Abstract

This book argues that Adorno's writings allow us to address what is arguably the central challenge of modern philosophy: how to picture a world beyond suffering and injustice without betraying its vital impulse. By re-appraising his writings on politics, philosophy, and art, Sebastian Truskolaski reconstructs Adorno's overall project from a radically new perspective. Taking his 'standpoint of redemption' at its starting point, whilst also dealing with his recurrent reference to the Old Testament ban on images, this book brings Adorno's central concerns to bear on debates about Utopia that have come to define political visions across the political spectrum.