Comment passer de la réflexion esthétique sur les atmosphères à une pratique architecturale des atmosphères? En suivant les Leçons d’esthétique du philosophe allemand Gernot Böhme, nous analysons la façon dont leur esprit est mis en œuvre par l’architecte suisse Peter Zumthor. Comment le sentiment fondamental de la présence est-il principiel dans le projet du plus grand musée d’art de Los Angeles? Composée de propositions concrètes, l’enjeu de l’esthétique envisagée ici tient moins de la détermination de l’œuvre d’art (...) que du sentiment de liberté qu’éprouvent des sujets dans le site qui leur est offert. (shrink)

Peter Zumthor est aujourd’hui considéré comme « l’architecte des atmosphères ». De ce fait, son œuvre est souvent rapprochée des théorisations de la notion d’atmosphère issues de la phénoménologie allemande. L’article vise à ressaisir la singularité de la problématique de l’atmosphère chez Zumthor (liens à la théorie du projet et à la production architecturale, aux notions centrales d’image et d’histoire), ainsi qu’à revenir sur les sources de ce concept chez Aldo Rossi, cela afin de comprendre de manière (...) synthétique la nécessité, le sens et les évolutions du recours à l’atmosphère dans cette manière de penser en architecture. (shrink)

There is fast-growing awareness of the role atmospheres play in architecture. Of equal interest to contemporary architectural practice as it is to aesthetic theory, this 'atmospheric turn' owes much to the work of the German philosopher Gernot Böhme. Atmospheric Architectures: The Aesthetics of Felt Spaces brings together Böhme's most seminal writings on the subject, through chapters selected from his classic books and articles, many of which have hitherto only been available in German. This is the only translated version authorised (...) by Böhme himself, and is the first coherent collection deploying a consistent terminology. It is a work which will provide rich references and a theoretical framework for ongoing discussions about atmospheres and their relations to architectural and urban spaces. Combining philosophy with architecture, design, landscape design, scenography, music, art criticism, and visual arts, the essays together provide a key to the concepts that motivate the work of some of the best contemporary architects, artists, and theorists: from Peter Zumthor, Herzog & de Meuron and Juhani Pallasmaa to Olafur Eliasson and James Turrell. With a foreword by Professor Mark Dorrian and an afterword by Professor David Leatherbarrow,, the volume also includes a general introduction to the topic, including coverage of it history, development, areas of application and conceptual apparatus. (shrink)

À partir d’éléments théoriques situés au fondement de sa conception des atmosphères (espace pensé à partir de la présence charnelle vs conception géométrique de l’espace comme topos ou spatium ; notion de Befindlichkeit ou « disposition affective » ; réflexions sur la perception), le présent texte de Gernot Böhme offre une synthèse tout à fait remarquable de ses réflexions tissées entre architecture et atmosphères. Il s’agit dès lors, pour le philosophe allemand, de chercher tout autant à penser la spécificité (...) esthétique de l’architecture que de permettre de situer celle-ci de manière adéquate face aux enjeux du monde contemporain, ou encore d’inciter les architectes à réfléchir leur pratique dans et par le type de rapport à l’espace, au monde et aux hommes qui se manifeste dans la méditation de la notion d’« atmosphères ». (shrink)

Résumé La pensée architecturale de Peter Zumthor, l’un des plus grands architectes contemporains (lauréat du Pritzker Price en 2009), est l’une des plus fortes de notre temps. Loin de tout sensationnalisme théorique, il développe une véritable pensée en architecture, faisant de l’« atmosphère » son déterminant essentiel. Contre l’oubli de l’histoire constitutif de la pensée moderniste, il cherche à « retrouver » l’architecture au moyen de l’exploration des données biographiques et contextuelles qui la fondent. C’est à la mise (...) au jour des éléments essentiels de cette pensée qu’est consacré cet article. (shrink)

Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Böhme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Böhme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, (...) commodity aesthetics, advertising, architecture, design, and art. The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works. (shrink)

In this paper I seek to initiate a research agenda on mega-urban airs that comprehends their atmospheres as simultaneously meteorological and affective ( McCormack, 2008 ), an agenda which seeks to apprehend megacity air/atmospheres in their vitality, corporeality and expressiveness. This paper attunes to the close and expressive substances that make up immersion in a material-affective ecology of a place, the qualities of the city that seep and imbue its material and biological fabric with affect. There is a growing body (...) of work and literature to aid us from traditions in continental aesthetic theory, French urban sociology and architecture, and an emergent cultural geographic field of atmospheric enquiry. The paper develops such an approach to megacity air in three main ways. First, air tells us about difference. In the testimony of pollutants and choking effluvium, an analysis of air reveals who belongs and who does not, who is deserving and who is not in a constellation of megacity inequality. The atmosphere puts the megacity apart from other urban and political forms. Second, closely related to the issues that circulate around a geopolitics of verticality and the technocratic security concerns of volumetric conceptions of territory, air/atmospheres constitute an environmental ecology of security threats and crisis that thwart megacity life and justify environmental policies as ‘security’ (see Zeiderman, 2013). Third, the paper argues how megacities are increasingly productive of secessionary atmospheres, often by removal and exclusion, which are not entirely separate from other atmospheric security concerns. (shrink)

The concept of atmosphere may be defined as tuned space, i.e. space with a mood. This concept opens a lot of new perspectives for Aesthetics. The very paradigm of it is stage design. Stage designers install a certain climate on the stage. But in our days almost everything is staged. Thus the theory of atmosphere finds applications in Commodity Aesthetics, Design, Architecture, but also the staging of politics as well as the staging of a person through a certain life-style is (...) a field of application. Finally the Aesthetics of Atmosphere helps to understand art, in particular performative art and music. (shrink)

With this article we intend to explore the concept of «esthetical object» proposed in Dufrenne’s text entitled La Phénoménologie de l’experience estéthique I. The potentiality/activity binomial appears as the ground for Dufrenne’s definition of esthetical object as perceived work of art. According to this, the happening of any artwork truly finds its proper place in esthetical experience, which arises as the meeting point of art’s expressive potentiality and the spectator’s perception act. Establishing an accurate distinction between esthetical perception and other (...) kinds of human perception, Dufrenne sees the former as the pure presence of the sensitive. Advocating the inseparability of significant and signification for the esthetical object, the author declares the meaning of esthetical experience as immanent to its own sensitive presentation. Dufrenne presents authentic esthetical perception as something, which has the power to, engage subjectivity in a radical experience. Under the light projected by the work of art, human beings are enabled to actualise other modes of being-in-the-world. With expression as its proper signifying mode, the esthetical object reveals itself as a world beginning, proposing an affective atmosphere, which opens the subject of esthetical experience to new existential possibilities. (shrink)

Le texte aborde un cas particulier d’atmosphère, l’inquiétante étrangeté, dans son rapport à l’espace architectural, selon une inflexion phénoménologique soulignant la teneur d’atmosphère (Stimmung) du sentiment éprouvé. Effectuant une relecture du texte éponyme de 1919 de Freud sous cet angle, notamment l’épisode de la promenade dans la petite ville italienne, la réflexion s’engage ensuite dans une approche de la peinture de De Chirico, en particulier le tableau de 1913 La grande Tour. Les écrits du théoricien américain de l’architecture Anthony Vidler (...) viennent à l’appui de la réflexion. La conclusion fait retour sur la maison hantée, au regard d’expériences artistiques plus contemporaines. (shrink)

Dans cet article ici en traduction inédite, dont la première version allemande date de 2011, Hermann Schmitz s’interroge sur les éléments qui, se déployant dans l’interaction entre les édifices et la vie sensible et affective des habitants, constituent l’atmosphère d’une ville. Dans cette perspective, il met à contribution plusieurs grands concepts de sa philosophie (la « Nouvelle Phénoménologie » développée dès les années 1960), destinée à élucider l’expérience vécue involontaire : dynamique du corps de chair (Leib), suggestions de mouvements, caractères (...) synesthésiques. (shrink)

L’œuvre littéraire et poétique de Gaston Bachelard tourne autour des potentialités imaginaires des matières, formes et mouvements (peu sur les couleurs), tout à tour mis en avant dans ses ouvrages. Si la dynamogénie du corps à travers les mouvements touche peu la scénographie, ses travaux sur les quatre matières de la nature et sur la géométrie de l’espace ( La poétique de l’espace est un des plus traduits et présent dans beaucoup d’écoles d’architecture dans le monde), proposent par contre de (...) multiples leçons sur la symbolique de l’espace naturel ou construit techniquement. Si ces éléments sont surtout abordés comme entités et moins comme des ensembles, comme des totalités agencées, ils livrent cependant bien des savoirs sur les potentialités de signification, objectives et subjectives, conscientes et inconscientes, des structures spatiales. L’article se propose de parcourir certains de ces résultats et d’en induire des leçons pour la création d’espaces, provocateurs d’émotions esthétiques, de surcharges symboliques et de transformation des représentations à partir d’une phénoménologie des formes et matériaux. (shrink)

Cet article examine la portée politique de l’esthétique des atmosphères de Gernot Böhme, en analysant sa filiation avec la théorie critique de Walter Benjamin. Puisque Böhme se réclame des analyses de ce dernier sur l’aura, il convient de les mobiliser pour envisager l’efficace des atmosphères, qu’il se propose lui-même d’explorer. L’étude proposée par Benjamin de la fantasmagorie du Paris du XIXe siècle, aura paradoxale, permet de penser la dimension sensible des rapports de force à laquelle s’intéresse Böhme et s’avère (...) un outil précieux pour cerner les effets des esthétiques urbaines contemporaines sur le corps des usagers. (shrink)

Since the publication in 1975 of Paul Virilio's Bunker Archeology, the range of Virilio's critical works and their impact have now become clear within a variety of subjects. Making astonishing interventions into art and architecture, geography, cultural studies, media, literature, aesthetics and sociology, the momentous implications of which have yet to be entirely understood, Virilio is the cultural theorist for our troubled twenty-first century. Responding to this growing interdisciplinary interest, Virilio Now: Current Perspectives in Virilio Studies comprises Sean Cubitt's critical (...) overview of Virilio's aesthetics of disappearance, an important newly translated text by Virilio interrogating the impact of contemporary art, and eight other major original essays by noted scholars on the wide scope of Virilio's writings, inclusive of Adam Sharr on Virilio and the architect Peter Zumthor's Bruder Klaus chapel, and Nigel Thrift's crucial assessment of Virilio's City of Panic. Substantial coverage of Virilio's essential texts such as The Information Bomb is presented alongside his hypermodern conjectures on television and speed, globalization, media and representation. Navigating Virilio's 'accident of art', the 'aesthetics of disappearance' and widespread cultural devastation, additional essays bring together considerations of financial adversity, war, calamity and the apocalypse. Dazzling yet perceptive, these texts on the 'post-nuclear imagination', terror and dread are simultaneously creative and theoretical extrapolations from Virilio's 'scenic imagination' and companion essays to his most contemporary, highly original and powerful books such as The Original Accident and The University of Disaster. Clearly introduced by the editor, Virilio Now is the preeminent single volume on Virilio's work and world available today."--Page 4 of cover. (shrink)

Beauty was once the main or even exclusive topic of aesthetics. Now, two hundred years after Karl Rosenkranz’s Aesthetics of Ugliness and a formidable development of fine arts in which many atmospheres beyond the edge of beauty were produced, it may be time again to ask the fundamental question of what the beautiful is like. But putting this question we notice that since the 18th century our aesthetical experience has deeply changed, so that the concept of traditional beauty must be (...) changed itself. (shrink)

CYBATHLON is an international championship where people with severe physical disabilities compete with the aid of state-of-the-art assistive technology. In one of the disciplines, the BCI Race, tetraplegic pilots compete in a computer game race by controlling an avatar with a brain-computer interface. This competition offers a perfect opportunity for BCI researchers to study long-term training effects in potential end-users, and to evaluate BCI performance in a realistic environment. In this work, we describe the BCI system designed by the team (...) Mirage91 for participation in the CYBATHLON BCI Series 2019, as well as in the CYBATHLON 2020 Global Edition. Furthermore, we present the BCI’s interface with the game and the main methodological strategies, along with a detailed evaluation of its performance over the course of the training period, which lasted 14 months. The developed system was a 4-class BCI relying on task-specific modulations of brain rhythms. We implemented inter-session transfer learning to reduce calibration time, and to reinforce the stability of the brain patterns. Additionally, in order to compensate for potential intra-session shifts in the features’ distribution, normalization parameters were continuously adapted in an unsupervised fashion. Across the aforementioned 14 months, we recorded 26 game-based training sessions. Between the first eight sessions, and the final eight sessions leading up to the CYBATHLON 2020 Global Edition, the runtimes significantly improved from 255 ± 23 s to 225 ± 22 s, respectively. Moreover, we observed a significant increase in the classifier’s accuracy from 46 to 53%, driven by more distinguishable brain patterns. Compared to conventional single session, non-adaptive BCIs, the inter-session transfer learning and unsupervised intra-session adaptation techniques significantly improved the performance. This long-term study demonstrates that regular training helped the pilot to significantly increase the distance between task-specific patterns, which resulted in an improvement of performance, both with respect to class separability in the calibration data, and with respect to the game. Furthermore, it shows that our methodological approaches were beneficial in transferring the performance across sessions, and most importantly to the CYBATHLON competitions. (shrink)

This paper is a fragment of the book “Kaja od Radosława, czyli historia Hubalowego Krzyża”, which was published by Warszawskie Wydawnictwo Literackie Muza in 2006. It will be published by the American publisher The Military History Press under the title “Kaia Savior of the Hubal Cross”. Covering a century of Polish history, it is full of tragic and compelling events. Such historic events as Polish life in Siberia, Warsaw before the war, the German occupation, the Warsaw Uprising, life in Ostaszków, (...) and the rebuilding of Warsaw are included.The hero Kaia is a woman, christened Cesaria, whose father was expelled to Siberia in 1905 for conspiring against the tsar. Kaia spent her early childhood there, and the family lived near the mountain Altaj. A chapter shows how the Polish community lived there, organized their daily lives, etc. In 1922, the family returned to free Poland, the train trip back taking almost a year. This ordeal is highlighted as a series of stops sometimes lasting for weeks because of heavy snow accumulation, the men shoveling a pathway for the train to pass through, many deaths occurring from the frigid cold with the “caboose” used as a mortuary for Poles to be returned to their homeland for burial. Kaia entered the school system, was eventually educated as an architect, and then World War II started. She lived under the German occupation for the first few years, and later became a conspirator by helping the underground movement. She joined the Armia Krajowa in 1942. At considerable risk, her apartment became a meeting place for the conspirators.After Hubal’s death, one of his couriers gave Kaia the Hubal Cross Virtuti Militari. The cross was with her for the ensuing 50 years. During the Warsaw Uprising, in which she was a courier, she carried the cross around her neck. Many times, she had to travel via the Warsaw underground sewer system. Twice, she was wounded. After the Warsaw Uprising collapsed, she went to the east territory to look for her mother. She was captured by the Russian NKVD in Białystok and sent to Ostaszków. An interesting scene describes one of many interrogations: the Russian interrogator asks if she knows about the cross. Her reply causes a puzzled look on his face. The cross was never discovered (she had hidden it in a specially made shoe). Protection of the Virtuti Militari Cross, which at first had been a challenge to Kaia to survive the Uprising and Russian imprisonment, later became a symbol of courage and determination of the Polish people. In 1946, Kaia returned to Poland very ill and weighing only 38 kg (83.6 pounds). Eventually recovering her health, she worked as an architect involved in the rebuilding of Warsaw totally decimated by the Germans.In the Warsaw Uprising chapter, Kaia’s diary is included, and the book relates the scenes and events that she described. One such experience is most moving. It was a quiet moment, i.e. the shooting had subsided. On a warm beautiful August night, she was sitting, enjoying the quiet alone when, a young man sat down next to her. He was a colleague from architectural school. Together, a few months earlier, they had attended a university ball, and Kaia remembered him as always being funny and amusing. Then, she noticed he was missing one eye and part of his chin. He returned her gaze and jokingly said, “I still have one eye left”. And then, he quietly sang a popular song that they had danced the waltz to… “Not to be in love on such a beautiful night is a sin”… Kaia had to be in the same mood as he was and smiled. A few days later, half of his body was covered in ruins…he could not be helped. His death lasted several days, and he is buried in Powązki Cemetery, like many soldiers of the Uprising. (shrink)

This book is a comprehensive development and defense of one of the guiding assumptions of evolutionary psychology: that the human mind is composed of a large number of semi-independent modules. The Architecture of the Mind has three main goals. One is to argue for massive mental modularity. Another is to answer a 'How possibly?' challenge to any such approach. The first part of the book lays out the positive case supporting massive modularity. It also outlines how the thesis should best (...) be developed, and articulates the notion of 'module' that is in question. Then the second part of the book takes up the challenge of explaining how the sorts of flexibility and creativity that are distinctive of the human mind could possibly be grounded in the operations of a massive number of modules.Peter Carruthers's third aim is to show how the various components of the mind are likely to be linked and interact with one another - indeed, this is crucial to demonstrating how the human mind, together with its familiar capacities, can be underpinned by a massively modular set of mechanisms. He outlines and defends the basic framework of a perception / belief / desire / planning / motor-control architecture, as well as detailing the likely components and their modes of connectivity. Many specific claims about the place within this architecture of natural language, of a mind-reading system, and others are explained and motivated. A number of novel proposals are made in the course of these discussions, one of which is that creative human thought depends upon a prior kind of creativity of action.Written with unusual clarity and directness, and surveying an extensive range of research in cognitive science, this book will be essential reading for anyone with an interest in the nature and organization of the mind. (shrink)

On 15 October 1959, Rudolf Carnap, a leading member of the recently founded Vienna Circle, came to lecture at the Bauhaus in Dessau, southwest of Berlin. Carnap had just finished his magnum opus, The Logical Construction of the World, a book that immediately became the bible of the new antiphilosophy announced by the logical positivists. From a small group in Vienna, the movement soon expanded to include an international following, and in the sixty years since has exerted a powerful sway (...) over the conduct of the philosophy of science as well as over wide branches of philosophy, economics, psychology, and physics. The site of Carnap’s lecture that day, the Dessau Bauhaus, was a stunning building designed by Walter Gropius and dedicated just three years earlier. Protected by its flat roof and glass walls, the artists, architects, weavers, and furniture designers had made the school a citadel of high modernism. It was here that Carnap addressed an enthusiastic audience on “Science and Life.” “I work in science,” he began, “and you in visible forms; the two are only different sides of a single life.”1 In this paper I will explore this “single life” of which the new philosophy and the new art were to be different facets; in the process, I hope to cast light on the shared modernist impulses that drove both disciplines in the interwar years. 1. Rudolf Carnap, lecture notes for his Bauhaus lecture, “Wissenschaft und Leben,” prepared 1 Oct. 1929 and delivered 15 Oct. 1929, transcription from shorthand by Gerald Heverly, Carnap Papers in the Archives of Scientific Philosophy, University of Pittsburgh Libraries, University of Pittsburgh , document RC 110-07-49. Quoted by permission of the University of Pittsburgh. All rights reserved. Translations are my own unless otherwise noted. Peter Galison is associate professor in the departments of philosophy and physics at Stanford University, where he co-chairs the program in the history of science. His primary interest is in the history and philosophy of experimentation, the subject of his How Experiments End and Big Science: The Growth of Large-Scale Research, edited with Bruce Hevly . His current project is entitled Image and Logic: The Material Culture of Modern Physics. (shrink)

Another monumental ZKM publication, redefining politics as a concern for things around which the fluid and expansive constituency of the public gathers; with contributions by more than 100 writers and artists.

The ArgumentBehind the dispute over the relative priority of theory and experiment lie conflicting philosophical images of the nature of scientific inquiry. One crucial image arose in the 1920s, when the logical positivists agitated for a “unity of science” that would ground all meaningful scientific activity on an observational foundation. Their goals and rhetoric dovetailed with the larger movements of architectural, literary, and philosophical modernism. Historians of science followed the positivists by tracking experimental science as the basis for scientific progress. (...) After World War II, historians and philosophers of science created an antipositivist movement, inverting the positivist idea that observation had epistemic priority. But this counter-movement retained the modernist aspiration to unity, now chaining observation to theory. Once again historians of science, following their philosophical colleagues, illustrated the new modernism with historical instances of observation dominated by theory.Either reductionist scheme, by privileging one activity over the other, dictates an overly constrictive periodization. We need a wider class of periodization models that will allow instrumentation, experimentation, and theory a partial autonomy without granting any one the sole legitimate narrative standpoint. Such a heterogeneous representation of historical traditions may, surprisingly, make better sense of the perceived coherence of activity across theoretical transitions than the monolithic modernist representation of science it displaces. (shrink)

In J. Evans and K. Frankish (eds.), In Two Minds: dual processes and beyond. Oxford University Press, 2008. (In draft.).

The case for massively modular models of mind -- The architecture of animal minds -- Modules of the human mind -- Modularity and flexibility : the first steps -- Creative cognition in a modular mind -- The cognitive basis of science -- Distinctively human practical reason.

This volume provides the reader with an integrated overview of state-of-the-art research in philosophy and ethics of design in engineering and architecture.

Parue en 1953, la Phénoménologie de l'expérience esthétique applique pour la première fois à l'esthétique l'appareil conceptuel de la phénoménologie. Elle élabore une analyse de l'oeuvre d'art et, plus largement, de l'objet esthétique, si divers et changeants qu'en soient les traits singuliers. Elle s'attache à décrire l'expérience esthétique vécue, ce moyen privilégié que nous avons d'éprouver notre présence au sensible. Elle célèbre cette forme heureuse du sentir, ce haut moment de la perception où se révèle, à la limite du pensable, (...) la connivence originaire de l'homme et du monde. (shrink)

This book is the second of a three-volume set on the subject of innateness. The book is highly interdisciplinary, and addresses such question as: to what extent are mature cognitive capacities a reflection of particular cultures and to what extent are they a product of innate elements? How do innate elements interact with culture to achieve mature cognitive capacities? How do minds generate and shape cultures? How are cultures processed by minds?Concerned with the fundamental architecture of the mind, this text (...) addresses questions about the existence & extent of human innate abilities, how these inate abilities affect the development of the mature mind, & which of them is shared with other species. (shrink)

Theories of justice rely on a variety of criteria to determine what social arrangements should be considered just. For most theories, the distribution of financial resources matters. However, they take the existence of money as a given and tend to ignore the way in which the creation of money impacts distributive justice. Those with access to collateral are favoured in the creation of credit or debt, which represents the main form of money today. Appealing to the idea that access to (...) credit confers freedom, and that inequalities in this freedom are morally arbitrary, this article shows how the advantage to those with collateral plays out in different ways in today’s economy. The article identifies several forms of bias inherent in money creation, and its subsequent destruction: loans from commercial banks to individuals and corporations, interbank lending, lending from central banks to commercial banks, and selective bail-outs by central banks. These are not mere inequalities: they are unjust since alternative designs of the financial architecture exist that would significantly reduce them. The paper focuses on one possible reform with the potential to address several of the types of bias identified, namely the separation of money creation from private bank credit. (shrink)

Mediaeval psychological theory was a “faculty psychology”: a confederation of semiautonomous sub-personal agents, the interaction of which constitutes our psychological experience. One such faculty was intellective appetite, that is, the will. On what grounds was the will taken to be a distinct faculty? After a brief survey of Aristotle's criteria for identifying and distinguishing mental faculties, I look in some detail at the mainstream mediaeval view, given clear expression by Thomas Aquinas, and then at the dissenting views of John Duns (...) Scotus and William of Ockham. I conclude with some reflections on why the mainstream mediaeval view was discarded by Descartes. (shrink)

The mystery surrounding consciousness as subjectivity dissipates dramatically when understood in its biological context. The core characteristics of consciousness can be seen to derive from its functionality, and the fundamental function of cognition, given the equivalence of mental activity and brain process, is to advance the survival and thus the self-regulative capacity of the organism of which the brain is a part. These core elements of consciousness are comprised of a self-locational data structure which serves to configure ongoing experience in (...) terms of controllable spatial and temporal parameters, and a processing regime for this orientational schema which has evolved from the feedback architecture necessary for regulating behavior in relation to homeostatic needs. These two self-regulative constituents yield a primitive form of consciousness as subjectivity — simple reflexive awareness — which provides the basis for the subsequent development of metacognitive mechanisms which monitor and control the cognitive processes which regulate behavior in relation to metabolic requirements. (shrink)

Dynamical Grammar explores the consequences for language acquisition, language evolution, and linguistic theory of taking the underlying architecture of the language faculty to be that of a complex adaptive dynamical system. It contains the first results of a new and complex model of language acquisition which the authors have developed to measure how far language input is reflected in language output and thereby get a better idea of just how far the human language faculty is hard-wired.

Ludwig Wittgenstein was a reclusive and enigmatic philosopher, writing his most significant work off campus in remote locations. He also held a chair in the Philosophy Department at Cambridge, and is one of the university’s most recognized even if, as Ray Monk says, ‘reluctant professors’ of philosophy. Paradoxically, although Wittgenstein often showed contempt for the atmosphere at Cambridge and for academic philosophy in particular, it is hard to conceive of him making his significant contributions without considerable support from his academic (...) colleagues, his research fellowship and later teaching career at Cambridge. It is this conflicted relationship we explore, between the revolutionary thinker and his base within an educational institution. Starting from a brief biographical sketch of Wittgenstein’s academic life at Cambridge, including his involvement as a student and faculty member in the Moral Sciences Club, we look at how he reconceived the role of philosophy throughout this... (shrink)

Reliability theories of epistemic justification face three main objections: the generality problem, the demon-world (or brain-in-a-vat) counterexample, and the clairvoyant-powers counterexample. In Perception and Basic Beliefs(Oxford 2009), Jack Lyons defends reliabilism at length against the clairvoyant powers case. He argues that the problem arises due to a laxity about the category of basic beliefs, and the difference between inferential and non-inferential justification. Lyons argues reliabilists must pay more attention to architecture. I argue this isn’t necessarily so. What really matters for (...) understanding and solving the case involves paying closer attention to the origins of our belief forming capacities, both inferential and non-inferential. Reliabilists should make origins matter more. (shrink)

Consciousness as used here, refers to the private, subjective experience of being aware of our perceptions, thoughts, feelings, actions, memories including the intimate experience of a unified self with the capacity to generate and control actions and psychological contents. This compelling, intuitive consciousness-centric account has, and continues to shape folk and scientific accounts of psychology and human behavior. Over the last 30 years, research from the cognitive neurosciences has challenged this intuitive social construct account when providing a neurocognitive architecture for (...) a human psychology. Growing evidence suggests that the executive functions typically attributed to the experience of consciousness are carried out competently, backstage and outside subjective awareness by a myriad of fast, efficient non-conscious brain systems. While it remains unclear how and where the experience of consciousness is generated in the brain, we suggested that the traditional intuitive explanation that consciousness is causally efficacious is wrong-headed when providing a cognitive neuroscientific account of human psychology. Notwithstanding the compelling 1st-person experience that convinces us that subjective awareness is the mental curator of our actions and thoughts, we argue that the best framework for building a scientific account is to be consistent with the biophysical causal dependency of prior neural processes. From a 3rd person perspective,, we propose that subjective awareness lacking causal influence, is than our experience of being aware, our awareness of our psychological content, knowing that we are aware, and the belief that that such experiences are evidence of an agentive capacity shared by others. While the human mind can be described as comprising both conscious and nonconscious aspects, both ultimately depend on neural process in the brain. In arguing for the counter-intuitive epiphenomenal perspective, we suggest that a scientific approach considers all mental aspects of mind including consciousness in terms of their underlying, preceding biological changes, in the realization that most brain processes are not accompanied by any discernible change in subjective awareness. (shrink)

A study of the nature of philosophical reason, architecture, and politics as they are shaped by the influence of port cities and by the eternally returning movement of entry and exit through those cities. The examples of Piraeus, Venice, Rome, Marseilles, Königsberg and New York are considered.