Abstract

Thomas Hurka’s Games, Sports, and Play is a collection of essays with two seemingly cohesive aims. It is intended to be both (1) a conference proceeding focused on the work of the late Bernard Suits and (2) a printing of the first posthumously released original work by Suits in the thirteen years since his passing. I evaluate how well the book functions in each of its intended purposes, and offer a justification of my conclusion that – despite being an excellent contribution to the field of Suits scholarship – its two aims stand in considerable tension with each other.