Euklidesowy rozum i wieczna harmonia

Kronos - metafizyka, kultura, religia 3 (22) (2012)
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Abstract

EUCLIDEAN REASON AND ETERNAL HARMONY Adorno stumbles just before the finishing line. Despite his ascetic instinct he succumbs to the one and only temptation of “the magic of finality”. In his essay Aleksander Temkin points to this negative Nietzschean spirit in Adorno’s “asceticism of the image”. He also suggests a subtle resemblance between Adorno and Dostoyevsky’s Ivan Karamazov.

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