Abstract

The subject of the article is the problem of the crisis of ideals generated by the European Enlightenment and the Modern era, as interpreted by Russian thinkers of the first third of the 20th century. Building on the conception of Semyon Frank, the author analyzes the relationship between the socio-political ideals of the Enlightenment in the Russian version and false “idols” that led Russia and Europe to an unprecedented escalation of evil in the early 20th century, is analyzed. Particular attention is paid to the assumption that the ideals of democracy as a true power of the people, as a result of uncritical imple­mentation, lead to revolutionary violence and further reproduction of tyranny. Two ver­sions of democracy are considered: according to Frank, one of them is genuine, based on the idea of disinterested service to the truth, and the second is “false”, oriented to­wards a totalitarian utopia, fundamentally hostile to freedom. The author also analyzes Frank’s views on the phenomenon of the “idol of culture”, which is based on the idea of linear progress. According to Frank, linear progress cannot prevent Russia and Europe from falling into barbarism. Moreover, it even significantly contributed to that break­down. It is concluded that Frank as a Christian philosopher and political thinker became one of the relatively few (along with, for example, Fyodor Stepun and Vladimir Weidle), but all the more significant conductors of the Russian cultural tradition in Europe and the European cultural tradition in Russia: that is, a genuine personification of the phe­nomenon of a “Russian European”.