Allusions to a cosmogony contained in a Vedic hymn present striking analogies to a cosmogony attributed to the Pythagoreans by Aristotle, Simplicius and Stobaeus. The aim of the paper is to evaluate the extent to which they are similar and to which their differences respond to different cultural premises.

This article explores the way in which Madhva (1238–1317), the founder of the Dvaita Vedānta system of Hindu thought, reformulates the traditional exegetic practice of nirukta or “word derivation” to validate his pluralistic, hierarchical, and Vaiṣṇava reading of the Ṛgvedic hymns. Madhva’s Ṛgbhāṣya (RB) is conspicuous for its heavy reliance on and unique deployment of this exegetical tactic to validate several key features of his distinctive theology. These features include his belief in Viṣṇu’s unique possession of all perfect attributes (...) (guṇaparipūrṇatva) and His related conveyability by all Vedic words (sarvaśabdavācyatva). Such an understanding of Vedic language invokes the basic nirukta presupposition that words are eternally affiliated with the meanings they convey. But it is also based onMadhva’s access to a lexicon entitled Vyāsa’s Nirukti with which his critics and perhaps even his commentators seem to be unfamiliar.While the precise status of this text is the subject of ongoing debate, Madhva’s possession of special insight into the sacred canon is established in part by his unique claim to be an avatāra of the wind god Vāyu and a direct disciple of Viṣṇu Himself in the form of Vyāsa1. Thus, Madhva’s use of nirukta invokes his personal charisma to challenge not only conventional understandings of the hymns but traditional exegetic norms. Madhva’s provision of an alternative tradition of nirukta provoked sectarian debate throughout the Vijayanagara period over the extent to which one could innovate in established practices of reading the Veda. Articulating the Veda’s precise authority was a key feature of Brahmin debates during this period and reflects both the empire’s concern with promoting a shared religious ideology and the competition among rival Brahman sects for imperial patronage that this concern elicited. By looking at how two of Madhva’s most important commentators (the 14th-century Jayatīrtha and the 17th-century Rāghavendra) sought to defend his niruktis, this article will explore how notions of normative nirukta were articulated in response to Madhva’s deviations. At the same time, however, examining Madhva’s commentators’ defense of his niruktis also demonstrates the extent to which Madhva actually adhered to selected exegetic norms. This reveals that discomfort with Madhva’s particular methods for deriving words stemmed, in part, from a more general ambivalence towards this exegetical tactic whose inherent open-endedness threatened to undermine the fixity of the canon’s very substance: its language. (shrink)

The mystical experiences of the ṛṣis , the spiritual giants of the early Vedic times, led to the creation of the Vedic hymns and eventually to the formation of the whole elaborate structure of the Vedic religion, as upheld by the Indian priesthood. But there were obviously others who pursued mystical experiences without themselves engaging, like the ancient ṛṣis , in attempts to transmit their experiences through mythological poetry and religious leadership. They adopted mystical ecstasy as (...) their way of life. Mysticism as a conscious way of life is, in India, called Yoga. Being outside the trend of Vedic mythological creativity and the Brāhmanic religious orthodoxy, the Yogis of Vedic times left little evidence of their existence, practices and achievements. And such evidence as has survived in the Vedas is scanty and indirect. (shrink)

Many stanzas of the Ṛgvedasaṃhitā are re-used in the liturgical literature, that is, mainly in the Saṃhitās of the Yajurveda and in the Brāhmaṇas. Most of them are quoted precisely and they are apportioned in each different rite; yet, there are quite a few cases in which some variations have been adopted and the material of the sourcetext has been manipulated. As to the cultural development that resulted in such a use of the hymns, one of the most intriguing (...) question is whether it was a mere redactional enterprise, or if a clear intention guided the choices that the creators of the liturgies have taken, and eventually how deep was the consciousness of the brāhmaṇical redactors as for the poetic elements of the material they were dealing with. In order to approach this question, I decided to focus on a specific aspect that this issue entails, namely the different ways with which the Ṛgvedic verses are integrated in the texts. Thus, the present paper aims at analysing various modalities of re-use and at examining their functions. The final part of the article takes into consideration some instances of quotations’ marks. (shrink)

I. By Ictus we mean in this paper the sounds emphasized in the pattern of an utterance in the given language under discussion. So in languages like Chinese which depend on variation of tone we mean that the high notes in the intonation tune of a sentence or the rhythmic scheme of a verse carry an ictus; while in a language based, like English, on speech stress, we mean that the syllables uttered most loudly and clearly bear the ictus. Again, (...) some languages, such as Italian, emphasize a syllable by a combination of stress and raised pitch, so in these languages we say that the syllables so emphasized receive the ictus. Lastly, in a language like ancient Greek or Vedic Sanskrit where quantity is decisive in utterance, the syllables which receive emphasis are the long ones, and thus it is these which have an ictus. (shrink)

The Vedas are said to be not a human creation (apauruṣeya), but Revelation imparted to the Vedic sages who have put it down in inspired verses. Vedas’ words are therefore divine and eternal, and thus extensively praised. Vāc, the Vedic word, is eulogised in several hymns, among which Vāk Sūkta (X.125) is by far the most illustrative of all. In some teachings of the Upanishads, Vāc is equated to Brahman alongside other interpretations. When analysing the nature of (...) the word, centuries later, philosophers and grammarians refer to it as śabda, and no longer as Vāc, the latter remains somehow confined to a rather poetical and mystical reality. Yet, the idea of the eternal and divine character of the scriptures is superimposed on the Sanskrit language also, despite certain historical change remarks on the grammarians' side. In the 5th century CE, Bhartṛhari displays a genuine linguistic and philosophical thought of the folding and unfolding of Reality and its understanding as Word-Principle (brahman śabda-tattva). From an auxiliary science of preserving the correct forms of the Vedas, Sanskrit grammar acquires a hermeneutical role and empowers itself as a way to salvation, an idea supported by previous evidence of grammar's role in producing celestial happiness (abhyudaya), merit and righteousness (dharma). I seek in this paper to analyse and point out the strongholds that underpin Sanskrit as a divine language and how continuity and change coexist to support over millennia this undaunted approach. (shrink)

In a Vedic hymn, Reality or Being is proclaimed as having “arisen from Nothing”. By contrast, in Jaina cosmology time has no beginning; the universe, uncreated, has always existed.In Plato’s Timaeus the universe is conceived as not having existed eternally, but as having been created at some past time by a demiurge acting on pre-existing substance. We are all familiar with the arresting first line of Genesis.

The Vedic notion of Ṛta is broader than the more familiar notions of dharma and karma, which have become familiar English terms. Encompassing respect for nature, veneration of the deities, and attendance on the sacred rites, Ṛta is woven throughout the Ṛg Vedic hymns. By calling greater attention to this cosmic principle, scholars can work to counteract the commercialization and individualization of yoga.

The antithesis between paganism and Christianity is usually resolved, in current opinion, into the theological antithesis between polytheism and monotheism. But a religious life means more than mere theology, and one has the right to ask oneself what is, in reality, the religious character of paganism.Between polytheism and monotheism, the enotheism of Max Muller (and of F. W. J. Schelling) is not a mean term, and still less a moment of transition from one to the other, for the simple reason (...) that it is situated on a different plane. In the fervour of prayer, under the impulse of devotion, the believer is so absorbed in the thought of the God he is adoring at that very moment-this is described as enotheism-that for him, at that moment, it is as if no other god existed. This will not prevent him, at another moment, from consecrating himself with equal fervour to the adoration of another god. The famous Egyptian hymn inspired by the religious ideas of Amenophis IV, and which invokes Aten, the Sun, as “sole God,” is just as far from true monotheism with its absolute negation of every divine being except the One, as are the Vedic hymns in which Indra is celebrated as the god “besides whom there are no others” (Rig-Veda, VI 21.10; cfr. I 81.5; 165.9; IV 30.1; VII 32.23). (shrink)

INDIAN THOUGHT AND ITS DEVELOPMENT by ALBERT SCHWEITZER.Originally printed in 1936. PREFACE: I HAVE written this short account of Indian Thought and its Development in the hope that it may help people in Europe to become better ac quainted than they are at present with the ideas it stands for and the great personalities in whom these ideas are embodied. To gain an insight into Indian thought, and to analyse it and discuss our differences, must necessarily make European thought clearer (...) and richer. If we really want to understand the thought of India we must get clear about the problems it has to face and how it deals with them. What we have to do is to set forth and explain the process of develop ment it has passed through from the time of the Vedic hymns down to the present day. I am fully conscious of the difficulty of describing definite lines of development in a philosophy which possesses in so remarkable a degree the will and the ability not to perceive contrasts as such, and allows ideas of heterogeneous character to subsist side by side and even brings them into connection with each other. But I believe that we, the people of the West, shall only rightly comprehend what Indian thought really is and what is its significance for the thought of all mankind, if we succeed in gaining an insight into its processes. Like every European who studies Indian philo sophy, I am deeply indebted to the scholars who have published the texts and been responsible for the fundamental work of research. I am specially grateful to Professor Moriz Winternitz of Prague, not only for what I have learnt from his great work on Indian Literature, but also because he has allowed me a share in the wealth of his knowledge by giving me a fund of information in response to my questions. I have also found it a great advantage to have been able to discuss the problems of Indian thought with my friend Mr C. F. Andrews. I found Romain Hollands penetrating studies on Ramakrishna and Vivekananda very inspiring. And I have to thank my friend Mr A. B. Ashby for valuable help in connection with the English edition. Indian thought has greatly attracted me since in my youth I first became acquainted with it through reading the works of Arthur Schopenhauer. From the very beginning I was convinced that all thought is really concerned with the great problem of how man can attain to spiritual union with infinite Being. My attention was drawn to Indian thought because it is busied with this problem and because by its nature it is mysticism. What I liked about it also was that Indian ethics are concerned with the be haviour of man to all living beings and not merely with his attitude to his fellow-man and to human society. But the closer my acquaintance with the docu ments of Indian thought the more I was assailed by doubts as to whether the view made familiar to us Europeans by the works of Arthur Schopenhauer, Paul Deussen and others the view namely that Preface vii Indian thought is completely governed by the idea of world and life negation is right. I was compelled to admit the fact that world and life affirmation is present at the back of this thought from the very dawn of its history, and that the existence and inter fusion within it of world and life negation and world and life affirmation constitute its special character istic and determine its development. I am not merely describing the thought of India, but at the same time I am making a critical examina tion of it... (shrink)

The thrust of this article is to give a brief account of the ultimate reality as viewed by Indian philosophical system namely, Vedic philosophy, Upanisads, Buddhism, Jainism and Charvaka. Though the root of this issue is traceable to the Vedic hymns, there are various interpretations of these hymns concerning the nature of ultimate reality, for instance some of the orientalists introduces henotheism as a transitional stage from polytheism to monotheism in Indian philosophy but according to some (...) of the Indian thinkers neither polytheism nor henotheism nor even monotheism can be taken as the keynote of the early vedic philosophy. This article has not covered the views of six Indian well-known schools of philosophy, i.e., Nimansa, Vedanta, Shankhya, Yoga, Nyaya and Vaisheshika particularly those of Shankara and Ramanuja concerning the nature of Brahma which are very interesting and thought-provoking. (shrink)

According to the Hindu tradition, the origin of the various philosophical ideas that were developed in the philosophical systems lies in the Vedas, a body of texts that seem to have been composed around two thousand years Before the Common Era (BCE). While the Vedas contain a myriad of different themes, ranging from hymns for deities and rules of fire sacrifices to music and magic, there is no doubt that one finds in them an exemplary spirit of inquiry into (...) “the one being” (ekam sat) that underlies the diversity of empirical phenomena, and into the origin of all things. (“Was there being or non‐being at the beginning?”) One finds also predelineations of such concepts of ṛta (truth or moral order), karma and the afterlife, and the three qualities (or guṇas: sattva, rajas, and tamas) constituting nature (prakṛti). It is in the Upaniṣads (a group of texts composed after the Vedas and ranging from 1000 bce to the time of Gautama, the Buddha), that the thinking, while still retaining its poetic flavor, develops a more strictly philosophical character. While still concerned with many different themes belonging to cosmology (“How did the one being become many?”) and psychology (“What does the empirical person consist of?”), the Upaniṣads contain attempts to reinterpret, in symbolic terms, the elaborate Vedic sacrifices, and to defend, in many different ways, one central philosophical thesis – that is, the identity of Brahman (the highest and the greatest, the source of all things) and ātman (the self within each person). With this last identification, a giant step was taken by the authors of the Upaniṣads, a step that was decisive for the development of Indian philosophy. The Vedas had already decided, famously in the Nāsadiya Sukata, that at the beginning of things there must have been being and not non‐being (for something cannot come out of nothing); now this primeval being was said to be the same as the spirit within. The highest wisdom was intuitively realizing this identity of subject and object (tat tvarn asi). How to know it was the issue. Suggestions ranged from contemplative meditation to austere self‐mortification. The idea of yoga and a picture of the yogin make their appearance – possibly having a different origin – and blend with the central thesis of the Upaniṣads. If the reality underlying outer appearance is the universal spirit within, is then the world merely phenomenal appearance (like the magician's creation, māyā), or is the brahman‐ātman to be construed as the indwelling spirit of all things? These become the leading disputational questions amongst the commentators on the Upaniṣads, and amongst the various schools of the Vedānta philosophy. (shrink)

The primary aim of this article is to provide a case study of textual hermeneutics in the context of Vedic literature. It will be shown how some interpretative pitfalls, into which contemporary translators have fallen, can be avoided if we broaden the perspective beyond the semantics of words and apply a principle of plausibility. The case study concerns the analysis of Ṛgveda 10.28, with special reference to the wildlife episodes depicted in verses 10cd-11ab. A few modern translations in Western (...) languages of 10cd are here considered. Some of them show that a principle of plausibility has been actually taken into account by their authors while approaching the text, albeit the result does not seem always entirely satisfactory. Some other translations seem not to carefully consider the broader context, therefore failing to convincingly make sense of the original text. After an introduction on the general subject of the hymn as it emerges from verses 1-9, i.e., the Vedic sacrifice and the subsequent consumption of the sacrificial offerings, arguments and textual evidence are provided in order to show how the reading of 10cd acquires a cogent and very plausible meaning if regarded in light of verse 11ab. (shrink)

The concept of the mahant- ātman-, or “vast self”, found in some of the Early and Middle Upaniṣads, has, at least since the days of Hermann Oldenberg, been explored by a number of scholars, most notably by van Buitenen :103–114, 1964). These studies have usually emphasized the cosmic implications of this concept; the vast ātman- being the non-individualized spirit that brings forth and pervades the universe, then enters the bodies of all created beings as their animating principle. As such it (...) precedes the mahān, or mahat, of the Sāṃkhya philosophy. The present paper argues that the concept of a mahant- puruṣa- or “vast person”, appearing parallel to the vast ātman in these texts, is in fact older, being traceable to Middle Vedic texts; the emergence of the Upaniṣadic ātman doctrine has eventually led to its replacement by the mahān ātmā. Originally, it is argued, the adjective mahant- stressed the difference between this “vast” puruṣa, who is said to dwell in the sun, and the minute puruṣa within man, who is seen as the tiny “person” in one’s pupil, or resides in the heart, having the size of a thumb. In contradistinction to the ātman, the puruṣa is a thoroughly anthropomorphic soul-concept, a “person” within the person. The ultimate identity between this tiny soul-person and the puruṣa in the sun is a recurring, but little studied, motif in the micro-macrocosmic speculations of the Brāhmaṇa texts. This “vast”, solar puruṣa is sometimes identified with the Puruṣa or primeval man of Ṛgveda 10.90, from whose body the universe was formed, and much of the imagery surrounding the vast puruṣa of Middle and Late Vedic literature seems to derive from this hymn. (shrink)

Once the Luwian hieroglyphics for God “” and Gate “” were discovered at Göbekli Tepe, this author was able to directly link the site’s carved pillars and pillar enclosures to the Abrahamic/Mosaic “Word of God”,. Archaeologists and anthropologists have long viewed the Bible as mankind’s best guide to prehistoric religion, however, archaeologist Klaus Schmidt had no reason to believe that the site he spent years excavating at Göbekli Tepe might be the legendary “Pillars of Enoch”, carved by the first Biblical (...) holy man and scribe. To make this connection, the author first had to decipher Judaism’s Razah D’Oraytah (Secret of Knowledge) from the Sefer Yetzirah (Book of Creation). The Book of Creation is the only text to explain the Secret of Knowledge, and the only text attributed to the prophet Abraham within the rabbinical community. The Zohar, Judaism’s most accessible Kabbalistic text, admits that it lacks knowledge of “deep and hidden things which issue from God’s thought and are taken up by the Voice [of God] which are not disclosed till the Word [] reveals them”. Abrahamic/Mosaic “Word of God” encrypts the mathematics of sound that emanates from God’s “Voice” in terms of ancient string theory. Just as modern string theory defines a Theory of Everything (ToE) within theoretical physics, so too does this ancient string theory define the Theory of Everything that Abraham named the “Living God”. The author’s previous paper ties Jewish sources to Göbekli Tepe, while the current paper applies this sonic “God Table” to the textual exegesis and hermeneutics structuring all religious creation allegories, including the writings of Sumer, Assyria, Babylonia, Vedic India, pre-Dynastic Egypt, Ugarit, and Israel. This paper will apply Göbekli Tepe’s structural template to archaeology’s oldest legible cuneiform tablets, including the Kesh Temple Hymn, Sumerian King List, and the Akkadian Ark Tablet. It will also be demonstrated that Göbekli Tepe holds the key to the Rig Veda, Hinduism’s oldest text, and defines the essence of Plato’s metaphysics. (shrink)

This classic work is a general introduction to Indian philosophy that covers the Vedic and Epic periods, including expositions on the hymns of the Rig Veda, the Upanisads, Jainism, Buddhism and the theism of the Bhagvadgita.

It is argued that early Buddhism to a very considerable extent can and should be seen as reformed Brahmanism. Speculations about cosmogony in Buddhist s tras can be traced back to Vedic sources, above all R gveda 10.129 & 10.90—two hymns that play a similar fundamental role in the early Upanisads. Like the immortal and unmanifest Brahman and the mortal and manifest Brahm, the Buddha, as a mythological Bhagavat, also had two forms. In his highest form he is (...) “the profound” beyond being and non-being, like Brahman. As a teacher, he is like Brahm. By suppressing mind and by getting rid of desire a Buddhist should “swim” back to the profound beyond the duality of life and death, which is also suffering. One becomes real and true by seeing the causal identity of tat and tvam, i.e. of macrocosm and microcosm. The spiritual ideals of early Buddhism are thus founded on natural philosophy. (shrink)

This classic work is a general introduction to Indian philosophy that covers the Vedic and Epic periods, including expositions on the hymns of the Rig Veda, the Upanisads, Jainism, Buddhism and the theism of the Bhagvadgita.

In this article, the Gayatri mantra, one of the most sacred chants to be found in Hindu lore, will be analysed as a blend, where an entire philosophy is compressed into these few syllables, which will be expounded upon here in more detail. Drawing upon insights from conceptual blending theory, this sacred mantra will be unpacked and explored, and it will be shown here that this ancient Rigvedic hymn is actually a nucleic compression which once tapped into leads the practitioner (...) to new insights and higher levels of spiritual awareness as the inner meaning unfolds. Practising Hindus around the world revere and recite this mantra with the utmost reverence, and this is true of the Indian diaspora in South Africa as well. Aside from presenting this hymn through the lens of blending theory, the aim is to demonstrate and explain why exactly this mantra is chanted with such reverence and given precedence over the many other mantras found throughout the Vedic texts. (shrink)

RESUMENEl artículo analiza las concepciones del espacio y del tiempo en el periodo védico tardío, utilizando como fuentes primarias el antiguo corpus de textos sánscritos conocido como upaniṣad. Para ello se estudian las diversas cosmogonías y las diferentes formas de legitimación de una gradual transformación del sacrificio público (dominante en la época védica temprana, caracterizada por las colecciones de himnos y una literatura de comentarios de carácter litúrgico) a la experiencia privada de la meditación y la especulación filosófica (característica de (...) tradiciones ascéticas).PALABRAS CLAVECOSMOGONÍA, UPANIṣAD, ESPACIO, TIEMPOABSTRACTIn this article we analyse the conceptions of space and time in the later Vedic period, using as primary sources the old corpus of Sanskrit texts known as Upaniṣad. For this purpose we study the various cosmogonies and different forms of legitimation of a gradual transformation of the public sacrifice (dominant in early Vedic times, characterized by collections of hymns and a literature of comments of a liturgical nature) to the private meditation experience and philosophical speculation (characteristic of ascetic traditions).KEYWORDSCOSMOGONY, UPANIṣAD, SPACE, TIME. (shrink)

Part of the series, "India without Misrepresentation," this book points out that caste was not imposed by a higher group on a lower, but that it was the natural outcome of the totemic system. It has its basis in Vedic literature, in a single hymn, 'Purusha Sukta.' The author, an Indian, gives a competent and scholarly account of the history of caste and an outline of its workings and use in the India of today, pointing out the democratic aspects (...) of the system. A spirited, if biased, defense of a much misunderstood institution.--J. H. S. (shrink)

Eco–spiritualism is not a new idea; in fact, it has a long history in the Vedic tradition. ‘Vasudhaiva Kuṭumbakam’ in the mantra of Mahā–Upaniṣad of the Sāmaveda tradition presents us with a thought–provoking message, namely, that every being or entity on this earth is one family [अयं बन्धुरयं नेति गणना लघुचेतसाम् ।उदारचरितानां तु वसुधैव कुटुम्बकम् ॥७१॥]. In the Vedic civilization the realm of ethical thinking was extensive. The Vedic science of ecology addresses eco–spiritualism from the perspective of (...) the cosmological and the ontological unity of nature. However, the ethics of natural laws, such as ṛta, satya and dharma, plays a very vital role in the human being’s environmental actions. Firstly, this paper intends to trace and identify the ecological divinity of the Vedas. Secondly, the paper shall endeavour to apply and evaluate ancient scriptures and their understanding of the environment in terms of its intrinsic value and its relation to human beings. We conclude with the discussion on the problems of eco–spiritualism in the contemporary world. (shrink)

The Papers In This Volume, Presented At A Seminar Organised By The Gurukula Kangri Viswavidyalaya, Offer A Kaleidoscopic View Of Myriad Aspects Of Himalayan Eco-System Like Causes Of Its Degradation, Impact Of Hydroelectric To Deforestation And Role Of Wild Life. The Deliberations Also Highlight The Relevance Of Vedic Philosophy In Conserving The Fragile Himalayan Eco-System.

Papers presented at a national seminar on Vedic texts and the knowledge systems of India, held at Kalady during 9-11 December 2009.

This book puts the hymns by the Neoplatonist Proclus in the context of his philosophy and offers a detailed commentary together with a new translation of them.

Vedic Voices: Intimate Narratives of a Living Andhra Tradition. By David M. Knipe. New York: Oxford University Press, 2015. Pp. xxii + 340, illus. $35.

The Vedic -ya-presents: Passives and Intransitivity in Old Indo-Aryan. By Leonid Kulikov. Leiden Studies in Indo-European, vol. 19. Amsterdam: Rodopi, 2012. Pp. xxix + 994.

Drawing on insights from Indian intellectual tradition, this book examines the conception of dharma by Jaimini in his Mīmāṃsāsūtras, assessing its contemporary relevance, particularly within ritual scholarship. Presenting a hermeneutical re-reading of the text, it investigates the theme of the relationship between subjectivity and tradition in the discussion of dharma, bringing it into conversation with contemporary discourses on ritual. The primary argument offered is that Jaimini's conception of dharma can be read as a philosophy of Vedic practice, centred on (...) the enjoinment of the subject, whose stages of transformation possess the structure of a hermeneutic tradition. Offering both substantive and methodological insights into the contentions within the contemporary study of ritual, this book will be of interest to researchers in the fields of Hindu Studies, Ritual Studies, Asian Religion and South Asian Studies. (shrink)

Early Vedic possesses a chameleon-like verb form called the injunctive, whose uses partly overlap with, and alternate with, those of the subjunctive, optative and imperative moods, and with the past and present tenses. Being morphologically tenseless and moodless, the injunctive has attracted interest from a comparative Indo-European perspective because it appears to be an archaic layer of the finite verb morphology. Its place and function in the verb system, however, remains disputed. In Kiparsky 1968 I argued that it is (...) tenseless and moodless not only morphologically but also functionally, and that injunctive forms acquire modal and temporal interpretations only contextually. The injunctive’s only intrinsic grammatical features are aspect, voice and person/number. This paper provides new evidence for that view (section 1), and goes on to argue that such underspecified forms in paradigms support morpheme-based theories of morphology over realizational theories such as Paradigm Function Morphology (section 2), and that the rise and loss of the injunctive is connected to other changes in the pre- and post-Vedic aspect, tense, and mood system (section 3). (shrink)

Vedic Vision Of Consciousness And Reality Is An Attempt At A Systematic Presentation Of The Visions Of Vedic Seers Concerning Consciousness In Relationship To Reality. The Relevance Of This Attempt Has Got Enhanced Today Due To Latest Discoveries In Quantum Physics Tending To Accord Some Sort Of Substantiality To Consciousness. This Is The Position Vedic Seers Held Long Ago As Is Evident From The Vedanta. The Vedanta, However Has Ignored The Vedic Samhitas On Metaphusical Issues Including (...) Consciousness. The Present Work Has Come In Fulfillment Of This Lacuna In The Tradition Of Vedic Thought. It Has Been Shown Here Strictly On The Basis Of Textual Evidence How The Vedic Seers Were Involved In The Search For Consciousness In Its Purest Form Coinciding With Reality. The Coincidence Of The Modern Science In Its Latest Developments With The Vedic Viewpoint In This Regard, Suggests The Necessity Of A Paradigmatic Shift In The Human Thinking At This Juncture From Matter To Consciousness As The Most Fundamental Reality. These Issues Have Been Discussed Here From Various Viewpoints Including Scientific, Philosophical, Psychological, Theological And Epistemological. (shrink)

This paper compares two ancient traditions of knowledge: The Indo-European vedic texts and the Edda poems of the Scandinavian and Germanic people. There appear to be close similarities between these two traditions in terms of four major concepts: A basic unified state lying at the foundation of the vast variety in the universe; the process of creation from within this unified field; the development of higher states of individual consciousness; and the development of higher stages in the collective consciousness (...) of society. Today this knowledge has practical implications for improving performance and quality of life, as shown by scientific research. (shrink)

The articles by Henk Bodewitz collected in this volume, published between 1969 and 2013, deal with Vedic cosmology and ethics on basis of a systematic philological study of early Vedic texts, from the Ṛgveda to various Brāhmaṇas, Āraṇyakas and Upaniṣads.

Vedic Studies: Language, Texts, Culture, and Philosophy. Proceedings of the 15th World Sanskrit Conference, vol. 1. Edited by Hans Henrich Hock. New Delhi: RaShtRiya SanSkRit SanSthan, 2014. Pp. viii + 244.

The final hymn of the Rigveda, 10.191, the last three stanzas of which are dedicated to saṃjñānam ‘unity’, plays in a remarkable way with the preposition/prefix sam(-) ‘with; together’ and the phonetic sequence mā̆n. Some of the words with mā̆n go back to Proto-Indo-European *men ‘think’ (mánas- ‘mind, intellect, thought’, mántra- ‘utterance, spell’, and mantraye ‘I utter an utterance, recite a spell’); others are forms of the adjective samāná- ‘common, the same’. This brief communication shows that the display of phonetic (...) fireworks has analogs in our earliest hymns in Avestan and Greek, in which both reflexes of *men and etymologically unconnected words that have the same pattern of sounds are frequently found in the most “privileged positions”: the beginning and/or end of a section, poem, or entire poetic collection. (shrink)

Les hymnes au dieu Khnoum de la façade ptolémaїque du temple d’Esna. By Abraham I. Fernández Pichel. Studien zur spätägyptischen Religion, vol. 23. Wiesbaden: Harrassowitz Verlag, 2018. Pp. xiv + 217, 21 pls. €94.

Recent work on Callimachus has tended to concentrate on the technicalities of his poetry. Commentaries on the Hymns have dealt exhaustively with vocabulary, metrics, Homeric allusion, historical background. What remains to be done is to use these detailed pieces of work in readings of the individual poems, showing how the commentator's minutiae can be assimilated into an overall view of each hymn. In Hellenistische Dichtung Wilamowitz attempted such an appreciation; but since his time literary approaches have changed considerably. With (...) the thorough commentary of G. R. McLennan as foundation, it may be worth while to make a re-assessment of the Hymn to Zeus in less technical terms. In the reading which I offer here I hope to escape the tyranny of the individual word; but I hope, too, that what I have to say will not appear too loosely founded on the text. (shrink)

In “A Hymn to Tethys: Chronofabulation and the Emptiness of Ancient Oceans,” the intimate connections between the human encounter with the sea in its various moods and phases, the experience of the passing of time on a human scale, but also on the geological and cosmic scales of deep time, and our propensity as a species for fictionalizing or fabricating as a way of orienting ourselves through language and imagery in the face of mortality and loss, areas explored through a (...) theory-fictional or ficto-critical narrative based around the concept of chronofabulation. Chronofabulation on one level is here concerned with the use of philosophically oriented storytelling as a form of time travel, in which the ocean is both a constant thematic background and a central character in the story, whilst on another level it is about divination – or divine dissipation – as a kind of philosophizing; an understanding of the divinatory process that is also, in the senses considered here, a prolegomenon for an oceanic materialism. In using a theory-fictional approach to time and the sea, this paper is responding to recent critical thinking on the consequences of post-critique in the theoretical humanities as a route to investigate and test out new ways of deploying literary-philosophical immersion to navigate Nietzsche’s “new seas,” which for him were, and from this perspective are for us now, the truly open seas of a future beyond the inherent nihilism of modernity. In doing so, and in terms of methodology, it takes seriously the idea of treating theory and literary-philosophical discourse in the form of a kind of graphic novel, but a graphic novel without any images, on the assumption that readers will supply their own images and visual and contextual continuities as they read, and in doing, so engage directly with the oceans and their philosophemes as revealed in the process of reading and writing as chronofabulation. (shrink)

Among the departures from the direct tradition in Thucydidesü quotation of the Homeric Hymn to Apollo at 3.104, perhaps the most interesting is line 171. The MSS of the Hymns give ET-iotacism). The majority of Thucydidesü MSS give, but is corrected by a second hand in FJ and by the first hand in H to. Each tradition exists in blissful ignorance of the other. In Aristidesü quotation of lines 169–72, the MSS in general agree with the direct tradition of (...) the Hymns:. But the reading in R is a correction. The original reading, which has been erased, was. Aristides, who as his introductory remark shows is quoting from Thucydides, appears to have read in his text of Thucydides, but this has been replaced at some stage in the tradition by ; the MSS tradition of Aristides has been ’corrected’ from the direct tradition of the Hymns. If Aristides had in his text of Thucydides, the corrected reading of FJH is not the. (shrink)

It is generally accepted that the Homeric Hymn to Apollo was not conceived as a single poem but is a combination of two: a Delian hymn, D, performed at Delos and concerned with the god's birth there, and a Pythian hymn, P, concerned with his arrival and establishment at Delphi. What above all compels us to make a dichotomy is not the change of scene in itself, but the way D ends. The poet returns from the past to the present, (...) and takes leave of his audience; farewell, he says, and remember me ever after. He is quite clearly finishing. Whereupon there is an abrupt and unsatisfactory transition to P. (shrink)

We present a unified vision of human knowledge, the external world and ourselves in the frame of an overall unity of Everything. Two main sources of knowledge are considered to this goal: an admittedly reductionist version of Modern Science and a few key elements of Oriental Philosophy. Our view is based on an analogy between the fundamental unity of Vedic ontology and the Grand Unification scheme of Particle Physics traced along the evolution of the Universe. Our key statement is (...) that these two sources of knowledge describe the same ontological story of separation, from an original One down to the multiplicity of the phenomenological world. We further substantiate this vision by drawing an analogy between the Residue of the Vedic sacrifice and the post-Big-Bang cosmological Matter-Antimatter Asymmetry. We also discuss a Big-Bang analogy between the postulated field of Inflationary Cosmology (the Inflaton) and the Vedic dissolution-decomposition of the cosmic progenitor Prajapati – whose body, according to Brahmanas texts, provides the material substrate of which the Universe is built. (shrink)

_ Source: _Volume 12, Issue 1, pp 39 - 50 The paper deals with an anonymous _Hymn to God_, which is attributed to Gregory of Nazianzus by some authors, but was most probably composed by a Christian Neoplatonist such as Pseudo-Dionysius the Areopagite. The paper explores the hymn’s relation to Neoplatonic theories of prayer and shows that these affinities are broader in scope than has previously been recognised. Some Pagan and Christian Neoplatonists, including the author of the _Hymn to God_, (...) seem to have shared the idea of a cosmic prayer by which all beings tend towards God, a prayer founded on the knowledge of the ‘signatures’ that God rooted in our souls. (shrink)