Abstract

Originally published in Norwegian in 1941, this is the magnum opus of one of Norway's most celebrated philosophers, now made available in English for the first time. It examines the concept of the tragic and attempts to construct a more precise and useful definition, on the basis of a "biosophical" look at the situation of organisms in their environment and their attempt to realize interests on multiple fronts through abilities they possess in a variety of degrees. This is a theory of genius, and of the dangers that frequently accompany it, and a sober account of the perils of consciousness for the human species. The robust and thorough treatment includes in-depth analysis of the relationship between real-world tragedies and those portrayed in theater and literature. This widely anticipated translation will be of interest to academics as well as to all readers who are interested in philosophical pessimism and tragedy.