Abstract

Hardenberg/Novalis uses the concept of drive in his Fichte Studies as well as later in an almost exuberant manner. He is inspired by conceptions from Reinhold, Fichte, Platner, and Schiller. According to him, drives stand for the forces and forms of expression of human nature. They represent the mental energies of humans, such as seeing, thinking, or feeling, which arise from the uncontrollable realm of the unconscious. Thus, according to a statement in the Monologue, “this urge to speak [Sprachtrieb, drive of language] were the mark of the inspiration of language, the working of language within me”. Moreover, his statement from the Fichte Studies, “The drive to be an I is at the same time the drive to think and to feel”, emphasises the importance of not only understanding human thought in a classical way but also exploring its close relationship to the realm of feelings. In this manner, Hardenberg impressively reflects on the reciprocity of thinking and feeling as the fundamental form of philosophising.