One of the contemporary results of Germany’s memorial conundrum is the rise of its “counter-monuments”: brazen, painfully self-conscious memorial spaces conceived to challenge the very premises of their being. On the former site of Hamburg’s greatest synagogue, at Bornplatz, Margrit Kahl has assembled an intricate mosaic tracing the complex lines of the synagogue’s roof construction: a palimpsest for a building and community that no longer exist. Norbert Radermacher bathes a guilty landscape in Berlin’s Neukölln neighborhood with the inscribed (...) light of its past. Alfred Hrdlicka began a monument in Hamburg to counter—and thereby neutralize—an indestructible Nazi monument nearby. In a suburb of Hamburg, Jochen Gerz and Esther Shalev-Gerz have erected a black pillar against fascism and for peace designed to disappear altogether over time. The very heart of Berlin, former site of the gestapo headquarters, remains a great, gaping wound as politicians, artists, and various committees forever debate the most appropriate memorial for this site.4 4. The long-burning debate surrounding projected memorials, to the Gestapo-Gelände in particular, continues to exemplify both the German memorial conundrum and the state’s painstaking attempts to articulate it. For an excellent documentation of the process, see Topographie des Terrors: Gestapo, SS und Reichssicherheitshauptamt auf dem “Prinz-Albrecht-Gelände,” ed. Reinhard Rürup . For a shorter account, see James E. Young, “The Topography of German Memory,” The Journal of Art 1 : 30. James E. Young is assistant professor of English and Judaic studies at the University of Massachusetts, Amherst. He is the author of Writing and Rewriting the Holocaust: Narrative and the Consequences of Interpretation and The Texture of Memory: Holocaust Memorials and Meaning in Europe, Israel, and America , from which this essay is drawn. He is also the curator of “The Art of Memory,” an exhibition at the Jewish Museum of New York. (shrink)

This article researches multidirectional memory and transnationality in recent examples of counter-monument practices in Austria’s capital city, Vienna, specifically in regard to fights against antisemitism, racist discrimination and anti-Romaism. How have multidirectional strategies shaped counter-mnemonic struggle? Additionally, to what extent are they influenced by transnationality? Three examples of counter-monument practices are discussed in parallel: (1) The protests against the “Lueger monument,” commemorating an antisemitic former mayor of Vienna; (2) the illegally installed Marcus Omofuma Stone, commemorating the racist (...) police murder of a Nigerian asylum seeker in 1999; and, (3) the ongoing struggle to commemorate the Porajmos, the genocide of the Roma under Nazi rule, with a monument in Vienna. Seemingly unrelated to one another, each case constitutes a struggle between national, hegemonic, commemorative narratives, on the one hand, and agents of civil society that challenge these narratives, on the other. While none of the three examples constitutes an obvious case of multidirectional memory making, each of these struggles to counter racist, discriminatory pasts did generate a platform to speak about more than just one memory, also such that transcend national boundaries. (shrink)

ABSTRACT This article attempts to situate land art in the deserts of the US Southwest in terms of the works’ relation to and rupture with more traditional genres (seventeenth to twentieth centuries) of parks, gardens, and landscape architecture. It argues that the earlier works provide implicit answers to questions concerning Earth’s meaning and offer models of flourishing habitation. In contrast, the more recent works, all constructed in the era of the great acceleration (the Anthropocene), pose questions having to do with (...) new challenges posed by climate change and the devastation of the Earth. (shrink)

Tainted political symbols ought to be confronted, removed, or at least recontextualized. Despite the best efforts to achieve this, however, official actions on tainted symbols often fail to take place. In such cases, I argue that political vandalism—the unauthorized defacement, destruction, or removal of political symbols—may be morally permissible or even obligatory. This is when, and insofar as, political vandalism serves as fitting counter-speech that undermines the authority of tainted symbols in ways that match their publicity, refuses to let (...) them speak in our name, and challenges the derogatory messages expressed through a mechanism I call derogatory pedestalling: the glorification or honoring of certain individuals or ideologies that can only make sense when members of a targeted group are taken to be inferior. (shrink)

This paper reads Foucault’s 1975-6 lecture series Society Must Be Defended. It argues that the notion of counter-history developed in these lectures depends on a particular construction of Rome, as that which counter-history counters. Foucault’s version of Rome in turn depends on a surprisingly conventional reading of two monumental histories as ‘the praise of Rome’. Reading Foucault’s work instead with Lucan’s Pharsalia renders visible a counter-history within Rome itself. This reading demonstrates the ways in which reception theory (...) can usefully illuminate and supplement Foucauldian genealogy as a critical-historical method. (shrink)

This study analyses of the Living Memorial: a counter-monumental installation located since 2014 in the highly contested Szabadság (‘Liberty’) Square in central Budapest, Hungary. The focus on the LM allows showcasing it as a unique type of commemorative installation that not only contests the current Hungarian top-down, hegemonic narrations and practices of memory but also counteracts the country’s politicised and ideologised narrations of the past. The LM is explored as a dialogical ‘nexus’ of, on the one hand, individual, lived (...) experiences of the Holocaust in Hungary in 1944–45 and, on the other, of the wider historical and contemporary socio-historical narratives as well as commemorating practices. Presented in the article – and set against the wider input from memory and commemoration research – the systematic, discourse-ethnographic analysis of the Living Memorial links its discursive and visual as well as spatial aspects with the exploration of various types of spectator engagement. In doing so, the article connects the wider context of memory and commemoration in the national and city spaces – and specifically in the often strongly politicised capital milieus – to the specific, localised contexts of ‘commemorative battlegrounds’ wherein ‘official’ displays of memory clash with, and are opposed by, their bottom-up, counterhegemonic contestations. (shrink)

Climate change has historically been an evolutionary determinant for our species, affecting both hominin evolutionary innovations and extinction rates, and the early waves of migration and expansion outside Africa. Today Homo sapiens has turned itself into a major geological force, able to cause a biodiversity crisis comparable to previous mass extinction events, shaping the Earth surface and impacting biogeochemical cycles and the climate at a global level. We argue that anthropogenically-driven climate change must be understood in terms of a monumental (...) niche construction process, generating long-term ecological inheritance and eco-evolutionary feedbacks that are putting our health and well-being and those of future generations at risk. We then list five major sources of climate change counter-intuitiveness, highlighting how evolved cognitive biases and heuristics may stand in the way of providing effective responses within tight deadlines. Drawing on our framing of the climate breakdown, we finally call for an evolutionary perspective in approaching the adaptive challenge posed by climate change: we argue that putting the brakes on a genuine self-endangering evolutionary trap ultimately depends on our counteractive niche constructing abilities, played at the level of our institutional and innovation capacity. (shrink)

Bourdieu’s concept of ‘symbolic capital’ has been used to study various kinds of elites. This article shows how it can help us understand the status and privileges of early modern English courtiers—and how these could be won and lost. The discussion focuses on the funeral, burial and commemoration of the most successful of contemporary generals, Charles Blount, 1st Earl of Devonshire, 8th Baron Mountjoy (1563–1606), and sets these in the context of the Jacobean court’s concern with symbolic capital. It demonstrates (...) that the ceremonies normally accorded someone of Mountjoy’s rank and military success were not observed properly. He was penalised because he had married his long-standing lover, Lady Penelope Rich (1563–1607), the ‘Stella’ of Sir Philip Sidney’s sonnets. King James I showed the couple great favour until their marriage, which he declared unlawful and annulled. The heralds accepted his ruling, after disagreeing among themselves. The article shows that though the funeral was held in Westminster Abbey, Mountjoy was not buried there but in another London church, formerly known as Greyfriars, where a monument was erected to him. Lady Rich was personally and symbolically excluded from the funeral. Also discussed is the privately printed poem that Mountjoy’s client Samuel Daniel (1562–1619) wrote for the funeral, which defends Mountjoy and alludes, in a half-hidden way, to Penelope’s exclusion. The article concludes by considering how the symbolic capital of the whole court sank in this period. Most of the archival evidence considered has not been published before, some of it illustrated in figures, the rest in appendices (an armorial description of Mountjoy’s arms at his funeral, bills from the Westminster Abbey funeral and a translated extract from a contemporary history in Latin). (shrink)

Dialectic IV convenes contributions with new takes on the long held proposition that architects are providers of design services. They service everyone from the status quo all the way to the subaltern. We know well how architects have historically fashioned themselves to be able to procure the most valued building commissions a people have to offer. There are temples, churches, and shrines, palaces and private villas, and surely monuments, state institutions, and corporate headquarters. But how have the members of (...) the same profession managed to fashion themselves as the custodians of the public good? (shrink)

Arthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington really embodies the beauty of his meaning. For him, the Memorial’s “internal beauty” is felt and read because she is built as a text by the rhetoric of enthymeme, as a syllogism based on some tacit knowledges and highly probables communplaces. However, the relationship to the Kant’s pulchritudo adhaerens and philosophy of architecture is not an easy one : Danto rejects as unreadable the self-referent formalism of Greenberg’s Modernism and (...) the environmental non-monumentality of Richard Serra’s Minimalism, but the agency of the Memorial’s shared internal beauty is haunted by an unquestioned spectral logic. Actually, the image embodiment in this work can always exceed the rhetoric of reconnaissance supported by the syllogistic rhetoric and disturb the identity framework of the nord-american community. The beholders’ reflecting shape on the Memorial can become, finally, an unreadable and pathetic index, or be perceived as a figural imprint, ephemeral and troubling ; these disembodied pictures can achieve a medial incarnation – e.g. a Verkörperung – of the underworld. (shrink)

Over the last decades, in response to feminist, postmodern and postcolonial critiques of the modern museum, objects, collections and processes of museaIization have been radically re-signified and re-posited in the cultural arena. The new museums emerging from this shift have redefined their functions in and for communities not simply by changing their narratives but by renegotiating the processes of narration and the museal codes of communication with the public. They define themselves now not as disciplinary spaces of academic history but (...) as places of memory, exemplifying the postmodern shift from authoritative master discourses to the horizontal, practice-related notions of memory, place, and community. The key feature of these new museums is that they deploy strategies of applied theatrics to invite emotional responses from visitors: to make them empathize and identify with individual sufferers and victims, or with their own contemporaries inhabiting alternative modernities in distant places. This dossier seeks to probe these new museographic and curatorial discourses, focusing in particular on the memory museum as an emergent global form of (counter)monumentality. Drawing on different geographical and historical contexts, it argues that the new museums’ apparently global aesthetics implies a danger of surrendering the very specificity of historical experiences the memorial ‘site’ offers its visitors. (shrink)

The paper focuses on the current conditions of the Shoah’s memory transmission. The purpose is to point out the frames where a contemporary theory and praxis of the collective memory can be formulated. The first section, reffering to most recent studies, shows both components caracterizing today’s process of memorizing the Shoah: the passagge from memory to post-memory (Hirsh) and the whirling increase of the chance to record and reproduce the past (Derrida, Ferraris). In the second secion, referring to this theoretical (...) frame, I analyse the radical trasformations of the monument as the traditional media of the european public memory. The reference to the empirical case of the Denkmal für die ermordeten Juden Europas, the Shoah’s Memorial designed by Peter Eisenman, underlines the shift from monument to counter-monument (Young, J. E.) by materializing both the troubles and an inventive strategy to exit the saturation of the current memorial speech. (shrink)

A monumental work on the flow of time, from the universe's creation to "Now," by the best-selling author of Physics for Future Presidents. "Now" is a simple concept--you're reading this sentence now. Yet a real definition of "now" has eluded even the great Einstein. We know that time stretches and is affected by gravity and velocity. Yet, as eminent physicist Richard A. Muller points out, it is only today that we have all the physics at hand--relativity, entropy, entanglement, antimatter, and (...) the Big Bang--to explain the flow of time. With these building blocks in place, Muller reaches a startling conclusion: our expanding universe is continuously creating not only new space but also new time. The front edge of this new time is what we call "now," and this moment is truly unique--it is the only moment in which we can exercise our free will. Muller's thought-provoking vision is a powerful counter to established theories in science and philosophy, and his arguments will spark major debate about the most fundamental assumptions of our universe. (shrink)

Reale’s monumental work establishes the exact dimensions of Aristotle’s concept of first philosophy and proves the profound unity of concept that exists in Aristotle’s Metaphysics. Reale’s opposition to the genetic interpretation of the Metaphysics is an updated return to a more traditional view of Aristotle’s work, one which runs counter to nearly all contemporary scholarship. Reale argues that Aristotle’s first philosophy includes a study of being, a study of substance, a study of divine substance, and a study of principles (...) and causes, all of which are integrated and dialectically reconciled. (shrink)

For a century and a half, the artists and intellectuals of Europe have scorned the bourgeoisie. And for a millennium and a half, the philosophers and theologians of Europe have scorned the marketplace. The bourgeois life, capitalism, Mencken’s “booboisie” and David Brooks’s “bobos”—all have been, and still are, framed as being responsible for everything from financial to moral poverty, world wars, and spiritual desuetude. Countering these centuries of assumptions and unexamined thinking is Deirdre McCloskey’s _The Bourgeois Virtues_, a magnum opus (...) that offers a radical view: capitalism is good for us. McCloskey’s sweeping, charming, and even humorous survey of ethical thought and economic realities—from Plato to Barbara Ehrenreich—overturns every assumption we have about being bourgeois. Can you be virtuous and bourgeois? Do markets improve ethics? Has capitalism made us better as well as richer? Yes, yes, and yes, argues McCloskey, who takes on centuries of capitalism’s critics with her erudition and sheer scope of knowledge. Applying a new tradition of “virtue ethics” to our lives in modern economies, she affirms American capitalism without ignoring its faults and celebrates the bourgeois lives we actually live, without supposing that they must be lives without ethical foundations. _High Noon_, Kant, Bill Murray, the modern novel, van Gogh, and of course economics and the economy all come into play in a book that can only be described as a monumental project and a life’s work. _The Bourgeois Virtues _is nothing less than a dazzling reinterpretation of Western intellectual history, a dead-serious reply to the critics of capitalism—and a surprising page-turner. (shrink)

This book is both a concise and lucid introduction to Nietzsche and an original contribution to critical debates concerning Nietzsche interpretation and reception. This overview takes issue with the prevailing tendency to focus on Nietzsche's later work, which reaches its extreme with Heidegger's almost exclusive focus on the group of late notes posthumously collected as _The Will to Power._ Vattimo aims to mediate between two prominent hermeneutic readings of Nietzsche: Wilhelm Dilthey's view that Nietzsche's work fits into the nineteenth-century tradition (...) of the philosophy of life and Heidegger's belief that Nietzsche is best understood as the author of a pair of ontological doctrines, the will to power and the eternal return of the same. Vattimo aims to show that Nietzsche's early interest in cultural and historical criticism can be found throughout his corpus and that it informs, and helps to explain, Nietzsche's later doctrines and writings. This allows us to understand these later doctrines in a deeper way, to see their connections with his wider concerns, and thus to make greater sense of Nietzsche's philosophy as a whole. This working hypothesis guides Vattimo through his elegant exposition of the basic views of the early and late Nietzsche, from the philological beginnings and the musings on Dionysus through the so-called positivist phase of the middle period up to the philosophy of Zarathustra and the fragmented insights that bespeak the will to power. Throughout, Vattimo's intellectual agenda is to present the philosophical relevance of a cultural criticism that does not let itself be reduced to a merely literary presentation of the psychology of decadence and nihilism, or to the grand ontological-metaphysical finale that Heidegger had in mind in his monumental Nietzsche studies. As an appendix, Vattimo provides a history of Nietzsche reception in Europe that counters the narrow Anglo-American bias of much English-language Nietzsche scholarship. (shrink)

Sontag is certainly attracted to the aesthetic she describes but not so wholeheartedly as many readers have assumed.1 One of the ironies of her career has been her reputation as an enthusiast for works toward which she actually expresses considerable ambivalence. Many of her essays include overt advocacy, but it is rarely uncomplicated or uncompromised.2 Despite her reputation for partisanship, she more typically begins her essays by recounting an experience of alienation, annoyance, uncertainty, or shock. For example, she describes the (...) "happening" as an event "designed to tease and abuse the audience"3 and speaks of the "profoundly discouraging," even "hopeless," emotions of her first days in North Vietnam. She is, therefore, often motivated by her sense of difference from the event or object she describes. But it is not her wish merely to find ways of assimilating and dominating unpleasant or alien experience; while that is certainly one of the main impulses in her work - to control apparently impossible subjects, to exhilarate in the Nietzschean will to power over the text - her will to power is always countered by a need to credit and honor the text's otherness. Sontag never finally assumes an easy familiarity with her subject but rather draws its difficult and negating otherness ever closer to herself. Her work may be understood, in a way, as a search for a text that is utterly unknowable, a text that will always elude and contradict what we may say about it, a text, in short, that cannot be contaminated by critical rhetoric. That is a quality she has recently attributed to Artaud's work: "Like Sade and Reich, Artaud is relevant and understandable, a cultural monument, as long as one mainly refers to his ideas without reading much of his work. For anyone who reads Artaud through, he remains fiercely out of reach, an unassimilable voice and presence."4 · 1. There is, to be sure, an atmosphere of iconoclasm and intellectual challenge about Sontag's criticism, but it is not especially self-congratulatory. She is only interested in difficult topics or in topics whose difficulties have been repressed, partly because that context energizes her mind and partly, as she has written of Diane Arbus, because she wants "to violate her own innocence, to undermine her sense of being privileged" · 2. The exception is some of the early reviews included in Against Interpretation, where the polemical requirements of the occasion distinguish those brief judgments from her more careful and extended pieces.· 3. Sontag, Against Interpretation , p. 267.· 4. Sontag, "Artaud," Antonin Artaud: Selected Writings , p. lix. Cary Nelson teaches critical theory at the University of Illinois. He is the author of The Incarnate Word: Literature as Verbal Space and Our Last First Poets: Vision and History in Contemporary American Poetry and Reading Criticism: The Literary Status of Critical Discourse. (shrink)

This chapter attempts to differentiate between types of monumental representations of Jerusalem, to locate them historically and to explore the reasons for their extraordinary density by deciphering the essentials of their function as mnemonic devices in the framework of medieval devotionalism. Conditioned by historical events such as the Crusades, Franciscan canonization of the Stations of the Cross and the Counter-Reformation, representation of Jerusalem gradually expanded from copies of Christ's tomb in the Church of the Holy Sepulchre to commemorate the (...) Stations of the Cross and other holy places in Jerusalem and the Holy Land. The holy landscapes are multimedia representations: they combine topography and architecture with life-size figural groups and wall painting to identify the holy places. Groups of such representations could form separate sites at a certain distance from settlements, or encompass a city with a network of reproduced loca sancta. (shrink)

Ten years after the assault on the World Trade Center, the National September 11 Memorial and Museum was opened to the public. Built amidst the busy financial corridors of Lower Manhattan, the memorial was designed to provide a tranquil space for honoring those who perished in the terror attacks. Yet reading the 9/11 Memorial in terms of public remembrance fails to account for either the ontopolitical impact of the attacks as an event that continues to unfold or the contingent relationship (...) of the monument to modes of narratizing 9/11 trauma. To counter the recuperation of the 9/11 Memorial within nationalist security discourses, this essay employs an object-oriented framework to evaluate how 9/11 texts, political symbols, and memorial components operate as things-in-themselves, retaining individual agency apart from human motivations. Theorizing the signifer of “9/11” as a fiction productive of homogenized affect, I argue that the 9/11-signifier stabilizes the equilibrium of the state by suppressing the agency of objects that propose ways of relating to 9/11 that challenge the “hyperrelational” logic of United States security constructs, whereby all objects are said to be interconnected through a conflation of the marketplace, Constitution, and God. In preserving the material displacement of objects from familiar spatiotemporal locations, however, I contend that the 9/11 Memorial deterritorializes becoming from human subjectivity to withdrawn objectal being, in turn creating space for an uncanny affirmation of difference. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:There's Nothing Wrong with Raw Perception:A Response to Chakrabarti's Attack on Nyāya's Nirvikalpaka PratyakṣaStephen H. PhillipsIn the lead article of the fiftieth anniversary issue of Philosophy East and West (January 2000), Arindam Chakrabarti elaborates seven reasons why Nyāya should jettison "indeterminate perception" and view all perception as determinate, that is to say, as having an entity (a) as qualified by a qualifier (F) as object (Fa). In his notes, (...) Chakrabarti invites a reply "so that," as he says, "I may know why immaculate perception is needed by Nyāya after all." The following is a response that shows not so much why indeterminate perception is needed by Nyāya but why it is identified as a causal factor necessary to the arising of some (not all) determinate perception defined as "perception of an entity as qualified." Here I follow Gaṅgeśa Upādhyāya, the fourteenth-century founder (with the help of a few less well known predecessors and contemporaries) of "New Logic," Navya Nyāya. Gaṅgeśa devotes an entire section (about one eighteenth) of the perception chapter of his monumental Tattvacintāmaṇi (Jewel of Reflection about Epistemology) to nirvikalpaka pratyaksṣa,1 and he is a chief target of Chakrabarti's chastisement.2Now, first of all, I want to follow Gaṅgeśa's ground rules. The Naiyāyika is not concerned with strategies about how to look good in debates (with Buddhists or anyone else). His attitude is truth-seeking, not eristic, and thus no reply will be given to Chakrabarti's agonizing about how best to show ourselves in controversies with (in particular, Buddhist) adversaries (and Wilfrid Sellars). Gaṅgeśa's reflections are vāda—and the section is rightly titled nirvikalpaka-vāda, vāda being "inquiries among friends"—directed to uncovering real causal factors, not to winning a debate or countering sophisms. Deception, or counter-deception, is sometimes appropriate—for instance, to protect a student or other judge from fallacies advanced by people of bad character. But not here. So I will lay out Gaṅgeśa's argument for identifying nirvikalpaka pratyaksṣa, and then run through Chakrabarti's list of reasons for rejecting it with an eye to the objection's salience to Gaṅgeśa's project. In other words, Chakrabarti's objections will be taken up with an eye to the truth as it appears to a Naiyāyika, not with an eye to how our team should best present itself to outsiders. I have little to say about Chakrabarti's complaints about appearances—in fact, I find them delightful. Don't let him fool you. There's no greater Naiyāyika enthusiast than Chakrabarti himself, and he knows how to distill a controversy to show the wisdom [End Page 104] of Nyāya in contrast to revealing a deficiency, as he appears to be doing here. He does this to make us think broadly about Nyāya in a contemporary context. And at the end I join him in making some very general comments about Nyāya's realism. First, Gaṅgeśa's argument and a rebuttal of Chakrabarti's seven reasons from Gaṅgeśa's point of view.There is no direct, apperceptive evidence for nirvikalpaka pratyaksṣa; rather, it is posited by force of the following inference as the first step of a two-step argument. "The perceptual cognition, 'A cow' (for example), is generated by a cognition of the qualifier, since it is a cognition of an entity as qualified (by that qualifier appearing), like an inference." The second step takes a person's first perception of an individual (Bessie, let us say) as a cow (i.e., as having some such property) as the perceptual cognition figuring as the inference's subject (or pakṣa) such that the cognizer's memory not informed by previous cow experience could not possibly provide the qualifier, cowhood. The qualifier has to be available, and the best candidate seems to be its perception in the raw, a qualifier (cowhood), that is to say, not (as some are wont to misinterpret the point... (shrink)

This book is both a concise and lucid introduction to Nietzsche and an original contribution to critical debates concerning Nietzsche interpretation and reception. This overview takes issue with the prevailing tendency to focus on Nietzsche’s later work, which reaches its extreme with Heidegger’s almost exclusive focus on the group of late notes posthumously collected as The Will to Power. Vattimo aims to mediate between two prominent hermeneutic readings of Nietzsche: Wilhelm Dilthey’s view that Nietzsche’s work fits into the nineteenth-century tradition (...) of the philosophy of life and Heidegger’s belief that Nietzsche is best understood as the author of a pair of ontological doctrines, the will to power and the eternal return of the same. Vattimo aims to show that Nietzsche’s early interest in cultural and historical criticism can be found throughout his corpus and that it informs, and helps to explain, Nietzsche’s later doctrines and writings. This allows us to understand these later doctrines in a deeper way, to see their connections with his wider concerns, and thus to make greater sense of Nietzsche’s philosophy as a whole. This working hypothesis guides Vattimo through his elegant exposition of the basic views of the early and late Nietzsche, from the philological beginnings and the musings on Dionysus through the so-called positivist phase of the middle period up to the philosophy of Zarathustra and the fragmented insights that bespeak the will to power. Throughout, Vattimo’s intellectual agenda is to present the philosophical relevance of a cultural criticism that does not let itself be reduced to a merely literary presentation of the psychology of decadence and nihilism, or to the grand ontological-metaphysical finale that Heidegger had in mind in his monumental Nietzsche studies. As an appendix, Vattimo provides a history of Nietzsche reception in Europe that counters the narrow Anglo-American bias of much English-language Nietzsche scholarship. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Callimachus and His CriticsFrederick T. GriffithsAlan Cameron. Callimachus and His Critics. Princeton: Princeton University Press, 1995. xiv + 534 pp. Cloth, $49.50, £37.50."Elegy was the great preoccupation of the age of Callimachus, and it was naturally the style appropriate for elegy rather than epic that Callimachus addressed in the prologue to his own original and polemical new elegy" (437). Professor Cameron's keenly anticipated argument (outlined in TAPA 122 (...) [1992] 305-12) does not disappoint, especially now that he includes among the "critics" not only such ancient "Telchines" as Asclepiades and Posidippus but also the Roman Callimacheans and "moderns with Hesiodic initiations on the brain" (415). To counter "the curious modern preoccupation with Hellenistic epic and epyllion" (ix), seen most starkly in interpretation of Catullus and the Augustans, Cameron interweaves two ambitious projects.First, the organizing argument is a reconstruction and dating of the Aetia so as to establish that the prologue (frag. 1 Pf.) introduced books 1 and 2 ca. 270 [End Page 339] B.C. amid debates about contemporary elegy. In place of the now generally discredited "feud" with Apollonius over monumental epic, Cameron posits a quarrel with Asclepiades and Posidippus over the epicizing Antimachean mode of elegy. The prologue is not a recusatio of grand epic (a Roman preoccupation); indeed, "... there is no mention of epic in the Aetia prologue" (457), and elegy would be a curious medium for dictating taste in hexameter. Nor does the prologue claim novelty for the Aetia as catalogue-style "Hesiodic elegy," which had been in fashion since the Lyde, and indeed so much so that "it was pseudo-Hesiodic rather than pseudo-Homeric writing that aroused Callimachus's ire" (363). The "Telchines" are the admirers of the Lyde, a poem that Callimachus assails as an "epic pastiche" (483), a monotonous, and the stylistic antithesis of the interesting subjectivity and personal voice demonstrated in his own Cydippe (ca. 279-274). For having compromised the distance of elegy from epic, Antimachus is left pointedly unnamed next to Mimnermus and Philitas (316) and further overshadowed by allusion to Aratus (in, frag. 1.11) as the proponent and paragon of. In sum, the prologue's polemic lies more completely within the moment and between the lines than has been suspected, and entirely within elegy but outside of theory: "So Callimachus's famous literary theories do not really amount to much-as theories" (452).Second, to understand how the Aetia speaks for its age we must understand the age rightly. To provide "a prolegomena to the study of Hellenistic (and so also Roman) poetry" (ix) Cameron pauses frequently in his reconstruction of the Aetia to launch diatribes against the folly of reducing Hellenistic poetry to the aestheticism and obscurantism of the "ivory tower," or to genre inversion (contra Rossi), Buchpoesie (contra Bing), or, worst of all, some "contest of Homer and Hesiod" about big and small epics. This rarefied "Alexandria" existed first in Rome and at a great remove from the continuities of Hellenic culture that shaped Callimachus' "real literary context, a world of cities as well as courts, a world of private symposia and public festivals" (ix). Multibook epics were too rare (contra Ziegler) to require recusatio, while the popularity of short hexameter poems precluded controversies such as are implied by the term of "epyllion" (contra Gutzwiller) or imputed to Theocritus (Id. 7, 13, and 22) and Callimachus (H. Apollo and Hecale). "To judge from the debate about the Lyde, it was elegy that preoccupied the more reflective poets and critics of the age" (451).Only a scholar with Cameron's range, good ear, and courage could undertake a two-pronged offensive of this sort, which is not less "original and polemical" than the elegy it celebrates. Recently published papyri, Byzantine misreaders, and the shifty tribe of epigrammatists have all been marshaled with equal authority for what is in part the elegiac pre-history to his distinguished The Greek Anthology from Meleager to Planudes (Oxford 1993). By the nature of the fragmentary evidence, both the elegy-centered age and its important (if not definitive) Aetia can be reconstructed only at the level of hypothesis, and readers will differ as... (shrink)

Uncovering the theoretical and creative interconnections between posthumanism and philosophies of immanence, this volume explores the influence of the philosophy of immanence on posthuman theory; the varied reworkings of immanence for the nonhuman turn; and the new pathways for critical thinking created by the combination of these monumental discourses. With the philosophy of Gilles Deleuze and Félix Guattari serving as a vibrant node of immanence, this volume maps a multiplicity of pathways from Deleuze, Guattari and their theoretical allies - including (...) Spinoza and Nietzsche - to posthuman thought. As positions that insist, respectively, on the equal yet distinct powers of mind and body (immanence) and the urgent need to dismantle human privilege and exceptionality (posthumanism), each chapter reveals concepts for rethinking established notions of being, thought, experience, and life. The authors here take examples from a range of different media, including literature and contemporary cinema, featuring films such as Enthiran/The Robot (India, 2010) and CHAPPiE (USA/Mexico, 2015), and new developments in technology and theory. In doing so, they investigate Deleuzian and Guattarian posthumanism from a variety of political and ethical frameworks and perspectives, from afro-pessimism to feminist thought, disability studies, biopolitics, and social justice. Countering the dualisms of Cartesian philosophy and flattening the hierarchies imposed by Humanism, From Deleuze and Guattari to Posthumanism launches vital interrogations of established knowledge and sparks the critical reflection necessary for life in the posthuman era. (shrink)

Sejak 2001 Collége de France, lembaga pendidikan tinggi Prancis paling bergengsi yang berisi para filsuf dan pemikir terkenal dari berbagai bidang, menginisiasi munculnya sebuah fakultas baru. Modern and Contemporary History of the Political adalah nama fakultas baru tersebut. Pierre Rossanvallon, seorang ahli filsafat politik dan penulis buku yang produktif, didaulat sebagai Guru Besar untuk yang pertama kali dan masih menjabat hingga saat ini. Nama fakultas tersebut rupanya sejalan dengan perkembangan termutakhir dalam kajian filsafat politik, yaitu penelaahan kembali asas-asas politik demokratis (...) dalam masyarakat yang heterogen dan plural, bangsa-bangsa yang semakin melintas batas, negara yang tidak lagi digerakkan oleh ideologi-ideologi besar, dunia yang semakin terhubung, serta kecenderungan konflik yang semakin acak menyebar. Perkembangan dalam kajian filsafat politik ini sebenarnya bukan sesuatu yang baru sebab telah dimulai sejak periode 1980-an oleh beberapa tokoh kunci dalam filsafat politik, seperti Ernesto Laclau, Chantal Mouffe, Claude Lefort, dan Leo Strauss. Pada umumnya, para ahli filsafat politik tersebut menghidupkan kembali pemikiran Carl Schmitt, seorang pakar hukum dan ahli politik di Republik Weimar, Jerman mengenai Das Politische (Yang Politis/The Political) sebagai dasar penggerak politik yang selalu konfrontatif, konfliktual, agonistik, dan senantiasa mengelak dari prosedur-prosedur rasional demokratis. Pierre Rosanvallon berada di dalam satu barisan para pemikir kontemporer tersebut, barisan yang kini dikenal dengan nama para pemikir post-foundational. Sebelum menerbitkan buku Democratic Legitimacy, Rosanvallon telah menerbitkan beberapa karya monumental dan telah diterjemahkan ke dalam berbagai bahasa, seperti L’âge de l’autogestion (1976), Le capitalisme utopique (1979), Le nouvel âge des inégalités (1996), dan La contre-democratie (2006). Buku Democratic Legitimacy: Impartiality, Reflexivity, Proximity, merupakan kelanjutan dari karya-karya awalnya sekaligus pendalaman dari buku terakhirnya Counter-Democracy: Politics in an Age of Distrust (2008)...... Sebagai sebuah karya filsafat politik, Democratic Legitimacy memiliki tujuan praktis yang dirumuskan secara jelas. Maka buku ini juga memuat beberapa kemungkinan solusi dan resolusi atas kontradiksi-kontradiksi internal demokrasi seperti misalnya re-institusionalisasi lembaga-lembaga demokrasi. Untuk Indonesia yang sedang bergumul dengan demokrasi, sistem kepartaian, otonomi daerah, serta munculnya persoalan-persoalan seperti fundamentalisme agama, korupsi, inefisiensi birokrasi, dan sebagainya, buku Democratic Legitimacy merupakan buku yang wajib dibaca oleh para ahli filsafat, para politisi, para penasihat penguasa, dan penyelenggara negara serta pengambil kebijakan. Democratic Legitimacy mampu menjelaskan dengan kalem berbagai persoalan yang acapkali dipeributkan dalam politik nasional/lokal kita, sekaligus memberikan kerangka pemahaman yang solid dan jelas mengenai arah demokrasi untuk 50 tahun ke depan. (Ito Prajna-Nugroho, Alumnus Program Sarjana dan Pascasarjana STF Driyarkara, Jakarta). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Bones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in IndiaDan ArnoldBones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in India. By Gregory Schopen. Honolulu: University of Hawai'i Press, 1997. Pp. xvii + 298.For over twenty years now, Gregory Schopen has prolifically been producing articles on the archaeology, epigraphy, and texts that pertain (...) to Indian Buddhist monasticism. Schopen's treatment of this material has been extremely insightful and original, and his work has been instrumental in overturning many of the cherished convictions that had long constituted the "received wisdom" of Buddhist studies. In particular, his articles have prompted significant revision in thought regarding the development of Mahāyāna and regarding the role of the monastic religious in Buddhist cultic life.With the publication of this collection of Schopen's essays, Bones, Stones, and Buddhist Monks: Collected Papers on the Archaeology, Epigraphy, and Texts of Monastic Buddhism in India (the first of two such volumes, according to the Preface by Donald Lopez), Schopen's work stands to receive a wider hearing, and so to extend its already significant influence in the field of Buddhist studies. This is as it should be; for all scholars in the field are very much in Schopen's debt for the illuminating interpretations and conclusions that he has distilled from monumental amounts of epigraphical data. While Schopen has devoted care to the edition, translation, and interpretation of manuscript remains from Gilgit (chiefly, the Vinaya of the Mūlasarvāstivādins), his most characteristic and original interpretations have been of the kind of "donative inscriptions" attached to the material remains of Indian Buddhist cultic life—a task that requires, among other things, a rare expertise across the range of Middle Indic dialects. In deploying such expertise, Schopen has presented compelling evidence, for example, that it was in fact monks and nuns who sponsored the kinds of practices typically associated with the rise of Mahāyāna—a conclusion that counters the long-unchallenged view that it was Buddhist laypeople who initiated this movement. It would be good indeed if such conclusions, as well as the exemplary scholarship that warrants them, were to have influence in proportion to their originality and importance.Still, it must be said that the presentation of the essays collected in this volume also reveals one important problem, and it is to be hoped that this feature does not become entrenched as part of Schopen's influence. For particularly when reading these essays all at once, one is struck by the recurrent statement of a specious dichotomy between what religious people "actually did," and what canonical texts say they should have done. Overcorrecting the biases of his philological predecessors, Schopen insists on this dichotomy in a way, it seems to me, that reflects a problematic view of how canonical texts must have been used—a view according to [End Page 620] which, if attested behavior contradicts such texts, they must simply not have been used.The influential essay "Two Problems in the History of Indian Buddhism: The Layman/Monk Distinction and the Doctrines of the Transference of Merit" (reprinted as chapter 2 of this volume) clearly exemplifies the pattern of Schopen's work. He starts by arguing (contra the presupposition of many of his predecessors) that there is little basis for taking the Pāli canon as reflecting anything like the state of practice at an early point in history. He then goes on to show (on the basis of donative inscriptions that are much more reliably datable indicators of what was happening on the ground) that, contrary to what the "canon" would lead us to expect, it was in fact chiefly monks and nuns who sponsored the production of cultic images. This evidence calls for the recognition that "from its first appearance in inscriptions, the Mahāyāna was a monk-dominated movement" (p. 32); that "not only was the image cult overwhelmingly a monastic concern, it was also, on the basis of the available information, a monastically initiated cult" (p. 32); and that, "All of... [the] monks [involved] were doctrinal specialists... (shrink)

When we speak of the aesthetic, various things may come to mind. Oftentimes, we think of aesthetic philosophy; we think of taste, the work of art, and the concept of genius. We might also consider the predominant categories of aesthetic judgment: the beautiful and the sublime, in addition to any number of other categories that have been brought into the discussion over time.1 We might think of artistic effects, or, with a more historical focus, of the various periods and schools (...) of art. But, with the proliferation of concepts, categories, styles, and critical perspectives, all often concerned with aesthetic objects, art works, and their effects on the spectator, we remain firmly within the framework of aesthetic... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Illegibility: Blanchot and Hegel by William S. AllenBryan CounterAllen, William S. Illegibility: Blanchot and Hegel. Bloomsbury, 2021. 264pp.With its absence of commentaries, imitative reproductions, unreflective quarrels, baseless miscomprehensions, creative research, faithful admiration, and the works of thought that accompanied it, the reception of Blanchot’s work was perhaps more diverse than that of any other major body of work of its time, of any time. However, it always lacked (...) free discussion unhindered by creative ambitions or by complacent reiterations of the ‘themes’ at its heart.(Bident 420)The notorious difficulty of Maurice Blanchot’s writing has been extensively documented, as is evidenced by how hesitant his contemporaries have been to engage with his work. Serious considerations of Blanchot’s thought did begin to accumulate in the 1970s, a period that saw an increase in his critical relevance, which has remained strong in more recent years. In the past, the “difficulty” of Blanchot’s thought and writing often resulted in texts that either blindly imitated or derided his work. 1 Due to his subtle logic, intense focus, and sub-referential style (that is, the rarity of direct quotation in his nearly constant engagements with prominent philosophers and literary figures), any critical study of Blanchot calls for a thorough and unwavering commitment to the texts at hand in order to do justice to his work.As a study of the Hegelian underpinnings of Blanchot’s thought, William S. Allen’s Illegibility: Blanchot and Hegel stands out on the contemporary critical landscape by focusing attention on a specific dimension of Blanchot’s writing and thinking. Already, the title offers two suggestions as to what is at work here. First, and most importantly, Allen foregrounds Blanchot’s engagement with Hegel and does so in way that eschews dogma and proceeds by undertaking a careful, detailed reading of the latter’s thought. Second, Allen highlights Blanchot’s persistent concern with literature, particularly that of Raymond Roussel and Lautréamont. Taken together, this approach supports Allen’s main assertion that Blanchot was [End Page 86] keenly aware that philosophy requires literature in order to address its own concerns. 2 Accordingly, Allen’s assessment bears not on Blanchot’s approach to discrete works of literature, or to a particular philosophical doctrine, but rather to the fundamental question of the illegibility of all literary writing.Allen makes clear that illegibility does not appear in only one form. The book’s opening lines posit:A text can be illegible because its language is too complex, too foreign, or too obscure to be read, but these obstacles can to some degree be overcome with time and patience. But a text can also be illegible because it cannot be read in any summative way, and in a text like this what is in play is structurally unreachable, that is, it cannot be read because doing so would require more (in whatever way this ‘more’ might be measured: time, effort, thought, etc.) than is possible.(1)In line with Blanchot’s own general method, Allen isolates and contrasts two different kinds of illegibility: mere difficulty on the one hand, and true obscurity on the other. Taking up the latter, Allen asks: “How is it possible to write a text like this, and what would be the effects of reading it?” (1). We are thus asked from the outset to consider the illegible text in the context of another of Blanchot’s classic ways of distinguishing aspects of writing — namely, from the respective positions of writer and reader. These positions participate in the dialectic because they are two opposing, yet interrelated, moments in the experience of the work of literature. 3 Allen goes on to classify such a text as infinite, meaning ultimately that it possesses a “lack of boundary that needs to be considered, and that informs the problematic of its reading” (1). The illegibility of the text, in this absolute sense, implies the very impossibility that any writer would ever set out, consciously, to write a text that would deserve to be called illegible.On the side of the reader, such a text evades recognition or classification by means of any particular content, but form and... (shrink)

This open access book offers insights into the development of the ground-breaking Global Code of Conduct for Research in Resource-Poor Settings (GCC) and the San Code of Research Ethics. Using a new, intuitive moral framework predicated on fairness, respect, care and honesty, both codes target ethics dumping – the export of unethical research practices from a high-income setting to a lower- or middle-income setting. The book is a rich resource of information and argument for any research stakeholder who opposes double (...) standards in research. It will be indispensable for applicants to European Union framework programmes, as the GCC is now a mandatory reference document for EU funding. (shrink)

Cécile Fabre draws back the curtain on the ethics of espionage and counterintelligence. In a book rich with historical examples she argues that spying is only justified to protect against ongoing violations of fundamental rights. Blackmail, bribery, mass surveillance, cyberespionage, treason, and other nefarious activities are considered.

It is sometimes said that faith is recalcitrant in the face of new evidence, but it is puzzling how such recalcitrance could be rational or laudable. I explain this aspect of faith and why faith is not only rational, but in addition serves an important purpose in human life. Because faith requires maintaining a commitment to act on the claim one has faith in, even in the face of counter-evidence, faith allows us to carry out long-term, risky projects that (...) we might otherwise abandon. Thus, faith allows us to maintain integrity over time. (shrink)

Many popular artificial intelligence (AI) ethics frameworks center the principle of autonomy as necessary in order to mitigate the harms that might result from the use of AI within society. These harms often disproportionately affect the most marginalized within society. In this paper, we argue that the principle of autonomy, as currently formalized in AI ethics, is itself flawed, as it expresses only a mainstream mainly liberal notion of autonomy as rational self-determination, derived from Western traditional philosophy. In particular, we (...) claim that the adherence to such principle, as currently formalized, does not only fail to address many ways in which people’s autonomy can be violated, but also to grasp a broader range of AI-empowered harms profoundly tied to the legacy of colonization, and which particularly affect the already marginalized and most vulnerable on a global scale. To counter such a phenomenon, we advocate for the need of a relational turn in AI ethics, starting from a relational rethinking of the AI ethics principle of autonomy that we propose by drawing on theories on relational autonomy developed both in moral philosophy and Ubuntu ethics. (shrink)

This is a short reply to Dan Demetriou's "Ashes of Our Fathers: Racist Monuments and the Tribal Right." Both are included in Oxford University Press's Ethics, Left and Right: The Moral Issues That Divide Us.

Prevalent narratives of agricultural innovation predict that we are once again on the cusp of a global agricultural revolution. According to these narratives, this so-called fourth agricultural revolution, or agriculture 4.0, is set to transform current agricultural practices around the world at a quick pace, making use of new sophisticated precision technologies. Often used as a rhetorical device, this narrative has a material effect on the trajectories of an inherently political and normative agricultural transition; with funding, other policy instruments, and (...) research attention focusing on the design and development of new precision technologies. A growing critical social science literature interrogates the promises of revolution. Engagement with new technology is likely to be uneven, with benefits potentially favouring the already powerful and the costs falling hardest on the least powerful. If grand narratives of change remain unchallenged, we risk pursuing innovation trajectories that are exclusionary, failing to achieve responsible innovation. This study utilises a range of methodologies to explore everyday encounters between farmers and technology, with the aim of inspiring further work to compile the microhistories that can help to challenge robust grand narratives of change. We explore how farmers are engaging with technology in practice and show how these interactions problematise a simple, linear notion of innovation adoption and use. In doing so, we reflect upon the contribution that the study of everyday encounters can make in setting more inclusionary, responsible pathways towards sustainable agriculture. (shrink)

Monuments and statues are forms of commemoration. They typically pay tribute to people or events and aim to serve as a permanent marker, a link between present and past generations, committing them to memory and assigning them with importance and meaning. While commemorations can be beneficial in terms of recognising a legacy of the past and helping foster relationships between opposing groups, they can also be divisive and painful, failing to acknowledge other dimensions of historical fact and further hardening (...) the boundaries between groups in conflict. Essentially, what we choose to commemorate reflects what we as a society actually value. This paper focuses on the unsettled fates of the Captain Cook statue that stands with prominence in Hyde Park, Warrane, and other colonial monuments in Australia. It also discusses the emotionality surrounding such commemorations. We question whether Cook’s actual achievements constitute the notoriety that has been bestowed upon him. A range of commentators have put forward ideas around what to do about the Cook statue which we discuss while also considering what the future might look like if the truth of colonial history is known and open conversations can be had. (shrink)

Philosophers, archeologists, and other heritage professionals often take a rather negative view of heritage reconstruction, holding that it is inappropriate or even impermissible. In this essay, we argue that taking such hardline attitudes toward the reconstruction of heritage is unjustified. To the contrary, we believe that the reconstruction of heritage can be both permissible and beneficial, all things considered. In other words, sometimes we have good reasons, on balance, to pursue reconstructions, and doing so can be morally acceptable. In defending (...) this claim, we discern a number of arguments made against heritage reconstruction and demonstrate that these arguments are either exaggerated or lack support. (shrink)