Abstract

Using the ideas of early German Romantics and their modern interpretation in the thinking of the philosopher Richard Rorty, the article analyses conspiracy theories regarding them as irony and language games. Through the prism of these analogies, conspiracy theorists and their followers are treated as workers of the imagination (i.e. poets), even though they do not fit properly within the framework of the concept of a liberal or poetic society, developed by Rorty. The concept of poetic culture, initially proposed by the German romantic Friedrich Schlegel, describes a culture in which the poetic element prevails, strongly complemented by the mystery element. The mystery in conspiracy theories would correspond to a distrust of rationality that drew criticism from the Romantics as well. Rorty’s emphasis on the contingency of language is a good argument to see that conspiracy theorists also do not rely on transcendence. In this way, the aspect of truth as creation rather than discovery is also expressed. Irony in the article appears as an appropriate way to understand history and reality.