In this article, I explore the mythic narratives of the Yoruba-derived tradition of Candomblé Nagô to discern the attributes of its Supreme Being. I introduce Candomblé, offering an overview of its central beliefs and practices, and then present theological perspectives on the Supreme Being in African Traditional Religion as a basis for comparison with the myths I will examine. I consider the primary creation myths of Candomblé, emphasizing references to the tradition's Supreme Being and, analysing these myths, I (...) argue that Candomblé's Supreme Being, as depicted in these narratives, amounts to a limited god. This portrayal accounts for the absence of a problem of evil within the tradition. It suggests the moral ambivalence of Candomblé's Supreme Being and other high deities, as well as the world itself. This exploration sheds light on a lesser-explored tradition and its unique approach to philosophical dilemmas, distinct from the predominantly theistic framework of most philosophy of religion, and evinces that philosophizing through immersion in myths should involve appreciating the complexities and richness inherent in these forms of life, free from the imposition of external assumptions or biases. (shrink)

Greimas’s conception of narrative is based on a causality linked to basic paradigms establishing the deep meaning of a story; Girard’s conception of narrative is rooted in a universal mimetic desire which leads the “lynchers” to justify exclusion by producing mythical narratives demonstrating that the excluded was evil; Kymlicka’s perspective on cultural relationships is based on the necessity to create a socio-political framework helping people to cooperate in order to invent a better world. These three important thinkers analyze stories (...) people tell themselves or believe in in order to organize a controlled and safer way of life for themselves. We compare the theoretical perspectives of these three thinkers in order to understand in what way contemporary writers of the Americas structure their narratives and explore encounters while aiming at fostering a vision of the world oriented towards multi and transculturalism. (shrink)

On some accounts, Sophocles’ Philoctetes is most notable for what it lacks: alone among the extant Attic tragedies, there are no women in the dramatis personae; alone among the extant plays of Sophocles, no characters die; and the chorus plays a relatively diminished role, adhering most closely to Aristotle’s injunction in the Poetics that a chorus should take on the role of an actor. But when viewed through the lens of ecocritical feminism and vibrant materialism, notably the work of Donna (...) Haraway, Mel Chen, Jane Bennett, and Anna Tsing, the play’s landscape, the island of Lemnos, comes to life; and it teems with feminine energies as well as compromised and complicated animacies, while the chorus serves as an empathic focalizer and world-builder. This paper argues that in addition to animating the island’s material ecosystem, Sophocles conjures Lemnos’ mythic ecosystem, most notably the tale of the notorious, murderous, and malodorous Lemnian Women. All of these elements cohere to characterize Philoctetes as an abject, sterile menstruator. Furthermore, the chorus’s brief, strange Hymn to Gaia encapsulates the play’s tension between a masculine, heroic, teleological narrative and the feminine, primordial, bestial world of Lemnos. These dynamics are further considered through the lens of fifth-century Athenian colonization, the story of the indigenous Lemnian Pelasgians, and a colonial reading of the Odyssey’s Cyclopeia. Finally, the paper explores the close, mutually constitutive relationship between text, landscape, and body via the popularity, in later antiquity, of pharmacological applications of Lemnian Earth, used to treat, among other ailments, snakebites and menstruation. (shrink)

Drawing on a corpus of reader comments posted to the news reports about the “Colectiv” fire on the Gândul daily website, this article investigates how “the void signifier” People is disputed between ideological and mythical thought in a moment of political and societal crisis. The comments were made by readers to a series of 578 news reports and editorials. Our study aims to inquire whether the figure of the People keeps its resourcefulness in an online conversational discourse regime. Particularly, we (...) are interested in the way common people devise themselves as the People by mobilizing a specific political mythology established by both lay and religious tradition, and recently, by an utopian approach to empowering technological revolutions. The transfer of power between the theological concept of God and the secular concept of People is analyzed in a cultural and linguistic frame: 1. the Romanian Orthodox tradition and the modern developments of the Byzantine concept symphonia ; 2. the semantic and syntactic specificities of the Romanian language within online media. As shown by the analysis, the static, passive and dynamic renditions of Popor [People] pertain to a narrative of political transcendence. (shrink)

This article aims to problematize, through the theoretical contributions of the post-colonial studies, the catholic church’s colonization project towards the Amapaense Amazon’s popular catholicism - such as the Myth of Cobra Grande - constituted as a project evolved around eurocentric and judeo-christian assumptions to the detriment of afro-amerindian cultural, identity and religious expressions, of catholic communities in the urban and rural areas of the brazilian Amazon. The amazonian population develops strategies of resistance and re-existence in order to maintain their religious (...) traditions around festa dos santos, pilgrimages, festivities, rosaries, quermesses, and other activities as forms of origins establishment or origins return for the foundation of a narrative identity.. (shrink)

For nearly a century, the French have entertained an unshakable conviction that their ability to recognize themselves-to know and transmit the essence of Frenchness-depended on the teaching of the history of France. In effect, history was a discourse on France, and the teaching of history-"la pédagogie centrale du citoyen"-the means by which children were constituted as heirs and carriers of a common collective memory that made them not only citizens, but family. In this essay, I examine the rhetorical and conceptual (...) effects on history writing that emerge out of this preoccupation with the elaboration of a continuous, coherent national identity. Focusing on schoolbooks, I begin by looking at the dominant, nearly hegemonic model of French history created by Ernest Lavisse in the 1890s-a model informed by the dream of a unified, unitary French nation, embodied in and articulated through the history of France-and at the disruption of this paradigm in the aftermath of the Great War. I then consider a text written in the 1990s specifically to repudiate the kind of nationalist narratives that prevailed for most of this century-a new supranational history of Europe. I argue that, in their different experiments with fixing history, both Lavisse and the contemporary textbook authors did not so much repair a deficient history as produce a historical fixation, creating mythicized histories that are complete, closed, predictable, and at bottom ahistorical. Finally, I turn to a recent World War I novel, A Very Long Engagement by Sébastien Japrisot, in order to suggest ways in which the narrative strategies of a fiction writer may be useful to historians in thinking about a different kind of historical project. (shrink)

The ordeal of mourning, being so much harder than any thought its experience may deliver, bears out the impression developed in Julia Kristeva’s opening to The Severed Head —that thought is swift. She has recognized as well as anyone the interplay of blindness and insight. Nothing brings all this into starker evidence than the premature death of a loved other, a friend, or a true assistant in life and thought. There is a reminder in this that the new narratives (...) of subjectivity on which Kristeva places a high value, and certainly the long life of meaning in the world, come at the price of the loss and mourning of our loved others. Pleshette DeArmitt’s book, The Right to Narcissism: A Case for an Im-possible Self-Love, has given the condition of narcissism an intricate place in this difficult if promising work. (shrink)

Mythopoetry, the imagistic voice of the muses which manifests in myth and natural poetry, has been invoked as an impression of ideal curriculum with which to cherish intimate, vital experience (and to oppose its exile from educational life). In this statement, I intend to see through the pleasant surface of the label, mythopoetry, to see what image may lie just out of sight, beyond the "inspired writing" that mythopoetry implies. Beyond words themselves, meaning is found in sound and in expressive (...) representation. “Music, when soft voices die, / Vibrates in the memory” (Shelley). (shrink)

Normal 0 21 false false false MicrosoftInternetExplorer4 Resumo O Reinado de Nossa Senhora do Rosário (também conhecido como Congado), manifestação católica, típica dos negros, festa popular e importante no Estado de Minas Gerais funda-se em uma narrativa mítica em torno da Santa de mesmo nome e constitui o imaginário de seus devotos. Compreender como esta religiosidade mítica foi constituída no Brasil é o objetivo desse artigo. Os dados são partes integrantes de tese de doutoramento que adotou a teoria da complexidade (...) (Morin), a psicologia profunda (Jung, Campbell, Bachelard), a antropologia do imaginário (Durand) e a antropologia da festa (Duvignaud) com seus principais expoentes em diálogo com outros autores, como referenciais teóricos. A mithopoiésis (Ferreira Santos) aqui entendida como a elaboração de sentidos dada pelos congadeiros à sua própria vida orientada pelo fundo mítico de Nossa Senhora do Rosário, se tornou a metodologia mais adequada para o estudo. Os resultados encontrados possibilitaram a construção de novos conhecimentos sobre as comunidades afrodescendentes, ampliando a nossa compreensão sobre a sociedade brasileira, e sobre nós mesmos. Palavras-chave: congado; mito; imaginário; festa.Nossa Senhora do Rosário's Reign (also known as Congado), Catholic manifestation, typicaly of black people, popular and important party in the State of Minas Gerais is founded on a mythical narrative about the Saint of the same name and establishes the imagination of its devotees . Understanding how this mythical religion was established in Brazil is the purpose of this article. The data is part of the doctoral thesis which adopted the theory of complexity (Morin), depth psychology (Jung, Campbell, Bachelard), anthropology of the imaginary (Durand) and anthropology of the party (Duvignaud) with their main representatives in dialogue with other authors, as theoretical reference. The mithopoiésis (Ferreira Santos) here is understood as the elaboration of senses given by the Congadeiros to their own lives, guided by the mythical background of Nossa Senhora do Rosário has become the most appropriate methodology for the study. The results allowed the construction of new knowledge about the afro-descendent communities, enlarging our understanding of the Brazilian society, and ourselves. Key words: congado ; myth; imaginary; party. (shrink)

Reflecting the dangers of irresponsible science and technology, Mary Shelley’s Frankenstein quickly became a mythic story that still feels fresh and relevant in the twenty-first century. The unique framework of the Frankenstein myth has permeated the public discourse about science and knowledge, creating various misconceptions around and negative expectations for scientists and for scientific enterprises more generally. Using the Frankenstein myth as an imaginative tool, we interviewed twelve scientists to explore how this science narrative shapes their views and perceptions (...) of science. Our results yielded two main conclusions. First, the Frankenstein myth may help scientists identify popular concerns about their work and offer a framework for constructing a more positive narrative. Second, finding optimistic science narratives may allow scientists to build a better relationship with the public. We argue that by showing the ethical principles and social dimensions of their work, scientists could replace a negative Frankenstein narrative with a more optimistic one. (shrink)

Drawing from Nietzsche, I explore the topic of aesthetic education. Even though Nietzsche never formally uses the term “aesthetic education” in his works, this is a novel initiative of my own doing based on what I think he would have to say on the topic. Just as Nietzsche adopted his own experimental approach or style, in a sense, my intention is to experiment with a narrative, which takes the form of a fictional dialogue between Nietzsche and a student. To make (...) sense of what Nietzsche has to say on the topic, I examine certain aspects of his thought as they relate to art, aesthetics, creative activity, creativity, the important role of Bildung (self-cultivation), and other associated areas of interest. This essay critically discusses and analyzes the narrative in relation to Nietzsche's appropriation of the mythical figure of Dionysus, as well as the tragic wisdom it is supposed to incarnate. As such, I argue that Dionysian wisdom is an exposition of the paradoxical characteristics of the creative life that has significant ramifications for aesthetic education. (shrink)

In several works Teresa Brennan examines how, contrary to social notions of the separate and contained self, all that exists in the natural world is connected energetically. She identifies a “foundational fantasy” whereby the ego comes into existence and is maintained by the notion that it controls the mother. The effects of this fantasy are socially oppressive and, in the technological era, environmentally disastrous. M;y examination of narratives and images in ancient myth, popular culture, literature, and art suggest ways (...) to counteract the destructive fantasy through re-symbolization of the relation to what Brennan understands as the original/living nature, which is correlated to the mother's body. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Homeric Allusions at the Close of Thucydides' Sicilian NarrativeJune W. Allison.(Marcellinus Vita Thucydidis 37)When Thucydides composed his history, the inclusion of elements from epic was natural. Both the subjects and compositional techniques of epic were at home in this evolving genre.1 Herodotus' mighty prose epic, with its own debts to Homer, was the culmination of the process, successfully combining the mythic and epic with historical narrative.2 Thucydides' method, (...) however, was going to be different: the mythic was to be done away with and the epic made to serve the account of the most destructive war in historical memory.Thucydides in some places mentions Homer directly and in others makes artful allusions to Homeric epic.3 In his Archaeology he repeatedly [End Page 499] holds up the Trojan War as the first great naval expedition and records its failings. In his programmatic passages, moreover, Thucydides draws comparisons between Homer's methods and his own.4 Marcellinus, his biographer, reflects a tradition that attributed even individual features of Thucydides' style and language to Homer. Epic conventions abound: there are angry speeches between antagonists; there are catalogues of warriors, in particular, the fine example before the final battle at Syracuse (7.57–59); and there are splendid battle scenes, where individuals, such as Brasidas, are singled out.5 When Thucydides turns to compose the events of the Sicilian Expedition, he allows the reader to dwell on parallels between it and its ancestral expedition to Troy.6 The parallels with the Homeric poems on a thematic level are large and obvious: a monumental Greek naval expeditionary force travels far in order to besiege a city. The insistence in book 6 on heavy preparations for Sicily recalls Thucydides' criticism in book 1.9 of Agamemnon's effort. Unlike their poetic ancestors, who prolonged the siege because they had to spend valuable time gathering supplies by means of raids on nearby cities, the Athenians would take their necessities with them. Like the Iliad, the History has war as its pervading theme, but also like the Iliad, it is not simply about war; rather it is about the human motivations and reactions which that most dehumanizing phenomenon elicits. In depicting what is poignant Thucydides competes with Homer. He [End Page 500] does not fail to draw on the values of the Iliad to highlight his own narrative and to imbue his account with the powerful sensitivity to suffering found in both Homeric poems.My focus in these pages is Thucydides' use of Homeric words in his description of the final battle in the great harbor and the retreat of the Athenians from Sicily. In 1900 Smith collected some of these terms but made no claims for completeness: "A few terms and idioms borrowed from poetry and traceable directly or indirectly to Homer may give some idea of what might be found if one knew classical Greek usage thoroughly well and were perfectly familiar with Homer" (70).7 So it is not easy to pinpoint specific verbal allusions to Homer in the History. The historian may have used other works in the epic cycle or tragedies now lost that made use of epic.8 Moreover, the atmosphere of high poetry we encounter may result from the effect of a few words or even one word or a setting which will recall Homer without, however, alluding to a specific passage in the poems.9 The poetic influence upon prose was long and profound. Indeed, prose of the fifth century had not yet totally divorced itself from poetry. What I suggest here is that Thucydides created an atmosphere in the final chapters on the Sicilian disaster which derives its Homeric aura from a number of attributes, among these, words of epic coloring.In two places Thucydides seems to make conspicuous use of Homer: in the Funeral Oration, and at the end of book 7. The Funeral Oration deserves analysis, but because it is a formal, epideictic, state address over fallen warriors and is traditional (as Pericles says repeatedly), [End Page 501] it attracts epic forms, as it were, by nature. I shall concentrate on book 7, where Thucydides has employed Homeric echoes to enhance in... (shrink)

This paper makes a number of observations on soteriology, asceticism and the female body in two Indian Buddhist narrative. The first story examined is about the enlightenment of the Buddhist saint Yasas from a collection of verses know as the Anavatapta-gatha, or Songs of Lake Anavatapta. This narrative graphically describes a rotting female corpse and associates this physical corruption with the female body in general. The second story is about a mythical girl from the ancient past found in the Mahayana (...) scripture, the Gandavyuha-sutra. The female protagonist is described as exceedingly beautiful and her beauty functions as a sign of her spiritual superiority and as a means to aid beings. After a summary of these two tales, their soteriological presuppositions are discussed. Next,the effect of Buddhist soteriology upon the construction of gendered bodies in Indian Buddhism is considered. The author argues that the first story represents an ascetic soteriology that sees the female body as corrupt, while the second story displays an alternative devotional soteriology that extols female beauty as linked to virtue and as efficacious for religious development. The paper concludes with the suggestion that the narratives employing the image of the corrupt female body were meant for a male monastic audience; while the Gandavyuha with its devotional soteriology may have been composed with a royal female audience in mind. Thus target audience should be considered when studying Indian Buddhist narratives. (shrink)

It is a truth universally acknowledged that great works of literature have an impact on people's lives. Well known literary characters—Oedipus, Hamlet, Faustus, Don Quixote—acquire iconic or mythic status and their stories, in more or less detail, are revered and recalled often in contexts far beyond the strictly literary. At the level of national literatures, familiar characters and plots are assimilated into a wider cultural consciousness and help define national stereotypes and norms of behaviour. In the English speaking world, (...) Shakespeare's plays or the novels of Jane Austen, the Bronte sisters, Dickens, and Trollope, provide imaginative material that reverberates in people's lives every bit as much as do the great historical figures, like Julius Caesar, Elizabeth I, Horatio Nelson, or Winston Churchill. What is striking is how often fictional characters from the literary tradition—like the well-loved Elizabeth Bennett, Jane Eyre, Oliver Twist, Pip, Tess of the d'Ubervilles—enter readers' lives at a highly personal level. They become, as Martha Nussbaum puts it, our ‘friends’, and for many readers the lives of these characters become closely entwined with their own. Happy and unhappy incidents in the fictional worlds are held up against similar incidents in the real lives of readers and such readers take inspiration from the courage, ingenuity, or good fortune of their fictional heroines and heroes. Nowhere is it more true that life imitates art. (shrink)

This essay explores cultural and psychological dynamics in indigenous Amazonian narratives about a powerful trickster figure named Made-from-Bone. Particular attention is given to the ways in which speaking verbs, quoted speeches, and dialogical interactions are used as psychological tools for understanding and explaining others'inner thoughts and emotions. Comparative analysis of two narratives set in the distant mythical past demonstrates how intentionality is a semiotic ideology that emerges through dialogical interaction. These narrative practices are deeply rooted in shamanic healing (...) practices, especially the use of musical and other symbolic sound elements as a privileged sense modality for expressing and experiencing psychological processes of making dreams, emotions, and inner thoughts into objects of conscious thought and discourse. (shrink)

In the contemporary postmodern era, the boundaries that once rigidly separated well-established genres have become more fluid, resulting in what scholars Raffaella Baccolini and Tom Moylan call ‘genre-blurring’. This phenomenon of incorporating elements from diverse genres represents a challenge to dominant ideologies and expands the possibilities within fictional texts. The dystopian fiction written by feminist writers towards the end of the twentieth century and beyond significantly exemplifies this form of hybrid textuality. In doing so, these writers seek to renovate the (...) dystopian genre by making it both formally and politically oppositional. This article aims to explore Midnight Robber (2000), a feminist dystopian novel by Nalo Hopkinson, a Jamaican–Canadian writer, to illustrate how the author manipulates the generic boundaries of science fiction, fantasy and mythology. By amalgamating Afro-Caribbean religious and cultural beliefs, mythical creatures and traditional knowledge systems with a technologically advanced future world, Hopkinson challenges the essentially White, Eurocentric model of dystopian fiction. The article will also examine how, as an Afrofuturist writer, Hopkinson attempts to challenge and subvert the patriarchal discourse of dystopian fiction, traditionally dominated by White male writers, through a strong Black female character, Tan-Tan, who seeks to resist the patriarchal structures governing her, and finally succeeds in emerging as a female leader figure. For this purpose, Barbara Creed’s insights into the monstrous-feminine are explored, introducing novelty into the discourse of feminist dystopia. (shrink)

In this article I will explore the relationship between man and animal as presented by Ovid in some of his rape stories narrated in the Metamorphoses. The stories I will discuss are those of Actaeon and Callisto, the rape of Europa and the rape of Proserpina. Against Ovid’s background, I will examine Rembrandt’s version of these stories. In other words, I will investigate how Ovid’s textual construction of animals vs. humans relates to Rembrandt’s painterly construction of them. Accordingly, I will (...) explore how Rembrandt’s presentation of animals in his mythical images may reflect some of the prevalent attitudes of the period towards animals. My final goal is to address the question of the sublime in Rembrandt’s myths of human-animal transformation. Specifically, I will try to show that in his work the animals become agents of the sublime on a par with humans and gods. I will argue that similarly to Ovid’s reader, Rembrandt’s viewer experienced awe, amazement, even terror in front of his depictions of sublime passions, impossible disguises and transformations, his stories of violence, enacted collaboratively between man and animal. (shrink)

This article argues the following points. (1) It is necessary to affirm that all of humanity has always sought to address certain `core universal problems' that are present in all cultures. (2) The rational responses to these `core problems' first acquire the shape of mythical narratives. (3) The formulation of categorical philosophical discourses is a subsequent development in human rationality, which does not, however, negate all mythical narratives. These discourses arose in all the great urban neolithic cultures (even (...) if only in initial form). (4) Modern European philosophy confused its economic, political and cultural domination, and the resulting crises in other philosophical traditions, with a Eurocentric universality claim, which must be questioned. (5) In any case there are formal universal aspects in which all regional philosophies can coincide, and which respond to the `core problems' at an abstract level. (6) All of this impels entry into a new age of inter-philosophical dialogue, respectful of differences and open to learning from the useful discoveries of other traditions. (7) A new philosophical project must be developed that is capable of going beyond Eurocentric philosophical modernity, by shaping a global trans - modern pluriverse, drawing upon the `discarded' (by modernity) own resources of peripheral, subaltern, postcolonial philosophies. Key Words: Al-Jabri • dialogue • Eurocentric • Fornet-Betancourt • Hountondji • inter-philosophical • myth • narrative • rationality • Ricoeur • transmodern. (shrink)

This article considers the influence of childhood corporal punishment, abandonment, and neglect on the development and reception of seminal New Testament teachings. Two related but distinct propositions are argued. First, that widespread patterns of painful childhood experience provided a thematic template that deeply shaped the New Testament during its formative period. Second, that this thematic shaping has contributed, on an individual level, to subjective experiences of faith and, on a cultural level, to the initial spread and subsequent persistence of Christianity. (...) The approach is interdisciplinary, drawing on religious texts, historical evidence about the treatment of children, and several areas of psychology. The article ends with an exploratory excursus intended to stimulate thought about possible childhood influences in non-Christian religions and myths; the traditions considered are Judaism and Islam, the religious-philosophic system of karmic reincarnation that is foundational to Hinduism and Buddhism, and a Greek mythic text associated with the historically important Eleusinian mystery religion. (shrink)

Plato's Timaeus contains a powerful and influential myth, of the construction of the universe by a divine craftsman. A god imposes reason on necessity, to bring order from a primeval 'receptacle' of disordered matter. There results the 'child' that is the cosmos - a copy of an eternally-existing perfect model. Here eight new essays from a distinguished international cast, explore aspects of this challenging work: the principles of the mythical narrative, how the world soul and human body are formed, implications (...) for illness - mental and physical, the importance of music and harmonious proportion. Later developments are also treated: Aristotle's theory of generation, the commentary of Proclus and elements of modern evolutionary theory. (shrink)

We analyze central mythical material in the ideology of female mapuche textile masters and the initiation ritual that the aspirants to the title of textile master undertake. These myths refer to foundational mythical narratives that explain the key categories upon which the ideology of the female textile masters is built. The myth establishes the contextual and practical frame of the performative aspects of the ritual and the essential categorical system that every novice weaver must dominate. Likewise, textile initiation practices (...) are coated by a thick aesthetics based in the spiders and women’s web; textures, colors, icons and folds that visually complement the meaning of the myths and rites. (shrink)

A narrative analysis of a sequence from a documentary on the withholding of treatment in persistent vegetative state allows the discernment of several characteristics of the approach of the media to medical ethical problems: (1) The arrangement of the story units in the film sequence corresponds to established patterns of movie dramaturgy. (2) The documentary ”hollywoodizes” morality; it interprets the arena of the problem in the realm of the movie theatre and not in the realm of ethical discourse. (3) The (...) moral decision occurs in the return to mythical narrative structures which show a tendency to confirm perceived established world interpretation. (4) Morality is reduced to black and white characterizations. (5) The ethical conflict is transmitted through the plane of personal action which tends to blot out complex interdependencies. (6) Private happiness forms the basis for an essential set of criteria for all actions and decisions. The rational weighing of criterion is not easily transmittable by television; instead, television, due to its audiovisual sensory nature, has a great potential to awaken insight into and understanding of specific situations and personal experience. Thus television can supplement the philosophical discipline of hermeneutical bioethics in generating sympathy and deeper understanding. (shrink)

Resumo "O candomblé aceita o homossexualismo porque é uma religião que não tem pecado. Não interessa se você seja homem, mulher ou gay. Não importa a opção sexual. (...) Você pode ver. É uma religião de homossexuais". É assim que um filho-de-santo responde a uma pergunta sobre a notável presença de homossexuais iniciados na religião dos orixás. Se comparadas a outras denominações hostis e indiferentes às orientações não-heterossexuais, o candomblé e outras devoções afro-brasileiras são, de fato, mais tolerantes à participação (...) de homossexuais, permitindo-lhes ocupar todos os postos previstos na hierarquia ritual. Embora estejam entre as expressões religiosas que menos discriminam o indivíduo por razões de preferência sexual, percebemos por meio da literatura especializada e de uma pesquisa de campo, realizada na região metropolitana de São Paulo, que os candomblecistas também empregam em seus discursos argumentos ou narrativas míticas, certos princípios e valores seculares articulados à moralidade cristã e que dão sustentação à hierarquia de sexo/gênero - conforme alguns sacerdotes, as categorias homem/mulher e masculino/feminino devem corresponder às expectativas sociais esperadas para cada ser sexuado. Em virtude disso, tratar de homossexualidade nas comunidades-terreiro, ao contrário do que possa parecer, é um tema delicado, restrito e rodeado de tabus. Palavras-chave: Candomblé; Gênero; Sexualidade; Homossexualidade." Candomblé accepts homosexualism because it is a religion where sin does not exist. It does not matter whether you are a man, a woman or gay. Your sexual choice does not matter. [...] You can see it. It is a religion of homosexuals." This is how a filho-de-santo answers a question about the remarkable presence of homosexuals initiated into the orixás ' religion. If compared to other denominations, hostile or indifferent to nonheterosexual orientations, candomblé and other Afro-Brazilian religions are indeed more tolerant to the participation of homosexuals, allowing them to hold all positions in the ritual hierarchy. However, based on the literature and on a field research carried out in the São Paulo metropolitan region, we realized that those affiliated to candomblé , although following one of the religions with the lowest degree of prejudice against individuals due to their sexual preference, also employ in their discourse arguments or mythical narratives, secular principles and values articulated with Christian morality, which support the sex/gender hierarchy: according to some priests, man/woman and male/female categories must correspond to the social expectations of each sexual being. Thus, on the contrary, approaching homosexuality in Afro-Brazilian religious communities is a delicate and restricted matter, surrounded by taboos. Key words: Candomblé; Gender; Sexuality; Homosexuality. (shrink)

Broad Morals and Broad Reason: Reconciling inclusive ethics with psychological realism Many of today’s problems revolve around distance and proximity. Progressives argue that a universalist, inclusive ethics requires us to bridge distances in identity, space, and time. Conservatives object that such bridging is psychologically unrealistic: people of flesh and blood can only care about whom/what is close-by. Evolutionary and psychological research seems to corroborate this sobering view. Many researchers confirm that our intuitions (‘System 1’) are groupish and short-sighted, and largely (...) deaf to the appeal of rational universalism (‘System 2’). But not all agree. We distinguish four ‘evo-progressive’ attempts to reconcile evolution and psychology with a universalist, inclusive ethics. Singer and Pinker (1), Buchanan and Powell (2), and Sunstein (3) contend that a reason-based, inclusive ethics is psychologically feasible, but that such an ethics has to be thin, solely focusing on rights and no-harm. By contrast, Haidt (4) argues that an inclusive ethics should be ‘broad’, also encompassing moral domains like sacrality, loyalty and authority. This implies for him that it cannot be reason-based. We argue that a broad form of inclusive ethics can and should be reason-based, but that this requires a rethinking of ‘reason’. We show that the evo-progressives’ conviction that a rational ethics is by definition thin, results from their theoreticistic conception of reason. But reason can also have more mimetic-embodied or mythical-narrative forms. These do allow for a broad, rational, inclusive ethics that can motivate real people to include stakeholders that are distant in identity, place, and time. (shrink)

El cristianismo, obligado por la Modernidad, tuvo que hacer un desplazamiento desde el plano dogmático al plano moral; hoy estamos ante otro desplazamiento: el que va desde el terreno moral al místico. En este terreno dominará sobre todo la experiencia personal de la presencia salvífica de Dios en Cristo. Esa experiencia, vivida en medio del pluralismo, consistirá en una síntesis activa entre la Presencia y su interpretación . Este ensayo trata de diseccionar las dimensiones existenciales y lingüísticas de esa síntesis. (...) Después de ver por qué somos pobres en experiencia, se analizan los componentes y caracteres esenciales de toda experiencia religiosa A continuación se disecciona la estructura simbólica de esta experiencia , y su configuración mítico-narrativa Palabras clave: 'Hermenéutica de los símbolos'; 'Mitos'; 'Mundos ficcionales'; 'Hermenéutica narrativa'; 'Mundo del texto'; 'Apropiación del sentido'.Christianity forced by modernity had to make a shift from a dogmatic plane to a moral one; today, there is another shift which goes from a moral to a mystical ground. The personal experience of God’s saving presence in Christ will dominate, over all, in this field. That experience, lived in the midst of pluralism will consist of an active synthesis between the presence and its interpretation .This essay intends to dissect the linguistic and existential dimensions of this synthesis. After seeing why we are poor in experience, we will analyze the essential components and characteristics of the religious experience , and its mythical narrative configuration. (shrink)

Mary Shelley's Frankenstein celebrates its 200th anniversary this year, and it is arguably more relevant than ever. In his preface to the 1992 edition of Shelley's classic work, Maurice Hindle notes that the novel, subtitled The Modern Prometheus, blends two mythical narratives, that of Prometheus as the Titan provocateur who stole fire from Zeus and gave it to humankind for their survival, and that of Prometheus as a "plasticator, a figure who creates and manipulates men into life". Both story (...) lines are directly relevant to the modern practice of biological research, especially to embryology and to germ-line experimentation.Shelley conceived Frankenstein in Switzerland, having been... (shrink)

El cristianismo, obligado por la Modernidad, tuvo que hacer un desplazamiento desde el plano dogmático al plano moral; hoy estamos ante otro desplazamiento: el que va desde el terreno moral al místico. En este terreno dominará sobre todo la experiencia personal de la presencia salvífica de Dios en Cristo. Esa experiencia, vivida en medio del pluralismo, consistirá en una síntesis activa entre la Presencia y su interpretación . Este ensayo trata de diseccionar las dimensiones existenciales y lingüísticas de esa síntesis. (...) Después de ver por qué somos pobres en experiencia, se analizan los componentes y caracteres esenciales de toda experiencia religiosa A continuación se disecciona la estructura simbólica de esta experiencia , y su configuración mítico-narrativa Palabras clave: 'Hermenéutica de los símbolos'; 'Mitos'; 'Mundos ficcionales'; 'Hermenéutica narrativa'; 'Mundo del texto'; 'Apropiación del sentido'.Christianity forced by modernity had to make a shift from a dogmatic plane to a moral one; today, there is another shift which goes from a moral to a mystical ground. The personal experience of God’s saving presence in Christ will dominate, over all, in this field. That experience, lived in the midst of pluralism will consist of an active synthesis between the presence and its interpretation .This essay intends to dissect the linguistic and existential dimensions of this synthesis. After seeing why we are poor in experience, we will analyze the essential components and characteristics of the religious experience , and its mythical narrative configuration. (shrink)

This article reconstructs Habermas hypothesis that in the sacral complexity the rite precedes the myth and that could explain the permanence of religion as archaic source of solidarity even in the context of the secular world. Mythical narratives, in confrontation with science, shall lose the capacity to explain the world while the religious rites are still able to produce social integration and to collaborate for the construction of identities, at least for those who manifest such sensibility. Confrontation is stablished (...) with Charles Taylor positions, not directly about the hypothesis mentioned above but about the assumptions, that inspires it. Taylor sees the religious experience as generated in the present, an opening to transcendence of the internal modern immanent order, capable to offer therapy to pathologies of a modernity that, even accomplished great advances, has the risk of self-encapsulation. (shrink)

Socialism has been dismissed as a dream in the reality of the world of 9/11. But a mythical narrative that erases the possibility of moral agency doesnot honor the dead. In Walter Benjamin’s language, photographs of the actual dead can supply the “dialectical jolt” that illuminates a possible beyond. Myth isdangerous when it teaches that things will always be as they are now, but myth can also point to a different form of knowledge of the world, beyond the despairthat says (...) only violence can save the world. Socialism, through mutual respect and responsibility, calls us to be people in whose actions the present promises thefuture, shaping the world and becoming ourselves something different. Benjamin and Derrida agree that any attempt to describe experience fails because it points beyond itself to its own limit and how that limit opens space beyond it. Derrida’s “impossible” should not be read as knowledge of what cannot be done, but as a recognition that every experience points to its limit, and we are left with our own responsibility for justice in any given context. Beyond despairing meta-narratives, freedom comes in forming character through effort. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Symbolic Classification and The Emergence of a Metaphysics of CausalityOwen Goldinwhat is distinctive about metaphysics as a mode of thought that emerged in the fifth century before the Common Era? How did it emerge out of early ways of conceptualizing the world as a whole, and why? Many answers have been proposed. One common view is that earlier modes of thought personify natural agencies; once this is abandoned, the (...) way is open for discerning more complex regularities among natural events.1 Another view is that the process of "rationalization" introduced by the Greeks involves an implicit appeal to the individual's natural intelligence, in contrast to a dependence on an "inherited stock of wisdom."2 A third view is that the first Greek philosophers introduced inference as a way of navigating conceptual relationships, independent of the sorts of personal interactions among divinities related in mythical narrative.3 According to a fourth account, the mode of rationality that allowed for the development of ancient Greek metaphysics was a social [End Page 3] practice with the aim of persuasion, brought on by more democratic involvement in societal deliberations concerning law and policy.4To these I add a fifth way of answering the question. Crucial to the emergence of Greek metaphysics is explicit distinction of ontological/causal priority and posteriority. Ancient Greek scientific explanations developed out of older, archaic modes of conceptualization, which I maintain have deep parallels with modes of conceptualization shared by many nonliterate cultures. Such modes of thought rest on an implicit worldview which can be called a metaphysics, in a loose sense, and are still worthy of philosophical consideration.I begin with a red flag that will be raised for many as soon as we start talking about the metaphysical traditions of nonliterate cultures. What counts as a metaphysical tradition? I make some distinctions. In the loosest sense, an account or tradition is metaphysical if it reflects a coherent worldview concerning the kinds of beings that there are and how they are related to one another. According to a stricter sense of the term, a tradition is metaphysical if it involves working through this worldview in an explicit and systematic matter. In an even stricter sense, a tradition is metaphysical if, in addition to being explicit and systematic, it merits being classified as "philosophical," itself not an unproblematic term. I here stipulate that an account is philosophical if it does not rest on premises that are specific to certain cultural traditions and employs inferential arguments that are in principle subject to refutation.Generally speaking, there are two ways in which a tradition that is metaphysical in the strictest sense can listen to one that is metaphysical in a looser sense. First, a metaphysician might examine the latter tradition in order to explore how, historically, it served as the root for the former. An example is Aristotle's interest in Hesiod as expressing metaphysical intuitions that later philosophers unpacked.5 By studying [End Page 4] the ontological presuppositions of the sort of account from which our own metaphysics is derived, one learns more about our own ontological presuppositions and what we gain from them.6 This sort of dialogue carries with it the danger that the later thinker presupposes that—in the spirit of "you have to start somewhere"—the earlier thinkers were simply doing a bad job working through their own theories; Aristotle has often been accused of precisely this.7Another sort of dialogue is possible as well. An alternative metaphysical tradition can reveal the possibility of a radically different way of conceptualizing the causal and ontological structure of the world, one with its own advantages. In such a case there is shared set of problems at issue, shared points of reference within the philosophical literature, and a shared understanding of what philosophical argument is. But philosophical insight might also emerge from the kind of dialogue in which a developed metaphysics that conforms to certain standards of inferential argument confronts a way of thinking that is metaphysical in a looser sense. A substance-based ontologist can be led to reflect on whether the world has to be cut up as she does by studying Aztec... (shrink)

To generalize about Aischylos is difficult; to generalize about Euripides is almost impossible; but to generalize about Sophokles is both possible and potentially rewarding. With Sophokles—or, rather, with the Sophokles of the seven fully extant tragedies—we can sense a mood, a use of language, and a style of play-making which are largely shared by all seven works. Of these characteristics it is surely the mood which contains the quintessence of Sophoklean tragedy. My aim in the first section of this paper (...) will be to open the way to an appreciation of that mood by following up one of the most important motifs in Sophokles: blindness. In the second section the scope of the enquiry will be widened: I shall show that, in using the blindness motif, Sophokles was drawing on a theme which was fundamental to a large number of mythical narratives told by Greeks from the time of Homer to that of Pausanias, and beyond. In the final section we shall return to Sophokles, placing him this time not against the background of the whole Greek mythical tradition but rather within the specific context of the fifth century B.C., and attempting to overhear the individual dramatic ‘voice’ used by him as he explored the implications of blindness. (shrink)

S'appuyant sur des exemples issus de l'étude de la Seconde Guerre mondiale ainsi que de l'histoire du passé récent dans les sociétés post-communistes, cet article tente de voir dans quelle mesure les modalités d'accès aux archives publiques peuvent être tenues pour responsables de phénomènes d'amnésie - ou d'hypermnésie - de la mémoire collective, de la fabrication de mythes et de légendes. Il est certain que sans l'accès aux archives du troisième Reich, Raul Hilberg n'aurait pu entreprendre son œuvre monumentale et (...) pionnière sur la destruction des juifs d'Europe. Pour autant, il est des domaines, notam­ment celui des comportements collectifs, sur lesquels l'archive est muette - à moins de bénéficier de ces formidables corpus que constituent par exemple les archives des polices politiques comme les dossiers de la Stasi. Toutefois, l'usage public de ce type d'archives peut poser problème et générer des batailles de mémoire. Lestés d'enjeux, les conflits de mémoire ne se résolvent certes pas à coup de preuves tirées des archives, mais la rétention de ces dernières favorise incontestablement l'élaboration de récits mythiques ou de « romans nationaux ».Drawing on examples from studies of the Second World War and from the recent history of post-Com­munist societies, this article attempts to discern how far rules of access to public archives may have been responsible for collective amnesia - or hyper-amnesia - and the emergence of myths and legends. What is certain is that without access to the archives of the Third Reich, Raul Hilberg would never have been able to undertake his monumental pioneering work on the destruction of Europe's Jews. And yet, there are areas, especially where collective behaviour is concerned, that cannot be fathomed through archives - short of having access to the extraordinary material represented by political police archives such as the Stasi files. However, public use of such archives can raise problems and generate conflicts over memory. Because they embody such a weight of issues, conflicts over memory cannot be resolved merely by pulling out evidence from an archive, but withholding such records most certainly fosters the emergence of mythical narratives and "national epics". (shrink)

Inaugurated in 1965, the Calouste Gulbenkian Planetarium (CGP) was the first institution of its kind in Portugal. The CGP was established in the context of the relocation of the Maritime Museum of Lisbon (Museu de Marinha) to Belém, an area of the Portuguese capital highly symbolic of Portuguese maritime and imperial history. The dictatorial regime known as Estado Novo used Belém as a ground for major events that affirmed the legitimacy of Portugal’s overseas empire by celebrating the maritime deeds of (...) erstwhile sovereigns and navigators, in a mythical narrative of a glorious imperial destiny. Given the close association between astronomy and nautical science, the CGP was certain to gain a prominent place in the tapestry of Belém’s symbolic inscriptions. This paper addresses the inception of the CGP in its urban context, showing how this area of Lisbon provided an ideal backdrop for this institution, and how its foundation was promoted and steered by a naval officer and amateur astronomer who maintained an ambivalent relation with the regime: Eugénio da Conceição Silva (1903–69). (shrink)

The perception of intellectual life in Greek antiquity by the representatives of the European Enlightenment of the 18th century favoured the establishment of the cult of reason. Myth as a potential source of knowledge was disregarded: instead, the monopoly of truth-finding through pure rationalisation was asserted. This tendency, positing, as it did, reason in opposition to myth, did a signal disservice to the realities of intellectual life among the ancient Greeks. Nevertheless, these distortions of the Enlightenment have conditioned our approach (...) to education and have led to our privileging of reason as a mode of enquiry right up to the present day. The ancient Greek intellectuals (i.e. the pre-Socratic philosophers, the early historiographers, philosophers of the classical age) did not set myth (mythos) and reason (logos) in opposition to each other. In fact, they benefited from both as differing modes of enquiry, each in its own right and possessing its own value. Plato, in his reasoning, was much concerned with the proper use of mythical narrative. In one of his dialogues, he even coined a new term for explaining how mythical topics and motifs should be exploited as a source of knowledge. This term is mythologia, and it first occurs in Plato's Republic (394b). The present study aims to offer a corrective to traditional cliches and received wisdom about intellectual life in ancient Greece. The work proposes, and aims to reconstruct, a mental landscape in which myth and reason connect and vividly interact, and in which the concepts of mythos and logos are intertwined in the terminological network of the ancient Greek language. (shrink)

Revisionists have reclassified fascism as an autonomous revolutionary force based on the power of myth. Yet despite attempts to close the gap between materialist and culturalist readings, theories of fascism as the future-oriented projection of a mythic past overlook the point that, though intrinsic in the subjectification and deautonomization of the individual in collective-type societies, myths cannot be revolutionary because they derive their significance by projecting an idealized past that originates outside the emancipatory-developmental trajectory of modernity. Myths constitute a (...) generic feature of human societies, idealized narratives which synthesize historical events, values and ideals into all-encompassing and enduring social intuitions; myths cannot be criticized because they are ‘untrue’ but because they exhibit an intrinsically speculative and particularistic nature which is unable to provide an objective basis for the revolutionary transformation of capitalist social relations. As a violent rupture of incendiary modernism, the mythic narrative of interwar fascism dramatized the experience of modernity in a new and scandalous form, confronting but ultimately reaffirming the conformism and disavowal in bourgeois culture. Unable to rise above the powerful yet imaginary ideal of ‘manifest destiny’ – an imperial ideal shared by non-fascist European powers, fascism offered a beguiling glimpse into the transgressive power of the modern postdemocratic corporate state, pointing towards a social structure of accumulation based on an appropriation of the cooperative capacities and democratic potential of society by capital. Emphasizing the accumulated or ‘constituted’ violence of modernity, the fascist mythologization of power led to the functionalization of reason, the demoralization of socially motivated action, and the suspension of objective moral standards as grounds for civic association. (shrink)

This paper considers Pindar's diverse appropriations of elements of the sacred topography of Aegina for different purposes in epinikia composed for Aeginetan victors. It focuses on poems likely performed in the vicinity of the Aiakeion for their different mobilizations of a monument that we know from Pausanias stood beside the Aiakeion—the tomb of Phokos, an earth mound topped with the “rough stone” that killed him. The more speculative final part of the paper suggests that it may also be possible to (...) track a coherent ideology attached to the island's sacred topography across several Aeginetan odes, thereby detecting a broader structural unity that accompanies and frames the different individual appropriations of different poems. This part starts from Pausanias’ mythic narrative of the exemplary justice of Aiakos banishing his own son Telamon as the aetiology for a distinctive Aeginetan justice system inscribed in a whole set of man-made monuments that ring the island with concentric circles of rough stones. (shrink)

In this paper I direct attention to one feature of Hacking’s recent work on styles of reasoning and argue that this feature is of far greater philosophical significance than Hacking’s limited discussion of this suggests. The feature in question is his use of ‘legendary beginnings’ in setting out a given style, viz. the method of introducing a style of reasoning by recounting a popular and quasi-mythical narrative that ties the crystallisation of that style to a particular person in a particular (...) place and at a particular time. Whilst Hacking both deploys and discusses this method, his comments suggest that this is primarily a stylistic device employed for reasons of expedience. In contrast, it is argued here that recounting the legendary origins of a style of reasoning affords a distinctive way of vindicating that style, a vindication from within the style itself. (shrink)

This book was first published in 2004. Plato, Aristophanes and the creators of the 'Orphic' gold tablets employ the traditional tale of a journey to the realm of the dead to redefine, within the mythic narrative, the boundaries of their societies. Rather than being the relics of a faded ritual tradition or the products of Orphic influence, these myths can only reveal their meanings through a close analysis of the specific ways in which each author makes use of the (...) tradition. For these authors, myth is an agonistic discourse, neither a kind of sacred dogma nor a mere literary diversion, but rather a flexible tool that serves the wide variety of uses to which it is put. The traditional tale of the journey to the Underworld in Greek mythology is neither simple nor single, but each telling reveals a perspective on the cosmos, a reflection of the order of this world through the image of the other. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Aristocracy and Athletics in Archaic and Classical GreecePaul ChristesenNigel James Nicholson. Aristocracy and Athletics in Archaic and Classical Greece. Cambridge: Cambridge University Press, 2005. xiv + 280 pp. 12 black-and-white ills. Cloth, $70.In Aristocracy and Athletics, Nigel Nicholson examines the portrayal of charioteers, jockeys, and athletic trainers in Greek victory memorials (epinikia, statues, vases) produced between 550 and 440 b.c.e. He argues that reliance upon paid, professional assistance (...) put aristocratic victors in a quandary because it ran counter to their insistence on the importance of inherited ability and because it involved them in commodified exchange. Charioteers, jockeys, and athletic trainers were, as a result, carefully excluded from most victory memorials. In the handful of memorials in which they figured, their activities were represented in ways that made them compatible with aristocratic ideals. Nicholson builds directly on the work that Leslie Kurke and others have done on the ways in which Pindar responds to the social and political challenges faced by elites. He takes a firmly New Historicist approach in using detailed analyses of statues, inscriptions, and vases to identify peculiarities in epinikia.In order to assess Nicholson's work, it is necessary to differentiate between his explanation of the reasons for the omission of athletic professionals from victory memorials and his explication of how omission was effected. With respect to the latter, what might be called the poetics of exclusion, Nicholson does an outstanding job. He breaks new ground in highlighting the elision of athletic professionals from victory memorials and in elucidating how the poetics of exclusion shaped epinikia. He identifies seemingly odd features of individual odes that result from the elimination of charioteers, jockeys, and athletic trainers and unpacks the strategies used to generate representations of paid professionals that were acceptable to aristocratic sensibilities. This leads to stimulating new readings of about a dozen of Pindar's odes.There are, at the same time, some problems with Aristocracy and Athletics that spring from Nicholson's single-minded focus on commodified exchange. Nicholson argues that victory memorials came into being because of aristocratic concerns about engaging in commodified exchange with athletic professionals and that this was the primary and, possibly, the sole reason that those professionals were excluded from memorials. He does not take into account the profound changes that transformed Greek athletics in the first half of the sixth century, and he paints an unconvincing picture of triumphant aristocrats overcome by anxiety about commodified exchange. These problems will be addressed in detail below. For the moment, it is important to note that they do not invalidate Nicholson's [End Page 125] insights about how epinician poets went about excluding and accommodating athletic professionals. Aristocracy and Athletics is a significant contribution to the existing scholarship on Pindar that will be of interest to serious readers of Greek lyric and to historians of ancient sport. It is best suited to a specialist audience, though some sections may be useful to advanced undergraduates.Aristocracy and Athletics consists of nine chapters framed by an introduction and a conclusion. In the introduction Nicholson shows that "almost all the competitors in the equestrian and gymnastic contests relied on others in some significant way to secure their victories" (4). He also argues that "the services of athletic trainers, charioteers, and jockeys became increasingly commodified in the late archaic period" (10). He links this development to the creation of the first victory memorials sometime around 550 and sets the lower chronological limit of the study at 440, when "the market for victory odes all but collapsed" (14).The first five chapters of Aristocracy and Athletics examine memorials for equestrian victories. In chapter 1, Nicholson begins his articulation of the poetics of exclusion. Some victory memorials (falsely) represent the owner as having driven his own chariot. Other memorials make little reference to the actual race, eliding a key moment because it was one in which the charioteer rather than the owner featured. Furthermore, epinician poets avoid mention of drivers when describing victory parades and when recounting mythical narratives that typically included charioteers.In chapters 2 to 4, Nicholson looks at the handful of drivers that appear in victory memorials. In... (shrink)

This Element introduces Afro-Brazilian religions and underscores the necessity for an expanded methodological framework to encompass these traditions in the philosophy of religion. It emphasizes the importance of incorporating overlooked sources like mythic narratives and ethnographies while acknowledging the pivotal role of material culture in cognitive processes. Furthermore, it advocates for adopting an embodiment paradigm to facilitate the development of a philosophy of religious practice. The Element illustrates this approach by examining phenomena often neglected in philosophical discussions on (...) religion, such as sacrifice and spirit possession, and delves into the ontological commitments and implications of these practices. It also stresses the significance of employing thick descriptions and embracing interdisciplinary dialogue to cultivate a globally inclusive philosophy of religion, capable of engaging with phenomena frequently sidelined within the mainstream. (shrink)

ABSTRACT The aim of this paper is to show how two different paths of elaborating the negativity of self-consciousness in Schelling and Hegel create a particular mirror effect that can no longer be understood within the realm of dialectics or any conceptual image, but rather can be resolved through what I will characterize as the image of self-consciousness. I argue that these two different perspectives, despite exhausting dialectics and negativity, can be brought together, each in its own way, through the (...) images of reflection, desire, and death as presented in the mythic narratives of Narcissus and Orpheus. I attempt to show that the death of Narcissus and the loss of Eurydice can lay equal claims to being about the birth of self-consciousness. (shrink)

This article interrogates the concepts of faith, the ethical, and tragedy in Fear and Trembling by examining Johannes De Silentio’s allusions to heroic characters. I argue that these heroes are emblematic of faith or tragedy through their orientation to a promise in their respective mythic narratives. Abraham’s faith in the covenant with God commits him to the reconcilability of virtue and the good life, while the tragic heroes’ commitments to the ethical reveal their inability to transcend the (tragic) (...) presumption that virtue and the good life are ultimately incommensurable. I conclude by sketching a politics corresponding to De Silentio’s conception of tragedy. (shrink)

In contrast to other approaches, `modernity' in this article is not dealt with as a historical concept but as a normative-aesthetic term and as a mythical narrative in the sense of Nietzsche's `eternal recurrence of the same'. Paradoxically, there still exists a semantic shift between different historical concepts of modernity beginning in late antiquity and the Middle Ages up to the present confusions about `postmodernity'. However, the aesthetical bias of the discourse of modernity prevents any serious interpretation which is able (...) to refer these semantic shifts directly to some clear and incontestable socio-structural facts and developments. In its contemporary sociological form this discourse overlaps on the contrary with some main trends in aesthetic theory and practice: the exchangeability between `old' and `new' and the permanent suspension of the boundaries between `art' and `life'. Consequently, aesthetics as well as sociology are describing modernity as a cultural system which is `playing' with its own fundamental differentiations between `in' and `out' or self-reference and other-reference. (shrink)

Nowadays hypermedia constitutes, with its singular characteristics, a new language whose structure seems to be complex because it includes features such as multiple simultaneous paths, multiplicity of voices, the simultaneous manifestation of ordinary and scholarly languages and the mixture of means, genres and verbal, visual and aural languages. However, behind its complexity, hypermedia can reveal simple structures of order. Comprehending its nature, we can better construct using its language. This has great potential for creating narratives understood as universal manifestations (...) of human discourse through which people share their comprehension of the world. Using a parallel between the narrative structure of hypermedia and that found by the anthropologist Claude Lvi-Strauss in South-American indigenous mythical narratives, I looked for an alternative perspective for the comprehension and manipulation of the hypermedia logic structure and the resources it mobilizes to form a coherent whole, such as the temporality and spatiality of narratives, symbology and metaphors and its own alternative means of producing meaning. (shrink)

This dissertation seeks to demonstrate that Proclus articulates a metaphysics not merely compatible with his polytheism, but to which in fact polytheism is integral. For Proclus the One Itself, which according to the First Hypothesis of the Parmenides neither is, nor is one, is instead as each henad, that is, as each God. The henads or Gods thus form a multiplicity unlike any other. Ontic multiplicities always exhibit mediation, in accord with a logic subordinating the many to the one. Correlatively, (...) ontic unity is formal unity, structured by a logic of wholes and parts. These are the dominant characteristics of the realm of Being. The huperousios, or "supra-essential" domain of the Gods, by contrast, is that of a multiplicity of absolute individuals with no totalizing principle over them and no reciprocal relations between them, insofar as either of these would diminish that quality which they pre-eminently possess, namely unity. The supreme form of unity in Proclus' universe, therefore, is the individuality possessed by each absolutely unique God. Chapters 1--4 are concerned with elucidating the nature of the Gods as such. ;The last three chapters provide a close reading of the third, fourth and fifth books of Proclus' Platonic Theology, which I read as an account of the emergence of ontic unity out of henadic unity through the Gods' progressive self-diremption by which a space of mediation is constituted through which they come ultimately to be conceivable as a multiplicity like any other. The key stages in this process are the ontic hypostases of Being, Life and Intellect. The first represents the analysis of the "elements" of each God as such; the second represents the positing of the Gods in co-emergent groupings or pantheons; the third the emergence of fully reciprocal relations in the actions of mythic narrative. At the end of this cosmogonic process, the basic intellectual structures have been constituted which allow the formulation of the philosophical system. The relationship between the Gods and Being is thus embodied in that between myth and dialectic, theology and philosophy. (shrink)

English summary: Philosophical and religious thinkers have for ever been contemplating the question of the origin of evil. Unde malum? Wherever people are shaken by the experience of being exposed to violence and destruction, disease and death, and also when staring into the abyss of the human soul, questions of cause and responsibility arise. The contributions in this volume trace the continuing quest for answers, drawing on mythical narratives, philosophical reflection, psychological, social and political rationalization or scientific hypotheses in (...) the literature of the 1st to the 4th century AD. The documents covered illustrate a desire to understand the conditions of human existence and to get to the bottom of man's experience of suffering. A desire that is present in the history of thought, philosophy and religion and is driven by the hope that evil can be finally eliminated or at least intellectually domesticated. German description: Die Frage nach der Herkunft des Bosen hat philosophische wie religiose Denker seit jeher beschaftigt. Unde malum? Wo immer die Erfahrung des Ausgeliefertseins an Gewalt und Zerstorung, Krankheit und Tod, aber auch die Erfahrung der Abgrundigkeit der Seele Menschen erschuttern, drangt sich die Frage nach Ursache und Verantwortlichkeit auf. Die fortgesetzte Suche nach Antworten, durch mythisches Erzahlen, durch philosophische Reflexion, durch psychologische, soziale sowie politische Rationalisierung oder durch naturwissenschaftliche Hypothesenbildung wird in den Beitragen des vorliegenden Bandes in der Literatur des 1.-4. Jahrhunderts n.Chr., nachgezeichnet. Die behandelten Texte spiegeln ein die Geistes-, Philosophie- und Religionsgeschichte durchziehendes Verlangen, die Existenzbedingungen des Menschen zu verstehen und seiner Leiderfahrung auf den Grund zu gehen, getrieben von der Hoffnung, sich am Ende des Ubels entheben oder es doch zumindest intellektuell domestizieren zu konnen. (shrink)