This paper argues that a strong-sense Buddhist nominalism, which denies any resemblance between two things, even among natural kinds, fails to explain why names and concepts can successfully identify a group among other things. Drawing evidence from the theory of the three natures in two major Yogācāra texts—the Saṃdhinirmocana-sūtra and the Mahāyānasaṃgraha—I propose that these two texts affirm the affinity between concepts and things because they hold that it is the utilization of concepts in previous lives that gives (...) rise to our shared world. While rejecting the idea that there is an inherent property or universal shared by natural kinds, these two texts agree that natural kinds are regulated by concepts and therefore share some features from among the set of characteristics defined by those concepts. I therefore propose a weak-sense Buddhist nominalism that endorses the idea that natural kinds share resemblances. (shrink)

In his previous book, Being Upright: Zen Meditation and the Bodhisattva Precepts, Reb Anderson Roshi described how we must become thoroughly grounded in conventional truth through the practice of compassion before we can receive the teachings of the ultimate truth. In The Third Turning of the Wheel, he introduces us to the next stage of our journey by invoking the wisdom of the Samdhinirmocana Sutra. According to Anderson, the main purpose behind this enigmatic sutra is to reconcile the apparent contradictions (...) between the original teachings of the historical Buddha and the later teachings of Mahayana Buddhism. Anderson reflects on the great metaphysical questions proposed in the Samdhinirmocana Sutra-the nature of ultimate reality, the structure of human consciousness, the characteristics of phenomena, the stages of meditation, and the essential qualities of a buddha-with the clarity of a scholar and the insight of a practitioner. (shrink)

This paper argues that a strong-sense Buddhist nominalism, which denies any resemblance between two things, even among natural kinds, fails to explain why names and concepts can successfully identify a group among other things. Drawing evidence from the theory of the three natures in two major Yogācāra texts—the Saṃdhinirmocana-sūtra and the Mahāyānasaṃgraha—I propose that these two texts affirm the affinity between concepts and things because they hold that it is the utilization of concepts in previous lives that gives (...) rise to our shared world. While rejecting the idea that there is an inherent property or universal shared by natural kinds, these two texts agree that natural kinds are regulated by concepts and therefore share some features from among the set of characteristics defined by those concepts. I therefore propose a weak-sense Buddhist nominalism that endorses the idea that natural kinds share resemblances. (shrink)

Wisdom of the Buddha. The Samdhinirmocana Sutra: Essential Questions and Direct Answers for Realizing Enlightenment. Tr. John Powers. Dharma Publishing, Berkeley, CA 1995 xxii, 397 pp, 14 illus and line drawings. $25.00. ISBN 0-89800-246-X.

In our study of the development of Buddhist ideas over time, one of the major problems is the absence of the links, connecting different strata, strands or schools of the Buddhist thought. Perhaps, the most extreme example of this is the origin of the Yogācāra-Vijñānavāda tradition, a complex teaching that emerged almost “full-grown” in the _Saṃdhinirmocana-sūtra_. Our knowledge of the historical antecedents of Yogācāra is very scarce and, what concerns the school Sautrāntika/Dārṣṭāntika, contradictory. The _Māyājāla-sūtra_ very likely reveals important details (...) regarding the very origin of the Yogācāra tradition and is, therefore, a long-sought- for source. _Māyājāla-sūtra_ is a _sūtra_ in the recently recovered Sanskrit _Dīrgha-āgama_. It stands out from the other _Dīrgha-āgama sūtras_ by its diction and unique compositional and doctrinal features. One of its unique features is that its core terminology, its passages and similes are used extensively in the Sautrāntika-Dārṣṭāntika-Yogācāra sources, especially in the _Yogācārabhūmi_ and the _Saṃdhinirmocana-sūtra_. In the article, I summarize the _sūtra_, overview these features and show that the central message of the _sūtra_ is the so-called _darśana-mārga_, a path of seeing, which is accompanied by supramundane insight (lokottara-prajñā), which enables a Buddhist adept to directly perceive the true reality and become an _ārya_, noble person. I argue that this central idea of the _sūtra_ is textually and doctrinally (or philosophically) interwoven with the specifically Yogācāra understanding of the _darśana-mārga_. Moreover, I show that one of the main ideas of the _sūtra_, the ambivalence of the sense objects, realized at the _darśana-mārga_, is likely an antecedent of the specifically Yogācāra teaching on the possibility of the same object to cause opposite types of experience, and, as such, an antecedent of the cornerstone Yogācāra principle of _vijñaptimātratā_ (the teaching that the objects of perception are mere representations of/in the mind). Another important aspect explored in this paper is the intertextuality of the _Māyājāla-sūtra_, its parallels and the first chapters of the _Saṃdhinirmocana-sūtra_, which sheds important light on the origin of the latter text. I argue that these parallels to the Yogācāra teachings are, at the very least, their earlier precedents, and, because of that the _Māyājāla-sūtra_ may be called a proto-Yogācāra _sūtra_. (shrink)

In the early-modern Japanese genre of calligraphy albums called tekagami, fragments of copies of sutras are an outstanding presence, but that presence raises questions about their provenance, condition, status, and significance within such settings. This article delves into these and other questions, with a focus on a set of examples in Tekagamijo, an album in the collection of the Beinecke Rare Book and Manuscripts Library, Yale University. The author suggests that sutra-copy fragments (J. shakyogire) have undergone a transformation or ontological (...) shift that replaces their original sacred character with a new, contextually constructed significance that can best be understood through comprehension of the attitudes of the album’s compilers toward their materials and their task. (shrink)

Das Sutra von den vier Ständen. Das Aggañña Sutta im Licht seiner chinesischen Parallelen. Konrad Meisig., Otto Harrassowitz, Wiesbaden 1988. ix, 249 pp. DM 44.

Buddhist Sutras: Origin, Development, Transmission. Kogen Mizuno. Kosei, Tokyo 1982. 220pp. £5.20.

Diamond Sutra Narratives: Textual Production and Lay Religiosity in Medieval China. By Chiew Hui Ho. Sinica Leidensia, vol. 144. Leiden: Brill, 2019. Pp. xiv + 520. $159.

These, and many other related questions have continued to rise in the minds of meditation practitioners of Chan, Sôn and Zen Buddhism since the earliest stages in the development of these traditions, and it is in response to such questions that the Sutra of Perfect Enlightenment was composed. In addition to detailed guidance on the undertaking of Chan contemplation, the sutra offers concise discussions of the fundamental philosophical grounds which underlie such practices, in the form of question and answer sessions (...) between the Buddha and twelve prominent bodhisattvas. While long a popular text throughout the East Asian meditative tradition, the Sutra of Perfect Enlightenment attained to a special canonical status in the Korean Chogye school where it was favored by such luminaries as Chinul, T'aego and Hyujông, and where it is used down to the present day as a basic text for monastic instruction. The. (shrink)

The Sutra of Golden Light. Translated by R. E. Emmerick. Second revised edition, Pali Text Society, Oxford 1990. xvi, 116 pp. £10.00.

The Salistamba Sutra and its Indian Commentaries. Jeffrey D. Schoening. Volume I. Translation with Annotation. Volume II. Tibetan Editions. Wiener Studien zur Tibetologie und Buddhismuskunde 35, 1-2. Vienna 1995. pp.xx, 388; ix, 382. ATS 850.

The Yoga Sutra of Patanjali is a classic Sanskrit treatise consisting of 195 “threads,” or aphorisms, describing the process of liberation through yoga. Although little is known about Patanjali (most scholars estimate that he lived in India circa 200–300 b.c.), his writings have long been recognized as a vital contribution to the philosophy and practice of yoga. This new, expert translation of the original Sanskrit text of Patanjali’s best-known work presents his seminal ideas and methods in accessible, plain-language English. Patanjali (...) organized the sutra into four parts: Samadhi (absorption), Sadhana (practice), Vibhuti (supernatural powers), and Kaivalya (liberation). Each represents a step in breaking free of our limited definition of consciousness and training the mind to achieve oneness with the universe. Geshe Michael Roach, one of the most respected teachers of Tibetan Buddhism in America and a renowned scholar of Sanskrit, provides authoritative commentary on each of the sutras. His notes and clarification are straightforward and highly readable, untainted by obscure, academic terminology or New Age jargon. The first edition of the Yoga Sutra to present a Buddhist perspective, this paperback original will be welcomed by students and spiritual seekers alike. (shrink)

Exploring the Heart Sutra brings an interdisciplinary philosophical approach to this much-loved Buddhist classic. This new translation with commentary situates the sutra in a Chinese context, offering fresh interpretive resources for making sense of this profound work.

This article illustrates the importance of research methods in Buddhist Studies using the recent article on the Heart Sutra by Ng and Ānando (2019) as a case study. The authors make a novel conjecture about the Heart Sutra to explain a difference between the Xīnjīng (T 251) and the Dàmíngzhòujīng (T 250) but in doing so they neglect the relevant research methods and critical thinking. Their selection of literary resources is somewhat erratic and their evaluation of them appears to contain (...) bias. The authors did not consult relevant Sanskrit texts (including the Sanskrit Heart Sutra). The logic applied to their source materials appears to be faulty at times and this causes them to arrive at an unconvincing conclusion. By going over the same ground, using more appropriate methods and materials, a far better explanation of the problem emerges. (shrink)

A critical review of five articles that appeared in the special issue of Acta Asiatica, i.e. • Saitō, Akira. “Avalokiteśvara in the Prajñāpāramitāhṛdaya.” • Watanabe, Shōgo. “The Lineage of the Prajñāpāramitāhṛdaya: With a Focus on Its Introduction and Expressions of Emptiness.” • Horiuchi, Toshio. “Revisiting the ‘Indian’ Commentaries on the Prajñāpāramitāhṛdaya: Vimalamitra’s Interpretation of the Eight Aspects.” • Ishii, Kōsei. “The Chinese Texts and Sanskrit Text of the Prajñāpāramitāhṛdaya Seen by Wŏnch’ŭk 円測.” • Silk, Jonathan A. “The Heart Sūtra (...) as Dhāraṇī.” -/- My overall impression of Frontier is that the authors are committed to a hermeneutic dictated by the Buddhist religion itself, that the Heart Sutra is an Indian text, composed in Sanskrit. The articles in Frontier seem to suggest that no counterfactual evidence exists, or could exist, that would change this conclusion. (shrink)

The yoga system accepts the S nkhya metaphysics, the fundamental variation being that consciousness is held to be supreme. The goal to be achieved is to attain this final state of pure consciousness. All obstacles, mental and physical, are subjugated and transcended. The method is the development of concentration by controlling all thought modes. It starts by the purification of the body by the control of posture and breathing. The mind is purified by the rejection of hindrances to the development (...) of concentration. Both require a mandatory practice of the ethical ideals prescribed. The final goal of sam dhi is not a post-mortem state but realisable here and now. Many extraordinary capabilities acquired due to concentration are mere hindrances which are to be discarded. The Yoga S tras are four in number and made up p d s (steps). Only the first two s tras are explained in a very sketchy manner. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 21.1 (2001) 119-122 [Access article in PDF] The Lotus Sutra and Process Philosophy Philip E.Devenish Rissho Kosei-kai In 1994, Rissho Kosei-kai began to sponsor an annual summer conference to which international scholars were invited to discuss and explore the Lotus Sutra. Some of the earlier conferences focused on themes such as "The Lotus Sutra and Ethics" and "The Lotus Sutra and Social Responsibility." These conferences have encouraged (...) a more widespread understanding of the Lotus Sutra among Western scholars and, as a result, a greater exposure to the Lotus Sutra on the part of students in the universities where these scholars teach. An additional feature of the conferences is the exposure of these scholars to Rissho Kosei-kai as a significant religious organization in modern Japan.This year's conference involved eleven scholars, six from the United States and five from Japan. It was held at Bandaiso, Rissho Kosei-kai's retreat center, about four hours north ofTokyo by bus. Its theme was"The Lotus Sutra andProcess Thought." Process thought is a kind of philosophical thinking developed primarily in America over the last century that shares certain features with the basic point of view expressed in the Lotus Sutra.The Lotus Sutra is not primarily a philosophical or theological text, but rather a religious one. It focuses less on analyzing reality than on coming to terms with it, responding to it, and also on changing it. However, a religious text always presupposes concepts and ideas that it employs in order to express its intuitions about what is important in life. Professor Gene Reeves, the organizer of this and the previous conferences in the series, has shown in his writings that Lotus Sutra Buddhism shares with process thought several basic commitments. One is to what he calls "a philosophy of integration" of teachings and practices, of people with nature, and of wisdom, compassion, and practice. Another is their shared "philosophy of becoming," according to which everything that exists depends on the basic process of causal relations, which makes it possible for anything at all to exist. Lotus Sutra Buddhism and process philosophy also agree that all individual realities exhibit a basic character of creativity and that creativity characterizes ultimate reality, whether this is understood in some sense as "the Buddha" or as "God." Moreover, both movements teach the possibility of religious salvation for all people as well as an ethics grounded in universal respect and compassion.Many of the participants in the conference expressed their conviction that process [End Page 119] thought, as it is developed particularly in the writings of the philosophers Alfred North Whitehead (1861-1947), Charles Hartshorne (b. 1897), and John Dewey (1859-1952), provides an especially clear and rich articulation of these themes and that Lotus Sutra Buddhists have much to gain from the study of this philosophy. At the same time, there was equally deep appreciation for the type of Lotus Sutra Buddhism given social and religious expression in Rissho Kosei-kai and, in particular, for its stress on the practice of "appropriate" or "skillful" means (upaya).Professor Joseph Grange, of the University of Southern Maine, drew attention to the overall consonance of the Lotus Sutra and Whitehead's later writings in overcoming dualism in thought and life. Professor Steve Odin, of the University of Hawai'i, discussed the ways both Lotus Sutra Buddhism and Whitehead formulate an interrelational vision of reality wherein each event is a microcosmic reflection of a macrocosmic whole, especially in the doctrine of the Lotus Sutra tradition of ichinen sanzen, or "three thousand realms in one thought." The present author, an independent scholar, focused on the convergence of the two movements of thought in the religious and ethical notions of peace and compassion.Professor Yoshitaka Goh, of the Japan Biblical Seminary, stressed the specifically historical character of human salvation, in which the past shapes the possibilities for our lives in the present. Professor Warren Frisina, from Hofstra University, New York, analyzed the relations between knowledge and action in the Lotus Sutra and the thought of John Dewey, showing that each... (shrink)

Issued with Sandal, M. L. Introduction to the Mimamsa sutras of Jaimini. New York, [1979].

This book presents a close reading of four Indian narratives from different time periods : Ekalavya's story from the MahÄ bhÄ rata, the story of PrajÄ pati, Indra and Virochana from the ChÄ ndogya Upanisad, the story of Åsankara in the King's body from the Åsankaradigvijaya, and A.R. Murugadoss's Hindi film Ghajini, respectively. These stories are thematically juxtaposed with PÄ tañjala-yoga, namely Patañjali's YogasÅ«traand its vast commentarial body. The sÅ«tras reveal hidden philosophical layers. The stories, on the other hand, contribute (...) to the clarification of "philosophical junctions" in the YogasÅ«tra. Through sÅ«tras and stories, the author explores the question of self-identity, with emphasis on the role of memory and the place of body in identity-formation. Each of the stories diagnoses the connection between self-identity and freedom. Employing cutting-edge methodology, crossing the boundaries of literary theory, story-telling, and philosophical reflection, this book presents fresh interpretations of Indian thought. It is useful to specialists in Asian philosophy and culture. (shrink)

The Jesus Sutras: Rediscovering the lost religion of Taoist Christianity. Martin Palmer. Piatkus, London 2001. xvi, 270 pp. £17.99. ISBN 0 7499 2250 8.

The _Platform Sutra_ records the teachings of Hui-neng, the Sixth Patriarch, who is revered as one of the two great figures in the founding of Ch'an (Zen) Buddhism. This translation is the definitive English version of the eighth-century Ch'an classic. Phillip B. Yampolsky has based his translation on the Tun-huang manuscript, the earliest extant version of the work. A critical edition of the Chinese text is given at the end of the volume. Dr. Yampolsky also furnishes a lengthy and detailed (...) historical introduction which contains much information hitherto unavailable even to scholars, and provides the context essential to an understanding of Hui-neng's work. He gives an account of the history and legends of Ch'an Buddhism, with particular attention to the traditions associated with Hui-neng, quoting or summarizing the most important narratives. He then discusses the various texts of the _Platform Sutra_, and analyzes its contents. (shrink)

Chan has been one of the most prominent sects of Chinese Buddhism since the mid and late Tang Dynasty and it has been particularly well-known around the world. The Platform Sutra purports to convey the teachings of Huineng, one of the most revered figures in the Chan tradition, and the text has been regarded as the most reliable source for the study of Chan. This canonical Buddhist text is generally categorized into four different versions: 1) Dunhuang ; 2) Huixin ; (...) 3) Qisong ; and, 4) Zongbao. The Dunhuang version is further divided into two manuscripts: the Old Dunghuang text and New Dunghuang text (also known as... (shrink)

This article offers a novel approach to the interpretation of Patañjali’s Yoga Sūtras through the Jungian lens of Western alchemy. When viewed from this perspective, the YS reads not as a final separation of matter and Spirit as traditionally understood, but as a path toward increased wholeness and integration. Jung found in Western alchemy evidence for his own theory of individuation, the psyche’s process of Self-becoming. First, I contextualize the YS within the broader scholarly conversation on yoga and alchemy. Second, (...) I define Jung’s understanding of individuation, specifically in the context of Western alchemy and its processes. Finally, I interpret the prominent stages of the YS—nirodha, saṁyoga, and.. (shrink)

Prajñaparamita-Hrdaya-Sutra - Das Sutra vom Herzen der Vollkommen Weisheit - The Heart Sutra. Ed. Acarya Jen Wen. Zero Verlag, Rheinberg 1982. 80pp. DM 19.80.

Commentators on Schopenhauer’s philosophy have been at odds with one another concerning the signification of the “nothing” with which he closed the first volume of The World as Will and Representation in 1818, and how this relates to Schopenhauer’s proposition that the will is Kant’s thing-in-itself. This chapter contends that Schopenhauer’s works contain two conceptions of soteriological nothing: an early conception that is ontological and contrasted with the vanity of phenomenal life, and a later conception in which nothing is employed (...) as an apophatic denial of our epistemological categories. Schopenhauer sought to conceal the way in which his use and understanding of these concepts had changed by 1860 by appending a handwritten note to the close of the first volume that cited Isaak Jacob Schmidt’s translation of the Diamond-Sūtra, an explanation of the Buddhist concept of prajñāpāramitā. Examination of Schmidt’s treatise throws some light on the development of Schopenhauer’s metaphysics and soteriology between 1818 and 1860. (shrink)

Nicolai Bachman explores the key principles and concepts of yoga philosophy through the Yoga Sutras offering an opportunity to learn and practice the sutras in Sanskrit, revealing the essence of yoga philosophy. The Yoga Sutras is a comprehensive and modern approach to working with Patanjali's seminal text for guidance and inspiration on your own journey toward clarity and happiness.

This ancient text represents one of yoga's most influential and important works. Dating back to India of the second century B.C., the yoga sutras constitute a complete manual for the study and practice of the philosophical system. The sutras, or threads, are aphorisms of wisdom that offer guidelines to living a meaningful and purposeful life. This volume explains the eight limbs of the discipline: restraint, observances, posture, breath control, withdrawal from the senses, attention, meditation, and stillness. Little is known about (...) the life of Patanjali beyond the assumption that he was a contemporary of the Buddha. Charles Johnston, an immensely learned scholar of Eastern traditions, offers modern readers a straightforward translation of Patanjali's writings. This easy-to-follow interpretation will prove a rewarding companion to yoga students, participants in teacher-training programs, and students of Eastern philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 20 (2000) 296-298 [Access article in PDF] Book Review Le Sutra D'amida Prêché Par Le Buddha Le Sutra D'amida Prêché Par Le Buddha. By Jérôme Ducor. Schweizer Asiatische Studien: Monographien; Vol. 29. Bern: Peter Lang, 1998. 216 pp. Paper. $35.95 (in U.S.A.; available from the New York office of the publisher) It is immediately clear that this edition of the Smaller Sukhavativyuha Sutra must be regarded as (...) the standard work on it in a European language. Ducor is both a scholar (at the University of Lausanne and at the Museum of Ethnography in Geneva) and a practitioner (an ordained minister of the Honganji branch of Jodo Shinshu) [End Page 296] and he combines his skills to produce a well-rounded and balanced treatment that demonstrates, by comparison, the limitations of the standard Buddhological approach to Sutra studies.The methodology of sutra translation is, I believe, a Buddhist-Christian problem, since, ostensibly Buddhist, it often proceeds along crypto-Christian lines. Why do we translate sutras at all? Or, rather, why are the sutras as a rule translated nude, as it were, quivering in the scholar's spotlight, bereft of their seemly covering of s´astras? Sutras are, by themselves, largely unintelligible. They are nuggets of Dharma, to be, on the one hand, digested by the teachers so that they might (to paraphrase St. Bernard of Clairvaux) proffer the milk of nourishing discourses to their disciples and, on the other hand, chanted in mystifying, often artificial, languages, for their meritorious and pacifying effect. When chanted, it is the sound that matters, not the meaning. It is said that a pigeon was reborn as a monk because Asaga compassionately chanted out loud the texts that he was studying. We are to suppose that the fortunate pigeon was not well versed in Sanskrit, yet it benefited remarkably from the chanting. Ducor is aware of this traditional use of the sutras and includes a discussion on "The Amida Sutra in Liturgical Practice" (pp. 131-137). He cites Gyoyo, writing in fifteenth-century Japan, to the effect that the incomprehensible Sino-Japanese "preserves multiple meanings: the masses, on hearing them, mysteriously, according to their capacities, achieve enlightenment," whereas the Japanese translation "bears only a single sense" and therefore "for normal chanting it is best to chant in the Sino-Japanese pronunciation" (p. 134).But Eurocentric, especially Anglophone, Buddhologists have insisted on translating only the sutras and ignoring their attendant s´astras. Often enough the translations are done from an archaic or even an invented version which is never used in practice but is preferred simply because it is in Sanskrit. The scholar then searches, in the presumed "more original" text, for precisely that single meaning against which Gyoyo warns us. Something seems familiar. Can it be Martin Luther whom we espy lurking behind our Monier Williams? Are we still in thrall to Max Muller, who, even after having naturalized as British, was evangelisch to the core and fought in the Academy under the banner of sola scriptura, believing, with Luther, that a sacred text, because it is revealed, is most truly interpreted by reference to itself, and that its meaning would only be obscured by a human, and therefore fallible, commentary? Perhaps: for the bionic Belgian Buddhologists, we note, were more Catholic in their approach, and translated the summa of the great Buddhist scholastics.The point is that a sutra can only be said to have been properly presented for our study when it is displayed in its native context, that is, with full reference to the commentarial tradition. Ducor does this. He opens with a translation from the rufubon (the textus receptus or "vulgate" as he calls it) version of the Chinese, attributed to Kumarajiva, and follows it with notes on Kumarajiva, on the principal doctrines of the sutra, and on the place of the sutra in the trilogy (sambukyo) tradition in Japan. Then he repeats the translation, interspersing it with references to the commentaries in China, Korea, and Japan. This is followed by detailed textual notes... (shrink)

The Vimalakirti Sutra, one of the most influential works of the Mahayana Buddhist canon, is of particular importance in the Ch'an or Zen sect.

The Lotus Sutra: A Biography, by Donald S. Lopez, Jr. Princeton University Press, 2016. 272pp. Hb. £24.95. ISBN-13: 9780691152202. E-book. £18.99. ISBN: 9781400883349.