Feminist cultural theory: process and production

(ed.)
New York: Distributed exclusively in the USA and Canada by St. Martin's Press (1995)
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Abstract

Introduction BEVERLEY SKEGGS By asking a group of feminist cultural theorists who have produced exemplary interdisciplinary scholarship in the to reflect ...

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HQ1190.F445 1995

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0719044707   0719044715

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Chapters

Kathleen Rowe.  (pages 46)Studying Roseanne
Common knowledge: the'nature'of historical evidence.  (pages 62)Janet Thumim
Finding a Place from Which to Write: the Methodology of Feminist Textual Practice'.  (pages 80--96)Lynne Pearce
The Lost Audience: Methodology, Cinema History and Feminist Film Criticism'.  (pages 97)Jackie Stacey
Writing “femininity in dissent”.  (pages 119--133)Alison Young
Mothers watching children watching television.  (pages 137--152)Ellen Seiter
I want to tell you a story: The narratives of Video Playtime.  (pages 153--168)A. Gray
Questioning the 'ordinary'woman: Oranges are not the Only Fruit, text and viewer.  (pages 169--89)Julia Hallam & Margaret Marshment
Theorising, ethics and representation in feminist ethnography.  (pages 190--206)Beverley Skeggs
The personal, the professional and the partner (ship): the husband/wife collaboration of Charles and Ray Eames.  (pages 207)Pat Kirkham

Similar books and articles

The Lost Audience: Methodology, Cinema History and Feminist Film Criticism'.Jackie Stacey - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 97.
Finding a Place from Which to Write: the Methodology of Feminist Textual Practice'.Lynne Pearce - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 80--96.
Theorising, ethics and representation in feminist ethnography.Beverley Skeggs - 1995 - In Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 190--206.
Kathleen Rowe.Studying Roseanne - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 46.
Writing “femininity in dissent”.Alison Young - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 119--133.
Mothers watching children watching television.Ellen Seiter - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 137--152.
Common knowledge: the'nature'of historical evidence.Janet Thumim - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 62.
Questioning the 'ordinary'woman: Oranges are not the Only Fruit, text and viewer.Julia Hallam & Margaret Marshment - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 169--89.
I want to tell you a story: The narratives of Video Playtime.A. Gray - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 153--168.
The personal, the professional and the partner (ship): the husband/wife collaboration of Charles and Ray Eames.Pat Kirkham - 1995 - In Beverley Skeggs, Feminist cultural theory: process and production. New York: Distributed exclusively in the USA and Canada by St. Martin's Press. pp. 207.

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