Abstract

Context: The current study of emotions is based on theoretical models that limit the emotional experience. The collection of emotional data is through self-report questionnaires, restricting the description of emotional experience to broad concepts or induced preconceived qualities of how an emotion should be felt. Problem: Are the emotional experiences responding exclusively to these concepts and dimensions? Method: Music was used to lead participants into an emotional experience. Then a micro-phenomenological interview, a methodology with a phenomenological approach, was used to guide their descriptions. Results: The descriptions of emotional experiences revealed a temporal structure that could have a linear or circular development. Moreover the qualitative aspects disclosed that these experiences are characterized by corporal sensations and marked variations of emotional intensity. Additionally, the emotional experience was embodied. Implications: The emotional experience is a dynamic process in which bodily sensations take a primary role, allowing the identification of such emotions. The integration of these first-person features of emotional experience with third-person data could lead to a better understanding and interpretation of emotional processes. Constructivist content: This article highlights the need to integrate first-person and third-person methodologies to study and explain human behavior in a comprehensive manner. Key Words: Emotion, experience, micro-phenomenological interview, body, music, affective neuroscience.