Abstract

Greek tragedy is still acted in the original and in translations; it has inspired such modern drama as The Family Reunion and La Machine Infernale; in Norway and France Sophocles’ Antigone helped to give hope to the resistance. Greek tragedy was produced originally at a religious festival by a poet who was poet, musician, producer, and sometimes actor too. The plays were meant to be seen; they had staging and costumes, dancing, and dramatic technique. They were meant to be remembered; they had language, style, and thoughts which the poet desired to communicate at that particular time. The poet himself knew well the leading artists, thinkers, and politicians of the small society in which he lived. Production, metre, technique, style, and thought are the chief elements which the scholar must study if he would make these ancient plays as intelligible as possible to modern readers.