Abstract

Dedicated to Seoul, which may or may not exist on publication, this essay notates the transition between the nuclear age and the anthropocene and the ongoing speed race between them. Working with Derrida's 1984 essay “No Apocalypse, Not Now” together with Thomas Pynchon's novel Gravity's Rainbow, Gilles Châtelet's smiling diagrams and Ahmed Farag Ali's 2014 paper “Black Hole Remnant from Gravity's Rainbow,” new speeds of epochal nuclear textuality are noted: the modus of the ext, the geocidal epistemology and obliterating letteration of extinction, the aesthetic ideology of what constantly detains extinction in the sociality of death. If there is no apocalypse now, perhaps there is the fable of extinction. All tropes of death implode and melt here, including the so-called imminence of artificial intelligence, the Plastikbombe and cosmic différance. A number of mathemes take note. The nuclear itself does not read.