Abstract

The Umwelt investigated in this essay is a textualized world that a person dwells in, perceives, and experiences, as presented through classical Chinese poetry. It is a world formed and shared among other things and creatures in nature and it is a network of renewed correlations not so much descriptive of qualities as evocative of an environing world in which one feels himself as being-there disposed and attuned to things. What is universal is also mediated by the experience of a particular person at a specific moment. In this essay, I shall delve into the correlation and the interaction between the environing world in reality and the Umwelt constructed in poetry in the Chinese context. I will examine the experiential patterns of the subject through various examples provided by the seventeenth-century poet and critic Ye Xie, and discuss how they coordinate and account for the Umwelt textualized in classical Chinese poetry. I shall probe particularly the notion qi for the construction of the Umwelt, and examine Ye Xie’s argument that the truth of the universe is revealed in poetry. I argue that nature does not appear in the poetic world as respective objects, but particular aspects or shades of things from the first-person point of view. The Chinese thought of “Being-in-the-world” means much more than the spatial location, but a sense of engagement and involvement. The oppositional relationship between the subject and the object is superseded by the resonance of oneself with his Umwelt through personal life experience. Ye Xie proposes that the highest function of poetry is to convey the ultimate truth of the universe. However, the truth expressed through poetry is not the transcendent order of reason; it is inherent in phenomena in the instance rather than being permanently universal. This is a Chinese way of truth setting itself into work, as truth is not a universal or definitive understanding of the world, but a guidepost and stimulus for the personalistic and concrete experience of one’s life.