Traditional Christian theism holds that God is both transcendent and immanent, meaning that God exists wholly outside of the created universe, outside of space and time, yet interacts with the created universe in myriad ways. Divinizing the world in this way constitutes pantheism – the thesis that God is everywhere, in everything, and does not exist outside of the universe in any fashion. Thus L'Osservatore Romano's central criticism of Avatar is that this film “shows a spiritualism linked to the worship (...) of nature, a fashionable pantheism in which creator and creation are mixed up.” This chapter discribes the three aspects of the Christian worldview: the variety of beings as a manifestation of God's nature in the created universe; the interrelated and interdependent nature of the elements and creatures that comprise the biosphere; and the inherent goodness of allowing beings of all types to flourish in their essential natures. (shrink)

The world of the Na'vi is much more feminine. Na'vi women are equal partners with their men and are just as capable as their male counterparts. And as the tsahìk (spiritual leader) of the Omaticaya clan, Neytiri's mother Mo'at exercises an unrivalled degree of power and influence due to her ability to interpret the will of Eywa, the Na'vi's female deity. Historically, women are the ones who have had the most intimate experience of care, since they have traditionally been (...) the ones tasked with providing it for children, the sick, the disabled, and the elderly. The philosopher Sara Ruddick (1935–2011), one of the pioneers of care ethics, identified three activities at the core of what she calls “maternal work”: preserving the life of the child, fostering the growth of the child, and training the child for social acceptability. (shrink)

This chapter is a revealing journey through the world of Pandora and the huge range of philosophical themes raised by James Cameron's groundbreaking film, Avatar. The Na'vi's intimate connection to all life on Pandora makes humanity's vicious attitude toward the natural world unfathomable to them. The insanity of the “sky people” is exemplified by their irrational anthropocentricism, an attitude that has regrettably been prevalent in Western philosophy since the time of the ancient Greeks. The philosopher Aristotle argued in the De (...) anima that every living thing – plant, animal, or human being – possessed a soul; but he deemed the human soul alone to be capable of rational thought. In the final scene of Avatar, Jake attains the pinnacle of seeing by passing through the eye of Eywa and returning to the world of the Na'vi, a feat that perhaps no other living being on Pandora had ever accomplished. (shrink)

The title of the film Avatar specifically refers to the extension of the consciousness or spirit of a human individual into the body of an artificially created human–Na'vi hybrid. In his Philosophy of Nature, Wilhelm Friedrich Hegel argues that Nature is the embodiment – or, as we might say, the “avatar” – of what he calls the Absolute Spirit or God. Scientists, with their mechanistic models of nature, are essentially in league with the practical exploitation of the Earth. Their arid (...) abstractions abet the arrogant approach of commercial interests, whose dismissive attitude toward nature is captured well in Selfridge's remark: “They're just goddamn trees.” When Jake passes through “the eye of Eywa” at the conclusion of Avatar, leaving his former body and his former life behind and becoming fully embodied as part of “the people,” he implicitly recognizes the truth of Hegel's definition of Spirit. (shrink)