Abstract

In January 1889, V.I. Vernadskii wrote to his wife from Munich about the "great truth" that "Dürer's powerful mind" had expressed in his painting The Four Apostles. "The dreamer,… the profound philosopher seeks… the truth and gives rise to a less profound pupil as an intermediary," who "cannot understand the full essence," but "is closer to life,… explains in concrete terms what the other has said,… distorts him, but that is precisely why the masses will understand him: because he will grasp a small piece of the new and combine it with age-old popular beliefs." Beside them stand two figures with the severe countenances not of thinkers but of politicians. One is "ready to fight for the truth and will have no mercy on the enemy, unless the enemy comes over to his side.… He wants power too, he is capable of leading the crowd, but he understands what the cause is about, this is the fighter-thinker. And next to him is the fanatical, bestial countenance of the fourth apostle. He is a petty politician.… He pursues this idea in a harsh, mercilessly narrow spirit" and "is already a completely base mouthpiece of the crowd and its means. But he is easiest to understand, and de facto most powerful. But one can hardly recognize the thoughts of the first apostle in the outward form of the fourth, and thus, in particular, even that which has influenced humanity most strongly and powerfully may come to pass."