- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Women in Italian Renaissance Art: Gender, Representation, Identity
St. Martin's Press (1997)
Abstract
Tinagli looks at the interaction between artist and patron, and at the function of these paintings in Italian society of the 15th and 16th centuries. Using letters and poems, she shows the contemporary views of the way women were represented in art.Other Versions
No versions found
Links
PhilArchive
External links
(no proxy)
Setup an account with your affiliations in order to access resources via your University's proxy server
Through your library
- Sign in / register and customize your OpenURL resolver
- Configure custom resolver
My notes
Similar books and articles
Defining the Renaissance 'Virtuosa': Women Artists and the Language of Art History and Criticism.Fredrika H. Jacobs - 1997 - Cambridge University Press.
Refiguring Woman: Perspectives on Gender and the Italian Renaissance.Marilyn Migiel & Juliana Schiesari - 1991 - Cornell University Press.
Studies of Italian Renaissance SculptureGerman Painting, XIV-XVI Centuries.Wolfgang Stechow, W. R. Valentiner & Alfred Stange - 1952 - Journal of Aesthetics and Art Criticism 10 (3):287.
Filippino Lippi's Carafa Chapel: Renaissance Art in Rome.Gail Louise Geiger - 1986 - Truman State University Press.
Levels of Unreality: Studies in Structure and Construction in Italian Mural Painting during the Renaissance.Sven Sandstroem - 1965 - Journal of Aesthetics and Art Criticism 24 (1):124-126.
Dolce's Aretino and Venetian Art Theory of the Cinquecento.Mark W. Roskill - 2000 - University of Toronto Press.
Analytics
Added to PP
2015-02-02
Downloads
16 (#1,202,268)
6 months
4 (#1,272,377)
2015-02-02
Downloads
16 (#1,202,268)
6 months
4 (#1,272,377)
Historical graph of downloads
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-648784bb4d-f5f4x uwo