Abstract

ABSTRACT The idea of “critical phenomenology” is premised on the belief that there is a radically critical political impetus intrinsic to phenomenology as such. This belief is sound, but its grounds are unclear. This article clarifies the sense of critical phenomenology by showing how it is based in the methodological need for a generative apprehension of nature as the outermost horizon of experience, that this horizon is pregiven in the mythic Urdoxa of the lifeworld, and that critical phenomenology ultimately goes beyond traditional phenomenology precisely by engaging in a moment of critical mythopoetic praxis, what Hans Blumenberg termed “work on myth,” at this level. This is highly counterintuitive but fundamental to the theoretical coherence of critical phenomenology and crucial to its viability as a transformative political practice in terms of navigating the ideological landscape of the contemporary world.