Abstract

Throughout the last decade, calls for a return to materiality have reverberated within the humanities and social sciences. Few, however, have noticed that this return has also entailed a return to fiction, as the new theoretical writings on matter regularly include elements of storytelling, fabulation or other genres of invention. This article asks why this alliance between new materialism and fiction has come about: Why do scholars united by a common interest in ‘getting real’ consistently utilize a type of discourse defined precisely by not committing itself to reality? Examining works by Jane Bennett, Dominic Pettman, Stacy Alaimo, Astrida Neimanis, Donna Haraway, and Rebekah Sheldon, the article explores this question by tracing three modes of fictionality in new materialism distinguished by inventing non/human entanglements, scientific knowledge, and future societies respectively. Ultimately, the article argues that fictionality is a particularly attractive tool for attempts to transcend anthropocentric regimes of truth.