovecraft writes: The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the deadly light into the peace and safety of a new dark age. Despite Lovecraft's invocations of illusion, he is not claiming that his fantastic creations such as the Old Ones are supernatural but, following Joshi, are only ever supernormal. One can immediately see that instead of nullifying realism Lovecraft in fact opens up the real to an unbearable degree. In various letters and non-fictional statements Lovecraft espoused strictly materialist tenets, ones which he borrowed from Hugh Elliot namely the uniformity of law, the denial of teleology and the denial of non-material existence. Lovecraft seeks to explore the possibilities of such a universe by piling horror upon horror until the fragile brain which attempts to grasp it fractures. This may be why philosophy has largely ignored weird fiction – while Deleuze and Guattari mark the turn towards weird fiction and Lovecraft in particular, with the precursors to speculative realism as well as contemporary related thinkers have begun to view Lovecraft as making philosophical contributions. Lovecraft's own relation to philosophy is largely critical while celebrating Nietzsche and Schopenhauer. This relationship of Lovecraft to philosophy and philosophy to Lovecraft is coupled with Lovecraft's habit of mercilessly destroying the philosopher and the figure of the academic more generally in his work, a destruction which is both an epistemological destruction and an ontological destruction. Thomas Ligotti's weird fiction which he has designated as a kind of “confrontational escapism” might be best described in the following quote from one of his shortstories, “The human phenomenon is but the sum of densely coiled layers of illusion each of which winds itself on the supreme insanity. That there are persons of any kind when all there can be is mindless mirrors laughing and screaming as they parade about in an endless dream”. Whereas Lovecraft's weirdness draws predominantly from the abyssal depths of the uncharted universe, Ligotti's existential horror focuses on the awful proliferation of meaningless surfaces that is, the banal and every day function of representation. In an interview, Ligotti states: We don't even know what the world is like except through our sense organs, which are provably inadequate. It's no less the case with our brains. Our whole lives are motored along by forces we cannot know and perceptions that are faulty. We sometimes hear people say that they're not feeling themselves. Well, who or what do they feel like then? This is not to say that Ligotti sees nothing beneath the surface but that there is only darkness or blackness behind it, whether that surface is on the cosmological level or the personal. By addressing the implicit and explicit philosophical issues in Ligotti's work we will see that his nightmarish take on reality is a form of malevolent idealism, an idealism which is grounded in a real, albeit dark and obscure materiality. If Ligotti's horrors ultimately circle around mad perceptions which degrade the subject, it takes aim at the vast majority of the focus of continental philosophy. While Lovecraft's acidic materialism clearly assaults any romantic concept of being from the outside, Ligotti attacks consciousness from the inside: Just a little doubt slipped into the mind, a little trickle of suspicion in the bloodstream, and all those eyes of ours, one by one, open up to the world and see its horror [...] Not even the solar brilliance of a summer day will harbor you from horror. For horror eats the light and digests it into darkness. Clearly, the weird fiction of Lovecraft and Ligotti amount to a anti-anthrocentric onslaught against the ramparts of correlationist continental philosophy. /3/ – Shoggothic Materialism or the Formless Formless protoplasm able to mock and reflect all forms and organs and processes—viscous agglutinations of bubbling cells—rubbery fifteen-foot spheroids infinitely plastic and ductile—slaves of suggestion, builders of cities—more and more sullen, more and more intelligent, more and more amphibious, more and more imitative—Great God! What madness made even those blasphemous Old Ones willing to use and to carve such things? H.P. Lovecraft. “At the Mountains of Madness” On the other hand, affirming that the universe resembles nothing and is only formless amounts to saying that the universe is something like a spider or spit. Georges Bataille. “Formless”. The Shoggoths feature most prominently in H.P. Lovecraft's shortstory “At the Mountains of Madness” where they are described in the following manner: It was a terrible, indescribable thing vaster than any subway train – a shapeless congeries of protoplasmic bubbles, faintly self -luminous, and with myriads of temporary eyes forming and un-forming as pustules of greenish light all over the tunnel-filling front that bore down upon us, crushing the frantic penguins and slithering over the glistening floor that it and its kind had swept so evilly free of all litter. The term is a litmus test for materialism itself as the Shoggoth is an amorphous creature. The Shoggoths were living digging machines bio engineered by the Elder Things, and their protoplasmic bodies being formed into various tools by their hypnotic powers. The Shoggoths eventually became self aware and rose up against their masters in an ultimately failed rebellion. After the Elder Ones retreated into the oceans leaving the Shoggoths to roam the frozen wastes of the Antarctic. The onto-genesis of the Shoggoths and their gross materiality, index the horrifyingly deep time of the earth a concept near and dear to Lovecraft's formulation of horror as well as the fear of intelligences far beyond, and far before, the ascent of humankind on earth and elsewhere. The sickly amorphous nature of the Shoggoths invade materialism at large, where while materiality is unmistakably real ie not discursive, psychological, or otherwise overly subjectivist, it questions the relation of materialism to life. As Eugene Thacker writes: The Shoggoths or Elder Things do not even share the same reality with the human beings who encounter them—and yet this encounter takes place, though in a strange no-place that is neither quite that of the phenomenal world of the human subject or the noumenal world of an external reality. Amorphous yet definitively material beings are a constant in Lovecraft's tales. In his tale “The Dream-Quest of Unknown Kadatth” Lovecraft describes Azathoth as, “that shocking final peril which gibbers unmentionably outside the ordered universe,” that, “last amorphous blight of nethermost confusion which blashphemes and bubbles at the centre of all infinity,” who, “gnaws hungrily in inconceivable, unlighted chambers beyond time”. Azathoth's name may have multiple origins but the most striking is the alchemy term azoth which is both a cohesive agent and a acidic creation pointing back to the generative and the decayed. The indistinction of generation and degradation materially mirrors the blur between the natural and the unnatural as well as life and non-life. Lovecraft speaks of the tension between the natural and the unnatural is his short story “The Unnameable.” He writes, “if the psychic emanations of human creatures be grotesque distortions, what coherent representation could express or portray so gibbous and infamous a nebulousity as the spectre of a malign, chaotic perversion, itself a morbid blasphemy against Nature?”. Lovecraft explores exactly the tension outlined at the beginning of this chapter, between life and thought. At the end of his short tale Lovecraft compounds the problem as the unnameable is described as “a gelatin—a slime—yet it had shapes, a thousand shapes of horror beyond all memory”. Deleuze suggests that becoming-animal is operative throughout Lovecraft's work, where narrators feel themselves reeling at their becoming non-human or of being the anomalous or of becoming atomized. Following Eugene Thacker however, it may be far more accurate to say that Lovecraft's tales exhibit not a becoming-animal but a becoming-creature. Where the monstrous breaks the purportedly fixed laws of nature, the creature is far more ontologically ambiguous. The nameless thing is an altogether different horizon for thought. The creature is either less than animal or more than animal – its becoming is too strange for animal categories and indexes the slow march of thought towards the bizarre. This strangeness is, as aways, some indefinite swirling in the category of immanence and becoming. Bataille begins “The Labyrinth” with the assertion that being, to continue to be, is becoming. More becoming means more being hence the assertion that Bataille's barking dog is more than the sponge. This would mean that the Shoggotth is altogether too much being, too much material in the materialism. Bataille suggests that there is an immanence between the eater and the eaten, across the species and never within them. That is, despite the chaotic storm of immanence there must remain some capacity to distinguish the gradients of becoming without reliance upon, or at least total dependence upon, the powers of intellection to parse the universe into recognizable bits, properly digestible factoids. That is, if we undo Deleuze's aforementioned valorization of sense which, for his variation of materialism, performed the work of the transcendental, but refuse to reinstate Kant's transcendental disjunction between thing and appearance, then it must be a quality of becoming-as-being itself which can account for the discernible nature of things by sense. In an interview with Peter Gratton, Jane Bennett formulates the problem thusly: What is this strange systematicity proper to a world of Becoming? What, for example, initiates this congealing that will undo itself? Is it possible to identify phases within this formativity, plateaus of differentiation? If so, do the phases/plateaus follow a temporal sequence? Or, does the process of formation inside Becoming require us to theorize a non-chronological kind of time? I think that your student’s question: “How can we account for something like iterable structures in an assemblage theory?” is exactly the right question. Philosophy has erred too far on the side of the subject in the subject-object relation and has furthermore, lost the very weirdness of the non-human. Beyond this, the madness of thought need not override. /4/ - Ventriloquial Idealism or the Externality of Thought My aim is the opposite of Lovecraft's. He had an appreciation for natural scenery on earth and wanted to reach beyond the visible in the universe. I have no appreciation for natural scenery and want the objective universe to be a reflection of a character. Thomas Ligotti. “Devotees of Decay and Desolation.” Unless life is a dream, nothing makes sense. For as a reality, it is a rank failure [….] Horror is more real than we are. Thomas Ligotti. “Professor Nobody's Little Lectures on Supernatural Horror”. Thomas Ligotti's tales are rife with mannequins, puppets, and other brainless entities which of replace the valorized subject of philosophy – that of the free thinking human being. His tales such as “The Dream of the Manikin” aim to destroy the rootedness of consciousness. James Trafford has connected the anti-egoism of Ligotti to Thomas Metzinger – where the self is at best an illusion and we plead desperately for someone else to acknowledge that we are real. Trafford has stated it thus, “Life is played out as an inescapable puppet show, an endless dream in which the puppets are generally unaware that they are trapped within a mesmeric dance of whose mechanisms they know nothing and over which they have no control”. An absolute materialism, for Ligotti, implies an alienation of the idea which leads to a ventriloquil idealism. As Ligotti notes in an interview, “the fiasco and nightmare of existence, the particular fiasco and nightmare of human existence, the sense that people are puppets of powers they cannot comprehend, etc.” And then further elaborates that,“[a]ssuming that anything has to exist, my perfect world would be one in which everyone has experienced the annulment of his or her ego. That is, our consciousness of ourselves as unique individuals would entirely disappear”. The externality of the idea leads to the unfortunate consequence of consciousness eating at itself through horror which, for Ligotti, is more real than reality and goes beyond horror-as-affect. Beyond this, taking together with the unreality of life and the ventriloquizing of subjectivity, Ligotti's thought becomes an idealism in which thought itself is alien and ultimately horrifying. The role of human thought and the relation of non-relation of horror to thought is not completely clear in Ligotti's The Conspiracy Against the Human Race. Ligotti argues in his The Conspiracy Against the Human Race,that the advent of thought is a mistake of nature and that horror is being in the sense that horror results from knowing too much. Yet, at the same time, Ligotti seems to suggest that thought separates us from nature whereas, for Lovecraft, thought is far less privileged – mind is just another manifestation of the vital principal, it is just another materialization of energy. In his brilliant “Prospects for Post-Copernican Dogmatism” Iain Grant rallies against the negative definition of dogmatism and the transcendental, and suggests that negatively defining both over-focuses on conditions of access and subjectivism at the expense of the real or nature. With Schelling, who is Grant's champion against the subjectivist bastions of both Fichte and Kant, Ligotti's idealism could be taken as a transcendental realism following from an ontological realism. Yet the transcendental status of Ligotti's thought move towards a treatment of the transcendental which may threaten to leave beyond its realist ground. Ligotti states: Belief in the supernatural is only superstition. That said, a sense of the supernatural, as Conrad evidenced in Heart of Darkness, must be admitted if one's inclination is to go to the limits of horror. It is the sense of what should not be- the sense of being ravaged by the impossible. Phenomenally speaking, the super-natural may be regarded as the metaphysical counterpart of insanity, a transcendental correlative of a mind that has been driven mad. Again, Ligotti equates madness with thought, qualifying both as supernatural while remaining less emphatic about the metaphysical dimensions of horror. The question becomes one of how exactly the hallucinatory realm of the ideal relates to the black churning matter of Lovecraft's chaos of elementary particles. In his tale “I Have a Special Plan for This World” Ligotti formulates thus: A: There is no grand scheme of things. B: If there were a grand scheme of things, the fact – the fact – that we are not equipped to perceive it, either by natural or supernatural means, is a nightmarish obscenity. C: The very notion of a grand scheme of things is a nightmarish obscenity. Here Ligotti is not discounting metaphysics but implying that if it does exist the fact that we are phenomenologically ill-equipped to perceive that it is nightmarish. For Ligotti, nightmare and horror occur within the circuit of consciousness whereas for Lovecraft the relation between reality and mind is less productive on the side of mind. It is easier to ascertain how the Kantian philosophy is a defense against the diseases of the head as Kant armors his critical enterprise from too much of the world and too much of the mind. The weird fiction of both Lovecraft and Ligotti demonstrates that there is too much of both feeding into one another in a way that corrodes the Kantian schema throughly, breaking it down into a dead but still ontologically potentiated nigredo. The haunting, terrifying fact of Ligotti's idealism is that the transcendental motion which brought thought to matter, while throughly material and naturalized, brings with it the horror that thought cannot be undone without ending the material that bears it either locally or completely. Thought comes from an elsewhere and an elsewhen being-in-thought. The unthinkable outside thought is as maddening as the unthought engine of thought itself within thought which doesn't exist except for the mind, the rotting décor of the brain. /5/ - Hyperstitional Transcendental Paranoia or Self -Expelled Thought Weird fiction has been given some direct treatment in philosophy in the mad black Deleuzianism of Nick Land. Nick Land along with others in the 1990s created the Cyber Culture Research Unit as well as the research group Hyperstition. The now defunct hyperstitional website, an outgrowth of the Cyber Culture Research Unit, defined hyperstition in the following fourfold: 1-Element of effective culture that makes itself real. 2-Fictional quantity functional as a time-traveling device. 3-Coincidence intensifier. 4-Call to the Old Ones. The distinctively Lovecraftian character of hyperstition is hard to miss as is its Deleuzo-Guattarian roots. In the opening pages of A Thousand Plateaus Deleuze and Guattari write, “We have been criticized for over-quoting literary authors. But when one writes, the only question is which other machine the literary machine can be plugged into”. The indisinction of literature and philosophy mirrors the mess of being and knowing as post-correlationist philosophy, where philosophy tries to make itself real where literature, especially the weird, aims itself at the brain-circuit of horror. The texts of both Lovecraft and Ligotti work through horror as epistemological plasticity meeting with proximity as well as the deep time of Lovecraft and the glacially slow time of paranoia in Ligotti. Against Deleuze, and following Brassier, we cannot allow the time of consciousness, the Bergsonian time of the duree, to override natural time, but instead acknowledge that it is an unfortunate fact of existence as a thinking being. Horror-time, the time of consciousness, with all its punctuated moments and drawn out terrors, cannot compare to the deep time of non-existence both in the unreachable past and the unknown future. The crystalline cogs of Kant's account of experience as the leading light for the possibility of metaphysics must be throughly obliterated. His gloss of experience in Prolegomena to any Future Metaphysics could not be more sterile: Experience consists of intuitions, which belong to the sensibility, and of judgments, which are entirely a work of the understanding. But the judgments which the understanding makes entirely out of sensuous intuitions are far from being judgments of experience. For in the one case the judgment connects only the perceptions as they are given in sensuous intuition [....] Experience consists in the synthetic connection of appearances in consciousness, so far as this connection is necessary. Here it is difficult to dismiss the queasiness that Kant's legalism induces upon sight for both Badiou and David-Menard. Kant's thought becomes, as Foucault says when reflecting on Sade's text in relation to nature, “the savage abolition of itself”. For Badiou, Kant's philosophy simply closes off too much of the outside, freezing the world of thought in an all too limited formalism. Critical philosophy is simply the systematized quarantine on future thinking, on thinking which would threaten the formalism which artificially grants thought its own coherency in the face of madness. Even the becoming-mad of Deleuze, while escaping the rumbling ground, makes grounds for itself, mad grounds but grounds which are thinkable in their affect. The field of effects allows for Deleuze's aesthetic and radical empiricism, in which effects and/or occasions make up the material of the world to be thought as a chaosmosis of simulacra. Given a critique of an empiricism of aesthetics, of the image, it may be difficult to justify an attack on Kantian formalism with the madness of literature, which does not aim to make itself real but which we may attempt to make real. That is, how do Lovecraft's and Ligotti's materials, as materials for philosophy to work on, differ from either the operative formalisms of Kant or the implicitly formalized images of Deleuzian empiricism? It is simply that such texts do not aim to make themselves real, and make claims to the real which are more alien to us than familiar, which is why their horror is immediately more trustworthy. This is the madness which Blanchot discusses in The Infinite Conversation through Cervantes and his knight – the madness of book-life, of the perverse unity of literature and life a discussion which culminates in the discussion of one of the weird's masters, that of Kafka. The text is the knowing of madness, since madness, in its moment of becoming-more-mad, cannot be frozen in place but by the solidifications of externalizing production. This is why Foucault ends his famous study with works of art. Furthermore extilligence, the ability to export the products of our maligned brains, is the companion of the attempts to export, or discover the possibility of intelligences outside of our heads, in order for philosophy to survive the solar catastrophe. To borrow again from Deleuze, writing is inseparable from becoming. The mistake is to believe that madness is reabsorbed by extilligence, by great works, or that it could be exorcised by the expelling of thought into the inorganic or differently organic. Going out of our heads does not guarantee we will no longer mean we cannot still go out of our minds. This is simply because of the outside, of matter, or force, or energy, or thing-in-itself, or Schopenhauerian Will. In Lovecraft’s “The Music of Erich Zahn” an “impoverished student of metaphysics” becomes intrigued by strange viol music coming from above his room. After meeting the musician the student discovers that each night he plays frantic music at a window in order to keep some horridness at bay, some “impenetrable darkness with chaos and pandemonium”. The aesthetic defenses provided by the well trained brain can bear the hex of matter for so long, the specter of unalterability within it which too many minds obliterate, collapsing everything before the thought of thought as thinkable or at least noetically mutable on our own terms. Transcendental paranoia is the concurrent nightmare and promise of Paul Humphrey's work, of being literally out of our minds. It is the gothic counterpart of thinking non-conceptually but also of thinking never belonging to any instance of purportedly solid being. As Bataille stated, “At the boundary of that which escapes cohesion, he who reflects within cohesion realizes there is no longer any room for him” Thought is immaterial only to the degree that it is inhuman, it is a power that tries, always with failure, to ascertain its own genesis. Philosophy, if it can truly return to the great outdoors, if it can leave behind the dead loop of the human skull, must recognize not only the non-priority of human thought, but that thought never belongs to the brain that thinks it, thought comes from somewhere else. To return to the train image from the beginning “a locomotive rolling on the surface of the earth is the image of continuous metamorphosis” this is the problem of thought, and of thinking thought, of being no longer able to isolate thought, with only a thought-formed structure. [1] One of the central tenets of Francois Laruelle's non-philosophy is that philosophy has traditionally operated on material already presupposed as thinkable instead of trying to think the real in itself. Philosophy, according to Laruelle, remains fixated on transcendental synthesis which shatters immanence into an empirical datum and an a prori factum which are then fused by a third thing such as the ego. For a critical account of Laruelle's non-philosophy see Ray Brassier's Nihil Unbound. (shrink)

The direct proof of transcendental idealism, in the Transcendental Aesthetic of Kant's First Critique, has borne the brunt of enormous criticism. Much of this criticism has arisen from a confusion regarding the epistemological nature of the arguments Kant proposes with the alleged ontological conclusions he draws. In this paper I attempt to deflect this species of criticism. I concentrate my analysis on the Metaphysical Expositions of Space and Time. I argue that the argument form of the Metaphysical Expositions is (...) that of disjunctive syllogism and that Kant's primary target of attack is that of Leibnizian relativism. I provide a detailed analysis and reconstruction of the arguments of the Metaphysical Expositions, defending Kant against various claims of argumentative invalidity and incoherence. I conclude by identifying what can properly be inferred regarding the ontological nature of space and time, given my reconstructions of the arguments, and by suggesting the manner in which Kant can deflect objections from the other major proponent of transcendental realism, namely, Newtonian absolutism. (shrink)

In the Critique of Pure Reason (1781/1787), Kant sought to explain the objectivity of cognition by describing the operation of certain human cognitive activities. That is, in some sense Kant explained cognition's objectivity by appealing to features of the mind. A century later, the Marburg School Neo-Kantians Hermann Cohen and Paul Natorp would insist that philosophers must explain cognition's objectivity without appeal to the subject's mind. Once at the center of the Kantian account of objectivity, the mind had been (...) expunged from it. This shift was the emergence of anti-psychologism, the view that the mind has no place in philosophical accounts of cognition's objectivity. This dissertation offers an account of how that shift happened. Chapter 1 argues that a central section of Kant's Critique of Pure Reason, the Transcendental Deduction, is a description of a cognitive operation—namely, the apperception's synthesis of the manifold of sensible intuition. Because this operation is necessary, it determines the structures that a subject's cognition must conform to, and thus explains cognition's objectivity for Kant. But Kant's view that the mind is characterized by necessary cognitive operations was abandoned in the nineteenth century in favour of purely empirical conceptions of the mind. Chapter 2 argues that, in response to this change and in particular to the psychologism of the Back to Kant movement, Cohen developed an anti-psychologistic account of cognition's objectivity: for him, objectivity must be explained by appeal to the principles and laws of mathematics and pure natural science. But his account fails, since he does rot explain why those laws explain cognition's intersubjectivity. Chapter 3 examines Wilhelm Wundt's and Ernst Mach's attempts to articulate purely empirical conceptions of the mind, and to explain cognition's objectivity by appeal to the mind so conceived, as well as Hermann Lotze's anti-psychologism. Chapter 4 argues that, for Natorp, fundamental physical laws constitute the intersubjective content of cognition because they are invariant across space and time, and so different subjects can share representations of them despite having different points of view on the world. Natorp thus finally articulates a successful anti-psychologistic alternative to Kant's account of objectivity. (shrink)

Who can penetrate space or encounter the stream of time? Only those who are not fooled into believing that freedom from sensory conditions is attainable by moving beyond a space and a time considered real because of their measurability. The reality of time and space is immeasurable. It cannot be attained by overcoming the given forms of measurement, but rather by overcoming measurement itself. Before this can occur, we must know how and why measurement arises; we (...) must know what the spirit wants by containing within measurement the substance of its eternal telling of tales, whose truth alone justifies measurement--the transitory vision of what space and time are in their most subtle forms. This masterly book by Massimo Scaligero--author of The Light (La Luce): An Introduction to Creative Imagination--teaches us how to enter and recognize the spiritual reality behind and within what we objectify as space and time. Those who read The Secrets of Space and Time with meditative effort will be well rewarded with profound insights about the true nature of the world around us. The book is a translation from Italian of Segreti dello spazio e del tempo (Libreria Tilopa, Rome, 1963). (shrink)

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

The self for Kant is something real, and yet is neither appearance nor thing in itself, but rather has some third status. Appearances for Kant arise in space and time where these are respectively forms of outer and inner attending (intuition). Melnick explains the "third status" by identifying the self with intellectual action that does not arise in the progression of attending (and so is not appearance), but accompanies and unifies inner attending. As so accompanying, it (...) progresses with that attending and is therefore temporal--not a thing in itself. According to Melnick, the distinction between the self or the subject and its thoughts is a distinction wholly within intellectual action; only such a non-entitative view of the self is consistent with Kant's transcendental idealism. As Melnick demonstrates in this volume, this conception of the self clarifies all of Kant's main discussions of this issue in the Transcendental Deduction and the Paralogisms of Pure Reason. (shrink)

Research in quantum gravity strongly suggests that our world in not fundamentally spatiotemporal, but that spacetime may only emerge in some sense from a non-spatiotemporal structure, as this paper illustrates in the case of causal set theory and loop quantum gravity. This would raise philosophical concerns regarding the empirical coherence and general adequacy of theories in quantum gravity. If it can be established, however, that spacetime emerges in the appropriate circumstances and how all its relevant aspects are explained in fundamental (...) non-spatiotemporal terms, then the challenge is fully met. It is argued that a form of spacetime functionalism offers the most promising template for this project. (shrink)

If we take the indexical, “I”, to be epistemologically identical across different contexts, as in, for example, it is the same “I” that at one moment observes, “I see a puddle of water on the floor”, and then, subsequently, exclaims, “I detect a leaking tap”, and, furthermore, we attribute not only self reference but self awareness in the use of the indexical, “I”, then a question arises as to how the “I” finds itself to be in reference to the speaker (...) in one context and not another. We cannot look to the ingredients of the context that the “I” inhabits for the answer because, based upon the above assumptions, the identity, or character, of the “I” stands independently of the context of the speaker. The answer, I argue, requires both the admission of the unreality of space and time, as well as an explanation as to why we have a sense of the here and now despite space and time being unreal. To this end, I turn to the juxtaposition of Kant’s a priori forms of inner sense and outer sense to explain how the cognitive faculty arrives at a sense of time and place despite the declared unreality of time and space. To sustain this explanation in the face of the problem of localisation, I draw on the full implications of Kant’s transcendental idealism in which the properties of time and space are not only withdrawn from things as they exist externally to the mind but also from mental representations insofar as mental representations can be said to exist in themselves. (shrink)

It is well-known that Isaac Newton’s conception of space and time as absolute -- “without reference to anything external” (Principia, 408) -- was anticipated, and probably influenced, by a number of figures among the earlier generation of seventeenth century natural philosophers, including Pierre Gassendi, Henry More, and Newton’s own teacher Isaac Barrow. The absolutism of Newton’s contemporary and friend, John Locke, has received much less attention, which is unfortunate for several reasons. First, Locke’s views of space and time (...) undergo a dramatic evolution that mirrors the overall absolutist trend of the era. Second, there are good reasons to suppose that Locke was influenced late in this evolution by Newton’s Principia, which he read and reviewed shortly after its 1687 publication. It is even possible that Locke read or knew of the earlier and unpublished, though now famous, Newtonian tract De Gravitatione. Third, despite the influence of Newton, Locke’s retains a skeptical attitude concerning our empirical knowledge of absolute space and time. He is especially cautious about absolute time, bucking a widespread tendency to treat time as strongly analogous to space. Their disagreement about the measure of absolute time, we will suggest, reflects a deeper disagreement in the philosophy of science. While Locke counts as scientific knowledge only ideas and demonstrations derivable from immediate experience, Newton endorses a more theory-driven brand of empiricism, which holds that our best explanations of the phenomena provide genuine knowledge that goes beyond what we can directly observe. (shrink)

Kedrov has reminded us that the development of knowledge proceeds from appearance to essence. That was also true of the development of notions about space and time. Leibniz, for example, defined space as the order of things existing at the same time. However, that definition is rather superficial, and it is only the development of physics, specifically relativity theory, which made it possible to penetrate more deeply into the nature of space and time and to ascribe a (...) precise and mathematically expressible notion to the well-known judgment to the effect that space and time are forms of the existence of matter. (shrink)

The foremost aim of this paper is to realize the fourth part of the Aufbau. This part, which provides an actual phenomenalistic constitution system, is interpretable from a Kantian perspective (§§1-4). But Carnap plotted to overcome Kant’s old style of philosophy as well. We review this aspect of his constitution, focusing on space (§§7-13) and time (§§5-6), especially.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Salomon Maimon: Rational Dogmatist, Empirical Skeptic: Critical AssessmentsDaniel BreazealeGideon Freudenthal, editor. Salomon Maimon: Rational Dogmatist, Empirical Skeptic: Critical Assessments. Dordrecht: Kluwer, 2003. pp vii + 304. Cloth, $135.00.This collection of previously unpublished essays on one of the more idiosyncratic and complex figures in the history of philosophy begins with a splendid introductory essay by the editor, "A Philosopher between Two Cultures," emphasizing the "inter-cultural" character of Maimon's achievement (...) and his position as an outsider with respect to both the traditional Jewish community and that of modern German philosophy, a position reflected in Maimon's strategy of advancing his systematic philosophy by means of eccentric "commentaries" on such authors as Maimonides, Newton, and Kant.Maimon's "dual cultural project" is also the theme of a fine essay by Yossif Schwartz, "Causa materialis: Solomon Maimon, Moses ben Maimon and the Possibility of Philosophical Transmission," which compares Maimon's effort to introduce his Hebrew readers to Kantian philosophy (in his commentary on The Guide of the Perplexed) and his German-language readers to Maimonides (in his Autobiography), in an effort to legitimize modern philosophy to his fellow Jews and Maimonides and the tradition of Jewish thought to his fellow philosophers. Schwartz illustrates this point with reference to the specific issue of God as "material cause" of the world.Several of the essays deal with the difficult but important theme of predication and with Maimon's central notion of the "principle of determinability," understood as the highest principle of all (real) synthetic judgments. Oded Schechter's "The Logic of Speculative Philosophy and Skepticism in Maimon's Philosophy: Satz der Bestimmbarkeit and the Role of Synthesis" analyzes this theme in considerable technical detail and relates it to Maimon's philosophy as a whole, and indeed to the "speculative logic" of Hegel and others. This is certainly one of the richest (as well as one of the more challenging) essays in the collection, containing illuminating discussions not only of the principle of determinability, but also of Maimon's highly original notions of "synthesis" and "construction." More accessible is Elhanan Yakira's "From Kant to Leibniz? Salomon Maimon and the Question of Predication," which not only clearly explains the principle in question but convincingly disputes the widespread view that this represents a return to Leibnizian rationalism on the part of Maimon.Maimon's poorly understood theory of "the differential" is the theme of the contribution by Michael Roubach, "Salomon Maimon's Philosophy and its Place in the Enlightenment: Wandering in the Land of Difference," which interprets this notion in the context of the difference between the finite and the infinite intellect and stresses the difference between Maimon's position and that of pre-Kantian rationalism. Unfortunately, Roubach's effort to clarify Maimon's position by comparing it to that of Giles Deleuze is too brief and obscure to be helpful.Though Maimon's relationship to Kant is at least touched on in almost every essay in this collection, it is the explicit theme of four of them, three of which dwell on Maimon's [End Page 119] so-called "quid facti" challenge to Kant's deduction of the categories. Peter Thielke's "Intuition and Diversity: Kant and Maimon on Space and Time" is a very long and philosophically sophisticated examination of Maimon's direct challenge to Kant's "discursivity thesis" regarding the heterogeneity of the faculties of sensibility and understanding. Thielke focuses on Kant's account of space and time as pure forms of intuition and contrasts this with what he calls Maimon's "neglected alternative," viz.: that space and time are not forms of intuition at all, but rather "forms of diversity" and hence features of the function of thinking. In order to explicate this difficult theory, Thielke offers an impressive reconstruction of Maimon's fiendishly obscure idea of the "differentials of pereption" and hence of the fundamentally productive character of the understanding. This provides the theoretical foundation for Maimon's non-dualistic account of the cognitive faculties and his non-causal account of the mind's passivity. Thielke concludes that Maimon's objections, if not sufficient to overturn the discursivity thesis, still undermine the evidence for the same... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.3 (2001) 447-448 [Access article in PDF] Brigitte Sassen, translator and editor. Kant's Early Critics: The Empiricist Critique of the Theoretical Philosophy. New York: Cambridge University Press, 2000. Pp. ix + 331. Cloth, $54.95. Brigitte Sassen has translated and edited an extremely useful collection of texts dating from the years 1782 to 1789. Most of the texts were written by Kant's empirically minded (...) critics, but a few are the work of defenders of the Critical philosophy. Although some have been translated before—e.g., the notorious Feder/Garve review of the first Critique that prompted Kant's vitriolic response in the Prolegomena, the original Garve review that served as the basis of the Feder/Garve review, and Jacobi's critique of Kant's transcendental idealism—the entire anthology is the first ever to be devoted exclusively to English translations of some of the first reactions to and defenses of Kant's theoretical philosophy. All of this makes for an exciting event in Kant studies.Sassen identifies three major trends in Kant criticism that began in 1782. The first is the empiricist reaction to Kant's theoretical writings. Sassen considers the year 1789 the endpoint of this trend, since critical attention, she argues, shifted around that time to the rationalist reaction to Kant's writings. The initial wave of rationalist criticism, which constitutes the second trend, lasted until 1793. The third and final trend, she says, is the more forward-looking one that eventually blossomed into the systems of post-Kantian thought.Given such a wealth of material, Sassen has focused on Kant's empiricist critics, choosing the writers and topics most representative of the overall empiricist critique of the 1780s. The selections are divided into five sections. The first consists of the Feder/Garve and Garve reviews (from 1782 and 1783, respectively). Since these were the very first reviews of the Critique of Pure Reason, they helped to formulate many of the classic objections to it. For example, not only does the standard charge of Berkeleyan idealism originate in these reviews, but Feder and Garve also express concerns about Kant's ability to distinguish between reality and illusion if nothing in sensation itself determines the understanding to combine sensations in one way as opposed to another. The second section contains discussions of the Transcendental Aesthetic, including an early version of the "neglected alternative" charge more famously made by Trendelenburg in the nineteenth century. Hermann Andreas Pistorius, one of the most sophisticated of Kant's empiricist critics, argues that Kant has not ruled out the possibility that space and time are both forms of sensibility and properties of things in themselves. The third section (especially Jacobi's famous critique) explores the relationship between appearances and things in themselves, the problem of affection, and other topics touching on the very nature of Kant's idealism. The fourth section deals with various issues involving the table of categories. For example, Kant's critics had doubts about its completeness, and they were also puzzled as to how a priori concepts could be applied to ordinary experience. The fifth and final section looks at the contrast between empiricism and purism, that is, the overall adequacy of empiricist and Kantian approaches to issues in metaphysics and epistemology. Here we find Pistorius once again writing thoughtfully about the Critical philosophy, this time in response to Carl Christian [End Page 447] Erhard Schmid, the author of a dictionary for the "easier use" of Kant's writings that went through several editions in the late 1780s and 1790s.This brief sketch of Sassen's book gives only an inadequate idea of its richness and usefulness. Her introduction, which is thorough and informative, patiently sorts out the various players in the debates of the 1780s, outlines their arguments with Kant and one another, and even describes the nature of periodical publication in late eighteenth-century Germany. The editorial apparatus includes short biographies of the participants in the debates as well as the other authors mentioned throughout the book... (shrink)

For Revolt: Rancière, Abstract Space and Emancipation presents an interpretation of Rancière's uncompromising view of emancipation, drawing on its invariably rational and Kantian-moralist basis. Tracing a logic of abstract or empty space in all of Rancière's work, it contrasts the prevailing tendencies to emphasise Rancière's sensitivity to evolving historical forms and changing regimes of sensibility. Overturning the meaning of Rancière's interest in the sensible enables the capture of the object of his thought as a revolt (...) against the reality accorded to ordered temporalities and forms of appearance as such. In making its argument, For Revolt reconstructs Rancière's relations to some of the crucial, yet unexplored, politico-historical frameworks of his thought, such as the Cultural-Revolutionary Maoism and the French Revolution, offering a fresh perspective to these revolutionary paradigms. In contrast to dominating views, the book makes a case for a fundamentally positive influence of Louis Althusser's philosophy on Rancière's thought. It develops an immanent critique of Rancière through a discussion of his relation to Marx, spanning its coverage to Rancière's hitherto undiscussed early student work. It distils elements in Rancière's thought which resist its own defining orientation, opening ways to alternative developments. Through a critical discussion of Rancière in relation to other contemporary accounts of revolt and resistance, the book addresses the present predicament of emancipatory politics, its emphasis on the actualities of here and now and its difficulties to envisage programmatic realisations of radically alternative futures. (shrink)