Abstract

I address the question of the origins and historical meaning of art. Analyzing suggestions from Marx, Derrida, Winnicott, and Todorov, I claim that art doesn’t simply represent conscious, historical events but is also the continuing presentation of the prehistorical break-up of our “original” human family. Indeed,perpetuating yet distancing this archaic scene of community and violence in tension, art performs this mediation not just in history but also as history, as a secretive historiography of splitting and meaning-making. To this end, I analyze some tribal tattooing and scarring practices. Literally carving a world of metaphorical significance out of our disidentification with mother nature and with each other in turn, art speaks hieroglyphically of persistent primitive loss.