Humans tend to seek their identity as entities existing over a period of time by making narratives. The paper argues that seeking diachronic self-identity through narratives or stories results in the self-experience being one of separation or alienation from the real world. This happens because language is primarily a form of secondary representation, and the means by which we attempt to find identity often appear in the form of narratives. The dominance of the metaphor of life as a journey (...) class='Hi'>shows this. The remedy is to reduce the hold of narrativity by making self-experience fundamentally episodic. (shrink)

Background: People in both Taiwan and China originally descended from the Han Chinese, but the societies have been separated for approximately 38 years. Due to different political systems, variations exist in healthcare and nursing education systems in Taiwan and China. Objective: The purpose of this study was to examine the professional values of nursing students in Taiwan and China. Design: A cross-sectional design was applied in this study. The Nursing Professional Value Scale–Revised was used to measure the professional values of (...) the students. The questionnaire was distributed to eligible undergraduate students in a classroom setting. Ethical considerations: This study was approved by the Institutional Review Board at the first investigator’s university. Participants were informed that completion and return of the questionnaire was voluntary, and confidentiality was ensured by keeping the responses anonymous. Participants: A convenience sample included 292 Taiwanese students and 654 Chinese students. Findings: A total of 11 individual Nursing Professional Value Scale–Revised items showed significant differences between the two groups. These results reflect the differences in the perceived importance of these items between the groups. There was no significant difference between the two groups in the mean overall scores for the Nursing Professional Value Scale–Revised (p =.766) and three subscales (all p >.05). Conclusion: There are some differences in professional values between nursing students in Taiwan and China. Given the increasingly frequent and close interactions between Taiwan and China and the globalization of nursing, understanding these differences may help nursing educators identify students’ perceptions of their professional values and support the development of strategies to improve weaknesses in professional values. (shrink)

Using a multimethod approach, this article examines the link between class and masculinities by comparing the way two groups—professional men and working-class men —practice fatherhood. First, the authors show that these two groups practice different types of masculinity as they engage in different kinds of fatherhood. Physicians emphasize “public fatherhood,” which entails attendance at public events but little involvement in the daily care of their children. In contrast, EMTs are not only involved in their children's public events but also emphasize (...) “private fatherhood,” which entails involvement in their daily care. Second, the authors suggest that these differing types of involvement can be explained by the contrasting employment conditions of each group as well the gender order of their families, especially the divergent labor market positions of spouses and the division of parenting. The authors conclude by arguing that these working-class fathers are “undoing gender” while professional fathers reproduce the conventional gender order. (shrink)

The present narrative review seeks to unravel where we are now, and where we need to go to delineate the active ingredients in psychotherapy delivered by conversational agents (e.g., chatbots). While psychotherapy delivered by conversational agents has shown promising effectiveness for depression, anxiety, and psychological distress across several randomized controlled trials, little emphasis has been placed on the therapeutic processes in these interventions. The theoretical framework of this narrative review is grounded in prominent perspectives on the active ingredients in psychotherapy. (...) Based on search terms derived from various theoretical perspectives, we conducted a systematic literature search of four scientific databases and identified 17 studies. Across the selected studies, three themes emerged: relationship variables, emotional venting, and cognitive factors. While methodological issues compromise the epistemic value of this evidence base, core questions also remain to be answered. Such questions include, but are not limited to, whether humans can form affectionate bonds to inanimate beings and whether these kind of mental health treatments should be understood as psychotherapy or something else. Researchers should therefore be cautious when applying theories of psychotherapy in the realm of conversational agents. We conclude the paper by introducing recommendations for future research, which we hope will help instigate methodologically sound studies in this field. (shrink)

In Showing Perseverance, beginning readers will learn about all the ways they can be strong in spite of difficulty. Vibrant, full-color photos and carefully leveled text engage young readers as they discover how they can build character by showing perseverance.

Making a show of conceding by using a three-part structure of proposition, concession and reassertion has the effect - in contrast to other ways of conceding - of strengthening one's own position at the expense of a counter-argument. This three-part structure can be also exploited so as to carry the battle to the enemy, as it were, and make the concession do more offensive work. We detail three such ways: Trojan Horses where the speaker imports a caricature of the opposition (...) into the conceded material; stings in the tail, where the speaker specifically overturns the concession they have just made in the original claim; and cheapeners, where the speaker works pragmatically to devalue even a positive endorsement of the opposition's case. In all their variety, what marks the concession as being hearably in the speaker's own interest is the robust, normative three-part proposition - concession - reprise structure. It is available for use in supporting or demeaning any position, whether mundane or explicitly ideological. (shrink)

The phenomenon of the paradoxes of the largest remainders methods has been studied by numerous authors. Nevertheless, the examples presented in their studies do not deal with the case where a party’s possible additional votes can directly lead to a loss in the party’s number of representatives. This paradox, which can be called the no-show apportionment paradox, has not previously been mentioned in the literature. It is based on the assumption that a voter’s favourite party may lose a seat if (...) the voter votes honestly but get more seats if he or she abstains. The article gives simple examples illustrating the no-show paradox in a party-list proportional representation electoral system using the quota method of apportionment. In these situations it would be better for the party if some of their voters abstained, otherwise it would lose one or more seats. (shrink)

During high summer 1721, while rioters and bankrupts gathered outside Parliament, Robert Walpole's new ministry forced through a bill to clear up the wreckage left by the stock-market crash, the South Sea Bubble, and the visionary projects swept away when it burst. In early August the President of the Royal Society Isaac Newton, a major investor in South Sea stock, and the Society's projectors, learned of a new commercial scheme promising apparently automatic profits, a project for a perpetual motion. Their (...) informants were a young Viennese courtier Joseph Emmanuel Fischer von Erlach, a contact of Desaguliers recently engaged in industrial espionage in northern England, and the Leiden physics professor Willem 'sGravesande, who had visited London five years earlier. They reported that they had been summoned to a remarkable series of demonstrations in the castle of Weissenstein, the seat of the Landgrave of Hesse-Kassel. In a carefully guarded room of the castle there was set up a hollow wooden wheel covered in oilcloth, about 12 feet in diameter and 18 inches thick on an axle 6 feet in length. Its designer, a Saxon engineer and clockmaker Johann Bessler, who travelled Germany under the name Orffyreus, had been in Kassel for four years, published schemes for perpetual motion and been appointed commercial councillor. The Landgrave, well-known as a patron of advanced engineering schemes, commissioned him to build a new machine and put it on show before expert witnesses (Figure 1). (shrink)

Tom Stoppard is justly praised by many for what are perceived as his technical skills as a dramatist—his wit, his seriousness, his mastery of parody and pastiche, his impressive control of dramatic structure. Stoppard earns his place as a giant of modern drama from these qualities. They, however, are not what concern me here. His plays are also in various ways riddled with philosophy. My purpose in this paper is to examine the claim that he is a philosopher's dramatist, rather (...) than a dramatist's dramatist or an ordinary thinking man's dramatist. I am not concerned with how far Stoppard himself as a matter of biographical fact may wish to make this claim, although Stoppard has made no secret of his fascination with Philosophy. I make the claim myself in order both to offer an interpretation of certain dramatic texts and to raise certain questions about philosophical method. I hope to show that to understand certain ways in which Stoppard's plays are philosophical is to appreciate something profound about the way in which philosophy and drama are akin—that is, I hope to make critical and philosophical points, not historical or biographical points. (shrink)

Abstract“Show, don't tell” is a maxim basic to literary craft. It enjoins avoidance of abstract, cliché‐ridden summaries and use of rich, vividly rendered details. Anyone who has attended an introductory creative writing course will have encountered it. Practised literary writers know it is true. Why is showing so fundamental to good literature? Why is it more effective than telling? Showing constellates details, placing facets of a larger shape before the reader's mind, a shape that cannot be adequately encompassed by a (...) summary, whose power lies in the simultaneous integration of multiple, superficially discontinuous aspects. This sounds like the eureka effect, the “Aha!” of sudden discovery in mathematics and the sciences. I argue that grasping what is being shown in a literary context is indeed related to insight in theoretical fields. Telling the reader “what happened” makes the mind's eye glaze over in just the way that it glazes over when it is forced to memorize formulae that it does not understand. Showing is like offering an elegant proof; the mind reaches to understand what is going on. When it succeeds, it feels the satisfaction of having grasped meaning. (shrink)

Examines acts of showing--from dog shows to striptease--to understand and theorize instances of heightened performance in everyday life as well as on the stage.

After briefly reviewing the historical development and ethical regulation of resuscitative technologies, this study probes why clinicians engage in the morally problematic practice of show and slow coding and why hospitals tolerate it? Studies conducted in 1995 and 2020 indicate that conscientious clinicians engage in these practices to protect their patients from abusive or futile resuscitation. And hospitals' clinical cultures tolerate these practices to protect conscientious clinicians from censure, dismissal, delicensing, or legal prosecution for withholding or withdrawing abusive or futile (...) resuscitative technologies without prior patient or surrogate consent. Show and slow coding evolved in American clinical cultures in the second half of the 20th century when closed‐chest cardiac massage, defibrillators, ventilators, and other resuscitative technologies raised seemingly novel ethical questions. To address these questions, bioethics commissions, healthcare societies, lawmakers, and a Roman Catholic Pope developed ethics standards requiring clinicians to obtain patient or surrogate consent before withholding or withdrawing resuscitative technologies. They thus conferred on patients an implicit right of resuscitation even if it was abusive and/or futile. Conscientious clinicians circumvented this implicit right by show and slow coding to protect patients from abusive resuscitation. Recognizing clinicians' benign intent, hospitals' clinical cultures tolerate show and slow coding as acts of conscience, akin to civil disobedience. Thus, rescinding ethics standards and laws requiring prior patient/surrogate consent for non‐resuscitation or for cessation of resuscitative technologies decisions should end show/slow coding. Such a reform should also recognize clinicians' right of conscientious refusal to perform CPR. (shrink)

Perhaps it is not overly pedantic to say that one will find Wittgenstein’s Tractatus Logico-Philosophicus very difficult even if one first understands Russell’s philosophical logic. But the question remains as to whether the work is intended in alliance with Russell’s research program for a scientific method in philosophy or splits from that program. This paper endeavors to answer the question by revealing new evidence that Wittgenstein held his Doctrine of Showing in 1913 and that it was a demand he imposed (...) in criticizing Russell’s multiple relation theory of judgment. (shrink)

Perhaps it is not overly pedantic to say that one will find Wittgenstein’s Tractatus Logico-Philosophicus very difficult even if one first understands Russell’s philosophical logic. But the question remains as to whether the work is intended in alliance with Russell’s research program for a scientific method in philosophy or splits from that program. This paper endeavors to answer the question by revealing new evidence that Wittgenstein held his Doctrine of Showing in 1913 and that it was a demand he imposed (...) in criticizing Russell’s multiple relation theory of judgment. (shrink)

Wittgenstein’s distinction between saying and showing and the associated thesis, what can be shown cannot be said, were crucial to his first philosophy, persisted throughout the evolution of his whole thought and played a key role in his views on aesthetics. The objective of art is access to the mystical, forcing us to become aware of the uniqueness of our own experience and life. When art is good is a perfect expression and the work of art becomes like a tautology. (...) An important consequence of this understanding of art is the irreducibility of the aesthetic to the scientific perspective. (shrink)

Of all the enigmatic remarks running through Wittgensteinís Tractatus, none are a greater source of puzzlement to this reader than the endorsement of solipsism in 5.6-5.641. Wittgenstein writes ìI am my worldî, but, even though ìwhat solipsism means, is quite correct...it cannot be said, but it shows itselfî (5.63; 5.62). More intriguing still, he writes.

“Let's get one thing straight: there is no such thing as a show code,” my attending asserted, pausing for effect. “You either try to resuscitate, or you don't. None of this halfway junk.” He spoke so loudly that the two off-service consultants huddled at computers at the end of the unit looked up… We did four rounds of compressions and pushed epinephrine twice. It was not a long code. We did good, strong compressions and coded this man in earnest until (...) the end. Toward the final round, though, as I stepped up to do compressions, my attending looked at me in a deep way. It was a look in between willing me as some object under his command and revealing to me everything that lay within his brash, confident surface but could not be spoken. (shrink)

Poetry and philosophy have had a close but uneasy relationship in the western tradition. Both share an eschewal of the discovery of novel facts, but are somewhat opposed in that discovery is a central aim of poetry, but not at all the aim of philosophy. Through a close reading of W.H. Auden’s ‘In Memory of W.B. Yeats’ and a versification of part of G.E. Moore’s ‘A Defence of Common Sense’, I argue that what poetry shows corresponds, in a broadly (...) symbolist sense, to Wittgenstein’s understanding of the miraculous nature of the world. In this regard, poetry can offer philosophy clarity, in the form of its tonal architecture, value, and ethics, and may also constitute a perspicuous representation. Poetry remains in a perpetual mode of potential, as well as being possessed of a vatic autonomy. (shrink)

Theater requires artifice, justice demands truth. Are these demands as irreconcilable as the pejorative term “show trials” suggests? After the Second World War, canonical directors and playwrights sought to claim a new public role for theater by restaging the era’s great trials as shows. The Nuremberg trials, the Eichmann trial, and the Auschwitz trials were all performed multiple times, first in courts and then in theaters. Does justice require both courtrooms and stages? In Staged, Minou Arjomand draws on a (...) rich archive of postwar German and American rehearsals and performances to reveal how theater can become a place for forms of storytelling and judgment that are inadmissible in a court of law but indispensable for public life. She unveils the affinities between dramatists like Bertolt Brecht, Erwin Piscator, and Peter Weiss and philosophers such as Hannah Arendt and Walter Benjamin, showing how they responded to the rise of fascism with a new politics of performance. Linking performance with theories of aesthetics, history, and politics, Arjomand argues that it is not subject matter that makes theater political but rather the act of judging a performance in the company of others. Staged weaves together theater history and political philosophy into a powerful and timely case for the importance of theaters as public institutions. (shrink)

Certain representations are bound in special ways to our sensory capacities; consider, for instance, pictures, sound recordings, and the various forms of mental sensory imagery. What do these representations have in common, and what makes them different from representations of other kinds? Dominic Gregory employs novel ideas on perceptual states and sensory perspectives to explain the special nature of the contents of distinctively sensory representations. The book contains extensive discussions of e.g. perceptual imagination, pictorial representation, and memories.

(1984). Showing Movement in Children's Pictures: a study of the effectiveness of some non‐mimetic representations of motion. Educational Studies: Vol. 10, No. 3, pp. 255-261.

Already at a relatively early stage, modern sign language linguistics focused on the representation of (actions, locations, and motions of) referents (1) through the use of the body and its different articulators and (2) through the use of particular handshapes (in combination with an orientation, location, and/or movement). Early terminology for (1) includesrole playing, role shifting, androle takingand for (2)classifier constructions/predicatesandverbs of motion and location. More recently, however, new terms, includingenactmentandconstructed actionfor (1) anddepicting signsfor (2) have been introduced. This article (...) provides a brief overview of the history of enactment and depiction in the sign linguistic literature but mainly focuses on issues related to terminology (and terminology shifts). First, we consider the relation between role shifting and constructed action. We question the idea that these terms can be used interchangeably and rather suggest that they capture different, but related functions. Subsequently, we zoom in on the conceptualization of depicting signs, indicating verbs, pointing signs and fully lexical signs and the relation between these signs and the method of depicting. Where earlier research often associates depicting with the use of specific types of structures, we promote the idea that depicting is a semiotic diverse practice. In doing so, we show that the conceptualization of the different sign types and the terms that are used to refer to these phenomena do not accurately capture the way these signs are used in actual signed discourse and propose a reconceptualization of the different sign types in the lexico-grammar of Flemish Sign Language (VGT) as composite signs that can describe, depict and indicate meaning in various ways. In this way, this article illustrates (1) the risks that may come with the execution of terminology shifts and (2) the importance of making a clear distinction between form and function, i.e., we show that it is important to be careful with assuming a (too) exclusive relation between a certain function and one or more particular forms. (shrink)

This chapter contains sections titled: Philosophy of Religion Metaphysics Epistemology Ethics Philosophy of Mind Science and Language How to Use This Book.

If you're not sure what to make of all the claims and counterclaims, this new book will help cut through the conflicting reports and contradictory findings. We are bombarded daily with media reports of startling new findings from "just released" studies often in major, authoritative publications on consumer products, medications, foods, alcohol, safety devices, social behavior, public policy, and much more. The decisions of millions of consumers, professionals, and government agencies can be influenced by just one study. Light, humorous, and (...) entertaining, Studies Show reviews sample studies to expose their traps and pitfalls. In plain English, statistics analyst John H. Fennick discusses the methods of good and bad studies to explain how scientific results can differ sometimes radically. Fennick shows that when armed with common sense and critical intelligence, we can understand almost any study. (shrink)

The purpose of this paper is to use the Social Cognitive Theory and its moral disengagement framework to emphasize the need for stock-type horse associations to minimize potential and actual threats to their legitimacy in an effort to maintain and strengthen self-regulating governance, specifically relating to the occurrence of inhumane treatment to horses. Despite having stated rules within their handbooks, the actions of leading stock-type associations in response to reports of inhumane treatment provide evidence of their ability to self-regulate. The (...) authors recommend the following actions: develop a commonly understood and accepted definition of inhumane treatment; publicly communicate with stakeholders violation enforcement efforts of inhumane treatment rules; increase efforts to educate stakeholders on the reasons why certain training techniques or methods are inhumane and harmful to the horse; ensure all actions taken are proactively focused on shaping future behaviors, and critically review more cases of inhumane treatment and the industry’s response. (shrink)

Pedagogy is a pillar of human culture and society. Telling each other information and showing each other how to do things comes naturally to us. A strong case has been made that declarative knowledge is the norm of assertion, which is our primary way of telling others information. This article presents an analogous case for the hypothesis that procedural knowledge is the norm of instructional demonstration, which is a primary way of showing others how to do things. Knowledge is the (...) norm of telling and showing. It is the prime pedagogical principle. (shrink)

In this paper I argue that Peter Kivy’s contention that music is incapable of profundity is correct only in a limited sense. So long as we associate profundity with depth of subject matter, even the revisions proposed by Stephen Davies and Julian Dodd are incapable of delivering an account of musical profundity which has the correct scope. Theories of profundity based on criteria of exemplification and non-denotational expression of content remain vulnerable to Kivy’s well-chosen counter-examples of non-profound artworks which meet (...) these criteria. However, the established debate presumes that profundity is only possible through a depth of subject matter; I argue that there is an alternative form off profundity which music does exhibit, relating to its formal complexity. This profundity I term ‘anti-humanist’. (shrink)

The very clever studies reviewed by Smith et al. convincingly demonstrate metacognitive skills in animals. However, interpreting the findings on metacognitive monitoring as showing conscious cognitive processes in animals is not warranted, because some metacognitive monitoring observed in humans appear to be automatic rather than controlled.

This paper aims to explain how the Tractatus attempts to unify logic by deriving the truth-functionality of logical necessity from the thesis that a proposition shows its sense. I first interpret the Tractarian notion of showing as the displaying of what is intrinsic to an expression (or a symbol). Then I argue that, according to the Tractatus, the thesis that a proposition shows its sense implies the determinacy of sense, the possibility of the complete elimination of non-primitive symbols, (...) the analyticity thesis and the strong analyticity thesis. The picture theory emerges as what provides the only acceptable account of an elementary proposition, subject to the constraint that a proposition must show its sense. The picture theory and the analyticity thesis then entail the contingency thesis (that an elementary proposition is contingent) and the independence thesis (that elementary propositions are mutually logically independent) which, together with the strong analyticity thesis, imply that all logical propositions are tautologies. (shrink)

This chapter considers The Daily Show's unique capacity to demonstrate, through satire, misuses of reason in politics and the media. It considers examples taken from “Indecision 2004,” more recent examples from “Indecision 2012,” and some from The Colbert Report. The chapter begins by considering The Daily Show's treatment of the more common logical fallacies employed by politicians and their exponents. Next, it discusses various political appeals to emotion exposed by The Daily Show. Then, it considers some of The Daily Show's (...) many forays into the alternative universe of political spin, the systematic, politically motivated use of persuasive language, including “talking points.” The chapter concludes by briefly considering some of the different comedic devices used by Jon Stewart and Stephen Colbert to expose and satirize these kinds of political rhetoric. (shrink)

Despite Stewart admitting his own “socialist” sympathies, The Daily Show often critiques not only right‐leaning but left‐leaning language. Interestingly, despite the show's ironic satire, it aims at greater accuracy as a means to the larger end of truth in general, a stream of thinking termed “modernism.” But in “postmodernism,” truth is seen more as a continuum and a process. The show and its writers “teach that deliberation is not a means to an end but an end in itself. Discussion, dialogue, (...) provocation, and questioning are valued for their own sake—not because they lead to truth but because they foster a community able to discern untruth.” Better, the author believes the show does lead to truer understanding. But more than information, the show promotes transformation—from knee‐jerk habits of mind to mindful self‐awareness. One way it does so is by catching how people try to manipulate opinion using the red herring tactic. (shrink)

Missouri, the "Show Me State," has become the epicenter of several important national public policy debates, including abortion rights, the right to choose and refuse medical treatment, and, most recently, early stem cell research. In this environment, the Center for Practical Bioethics (formerly, Midwest Bioethics Center) emerged and grew. The Center's role in these "cultural wars" is not to advocate for a particular position but to provide well researched and objective information, perspective, and advocacy for the ethical justification of policy (...) positions; and to serve as a neutral convener and provider of a public forum for discussion. In this article, the Center's work on early stem cell research is a case study through which to argue that not only the Center, but also the field of bioethics has a critical role in the politics of public health policy. (shrink)

In this essay I offer some suggestions for integrating film in an Ethics classes and reaching your goals in terms of learning and student outcomes. You can easily adapt them to other areas of Philosophy— not just Ethics. Starting with Aristotle’s Poetics as a tool for deconstructing movies, I set out five strategies for teaching Ethics through film: start with a film or ethical theory; start with a real-world case or an ethics code; then use any of these four in (...) combination to allow for a more in-depth analysis. Each strategy is discussed with example exercises to illustrate how this approach can create an engaging class while achieving your goals. (shrink)

The task of this article is to propose an alternative method for adjudicating truth claims between various paradigms. Informed by sources such as Augustine, Aquinas, Heidegger, Gadamer, and Kuhn, I argue for a form of reasoning which aspires to credibility, plausibility, and explanatory capacity, rather than absolute proof. Instead of representing a flight from scientific standards, I argue that such an approach ultimately represents the best hope of safeguarding the essence of science and rationality as such.

Bioart emerges as a response to worrying changes in living forms produced by genetic engineering. Indeed, bioartists focus their attention on artistic exploration of biotechnologies and related ethical issues. Their main goal was to inform the public about dangerous genetic engineering techniques, like cloning, inter- and intraspecies experiments, reproductive technologies, genotype and phenotype reprogramming, hybridization techniques, and many others. The paradox lies in the fact that bioartists, in collaboration with scientists, use the same abovementioned techniques and create in laboratory unique (...) living beings with original aesthetic aspects. The use of living organisms for creative or recreational purposes inevitably causes serious cultural and bioethical debates. In this context emerges the concept of contingency linked with living forms, biotech art, and aesthetic experience. (shrink)

In empirically minded research, it is widely agreed that emotions play an important, even essential, role in moral judgment. Experimental research on moral development, psychopathology, helping behavior, moral judgment, and moral justification has been used to support different new forms of sentimentalism. This article reviews this evidence critically and proposes that although it suggests that emotions play a role in moral judgment, it does so in a more limited way than is often assumed to be the case. Some evidence (...) class='Hi'>shows merely that emotions play a role in decision-making, other that emotions are implicated in certain types of moral judgment. What is required, it seems, is a new conceptualization of what is at stake in the rationalism versus sentimentalism debate. (shrink)