Abstract
The object of Angle’s rich, fascinating and wide-ranging book is the admirable one of building a bridge between Confucian ethics and modern ethical thought. He does this through the use of two major tools. The first is the overall framework: Confucian ethics is understood as a type of virtue ethics. The second is the deployment of “bridge concepts†“which allow us to put two traditions into dialogue†for “they are open enough to permit of greater specification†(Stalnaker 2006: 17) in relation to each of the traditions brought into dialogue (52). These two tools are linked, for Angle thinks of virtue ethics itself as a bridge concept, “which is meant to be a general framework for discussion rather than a particular, fully specified understanding†(52). This is an interesting approach to the problem of the definition of virtue ethics, but I shall not focus on this issue. Nor shall I challenge the virtue ethical framework of Angle—I am not qualified enough for that—though I believe that some reject such a framework in favor of role ethics. I myself believe that virtue ethics in its fuller development should embrace role ethics through the notion of what I have called “differentiated†virtue. But this issue is not the focus of Angle’s book. Rather I shall concentrate on aspects of two concepts which Angle appears to deploy as bridge concepts: balance in relation to the Confucian idea of harmony, and attention in relation to the Confucian idea of reverence. We begin with balance and harmony