Shaftesbury as a patron of art

Journal of the Warburg Institute 2 (2):185-188 (1938)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

DOI

10.2307/750093

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,551

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

SPEAKING OF LILLIPUT? Recollections on the Warburg Institute in the Early 1970s.Thomas DaCosta Kaufmann - 2012 - Common Knowledge 18 (1):160-173.
The triclinium in religious art.Anthony Blunt - 1939 - Journal of the Warburg Institute 2 (3):271-276.
On the reverse. Some notes on photographic images from the Warburg Institute Photographic Collection.Katia Mazzucco - 2012 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 5 (2).
War work English art and the warburg institute.Christy Anderson - 2012 - Common Knowledge 18 (1):149-159.
Raymond Klibansky and the Warburg Library network: intellectual peregrinations from Hamburg to London and Montreal.Raymond Klibansky - 2018 - Chicago: McGill-Queen's University Press. Edited by Philippe Despoix, Jillian Tomm, Eric Méchoulan & Georges Leroux.
Some examples of the role of the mænad in florentine art of the later fifteenth and early sixteenth centuries.F. Antal - 1937 - Journal of the Warburg Institute 1 (1):71-73.
Two Forms of Gesture: Notes on Aby Warburg and Walter Benjamin.Andrew Benjamin - 2017 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 10 (1):21-40.
Die Emigration der Kulturwissenschaftlichen Bibliothek Warburg und die Anfänge des Universitätsfaches Kunstgeschichte in Großbritannien†.Dieter Wuttke - 1984 - Berichte Zur Wissenschaftsgeschichte 7 (3):179-194.
"Hume and the Heroic Portrait: Studies in Eighteenth-Century Imagery": Edgar Wind. [REVIEW]Peter Jones - 1987 - British Journal of Aesthetics 27 (3):287.
Love, Truth, Orthodoxy, Reticence; or, What Edgar Wind Didn’t See in Botticelli’s Primavera.Rebecca Zorach - 2007 - Critical Inquiry 34 (1):190.

Analytics

Added to PP
2009-01-28

Downloads
37 (#613,263)

6 months
14 (#234,785)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Shaftesbury and the Modern Problem of Virtue.Douglas J. Den Uyl - 1998 - Social Philosophy and Policy 15 (1):275.

Add more citations

References found in this work

No references found.

Add more references