Abstract

The history of modern innovation is primarily that of the industrial research laboratory, but the demise of the independent inventor —like that of the entrepreneur —has been much exaggerated. Independent inventing, in fact, continues to flourish as a cultural and technical practice in the contemporary United States. There are, however, a number of structural and cultural impediments in the way of independent inventors who seek to translate their invention into a commercial innovation. By drawing a comparison with the art world, this article explores these impediments and argues that their existence is revealing of the deep social embeddedness of the invention and innovation process.