Abstract

That the same story can be told in different media is one of the fundamental claims of narratology. Claude Bremond famously listed verbal narrative, novels, theater, movies and ballet among potential vehicles for story. He thus prepared the ground for narratology’s future as a discipline engaged in narrative research across media, in principle including single still pictures. However, narratological research concerned with pictorial narrativity generally proceeds from the assumption that although single pictures may evoke or imply stories, they are unsuitable for storytelling in a strict narratological sense. Focusing on the key issue of temporality, this essay will show that a single still picture may indeed tell “a story proper” and can thus be regarded as a narrative, even according to a narrow definition.