Abstract

This book spans roughly a century, 1860-1960, of Russian thought on the subject of God, and focuses on ten thinkers who formulated distinctive and extreme views on the subject. The connections and similarities among these highly original thinkers are admirably traced, and give an unexpected unity to the book. Bakunin, the "political anarchist," and Tolstoy, the "cultural anarchist" rejected the State, Church, and God to free men either from oppression by others or from the fear of death and oppression of others. Their critique of religion had a powerful influence on the Russian Marxists. Leontyev and Rozanov, the "religious neo-conservatives" reacted against European humanism and Tolstoy's "tyranny of ethics." Both turned to the Old Testament for inspiration and support. Leontyev discovered there a faith based on the fear of God the Judge. Rozanov found a religion of joy based on the mystery of procreation and God as the loving Father. Reversing Bakunin's "if God exists, then man is a slave" the "religious existentialists," Shestov and Berdyaev, held that "if man is free, then God exists." They attempted to give a religious foundation for human freedom and values by attacking the supremacy of reason and its necessary truths. Gorky and Lunacharsky, the left wing of the Bolshevik faction, replaced God with a future mankind which is to be perfected gradually in history by the combined efforts of men. These "God-builders" were quickly silenced by Lenin. While Plekhanov remained faithful to Marx in treating religion as a historically determined illusion which will simply wither away in the socialist society, Lenin saw it as a sinister tool in the class struggle, and proclaimed total war on religion. The last chapter investigates the policies of the Soviet government toward the churches and sects, and recent interest in religious ideas among Soviet writers. Each of the mentioned thinkers receives a special section. Although some important thinkers, such as Solovyov, Dostoevsky, Fyodorov, do not get full attention, their influence is made clear. The author's style has a lucidity and simplicity which are a mark of complete mastery of subject matter.--T. D. Z.