Abstract

The concept of geometry may evoke a world of pure platonic shapes, such as spheres and cubes, but a deeper understanding of visual experience demands insight into the perceptual organization of naturalistic form. Japanese gardens excel as designed environments where the complex fractal geometry of nature has been simplified to a structural core that retains the essential properties of the natural landscape, thereby presenting an ideal opportunity for investigating the geometry and perceptual significance of such naturalistic characteristics. Here, fronto-parallel perspective, asymmetrical structuring of the ground plane, spatial arrangement of garden elements, tuning of textural qualities and choice of naturalistic form, are presented as a set of physical features that facilitate a systematic analysis of Japanese garden design per se, as well as the geometry of the particular naturalistic features that it aims to enhance. Comparison with Western landscape design before and after contact between Western and Eastern hemispheres illustrates the degree of naturalness achieved in the Japanese garden, and suggests how classical Western landscape design generally differs in this regard. It further reveals how modern Western gardens culminate in a different naturalistic geometry, thus also a distinctly different vision of the natural landscape, even if these designs were greatly influenced by the gardens of China and Japan.