This paper addresses the nature of sensed-presence experiences that are commonplace among the bereaved and occur cross-culturally. Although these experiences are often labelled ‘‘bereavement hallucinations’’, it is unclear what they consist of. Some seem to involve sensory experiences in one or more modalities, while others involve a non-specificfeelingorsenseof presence. I focus on a puzzle concerning the latter: it is unclear how an experience of someone’s presence could arise without a more specific sensory content. I suggest that at least some of (...) these experiences consist in a dynamic and non-localized experience of significant and salientpossibilities. This can amount to the sense of currentlyrelating toa particular individual and, by implication, a sense of that person’s presence. Where an experience of this kind also includes sensory qualities, they are inessential to the sense of relatedness and perhaps symptomatic of it. (shrink)

Drawing on work in psychophysics, psychometrics, and sensory neurophysiology, Clark analyzes the character and defends the integrity of psychophysical explanations of qualitative facts, arguing that the structure of such explanations is sound and potentially successful.

Talk of sensory qualities soon runs into puzzles, both about the nature of properties and about the status of mental predicates. Clark wishes to prepare the way for an eventual reduction of qualia-talk to neurophysiology, while postponing or taking an indirect approach to some of the large philosophical questions involved. Thus, for instance, rather than wading directly into the debate about what color is, he concentrates on the problem of why a particular stimulus looks colored to a particular observer.

This chapter has three sections. The first introduces Brentano’s view of sensations by presenting the intentional features of sensations irreducible to features of the sensory objects. The second presents Brentano’s view of sensory objects —which include sensory qualities— and the features of sensations that such objects allow to explain, such as their intensity. The third section presents Brentano’s approach to sensory pleasures and pains, which combines both appeal to specific modes of reference and to specific sensory qualities.

This chapter has three sections. The first introduces Brentano’s view of sensations by presenting the intentional features of sensations irreducible to features of the sensory objects. The second presents Brentano’s view of sensory objects —which include sensory qualities— and the features of sensations that such objects allow to explain, such as their intensity. The third section presents Brentano’s approach to sensory pleasures and pains, which combines both appeal to specific modes of reference and to specific sensory qualities.

Philosophers of mind have distinguished (and sometimes conflated) various qualities. This article tries to sort things out.

When a mental state is conscious – in the sense that there is something it is like for the subject to have it – it instantiates a certain property F in virtue of which it is a conscious state. It is customary to suppose that F is the property of having sensory quality. The paper argues that this supposition is false. The first part of the paper discusses reasons for thinking that unconscious mental states can have a sensory quality, for (...) example in cases of absent-minded perception. If unconscious mental states can have a sensory quality, then sensory quality is an insufficient condition for consciousness. The second part of the paper argues that there are even better reasons to think that sensory quality is an unnecessary condition for consciousness. The idea is that mental states can be conscious even when they lack sensory quality, for example, in the case of certain conscious propositional attitudes. In the third part of the paper, an alternative to the rejected supposition, drawn from the phenomenological tradition, is offered: that consciousness is a matter of implicit self-awareness, rather than of sensory quality. According to this alternative, a mental state is conscious when, and only when, it involves implicit self-awareness. (shrink)

Can qualia be analyzed by theories that contain only non-qualitative terms? A host of philosophers including Block, Levine, Nagel, and Jackson have argued that, in principle, they cannot. And yet psychophysicists have advanced explanations that seem to account for sensory appearances in terms of the operations of nervous systems. Here are some examples: Mach bands, the assimilation effect, and the Hermann grid illusion all have to do with the look of things, and all are routinely thought to be a consequence (...) of the structure of visual receptive fields. Simultaneous contrast and auditory tuning—both perceptual effects—are lateral inhibition phenomena. That television sets with only three phosphor colors can replicate natural scenes with thousands of distinguishable colors is due to our eyes having just three photopigments. The difference between a three-type receptoral configuration and an array of thousands of receptors with distinct responses accounts for the fact that hues form a closed loop in color space, whereas there are no closed pitch loops in auditory space. (shrink)

In the nearly half a century since its modern inception (Anscombe (1965), Hintikka (1969)), the Representation theory has faced no more implacable enemy than Ned Block. He has offered objection after objection, usually in the form of apparent counterexamples, and as I write this he shows no sign of flagging.

This article describes the conception of sensory perception during the early modern period. It discusses David Hume's Treatise of Human Nature where he contrasted the ancient metaphysics of substantial forms and occult qualities with the metaphysics of the Moderns. The article argues that Hume was fundamentally correct and that the doctrine of secondary qualities is indeed a distinctively modern doctrine that captures something of the very essence of the new philosophical age.

The Western history of aesthetics is characterised by tension between theory and practice. Musicians listen, play, and then listen more profoundly in order to play differently, adapt the body, and sense the environment. They become deeply involved in the sensorial qualities of music practice. Artistic practice refers to the original meaning of aesthetics - the senses. Whereas Baumgarten and Goethe explored the relationship between sensibility and reason, sensation and thinking, later philosophers of aesthetics deemed the sensorial to (...) be confused and unreliable and instead prioritised a cognitive or objective approach. Written by authors from the fields of philosophy, composition, performance, and artistic practice, 'Sensorial Aesthetics in Music Practices' repositions aesthetics as a domain of the sensible and explores the interaction between artists, life, and environment. Aesthetics becomes a field of sensorial and embodied experience involving temporal and spatial influences, implicit knowledge, and human characteristics. (shrink)

Descartes’ accounts of sensory perception have long troubled his interpreters, for their lack of clear and explicit statements on some fundamental issues. His readers have wondered whether he allows spatial sensory ideas (spatial qualia); whether sensory ideas such as color or pain are representations and, if so, what they represent; and what cognitive value Descartes attributed to sense perception. Recent discussions take differing stands on the questions just mentioned, and also disagree over Descartes’ account of the externalization of sensory (...) class='Hi'>qualities, on the origin and correct analysis of the “material falsity” he attributes to some sensory ideas, and on the value of the “teachings of nature.” Such disagreement should not be surprising, for although sensory perception was an important topic for Descartes, his treatment of these particular issues is not systematic – or at least not apparently so. Generally, there are no proof texts that unequivocally settle questions about Descartes’ views on spatial qualia, the representationality of sensory ideas, their cognitive value, externalization, material falsity, and the status of the teachings of nature. Yet these questions and topics naturally arise from matters about which Descartes is explicit and (reasonably) consistent, regarding the role of the senses in philosophy and everyday life and concerning the nature of minds and ideas. It is, therefore, worthwhile to ask what his positions might have been. This chapter develops answers by considering Descartes’ systematic doctrines on the nature of the mind and its ideas and by combing his statements on sensation and perception for hints about how to apply such principles. The first section reviews some key texts. Succeeding sections develop positions on representationality, cognitive value, externalization, material falsity, and the teachings of nature. Ultimately, I favor an interpretation in which, for Descartes, all sensory ideas represent by resemblance, different kinds of sensory ideas vary in cognitive value, externalization arises through spatial localization, and, with sensory ideas of color and the like, as materially false they do not intrinsically misrepresent but afford occasion for false judgments, which arise as merely apparent, and so not actually legitimate, teachings of nature. (shrink)

The consensus in contemporary philosophy of mind is that how a perceptual experience represents the world to be is built into its sensory phenomenology. I defend an opposing view which I call ‘moderate separatism’, that an experience's sensory phenomenology does not determine how it represents the world to be. I argue for moderate separatism by pointing to two ordinary experiences which instantiate the same sensory phenomenology but differ with regard to their intentional content. Two experiences of an object reflected in (...) a mirror can possess the same spatial phenomenology while representing that object to occupy different spatial locations. So, contrary to the current consensus, the representation of spatial location is not fixed by an experience's sensory phenomenology. (shrink)

1. Clark’s book is a detailed study of the nature of sensory representation. It is highly informed by empirical results in the psychology of perception, and philosophically rich and significant. I admire the book and learned a great deal from reading it. As it covers a wide range of topics, and as I have no overarching critique to present, in this commentary I will briefly address three issues that come up in the book: Clark’s relational type-identity thesis for sensory (...) class='Hi'>qualities, his theory that sensory representations involve proto-singular terms referring to spatio-temporal regions in the subject’s environment, and his interesting proposal concerning color to treat it as “difference coding”. Some of my remarks will be critical, but others will just explore some of the implications of his view. 2. Clark distinguishes “phenomenal properties” from “qualitative properties”, the former being appearance properties of things in the world (their colors, shapes, tastes, odors, etc.) and the latter being the properties of sensations by virtue of which they are sensations of their corresponding phenomenal properties. So when I see a red ball I am “directly” aware of the ball’s redness and roundness - it appears red and round to me. This awareness of the ball’s redness and roundness is accomplished, however, by my having a visual experience with certain qualitative properties; those that are of the sort one has when seeing something as red and round. It is these latter qualitative properties that are the subject of his relational type-identity thesis. Before addressing that thesis, however, I want to quickly note and respond to another point Clark makes concerning the qualitative properties of sensory states. He.. (shrink)

The quality space hypothesis about conscious experience proposes that conscious sensory states are experienced in relation to other possible sensory states. For instance, the colour red is experienced as being more like orange, and less like green or blue. Recent empirical findings suggest that subjective similarity space can be explained in terms of similarities in neural activation patterns. Here, we consider how localist, workspace, and higher-order theories of consciousness can accommodate claims about the qualitative character of experience and functionally support (...) a quality space. We review existing empirical evidence for each of these positions, and highlight novel experimental tools, such as altering local activation spaces via brain stimulation or behavioural training, that can distinguish these accounts. (shrink)

The purpose of the article is to shed light on how experiences of sensory perceptions in the domains of vision, smell, taste, and touch are recast into text and discourse in the genre of wine reviews. Because of the alleged paucity of sensory vocabularies, in particular in the olfactory domain, it is of particular interest to investigate what resources language has to offer in order to describe those experiences. We show that the main resources are, on the one hand, words (...) evoking properties that are applicable cross-modally and properties of objects that range over more than one domain, and on the other, vivid imagery that compares the characteristics of the wine with people, buildings, animals, and the hustle and bustle of market places and other events. The second goal is to account for the construals of the meanings of the expressions used in the recontextualization into written discourse in the light of their apparent flexibility across the descriptions of the sensory experiences. In contrast to a large body of the literature on sensory meanings in language, we argue that the descriptors of properties such as sharp, soft, lemon, and cherry used to describe a wine's qualities across the sensory domains are not polysemous synesthetic metaphors, but monosemous synesthetic metonymizations, more precisely zone activations. With regard to the imagery used, the construals represented cover both similes, metaphorizations and metonymizations proper. (shrink)

.In this paper, I address Descartes’ claims that sensory perceptions function to aid and preserve the subject in interacting with the world, and focus specifically on the ‘valence’, or agreeable/disagreeable quality, that characterizes many sensations. I show how Descartes considers this aspect of sensation to be a significant factor in the ecological role of sensory perception and I then turn to a kind of case that seems to pose a problem for this view: that of aesthetic pleasure. I consider Descartes’ (...) remarks on a particular kind of aesthetic pleasure – that found in musical consonance – and argue that his discussion of this phenomenon reveals that he distinguishes between two distinct kinds of valence – evaluative sensory valence and aesthetic valence – only one of which functions to report directly on ecological evaluation. Further, I suggest that the best way to understand the distinction between these is by appealing to Descartes’ three grades of sensory perception. (shrink)

In this paper, I argue that the conscious awareness one has of oneself as acting, i.e., agentive awareness, is not a type of sensory awareness. After providing some set up in Sect. 1, I move on in Sect. 2 to sketch a profile of sensory agentive experiences as representational states with sensory qualities by which we come to be aware of ourselves as performing actions. In Sect. 3, I critique two leading arguments in favor of positing such sensory experiences: (...) the argument from pathology and the argument from cognitive impenetrability. Since neither of these arguments succeeds, the case for positing SAEs is dealt a significant blow. I proceed in Sect. 4 to advance my positive argument against SAEs. The argument runs as follows: If SAEs exist, then they must exist in some sensory modality or set of sensory modalities. Either the relevant sensory modalities are ones that we already recognize, or they are novel sensory modalities. I will argue that neither of these options is workable, and so we have nowhere to locate SAEs. Agentive awareness is not sensory awareness. (shrink)

In this paper I lay the foundations for the construction of an affective quality space. I begin by outlining what quality spaces are, and how they have been constructed for sensory qualities across different perceptual modalities. I then turn to tackle four obstacles that an affective quality space might face that would make an affective quality space unfeasible. After showing these obstacles to be surmountable, I propose a number of conditions and methodological constraints that should be satisfied in attempts (...) to construct an affective quality space. Before concluding, I detail the high explanatory pay-off such a project promises. (shrink)

It has been argued, most famously by David Chalmers, that all objects of the so-called traditional sciences (from physics to neuroscience) are analysable in structural terms, whereas consciousness has qualitative properties that are irreducibly non-structural. From that it has been concluded that consciousness cannot be explained by traditional sciences. Some illusionists have responded by proposing that the apparently non-structural features of consciousness are in fact fully structural and merely seem to be non-structural. I argue that such a position is tenable, (...) but only if the non-structural 'seemings' are interpreted as perspectival phenomena and not as theorists' fictions or absolute nothingness. The resulting view allows us to ignore sensory qualities in the context of natural sciences while acknowledging their importance in the moral and philosophical domains. The proposed perspectivist interpretation also provides an account of how sensory qualities can be observed and talked about despite having no autonomous causal powers. (shrink)

The mind-body problem is one of the last great intellectual mysteries facing humankind. The hard core of the mind-body problem is the problem of qualitative character: the what-it's-likeness of conscious states. What is the nature of qualitative character? Can it be explained in terms of the intentional content of experience? What is the nature of the so-called secondary qualities---colors, sounds, smells, and so on? Finally, is Physicalism about qualitative character correct? In other words, are a person's qualitative mental properties (...) determined, as a matter of 'strict' or 'metaphysical' necessity, by her physical and functional properties? ;My dissertation is a collection of essays that address these questions. They are self-standing but interrelated. Collectively, they develop a case for skepticism concerning Physicalism about qualitative mental properties. It is common to argue against Physicalism on a priori grounds: that it is shown to be false by the conceivability of Zombies, that it is incompatible with the 'explanatory gap', that it falls victim to Frank Jackson's Mary argument, and so on. The argument I develop does not rely on the usual a priori considerations. The structure of the argument is simple. In the first essay I argue that in the case of qualitative mental properties the only form of Physicalism which we have reason to accept is what I call 'Identity Physicalism': roughly, the view that qualitative mental properties are identical with physical or functional properties. If it can be shown to be false, we have no reason to accept the Physicalist's modally very strong claim that there is a metaphysically necessary connection between a person's qualitative mental properties, on the one hand, and her physical-functional properties, on the other. In the remaining essays, I use empirical considerations to argue that Identity Physicalism is false in the case of qualitative mental properties. The result is a skeptical position with regard to Physicalism. ;But the dissertation is not entirely negative. Along the way to arguing for this negative conclusion, I develop a package of positive views which are largely independent of it. (shrink)

Can a basic sensory property like a bare colour or tone be beautiful? Some, like Kant, say no. But Heidegger suggests, plausibly, that colours ‘glow’ and tones ‘sing’ in artworks. These claims can be productively synthesized: ‘glowing’ colours are not beautiful; but they are sensory forces—not mere ‘matter’, contra Kant—with real aesthetic impact. To the extent that it inheres in sensible properties, beauty is plausibly restricted to structures of sensory force. Kant correspondingly misrepresents the relation of beautiful wholes to their (...) parts. Beautiful form is not extrinsic to sensory force. Sensible beauty is just the holistic impact of agonistically-interacting sensory forces. When sensory forces interact hierarchically, their collective impact is closer to the sublime, in quality if not degree. The simplest sensory experience of sublimity is just the impact of radically intensified sensory forces, similar in kind if not degree to the individual ‘singing’ tones in a beautiful melody. (shrink)

Quality Space Theory is a holistic model of qualitative states. On this view, individual mental qualities are defined by their locations in a space of relations, which reflects a similar space of relations among perceptible properties. This paper offers an extension of Quality Space Theory to temporal perception. Unconscious segmentation of events, the involvement of early sensory areas, and asymmetries of dominance in multi-modal perception of time are presented as evidence for the view.

In the present paper we shall first focus on Locke’s and Reid’s understanding of primary and secondary qualities, as these two approaches mark the main dividing line in interpreting this distinction. Next, we will consider some modern approaches to the distinction and try to answer the question of whether, from theperspective of what we know about perception of sensory qualities, Locke’s ontological interpretation or Reid’s epistemological approach to the distinction are tenable ideas. Finally, we will concentrate on the (...) relation between language and qualities of objects and, on the basis of some adjectival systems in the world’s languages, see how languages render, or code, certain distinctions and qualities apparently obvious to our cognition. (shrink)

I examine the metaphysical issue of the nature of color. I argue that there are two distinct ranges of colors, namely, physical colors, which are disjunctive monadic physical properties of physical objects, and mental colors, which are properties of neural processes. ;A pair of claims provide the motivation for subjectivist and dispositionalist proposals about the nature of color, proposals which I reject. The first claim holds that a description of colors according to our ordinary experience of color provides a specification (...) of some aspects of the nature of color. The second holds that our ordinary experience of color provides access to the nature of color. ;In chapter 1, I argue that visual experiences have mental colors, neural properties which importantly determine our color categories. However, I reject C. L. Hardin's and James A. McGilvray's arguments for the subjectivist claim that the colors we attribute to physical objects are mental colors. ;In chapter 2, I show that Paul A. Boghossian and J. David Velleman's arguments in support of subjectivism rely on the assumption that visual experience provides unqualified access to the nature of color. I argue, however, that objections to their projectivism about color perception provide strong reasons to reject subjectivism as well as their assumption that visual experience provides unqualified access to the nature of color. ;In chapters 3 and 4, I examine Mark Johnston's and Christopher Peacocke's dispositionalist proposals about the nature of physical colors, which are founded on the claim that ordinary visual experience provides access to an aspect of the nature of color. I undercut dispositionalism by rejecting their arguments for the claim that ordinary visual experience provides such access. ;In chapter 5, I show that Evan Thompson's proposal that the colors of objects are relations between properties of perceivers and objects assumes that a description of color according to our ordinary experience specifies some aspects of the nature of color. I reject this assumption by distinguishing between mental color and physical color. I conclude that rather than specifying the nature of color, descriptions of colors according to our ordinary experience merely serve to fix the reference of color terms. (shrink)

Perceptual experience seems to involve distinct intentional and qualitative features. Inasmuch as one can visually perceive that there is a Coke can in front of one, perceptual experience must be intentional. But such experiences seem to differ from paradigmatic intentional states in having introspectible qualitative character. Peacocke argues that a perceptual experience’s qualitative character is determined by intrinsic, nonrepresentational properties. But and also argues that perceptual experiences have nonconceptual representational content in addition to conceptual content and nonrepresentational sensational properties. He (...) thus distinguishes between conceptual, nonrepresentational, and nonconceptual but representational aspects of perceptual experience. I will argue that Peacocke posits too much. Contrary to his arguments, the sensational properties Peacocke claims are nonrepresentational are best construed as representational; they are best explained in terms of their relation to the perceptible properties they enable us to perceive. Since sensational properties are arguably nonconceptual, they are best construed as nonconceptual representational properties. I offer the Homomorphism View of sensory qualities, pioneered by Sellars , as a unified account of qualitative character and nonconceptual sensory representation. According to this view, a sensory quality represents a perceptible stimulus property in virtue of resembling and differing from other sensory qualities in ways parallel to the ways the stimulus property resembles and differs from other perceptible properties. (shrink)

Perceptual-role theories of mental qualities hold that we can discover the nature of a being’s mental qualities by investigating that being’s capacity to make perceptual discriminations. Many advocates of perceptual-role theories hold that the best explanation of these capacities is that mental quality spaces are homomorphic to the spaces of the physical properties that they help to discriminate. This paper disputes this thesis on largely empirical grounds, and offers an alternative. The alternative explains interesting patterns in our perception (...) of color differences and similarities across edges, emphasizing the importance of visual discontinuities. Further, it provides a simple explanation of the intransitivity of indiscriminability. The homomorphism thesis can explain this intransitivity only with the addition of an independently unsupported empirical hypothesis. Also, in contrast to the homomorphism thesis, the alternative view is perfectly consistent with empirical data that suggest that the visual system uses the dynamic allocation of a limited range of responses in order to discriminate a wider range of physical stimuli and that we are much better at detecting changes in relative luminance than changes in absolute luminance. Moreover, it does all this while using a more efficient strategy for encoding sensory information. (shrink)

This paper presents the defense by the medieval philosopher Peter Auriol of the thesis that sounds and odors have no real, mind-independent being, but exist only as mental correlates of acts of hearing and smelling. Auriol does not see this as an idiosyncratic position, as he claims to be following not only Aristotle, but also Averroes on the issue. Since it is often thought that non-realism about sensible qualities was “inconceivable” for medieval authors and was made possible only by (...) the early modern scientific revolution led by Galileo, it is crucial to bring Auriol’s position to the fore. Auriol’s view, and its alleged roots in Arabic philosophy, invites us to reassess our standard narrative in the history of philosophy and science. (shrink)

ObjectivesMany older adults with visual impairment also have significant hearing loss. The aim was to investigate the effectiveness of a newly developed Dual Sensory Loss protocol on communication and wellbeing of older persons with DSL and their communication partners in the Netherlands and Belgium.MethodsParticipants and their communication partners were randomized in the “DSL-protocol” intervention group or a waiting-list control group. The intervention took 3 to 5 weeks. Occupational therapists focused on optimal use of hearing aids, home-environment modifications and effective communication (...) strategies. The primary outcome was the Communication Strategies domain of the Communication Profile for the Hearing Impaired. Secondary outcomes measured in participants were the Low Vision Quality Of Life Adjustment subscale, the Center for Epidemiological Studies - Depression Scale, De Jong Gierveld Loneliness Scale and the Fatigue Assessment Scale. The Hearing Handicap and Disability Inventory - Reaction of Others subscale and the Care-related Quality of Life - 7 Dimensions was measured in communication partners. Measurements were taken at baseline and 3-month follow-up. Linear mixed models were used to analyze effects between groups over time for every outcome measure.ResultsIntention-to-treat analyses showed a significant effect of the DSL-protocol on the use of verbal strategies in favor of the control group, however, this effect was non-significant after adjustment for confounding. Effect sizes of other outcomes varied between −0.23 [−0.57, 0.12] and 0.30 [−0.05, 0.64]. The LMM showed a significant effect on the HHDI-Reaction of others scale in favor of communication partners in the treatment group, however, the effect did not remain significant at a 0.01 significance level and the effect size was very small and non-significant 0.12, 95% CI [−0.27 to 0.51]. Adjusted analyses did not reveal treatment effects.ConclusionThe DSL-protocol did not clearly contribute to the enhancement of communication and wellbeing in DSL-patients. Possible reasons for the lack of effects are OTs not being comfortable giving advice on communication and psychosocial issues or the short-term treatment and follow-up period. Further study is warranted to find out how the protocol may be adapted or whether it is necessary to involve mental healthcare professionals.Clinical Trial Registrationwww.ClinicalTrials.gov, identifier NTR2843. (shrink)

The secondary qualities are those qualities of objects that bear a certain relation to our sensory powers: roughly, they are those qualities that we can readily detect only through a certain distinctive phenomenal experience. Contrary to what is sometimes supposed, there is nothing about the world itself (independent of our minds) that determines the distinction between primary and secondary qualities. Instead, a theory of the secondary qualities must be grounded in facts about how we conceive (...) of these qualities, and ultimately in facts about human perception. (shrink)

With the exception of solidity, Locke's list of primary qualities matches his list of ideas of "divers senses," that is, ideas that are perceived in multiple sensory modalities. I argue that for these ideas, the fact that they are robust in our sensory experience in a way that single-modality ideas are not provides the main reason for taking them to be ideas of primary qualities. Solidity, however, is taken as primary because it is ineliminable from experience in a (...) way that other ideas are not, and because the multiply-sensed ideas are all tied to it. Since solidity is experienced through touch, Locke is thus offering us an account of primary quality perception grounded in our embodied interaction with the world. (shrink)

A lot of qualitatively very different sensations can be pleasant or unpleasant. The Felt-Quality Views that conceive of sensory affect as having an introspectively available common phenomenology or qualitative character face the “heterogeneity problem” of specifying what that qualitative common phenomenology is. In contrast, according to the Attitudinal Views, what is common to all pleasant or unpleasant sensations is that they are all “wanted” or “unwanted” in a certain sort of way. The commonality is explained not on the basis of (...) phenomenology but by a common mental, usually some sort of conative, attitude toward the sensation. Here I criticize both views and offer an alternative framework that combines what is right in both while avoiding their unintuitive commitments. The result is the reductive (psychofunctionalist) adverbial sensory modification view of pleasure and displeasure. (shrink)

The chapter outlines an abstract theoretical framework that is currently (re-)emerging in the course of a theoretical convergence of several disciplines. In the first section, the fundamental problem of perception theory is formulated, namely, the generation, by the perceptual system, of meaningful categories from physicogeometric energy patterns. In the second section, it deals with basic intuitions and assumptions underlying what can be regarded as the current Standard Model of Perceptual Psychology and points out why this model is profoundly inadequate for (...) dealing with the fundamental problem of perception theory. In the third section, it discusses a level of analysis that promises to be fruitful for dealing, in conformity with established procedures of the natural sciences, with the problem of perceptual “meaning” and the problem of what constitutes a “perceptual object.” In the fourth section, it outlines a theoretical perspective on basic principles of the perceptual system which centers on the notions of complex data types and conceptual forms, and draws an entirely different theoretical picture of the role of the sensory input than traditional accounts. The final section focusses on the issue of material qualities and discusses, within the general theoretical framework outlined, some observations and results on the perception of certain material properties, namely, lustrous and glassy appearances. (shrink)

Traditional spiritual literature contains rich anecdotal reports of spontaneously arising experiences occurring during meditation practice, but formal investigation of such experiences is limited. Previous work has sometimes related spontaneous experiences to the Indian traditional contemplative concept of kundalini. Historically, descriptions of kundalini come out of Tantric schools of Yoga, where it has been described as a “rising energy” moving within the spinal column up to the brain. Spontaneous meditation experiences have previously been studied within Buddhist and Christian practices and within (...) eclectic groups of contemplative practitioners. Prior explorations of kundalini have emphasized extreme experiences, sometimes having clinical consequences. We conducted a first such investigation of kundalini-related experiences within a sample of meditators from a single Tantric Yoga tradition (known as Ananda Marga) that emphasizes the role of kundalini. We developed a semi-structured questionnaire to conduct an exploratory pilot investigation of spontaneous sensory, motor and affective experiences during meditation practice. In addition to identifying the characteristics of subjective experiences, we measured quantity of meditation, supplemental practices, trait affect and trait mindfulness. We administered it to 80 volunteers at two Ananda Marga retreats. Among reported experiences, we found the highest prevalence for positive mood shifts, followed by motor and then sensory experiences. The frequency of spontaneous experiences was not related to the quantity of practiced meditation or trait measures of mindfulness and affect. Self-reports included multiple descriptions of rising sensations, sometimes being directly called kundalini. Experiences with rising sensations were complex and many included references to positive affect, including ecstatic qualities. There were also reports of spontaneous anomalous experiences. These experiences of rising sensations resemble prior clinical descriptions that were considered kundalini-related. The individuals who reported rising sensations could not be distinguished from other participants based on the incidence of experiences, quantity of meditation practice, or trait measures of mindfulness and affect. In contrast, greater amount of Tantric Yoga meditation practice was associated with greater positive affect, less negative affect and greater mindfulness. Further study of these exploratory findings and how they may be related to spiritual and well-being goals of meditation is warranted along with scientific investigation of purported kundalini phenomena. (shrink)

Raffaella De Rosa discusses the theory of sensory perception, especially color perception, offered by Ren Descartes. She offers a detailed overview of the recent literature on the topic and provides a new reading of Descartes' theory; she also raises questions of great interest in the contemporary philosophy of mind and cognitive science.

I defend the possibility of a functional account of the intrinsic qualities of sensory experience against the claim that functional characterization can only describe such qualities to the level of isomorphism of relational structures on those qualities. A form sensory holism might be true concerning the phenomenal, and this holism would account for some antifunctionalist intuition evoked by inverted spectrum and absent qualia arguments. Sensory holism is compatible with the correctness of functionalism about the phenomenal.

This dissertation examines representationalism about sensory phenomenology—the claim that for a sensory experience to have a particular phenomenal character is a matter of it having a particular representational content. I focus on a particular issue that is central to representationalism: whether reductive versions of the theory should be internalist or externalist. My primary goals are to demonstrate that externalist representationalism fails to provide a reductive explanation for phenomenal qualities, and to present a reductive internalist version of representationalism that utilizes (...) the empirical framework of psychophysics and neuroscience to develop a philosophical theory of content. The bulk of the project is an attempt to provide the outlines of what such an empirically-based representationalist theory would look like. In chapter 2, I argue that reductive externalist representationalism fails because it is vulnerable to the problem of bad structural correlation: the mismatch between the structure of phenomenal qualities and the structure of physical properties “tracked” by our sensory systems with which phenomenal qualities are identified. In chapter 3, I develop the outlines of a reductive internalist version of representationalism that characterizes phenomenal qualities as modes of presentation of sensory representations that can be reductively characterized in terms of a location in a psychophysically-defined quality space, which can in turn be given a neurophysiological interpretation. In addition, I argue that the neural mechanisms responsible for the representation of spatial locations and visual objects serve a referential role in sensory psychosemantics that grounds the intentionality of sensory states. In chapter 5 I provide a detailed account of the representation of spatial locations in sensory experience, and in chapter 6 I examine the “binding problem”, demonstrating how object-based sensory representations function to demonstratively pick out sensory individuals without explicitly representing any of their features. I describe the resulting view as methodological representationalism: an attempt to demonstrate how a particular philosophical theory of sensory phenomenology can be integrated into the empirical framework of cognitive science, and thereby provide an explanatory psychosemantic framework for sensory phenomenology that is valuable to both philosophers and cognitive scientists. (shrink)

The most important clarification we bring in our reply to commentators concerns the problem of the “explanatory gap”: that is, the gulf that separates physical processes in the brain from the experienced quality of sensations. By adding two concepts (bodiliness and grabbiness) that were not stressed in the target article, we strengthen our claim and clarify why we think we have solved the explanatory gap problem, – not by dismissing qualia, but, on the contrary, by explaining why sensations have a (...) “feel” and why “feels” feel the way they do. We additionally clarify our views on: internal representations (we claim internal representations cannot explain why sensation has a feel), on behaviorism (we are not behaviorists), on perception and action (we believe there can be perception without action), and on the brain (we believe the brain does do something important in perception). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 38.1 (2000) 27-40 [Access article in PDF] Sensible Qualities: The Case of Sound Robert Pasnau University of Colorado 1. Background The Aristotelian tradition distinguishes the familiar five external senses from the less familiar internal senses. Aristotle himself did not in fact use this terminology of 'external' and 'internal,' but the division became common in the work of Arab and Hebrew philosophers, and (...) in the Latin West the distinction is taken for granted.1 I am going to put to one side the obscurities involved in the various internal senses of phantasia, imagination, memory, etc.; I will instead focus on the external senses. These five external senses—sight, hearing, smell, taste, touch—have their familiar counterparts in the external world: color, sound, odor, flavor, and the various tangible qualities. (The tangible qualities, unfortunately, resist being reduced to a single genus, and are typically listed as hot and cold, wet and dry, etc., where this etc. stands in for the complete list that one might or might not be able to give.2 ) These sensibilia (I will simply speak of sensibles) were known as the proper or special objects of the external senses.In addition to these proper objects, the senses were taken to have five common objects—size, shape, number, motion, rest—and also an unlimited variety of incidental objects, the per accidens sensibles—Coriscus, one's enemy, a horse race, etc. These per accidens sensibles are in a way the most interesting and important sense objects of all. They are interesting, first, inasmuch as one of the hardest and most interesting problems about perception is the problem of seeing as, which seems to be precisely the phenomenon at issue [End Page 27] here. They are important, also, inasmuch as genuine perception, as we now think of it, almost always involves the perception of something sensible per accidens. Our everyday sensory experiences revolve around the experience of seeing objects of certain kinds. We can of course step back and decide that what we are really seeing is colors and shapes. But that is not how we ordinarily see things.Despite their interest and importance, I want to put aside these per accidens sensibles, and focus instead on the common and proper sensibles, both of which Aristotle described as sensible per se (kath' hauta). In his classic statement on the objects of sensation, at De anima II 6, 418a7-25, Aristotle suggests that the grounds for distinguishing the per se from the per accidens are that the former sensibles are capable in their own right of making an impression on the senses. Color itself affects the external senses, and so does size. Coriscus, however, considered as Coriscus, does no such thing. He affects the senses only inasmuch as he is colored, perfumed, etc.3 To focus on the per se sensibles, then, is to focus on those things in the world that are suited to make impressions on the external senses.Why are some such sensibles proper, whereas others are common? The well-known rule of thumb here, reflected in how we refer to these sensibles, is that each proper sensible can be perceived by only one of the external senses. The common sensibles are those per se sensibles that fail this test. (Note that, of the common sensibles, only number, movement and rest are truly common to all five of the senses; shape and size are perceptible only by touch and sight.4 ) It is not clear, however, that this is the appropriate criterion for distinguishing the proper from the common sensibles. Albert the Great, for instance, argues that a proper sensible must meet three tests: (1) It is sensed by only one sense; (2) this sense is not capable of error with respect to it; and (3) the organ of this sense is naturally suited to be affected by it alone.5 The last of these tests is problematic, however, for at least two reasons. First, it is problematic for touch, given that the tangible qualities resist being reduced to a single genus. Second, more seriously... (shrink)