Results for ' colors'

968 found
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  1.  4
    Musica - colore - tratto: Vierne, Reger, Kandinsky, Escher: dal cromatismo all'atonalità.Carlo Guandalino - 2020 - Lucca: Libreria musicale italiana.
    Musica-Colore-Tratto ©· un percorso epistemologico, una volont©¿ di tentare di comprendere la musica non come realt©¿ a s©♭ stante, bens©Ơ in relazione ad altre fonti del sapere che, in qualche modo, le si possano affiancare: sia per la ricerca di un kantiano tutto-insieme-connesso, sia per una pretesa hegeliana di un pensiero umano tricotomico. La volont©¿ di chi scrive ©· quella di far trasparire un'involontaria logica che permea l'idea umana generale (a prescindere da ci©ø in cui essa si cimenti) e di (...)
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  2.  14
    Real Colors and Chromatic Forms.Ekai Txapartegi - 2009 - Elenchos 30 (2):337-346.
    It remains highly controversial whether Plato sympathized with the existence of chromatic Forms. I argue that the naturalistic interpretation of Plato’s conception of colors as flames does not depend on his approval of their existence.
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  3.  11
    Rediscovering Colors: A Study in Pollyanna Realism.M. Watkins - 2002 - Springer Verlag.
    In Rediscovering Colors: A Study in Pollyanna Realism, Michael Watkins endorses the Moorean view that colors are simple, non-reducible, properties of objects. Consequently, Watkins breaks from what has become the received view that either colors are reducible to certain properties of interest to science, or else nothing is really colored. What is novel about the work is that Watkins, unlike other Mooreans, takes seriously the metaphysics of colors. Consequently, Watkins provides an account of what colors (...)
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  4.  26
    Colors and Handles: How Action Primes Perception.Marcello Costantini, Davide Quarona & Corrado Sinigaglia - 2021 - Frontiers in Human Neuroscience 15:628001.
    How deeply does action influence perception? Does action performance affect the perception of object features directly related to action only? Or does it concern also object features such as colors, which are not held to directly afford action? The present study aimed at answering these questions. We asked participants to repeatedly grasp a handled mug hidden from their view before judging whether a visually presented mug was blue rather than cyan. The motor training impacted on their perceptual judgments, by (...)
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  5. True colors: A problem for Tye's color realism.Thomas W. Polger - 2001
    Michael Tye has recently been a vocal defender of color realism or, as I shall call it, color objectivism. Objectivism about color is the view that color properties are identical to intrinsic physical properties of the surfaces of objects. Subjectivism about color is the denial of color objectivism. Objectivists argue that color claims must be taken at face value. In this paper I forego the usual bickering about whether there are surface reflectance properties that can be identified with colors (...)
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  6.  43
    Colors, Dispositions, and Similarity.Adam Wager - 2016 - Erkenntnis 81 (2):335-347.
    In this paper, it is argued that those who claim that the dispositionalist theory of color has even a prima facie advantage over color physicalism in accommodating the similarity relations that seem to hold among the colors are mistaken. The appearance that dispositionalists can handle the relevant similarity claims stems from the unexamined assumption that the similarity of two dispositions is simply a matter of the similarity of the manifestations of those dispositions. A more careful treatment of the ways (...)
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  7. Of Colors, Kestrels, Caterpillars, and Leaves.Peter Bradly & Michael Tye - 2001 - Journal of Philosophy 98 (9):469.
    According to color realism, object colors are mind-independent properties that cover surfaces or permeate volumes of objects. In recent years, some color scientists and a growing number of philosophers have opposed this view on the grounds that realism about color cannot accommodate the apparent unitary/binary structure of the hues. For example, Larry Hardin asserts, the unitary-binary structure of the colors as we experience them corresponds to no known physical structure lying outside nervous systems that is causally involved in (...)
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  8.  11
    Colors and reflectances.Alex Byrne & David R. Hilbert - 1997 - In Alex Byrne & David R. Hilbert, Readings on Color, Volume 1: The Philosophy of Color. Cambridge, MA, USA: MIT Press.
    When we open our eyes, the world seems full of colored opaque objects, light sources, and transparent volumes. One historically popular view, _eliminativism_, is that the world is not in this respect as it appears to be: nothing has any color. Color _realism_, the denial of eliminativism, comes in three mutually exclusive varieties, which may be taken to exhaust the space of plausible realist theories. Acccording to _dispositionalism_, colors are _psychological_ dispositions: dispositions to produce certain kinds of visual experiences. (...)
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  9.  11
    The semiology of colors in scripture translation: Arabic-English.Abdelhamid Elewa - 2022 - Semiotica 2022 (246):117-138.
    This paper examines the color symbolic values in two different and unrelated languages, Arabic and English. It analyses the colors mentioned in the Qur’an semiotically and their translation based on Peirce’s semiotic model of sign interpretation, while considering the socio-cultural differences that influence the understanding and rendering of color signs, informed by corpus-based analysis. Although the Qur’an contains the most basic colors like other languages, the semiotic values of some colors are different. The study shows that (...) in the Qur’an, and Arabic in general, are tightly linked to the environment and culture of the early Muslims who received the Qur’an first-hand from the Prophet. These colors as situated in their culture could appear positively or negatively to users in other languages in a way that is not intended in the source text. Therefore, the translator’s awareness of the socio-cultural signs could bridge the gap between the different systems of codification and recodification of signs. (shrink)
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  10.  9
    Il colore delle cose: la grammatica del concetto in Husserl e Wittgenstein.Luisa Bertolini - 2002 - Milano: Guerini e associati.
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  11.  75
    Colors of the soul: By-products of activity or passions?Kristi L. Wiley - 2000 - Philosophy East and West 50 (3):348-366.
    Several religious traditions of South Asia understand that mental activities produce colors (leśyās) that are associated with the mind or with the soul itself. In Jain texts, there are three theories about how leśyās are produced: that leśyās are a product (parināma) (1) of the passions (kasāyas), (2) of vibrations of the soul (yoga), and (3) of all eight varieties of karmas. The views of various Śvetāmbara and Digambara commentators regarding leśyās are compared.
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  12.  22
    Colors of the Robe: Religion, Identity and Difference, Ananda Abeysekara. [REVIEW]Ananda Wikremeratna - 2008 - Buddhist Studies Review 25 (1):124-125.
    Colors of the Robe: Religion, Identity and Difference, Ananda Abeysekara, pp. xvi+271. ISBN 1-57003-467-2.
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  13.  67
    Colors and Body Painting in Black Africa: the Problem of the "Half-Man".Dominique Zahan & Allen G. Grieco - 1975 - Diogenes 23 (90):100-119.
    Accustomed as we are to wearing clothes and to using colors in artistic and utilitarian ways, we often forget that the first “monument” offered to color is the human body and that the first “canvas” for the artist was his own skin. Man has created a distance between skin and colors by introducing clothes, which have a meaning that works to the detriment of both skin and colors. Clothes are a kind of second skin which is far (...)
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  14.  27
    Invisibility, Colors, Snow: Arctic Biosemiotics and the Violence of Climate Change.Gitte du Plessis - 2021 - Theory, Culture and Society 38 (7-8):167-188.
    This article conceptualizes contemporary geopolitical violence in the Arctic through a semiotic register. Different living beings perceive different things, and these differences amount to different worlds, not merely different worldviews. Building on Eduardo Kohn’s reading of the semiotics of Charles Sanders Peirce, and theorists of biosemiotics and ecosemiotics, the article analyses how signs in and between living organisms and their environments are political matters of life and death. Via the themes of invisibility, colors, and snow, the article traces semiotic (...)
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  15.  3
    Colores del cielo profundo: filosofía cromática en la Trilogía Cósmica de C. S. Lewis.Mario Ramos Vera - 2025 - SCIO Revista de Filosofía 27:267-302.
    C. S. Lewis reflexionó sobre la filosofía del color de manera accesoria en algunas de sus obras teóricas y les dio cauce narrativo en la Trilogía cósmica. A pesar de ser una cuestión escasamente explorada en la academia, resulta pertinente investigar el valor filosófico y especulativo que concede al color en el ámbito de su teoría de lo real, de inspiración platónica. Esta investigación aspira a analizar e interpretar, desde la cosmología precopernicana, la relevancia ontológica, epistemológica y metafísica del color (...)
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  16.  57
    Primitive Colors: A Case Study in Neo-Pragmatist Metaphysics and Philosophy of Perception.Joshua Gert - 2017 - Oxford: Oxford University Press.
    Joshua Gert presents an original account of color properties, and of our perception of them. He employs a general philosophical strategy - neo-pragmatism - which challenges an assumption made by virtually all other theories of color: he argues that colors are primitive properties of objects, irreducible to physical or dispositional properties.
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  17.  22
    A note on edge colorings and trees.Adi Jarden & Ziv Shami - 2022 - Mathematical Logic Quarterly 68 (4):447-457.
    We point out some connections between existence of homogenous sets for certain edge colorings and existence of branches in certain trees. As a consequence, we get that any locally additive coloring (a notion introduced in the paper) of a cardinal κ has a homogeneous set of size κ provided that the number of colors μ satisfies. Another result is that an uncountable cardinal κ is weakly compact if and only if κ is regular, has the tree property, and for (...)
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  18. Colors from a Logical Point of View.Timm Lampert - 2011 - In Wolfschmidt Gudrun, Colors in Culture. Tredition. pp. 24-39.
    This paper illustrates what a philosophical and a logical investigation of colors amounts to in contrast to other kinds of color analysis such as physical, physiological, chemical, psychological or cultural analysis of colors. Neither a philosophical nor a logical analysis of colors is concerned with specific aspects of colors. Rather, these kinds of color analysis are concerned with what one might call “logical foundations of color theory”. I will illustrate this first by considering philosophical and then (...)
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  19.  68
    Synesthetic colors for Japanese late acquired graphemes.Michiko Asano & Kazuhiko Yokosawa - 2012 - Consciousness and Cognition 21 (2):983-993.
    Determinants of synesthetic color choice for the Japanese logographic script, Kanji, were studied. The study investigated how synesthetic colors for Kanji characters, which are usually acquired later in life than other types of graphemes in Japanese language , are influenced by linguistic properties such as phonology, orthography, and meaning. Of central interest was a hypothesized generalization process from synesthetic colors for graphemes, learned prior to acquisition of Kanji, to Kanji characters learned later. Results revealed that color choices for (...)
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  20.  51
    Colors really are only in the head.James A. McGilvray - 1992 - Behavioral and Brain Sciences 15 (1):48-49.
  21.  49
    Synesthetic colors are elicited by sound quality in Japanese synesthetes.Michiko Asano & Kazuhiko Yokosawa - 2011 - Consciousness and Cognition 20 (4):1816-1823.
    Determinants of synesthetic color choice for Japanese phonetic characters were studied in six Japanese synesthetes. The study used Hiragana and Katakana characters, which represent the same set of syllables although their visual forms are dissimilar. From a palette of 138 colors, synesthetes selected a color corresponding to each character. Results revealed that synesthetic color choices for Hiragana characters and those for their Katakana counterparts were remarkably consistent, indicating that color selection depended on character-related sounds and not visual form. This (...)
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  22.  15
    Colors of the mind: conjectures on thinking in literature.Angus Fletcher - 1991 - Cambridge: Harvard University Press.
    Angus Fletcher is one of our finest theorists of the arts, the heir to I. A. Richards, Erich Auerbach, Northrop Frye. This, his grandest book since the groundbreaking Allegory of 1964, aims to open another field of study: how thought--the act, the experience of thinking--is represented in literature. Recognizing that the field of formal philosophy is only one demonstration of the uses of thought, Fletcher looks for the ways other languages (and their framing forms) serve the purpose of certain thinking (...)
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  23.  21
    Complicated colorings, revisited.Assaf Rinot & Jing Zhang - 2023 - Annals of Pure and Applied Logic 174 (4):103243.
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  24. Colors and reflectances.Alex Byrne & David R. Hilbert - 1997 - In Alex Byrne & David R. Hilbert, Readings on Color, Volume 1: The Philosophy of Color. Cambridge, MA, USA: MIT Press.
    When we open our eyes, the world seems full of colored opaque objects, light sources, and transparent volumes. One historically popular view, _eliminativism_, is that the world is not in this respect as it appears to be: nothing has any color. Color _realism_, the denial of eliminativism, comes in three mutually exclusive varieties, which may be taken to exhaust the space of plausible realist theories. Acccording to _dispositionalism_, colors are _psychological_ dispositions: dispositions to produce certain kinds of visual experiences. (...)
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  25.  35
    Plant coloration undermines herbivorous insect camouflage.Simcha Lev-Yadun, Amots Dafni, Moshe A. Flaishman, Moshe Inbar, Ido Izhaki, Gadi Katzir & Gidi Ne'eman - 2004 - Bioessays 26 (10):1126-1130.
    The main point of our hypothesis “coloration undermines camouflage” is that many color patterns in plants undermine the camouflage of invertebrate herbivores, especially insects, thus exposing them to predation and causing them to avoid plant organs with unsuitable coloration, to the benefit of the plants. This is a common case of “the enemy of my enemy is my friend” and a visual parallel of the chemical signals that plants emit to call wasps when attacked by caterpillars. Moreover, this is also (...)
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  26.  24
    Colorism in the Indian subcontinent—insights through situated affectivity.Marium Javaid Bajwa, Imke von Maur & Achim Stephan - forthcoming - Phenomenology and the Cognitive Sciences:1-18.
    Consistent discriminatory practices associated with dark and black skin color underpin the persistence of colorism and racism in the Indian subcontinent. To understand better how skin color ideologies occupy the mind of people with the effect of marginalizing those with dark skin color and promoting whiteness as a social capital, we will apply the paradigm of situated affectivity. The conceptual tools developed in this framework will help to see how the environmental structures that perpetuate colorism have a pervasive influence on (...)
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  27. Are Colors Secondary Qualities?Alex Byrne & David Hilbert - 2011 - In Lawrence Nolan, Primary and secondary qualities: the historical and ongoing debate. Oxford, United Kingdom: Oxford University Press.
    The Dangerous Book for Boys Abstract: Seventeenth and eighteenth century discussions of the senses are often thought to contain a profound truth: some perceptible properties are secondary qualities, dispositions to produce certain sorts of experiences in perceivers. In particular, colors are secondary qualities: for example, an object is green iff it is disposed to look green to standard perceivers in standard conditions. After rebutting Boghossian and Velleman’s argument that a certain kind of secondary quality theory is viciously circular, we (...)
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  28.  79
    Colors in the life-world.Junichi Murata - 1998 - Continental Philosophy Review 31 (3):293-305.
  29. Are colors secondary qualities?Alex Byrne & David Hilbert - 2011 - In Lawrence Nolan, Primary and secondary qualities: the historical and ongoing debate. Oxford, United Kingdom: Oxford University Press.
    The Dangerous Book for Boys Abstract: Seventeenth and eighteenth century discussions of the senses are often thought to contain a profound truth: some perceptible properties are secondary qualities, dispositions to produce certain sorts of experiences in perceivers. In particular, colors are secondary qualities: for example, an object is green iff it is disposed to look green to standard perceivers in standard conditions. After rebutting Boghossian and Velleman’s argument that a certain kind of secondary quality theory is viciously circular, we (...)
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  30.  49
    Colors, Perceptual Variation, and Science.Michael Watkins & Elay Shech - 2024 - Erkenntnis 89 (3):1157-1181.
    Arguments from perceptual variation challenge the view that colors are objective properties of objects, properties that objects have independent of how they are perceived. This paper attempts, first, to diagnose one central reason why arguments from perceptual variation seem especially challenging for objectivists about color. Second, we offer a response to this challenge, claiming that once we focus on determinate colors rather than the determinables they determine, a response to arguments from perceptual variation becomes apparent. Third, our nominal (...)
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  31.  33
    Analytic colorings.Wiesław Kubiś & Saharon Shelah - 2003 - Annals of Pure and Applied Logic 121 (2-3):145-161.
    We investigate the existence of perfect homogeneous sets for analytic colorings. An analytic coloring of X is an analytic subset of [X]N, where N>1 is a natural number. We define an absolute rank function on trees representing analytic colorings, which gives an upper bound for possible cardinalities of homogeneous sets and which decides whether there exists a perfect homogeneous set. We construct universal σ-compact colorings of any prescribed rank γ<ω1. These colorings consistently contain homogeneous sets of cardinality γ but they (...)
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  32.  66
    The colors and shapes of visual experiences.David M. Rosenthal - 1999 - In Denis Fisette, Consciousness and Intentionality: Models and Modalities of Attribution. Springer. pp. 95--118.
    red and round. According to common sense, the red, round thing we see is the tomato itself. When we have a hallucinatory vision of a tomato, however, there may be present to us no red and round phys- ical object. Still, we use the words 'red' and 'round' to describe that situation as well, this time applying them to the visual experience itself. We say that we have a red, round visual image, or a visual experience of a red disk, (...)
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  33.  10
    Colors: Presentation and Representation in the Fine Arts.Otávio Bueno - 2017 - In Marcos Silva, How Colours Matter to Philosophy. Cham: Springer.
    There is no doubt that colors play a crucial role in the fine arts. Both the phenomenology and the interpretation of paintings, photographs, and films change dramatically depending on the colors that are used to compose them. A black and white reproduction of a Rothko painting loses one of the central traits of the work. It is similarly a crucial aesthetic choice by photographers or filmmakers to have their work shot in color or in black and white. This (...)
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  34.  58
    Colors: Irrational and rational.Rudolf Arnheim - 1974 - Journal of Aesthetics and Art Criticism 33 (2):149-154.
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  35.  50
    The Colors of Zion: Blacks, Jews, and Irish from 1845 to 1945.Mark Bauerlein - 2013 - Common Knowledge 19 (1):141-142.
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  36.  38
    Sensations, Colors, and Capabilities in Aristotle.Sheldon M. Cohen - 1978 - New Scholasticism 52 (4):558-568.
  37.  32
    The colorization controversy.Julie Van Camp - 1995 - Journal of Value Inquiry 29 (4):447-468.
  38. Chimerical colors: Some phenomenological predictions from cognitive neuroscience.Paul M. Churchland - 2005 - Philosophical Psychology 18 (5):527-560.
    The Hurvich-Jameson (H-J) opponent-process network offers a familiar account of the empirical structure of the phenomenological color space for humans, an account with a number of predictive and explanatory virtues. Its successes form the bulk of the existing reasons for suggesting a strict identity between our various color sensations on the one hand, and our various coding vectors across the color-opponent neurons in our primary visual pathways on the other. But anti-reductionists standardly complain that the systematic parallels discovered by the (...)
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  39. Intrinsic colors - and what it is like to see them.Zoltan Jakab - 2003 - In Rainer Mausfeld & Dieter Heyer, Colour Perception: Mind and the Physical World. Oxford University Press. pp. 303-306.
    This is a commentary on Laurence Maloney’s chapter in Mausfeld R., and Heyer, D. (Eds.): Colour Perception: Mind and the Physical World. Oxford: Oxford University Press, 2003. I discuss two related proposals as to the nature of object color formulated by Maloney. On the first proposal colors are photoreceptor excitations; on the second, they are fundamental, universal reflectance characteristics of terrestrial surfaces. I argue that the second proposal is suitable for purposes of color objectivism, whereas the first one is (...)
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  40. Perceived colors and perceived locations: A problem for color subjectivism.Peter W. Ross - 2012 - American Philosophical Quarterly 49 (2):125-138.
    Color subjectivists claim that, despite appearances to the contrary, the world external to the mind is colorless. However, in giving an account of color perception, subjectivists about the nature of perceived color must address the nature of perceived spatial location as well. The argument here will be that subjectivists’ problems with coordinating the metaphysics of perceived color and perceived location render color perception implausibly mysterious. Consequently, some version of color realism, the view that colors are (physical, dispositional, functional, sui (...)
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  41.  26
    The Colors of Rhetoric: Problems in the Relation between Modern Literature and Painting.George H. Bauer - 1984 - Substance 13 (3/4):149.
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  42. Los colores como claves perceptivas durante la lectura.Ciencia Cognitiva - forthcoming - Ciencia Cognitiva.
    Manuel Perea, Ana Marcet, María Jiménez y Pilar Tejero Dept. de Metodología, Universitat de València, España En español, como en … Read More →.
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  43.  19
    IV. Colors: Our Perception of Them and Their Ontological Status.George Pitcher - 2015 - In Theory of Perception. Princeton University Press. pp. 196-231.
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  44.  10
    Acceptable colorings of indexed hyperspaces.James H. Schmerl - 2018 - Journal of Symbolic Logic 83 (4):1644-1666.
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  45.  94
    Response-Dependencies: Colors and Values.Dan López de Sa - 2003 - Dissertation, Barcelona
    Tesis doctoral presentada en el departament de Lògica Història i Filosofia de la Ciencia de la Universitat de Barcelona per optar al títol de Doctor en Filosofia.
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  46.  55
    Naïve realism, sensory colors, and the argument from phenomenological constancies.Harold Langsam - 2024 - Philosophical Explorations 27 (1):74-85.
    The sensory colors that figure in visual perceptual experience are either properties of the object of consciousness (naïve realism, sense-data theory), or properties of the subject of consciousness (adverbialism) (Section 1). I consider an argument suggested by the work of A. D. Smith that the existence of certain kinds of perceptual constancies shows that adverbialism is correct, for only adverbialism can account for such constancies (Section 3). I respond on behalf of the naïve realist that naïve realism is compatible (...)
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  47.  25
    The Perception of Colors in Treatises on Recipes for Fake Precious Stones (1520-1689).Véronique Adam - 2024 - Iris 44.
    This paper aims to study the perception of color (representations, synesthesia, denominations, uses and classification) in specific writings such as recipe treatises written from 1520 to 1689. These treatises deal with the manufacture and stages of color in various objects (remedies, blushes and mainly gems). They reveals that color is not only an apparent surface but also a sensitive substance, in particular white and red colors. Although color is a principle of unity for diverse materials, it sometimes becomes contradictory (...)
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  48.  50
    Physicalism without unknowable colors.Peter W. Ross - 2003 - Behavioral and Brain Sciences 26 (6):789-789.
    Byrne & Hilbert (2003; henceforth B&H) do not adequately explain how it is that phenomenal colors are physical, as their physicalism claims. This explanation requires more characterization of the relationship between the epistemology and nature of color than B&H provide. With this characterization, we can see that a physicalist need not accept unknowable color facts, as B&H do.
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  49.  93
    Colors and the Content of Color Experience.Kathrin Glüer - 2012 - Croatian Journal of Philosophy 12 (3):421-437.
    In previous work, I have defended a non-standard version of intentionalism about perceptual experience. According to the doxastic account, visual experience is a peculiar kind of belief: belief with “phenomenal” or looks-content. In this paper, I investigate what happens if this account of experience is combined with another idea I find very plausible: That the colors are to be understood in terms of color experience. I argue that the resulting phenomenal account of color experience captures everything essential to what (...)
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  50.  24
    Emotional coloration of consciousness: how feelings came about.Joseph LeDoux - 2008 - In Lawrence Weiskrantz & Martin Davies, Frontiers of consciousness. New York: Oxford University Press. pp. 69-130.
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